On the Elements of Masculinity and Femininity in Arthur Miller’s Dramas

Arthur Miller is universally recognized as one of the greatest dramatists of the 20th century in the United States,together with the conscience of American drama.Nevertheless,his works have always been considered as having misogynic inclinations.This paper,on the basis of gender theories,seeks to undertake an interpretation to the elements of masculinity and femininity regarding female characters in Arthur Miller’s dramas.Taking The Crucible and A Memory of Two Mondays as a case in point,the author seeks to identify and discuss three categories of female characters,comprising“the angel in the house”,the figure of Medea,and the silenced and absent females,in order to deconstruct Miller’s dichotomized outlook on females.

Feminine Writings:Between Representations of Past and Present Femininity

The writers of this study are the Countess de Ségur,Louisa May Alcott and Maria Clarice Marinho Villac,from France,the United States and Brazil,respectively.It’s possible to identify a connection in their life trajectories―aristocratic and bourgeois families―and the ability to write their books.These publications address a specific audience,composed of children and young people,especially females.The representation of femininity in the narratives is related to the representation of family and religiosity,since it is up to the family to guide the girls in moral terms and this question is quite highlighted by religion.Analyzing the representation of femininity is due to the fact that the main books of female writers bring female protagonists,who exhibit a rebellious and mischievous behavior,which is observed and guided by adults.The representations of femininity is still valued and legitimized.For this reason,the narratives continue to be published and adapted to other languages,bringing to light these representations that remain until the 21st century in new clothing and updated vocabulary.Some adaptations for the Portuguese will also be analyzed,trying to identify longevity the works of these writers and their meaning in some epochs.

Women on Women Femininity and Independence in the Work of Chinese Contemporary Female Artists

■The history of China, as seen through the eyes of a Chinese woman, would no doubt present a very different story to that which we are accustomed to. The centuries of oppression endured by Chinese women were ratified by the teachings of Confucius which assert

The Classic Shaping of Typical Female Images by Mulan Motif in Historical Times-Historical Review and Textual Sorting of the Motif

The image of Mulan is well known to the public as an important symbol in the dissemination of Chinese excellent traditional culture.This paper aims to summarise the mother-title from traditional canonical texts,to explore the content and value of sustainable IP development,and to study a large number of derivatives with the image of Mulan as the mother-title,based on the wide circulation of the prototype of the mother-title“The Poem of Mulan”(木兰辞)and the positive values conveyed by the content.Through the processing and imagination of scholars and writers on the mother text in the past generations,the image of Mulan has gradually formed a relatively stable cultural communication theme in the process of dissemination in China’s historical period,and many adaptations with international influence based on the mother title of Mulan have emerged in the foreign dissemination,so through the combing and summarisation of the textual works of various periods both at home and abroad,we will dig out the textual transmission of the mother title of Mulan,which is representative of the mother title of China’s excellent traditional culture,and the development of the Chinese spiritual core.The Development of the Chinese Spiritual Kernel.This paper adopts research methods such as documentary evidence method and discourse analysis to show the textual flow of Mulan’s parent theme in a more diversified form.

Experiencing the Abject Female Body and Writing the Female Self:Body Narrative of In the Heart of the Country

In the Heart of the Country,the second novel by J.M.Coetzee,has been traditionally read as a disembodied writing that focuses on the problem of writing per se instead of the reality.This paper contends that the work is actually a body narrative that explores the visceral pain suffered by Magda whose infertile body impedes her being a qualified subject.As the heroine in a postcolonial novel,Magda is not just a body that is restricted and constructed by the politics of the body,but also a thinking and writing body that consciously questions and resists the gendered bodily norms under whose yardstick her subjecthood is barred.Written in the metafictional manner,Magda’s narrative of the body is not just a record of her corporeal experience,but also a self-conscious negotiation with,and challenge of,the bodily norms under whose yardstick her body has been debased or,in terms of Judith Butler,abjected.Taking her female bodily experience as the starting point,Magda writes a feminine text that values passion,fluidity and non-linearity to disrupt the patriarchal discourse underpinned with logical reasoning.The feminine body narrative endeavors to achieve a new way of communication through which a reciprocal cross race/gender relationship might be established.

Women Under Gazes in The Great Gatsby

Much more than simple viewing, gaze, which is a kind of concentrated thorough long-term viewing, makes the gazer and the gazed establish a complicated power relationship. Frequently, women are in a position of being gazed at by others instead of taking the initiative to have a counter gaze. Consequently, they are confronted with abnormal self identity construction and alienation under the gazes of others and the self gaze brought by others’ gazes. This is fully revealed in the experiences of three representative female characters in Fitzgerald’s The Great Gatsby. This paper elaborates on their experiences and the relative consequences under gazes-deviation of femininity and other aspects, in the hope of providing a refreshing perspective for the study on this novel, gaze and gender issues.

Tracing the Feminine Participation in the Religio-Political Affairs in Kenya Upto 2010

Since the onset of the constitution 2010,the Kenyan community has put more weight on women empowerment.The emphasis is more on the girl child compared to the boy child.There are several steps that have been taken to uplift the status of the girl child;these include the creation of a special position in parliament just to deal with women matters.Apart from these there has been deliberate efforts put in place to bring women at per with their male counterparts by putting in place the one third gender.These efforts though laudable requires political good will.However,there is emerging a new phenomenon that seems to pose a challenge to these political-constitutional efforts.This is,the perception of religion and the equation of human equality.In this paper,I try to trace the female participation in the religious and political engagements in Kenya upto 2010.

Understanding the pregnant women’s experiences during the COVID-19 pandemic:A qualitative study

Objective To explore and interpret the experiences of pregnant women in Macao region,China during the COVID-19 pandemic.Methods Recruitment advertisements were published through multiple social platforms in Macao region,China.A purposive snowball sampling method was adopted to select interviewees.Eighteen women who were confirmed as pregnant from January to May 2020 participated in this qualitative study.Data was collected from November to December 2020 using in-depth personal interviews.One-to-one interviews were conducted by telephone to avoid personal contact.Thematic analysis was used to perform the data analysis and identify emergent themes.Results Five themes emerged from the data analysis:changes in daily life,psychological distress,unique experiences of pregnancy follow-up,trying to pay attention to health information but also feeling overwhelmed,and change in hygiene behaviors due to fear of infection.Six sub-themes were identified:being confined at home but understanding the reasons,financial pressures and timely support from the government,perceived risk of catching the infection,retaining optimism with various help and support,adequate personal protections,and obsessive hygiene behaviors.Conclusion During a pandemic,there is a risk of greater individual isolation,particularly for vulnerable groups such as women in pregnancy.The humanized attention to and support for the residents from the government buffered the adverse impact on the study participants.Preplanning for such events is needed to focus on psychological distress,financial constraints,and prenatal health services.Alternative service delivery,such as telemedicine,online counseling,and virtual reality(VR)technology,should be applied to offer pregnant women timely support and avoid a crisis.

Sex-Role Orientation in Men Is Related to Salivary Testosterone Levels

Previous research has implicated the involvement of androgens in sex-role orientation in males, from studies of 2nd to 4th digit ratio (a purported marker of prenatal testosterone). The present pilot study investigates the relationship between salivary testosterone levels and sex-role orientation using Bem Sex Role Inventory (BSRI) scores in adult males. Twenty-one males (aged 18-24) completed the BSRI and provided saliva samples for assay. BSRI Femininity scores were significantly negatively correlated with testosterone levels;the higher the Femininity scores, the lower the testosterone levels. There was no relation of BSRI Masculinity scores with testosterone levels. Our preliminary results add to the research suggesting that sex-role orientation in males may be partially related to underlying hormone levels.

The Influence of Culture and Customs on International Business Communications

This paper discusses culture. Scholars have not been able to agree on a definition of culture but most include values and norms as components of their definition. Intercultural communication is vital that skill managers must possess in order to effectively do business in foreign countries. Hofstede＇s theory of national cultural dimensions is employed to provide a framework for defining intercultural communication. Subsequently, several countries are examined using Hofstede＇s scoring system for cultural dimensions. This is followed by a discussion of ways to achieve intercultural competence.

Feminists＇ Culture and Ethics at Work-- A Critical Analysis

The male writers＇ intuitive gift and superb insight describe feminine characters, feminine nature, femaleness, and femininity. In the 19th century, the study of the character logical portrait and cultural traits associated with femininity enunciated feminists＇ discourse to justify vindication of rights as regards women＇s cultural anxiety, political identification, and aesthetic experimentation. Similarly, the women writers＇ imaginative powers characterize women＇s emotions either reflecting shrinking subjectivity or elaborating notion of voluntary subjectivity as regards their experiences and existence, their passions and sensations, and their self and life. The 20th century women＇s writings raised inquiry against presentation of gendered self, performance of gender, gender discontent as regards with their sex and gender, which are assigned at birth as well as also for the alignment of biological sex, sexuality, gender identity, and gender roles. In this paper, the study of the four selected novels such as The Scarlet Letter, Tess of the D ＇Urbervilles, Emma, Surfacing, and Inner Line shows how circumstances, strata of time, and externalities of others objectify woman and her domestic space; how a woman perceives her deprivation as regards her own image which seems nobody to herself due to the sense of low perception; in what way sexual difference and gender-specific practices and ideology enforce woman to chide herself in the given environment and surroundings of legal codifications, moral prescriptions, and medical prognostications. The analyses of the novels draw how woman＇s experience as living subject in the vital dimension of human existence and utopian image of human fellowship is potentially undone by way of sexual exploitation, dismemberment, and embodiment. What kind of vulnerable moments force woman to withdraw from her body and fi＇om her essence is the center of concern in this paper？ While discussing the feminists＇ culture and ethics in their works, the focus is on the essentialized notion of gender-specific discrimination as well as on the frustrating double-consciousness that characterizes the cultural position of the other.

Gone with the Wind and Women's Awakening

Scarlett who was the heroine in the world famous book Gone with the Wind,is regarded as one of the most impressive images in the world literature.Her charm lies in her perverse personality of independence and her spirit of freedom.This essay analyzes the characters of the heroine through highlighting women's social status in the South during the age of Scarlett's time.It could be safely concluded that Scarlett's characters and her courage to face the difficulties during the war reveal the awakening of women's self-consciousness and the realization of feminine value.

The Victorian In-between Ladies: A Feminist Reading of Idylls of the King

Alfred Tennyson has long been acclaimed for his poetic art in English literature.His Idylls of the King has been recognized as a masterpiece in terms of Arthurian literature,narrative poetry and romantic writing.The present study intends to analyze Tennyson’s peculiar characterization of two female figures from Idylls and interpret the Victorian poet’s intention to address the issue of feminism.Breaking away from the angel/whore dichotomy of women popular in Victorian literary works,Tennyson managed to recognize and praise the complexity of authentic femininity.Though social and cultural factors prevented him from a complete subversion of the gender ideology of his time,the strong sense of agency in figures such as Elaine and Guineverehas given his medieval-setpoetry as much human reality as possible.

An Analysis of Lindo Jong＇ s Androgyny in The Joy Luck Club

Lindo Jong's image has been interpreted from different perspectives. An androgynous reading of Lindo is worth notice. The first section explores her masculinity. While the second section probes her adherence to femininity. The last section concludes that Amy Tan's ideal of androgyny is revealed in her depiction of Lindo's inner struggle concerning her androgynous nature and her quest for what kind of gender role she should embrace.

书名翻译:忠实性与连贯性——以The Feminine Mystique的中文翻译为例

标题翻译的根本原则是忠实与连贯。本文以The Feminine Mystique的中文翻译为例说明其运用。贝蒂·弗里丹(Betty Friedan)的The Feminine Mystique是女性主义经典之作。该书名目前最具有权威性的译法有:《女性的奥秘》和《女性迷思》。笔者认为此两种译法仍有商榷余地。如果遵循忠实(fidelity)和连贯(coherence)的翻译法则,从词义、词源和原书意义来深入解析“mystique”一词,该书名译为“女性气质的神话”或“家庭主妇的神话”较为合理。

Sensitive Skin in China

Background: Many consumers in the USA and Europe define themselves as having sensitive skin, a phenomenon whose etiology appears to include both physiological and psychosocial factors. Objectives: Sensitive skin data from the developing world is sparse. This study evaluates the prevalence and characteristics of sensitive skin in China and compares data collected to existing data from the western world. Patients/Materials/Methods: A total of 408 Chinese women voluntarily completed a survey on sensitive skin. Results: Some degree of skin sensitivity was claimed by 94 (23%) of respondents;most (90.4%) said their skin was only slightly or moderately sensitive. Facial sensitivity was claimed by 21% of Chinese women, sensitivity of the body surface by 9% and genital sensitivity by only 6%. Small numbers of respondents reported a history of skin allergy (3%) or a familial history of sensitive skin (2%). Many reported making buying decisions based on product claims. Conclusions: Only 23% of Chinese women claimed any degree of sensitive skin, a prevalence substantially lower than that observed in most Western countries. Sensitivity of the genital skin, in particular, was dramatically lower, suggesting at least some cultural component to perceptions of sensitive skin.

“女性写作”的中国之旅——后女性主义关键词“écriture féminine”的译介研究

"écriture féminine"一词是后女性主义批评理论的关键词之一,自从1992年被译介到中国以来就拥有多种译名。学界就这些译名的讨论也非常热烈,其中最激烈的两场争论是"écriture féminine"这个具有西方理论背景的概念与"女性文学"这个中国文学传统中的概念的碰撞,其二是"écriture féminine"与90年代"躯体写作""身体写作"的争论。

Analysis of Fitzgerald s Bernice Bobbed Her Hair from Feminist Criticism

In Western countries,WWI fostered a major change in attitude by bringing many women out of their homes into new spheres of action,and brought birth to the " new women" and the booming of feminism in United States.Bernice Bobs Her Hair,published in 1920 and collected in Flappers and Philosophers,is a well-known short story of early Fitzgerald.The two heroines-rural girl Bernice and her cousin Marjorie,who was an urban gardenia girl-both had their long beautiful hair cut passively.This paper attempts to reveal the traditional patriarchal shadow deep inside the " new women",by the analysis of psychological changes and their incentives in Bernice and Marjorie through three phases:before Bernice talking about haircut,haircut as Bernice' s chatting topic and after haircut,to search for the real meaning of New Women,which,as the writer' s opinion,New Women are not the females getting rid of the constraints of " angle",such as " beautiful long hair",but the females who take the responsibilities for the societies,their families and themselves based on their feminine essence.

An Analysis of the Feminine Awakening of Rebecca and Xi-feng

In Rebecca and A Dream of Red Mansions, the authors create two similar female characters — Rebecca and Wang Xifeng,who have aroused numerous discussions among scholars. Although Rebecca and Xi-feng live in different times, they are quite similar in their characters and destinies, and are often referred as representatives of awakened female. This dissertation in tends to conduct a cross-culture comparison between Rebecca and Xi-feng by answering the following questions: 1) what are the historical and individual causes of the feminine awakening of Rebecca and Xi-feng; 2) what are the similarities between Re becca's and Xi-feng's feminine consciousness? 3) What are the differences between Rebecca and A Dream of Red Mansions in dis playing characters' feminine consciousness?By adopting parallel comparative research method, the study finds that: 1) the feminine consciousness of Rebecca and Xifeng stems from both trends of thoughts at that time and their relatively free and open growing environment; 2) the similarity be tween them is that they have similar androgynous characteristics, which reflect the authors' pursuit of an integrated human identi ty; 3) the individuality of Rebecca lies in the characterization techniques, namely the narrative perspective and dual texts, which imply both protest and surrender under the grim reality; in A Dream of Red Mansions, Xi-feng does not form clear feminine con sciousness, instead she become a defender and victim of patriarchal culture.The author hopes that this comparative study between two literary characters can bring a new light to the study of two mas terpieces and help readers to differentiate patterns of feminine consciousness as well as to gain a better perception of feminist value in wider context.

Individuation and the Feminine Soul: Study of Feminine Archetypal Images Carried out on Surgical Patients

This article is the result of a research carried out in a private hospital of Belo Horizonte, Brazil. The patient care model of the Mastology Department includes an interdisciplinary staff that aims for the comprehensive treatment of these surgical patients. The research is based on clinical approach, under the framework of Analytical Psychology. Feminine archetypal images are symbolically represented by the Main Goddesses of the Olympus. It is natural for one of these expressions to prevail throughout a woman’s life, or even in specific moments of her life, but it is important to recognize that all of them are part of the feminine soul. We can, therefore, define and understand the Goddesses from Greek Mythology symbolically as being representative of the various feminine psychogenic forces that are projected. In reality, they are internal images that can be used to help know and understand personal issues and changes that are necessary in a woman’s life, enabling personal growth and the possibility to identify herself with the more authentic elements of her being. In this work experience, the feminine force showed itself to be a force of creation, of expression and of overcoming.