This paper focuses on Jacques Derrida’s theme“events of thought”and its application to interpretation of contemporary Chinese female art.These“thinking events”are associated to the philosopher’s reflection on“t...This paper focuses on Jacques Derrida’s theme“events of thought”and its application to interpretation of contemporary Chinese female art.These“thinking events”are associated to the philosopher’s reflection on“the end of the world”,to his love for the“ruins”,and to his deconstructive-inspirational and prophetic-thinking of the“future”.The study of Chinese female art shows that the esthetic operations of these artists inscribe new thoughts on the scene of contemporary art,inside/outside/“bound/unbound”to the reception of global publics.展开更多
文摘This paper focuses on Jacques Derrida’s theme“events of thought”and its application to interpretation of contemporary Chinese female art.These“thinking events”are associated to the philosopher’s reflection on“the end of the world”,to his love for the“ruins”,and to his deconstructive-inspirational and prophetic-thinking of the“future”.The study of Chinese female art shows that the esthetic operations of these artists inscribe new thoughts on the scene of contemporary art,inside/outside/“bound/unbound”to the reception of global publics.
