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The Main Colors of the Forbidden City
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作者 Long Qin Hong-li Liu 《Sociology Study》 2023年第4期206-213,共8页
The main colors of the Forbidden City are Red and Yellow,which can represent rich cultural deposits.According to the Chinese traditional culture,the Red of the Forbidden City has always been regarded as a positive col... The main colors of the Forbidden City are Red and Yellow,which can represent rich cultural deposits.According to the Chinese traditional culture,the Red of the Forbidden City has always been regarded as a positive color of celebration,conveying dignity and happiness.The Yellow color is usually considered as a promising color,and represents a bumper harvest.Based on the principle of the Five Elements,Fire is red,which means breeding and encouragement,and shows prosperity and a solid foundation for the country.Yellow represents Winged Dragon,belonging to the Center of the Earth,and symbolizes the divine right of emperors.Therefore,the color of the Forbidden City(see Figure 1)is of great significance to the development of history and the revival of culture.We still need to work determinedly for the protection of the cultural heritages,so that more people can have the opportunity to understand the brilliance of Chinese civilization. 展开更多
关键词 forbidden city COLORS traditional culture RED YELLOW five elements Chinese civilization
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On the Motions of Four Pagoda Clocks in the Forbidden City
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作者 LI Yezhuo CHEN Yu-Hsun YAN Hong-Sen 《Chinese Annals of History of Science and Technology》 2020年第S01期61-81,共21页
Ancient mechanical clocks and automatons are solid evidence regarding the evolution of technological development.At least four ingenious eighteenth-century clocks with pagoda automatons are preserved in the Palace Mus... Ancient mechanical clocks and automatons are solid evidence regarding the evolution of technological development.At least four ingenious eighteenth-century clocks with pagoda automatons are preserved in the Palace Museum in Beijing.Two were made in China,the other two in Britain.Although the internal mechanical components were maintained and recorded in the late twentieth century,their mechanism structure is mostly not made available to the public owing to the historical value of these artefacts.This study introduces feasible mechanism structures for the four pagoda automatons based on published works,along with considerations of mechanical design.Five subsystems of the clocks are analyzed,and two mechanisms of the pagoda automaton are illustrated.In particular,feasible mechanisms of the four pagoda automatons for raising their stories are explained.The analysis procedure presented in this paper expands the feasibility of reconstruction work on ancient mechanisms with unknown structures. 展开更多
关键词 pagoda clock mechanism AUTOMATON history of machines forbidden city
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Renovation of the Forbidden City Should the Imperial Collection Be Displayed Underground?
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《China Today》 2002年第8期27-31,共5页
BERNARDO Bertolucci’s film, The Last Emperor, drew its Western audience into a mystic, grandiose, oriental palace that was the Forbidden City, leaving them awestruck at the
关键词 In Renovation of the forbidden city Should the Imperial Collection Be Displayed Underground BE
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Turandot in the Forbidden City
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作者 MA WIN 《China Today》 1999年第3期29-30,共2页
关键词 Turandot in the forbidden city
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Recalling Antiquity at the Old Forbidden City in Jinling
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作者 Aisingioro Xuanye</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85887X" target="_blank" title="China & The World Cultural Exchange">《China & The World Cultural Exchange》</a> <span class="medal"> </span> </span><span class="vol">1996年第1期63-63,共1页</span> </dd> <dd> <span class="abstract"> <span class="">Notes:1.The Old Forbidden city refersto the former inperial palace of theMing Dynasty.Now the site hasbecome a park open to he public.2.Nanjing was called Moling inthe Qin Dynasty.3.Phoenix-patterned banners refer to ...</span> <span style="display:none;">Notes:1.The Old Forbidden city refersto the former inperial palace of theMing Dynasty.Now the site hasbecome a park open to he public.2.Nanjing was called Moling inthe Qin Dynasty.3.Phoenix-patterned banners refer to the banners on chariots used by the Qing emperors.4.The Yin(Shang)Dynasty overthrew the Xia Dynasty,but later was overthrown by the Zhou Dynasty.Here the poet warns his descendants that they should take a</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3dRecalling title="Recalling">Recalling</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAntiquity title="Antiquity">Antiquity</a></span> <span><a href=/Qikan/Search/Index?key=K%3dat title="at">at</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dOld title="Old">Old</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3din title="in">in</a></span> <span><a href=/Qikan/Search/Index?key=K%3dJinling title="Jinling">Jinling</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1004865167','mBS+t+RgeIaaGL9pX+zmORoj0WXmgWCSgJxCMG310xZhhnHiSS+DKQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1004865167')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=4000201120" target="_blank" index="5" articleid="4000201120">Does a Western Coffee Shop Belong in China’s Forbidden City?</a> </dt> <dd class="no">6</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="4000201120" lay-skin="primary" title=""> </dd> <dd> <span class="author"> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=61000X" target="_blank" title="Beijing Review">《Beijing Review》</a> <span class="medal"> </span> </span><span class="vol">2007年第7期46-47,共2页</span> </dd> <dd> <span class="abstract"> <span class="">As the symbol of China’s feudal reign during the Ming and Qing dynasties (1368-1911),Beijing’s Forbidden City rep-resents all that is rich and cre-ative about China’s history andancient archi-</span> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3dDoes title="Does">Does</a></span> <span><a href=/Qikan/Search/Index?key=K%3da title="a">a</a></span> <span><a href=/Qikan/Search/Index?key=K%3dWestern title="Western">Western</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCoffee title="Coffee">Coffee</a></span> <span><a href=/Qikan/Search/Index?key=K%3dShop title="Shop">Shop</a></span> <span><a href=/Qikan/Search/Index?key=K%3dBelong title="Belong">Belong</a></span> <span><a href=/Qikan/Search/Index?key=K%3din title="in">in</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChina title="China">China</a></span> <span><a href=/Qikan/Search/Index?key=K%3ds title="s">s</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" class="behavior-transfer" onclick="clickTransfer('4000201120')"><i class="icon-send"></i>原文传递</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=7105283773" target="_blank" index="6" articleid="7105283773">The Historical Information of the Decorative Polychrome Painting in the Hall of Mental Cultivation Complex,Forbidden City</a> </dt> <dd class="no">7</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7105283773" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dHong%2bYang title="Hong Yang"><span>Hong Yang</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dJiawei%2bXie title="Jiawei Xie"><span>Jiawei Xie</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dLifang%2bJi title="Lifang Ji"><span>Lifang Ji</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=59802X" target="_blank" title="Built Heritage">《Built Heritage》</a> <span class="medal"> </span> </span><span class="vol">2018年第1期19-38,共20页</span> </dd> <dd> <span class="abstract"> <span class="">This paper analyses the decorative polychrome painting of architectural members(caihua)that has sur­vived in the Hall of Mental Cultivation(Yangxindian)in the Forbidden City,Beijing.Beginning with the Yongzheng e...</span> <span style="display:none;">This paper analyses the decorative polychrome painting of architectural members(caihua)that has sur­vived in the Hall of Mental Cultivation(Yangxindian)in the Forbidden City,Beijing.Beginning with the Yongzheng emperor,the Hall of Mental Cultivation was the residence and centre of daily governance for Chinese emperors.Combining information gained through on-site surveys and scaled drawings executed during a recent conservation project with evidence from historical records and other sources,this study finds that the remaining decorative poly­chrome painting can be dated to four different historical phases:the reign of the Jiajing emperor;the late Ming and early Qing dynasties;the reign of the Qianlong emperor;and the late Qing Dynasty and beginning of the Republic of China.It reveals that the designs of decorative polychrome painting on architectural members are closely related to changes in the functions of the buildings and imperial use.As part of an investigative conservation project,the study aims to provide a reliable basis for the conservation and repair work in the next step.</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3dhistorical title="historical">historical</a></span> <span><a href=/Qikan/Search/Index?key=K%3dinformation title="information">information</a></span> <span><a href=/Qikan/Search/Index?key=K%3ddecorative title="decorative">decorative</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpolychrome title="polychrome">polychrome</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpainting title="painting">painting</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3darchitectural title="architectural">architectural</a></span> <span><a href=/Qikan/Search/Index?key=K%3dmembers(caihua) title="members(caihua)">members(caihua)</a></span> <span><a href=/Qikan/Search/Index?key=K%3dHall title="Hall">Hall</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3dMental title="Mental">Mental</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCultivation(Yangxindian) title="Cultivation(Yangxindian)">Cultivation(Yangxindian)</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dcaihua title="caihua">caihua</a></span> <span><a href=/Qikan/Search/Index?key=K%3dunder title="under">under</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dMing title="Ming">Ming</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcaihua title="caihua">caihua</a></span> <span><a href=/Qikan/Search/Index?key=K%3dunder title="under">under</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dQing title="Qing">Qing</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" class="behavior-transfer" onclick="clickTransfer('7105283773')"><i class="icon-send"></i>原文传递</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=47996638" target="_blank" index="7" articleid="47996638">The Fault Line in Chinese Reflective Thinking</a> <span class="cited">被引量:<a href="javascript:void(0)" data-articleid="47996638" data-zkbycount="1">1</a></span> </dt> <dd class="no">8</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="47996638" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dJim%2bPlatts title="Jim Platts"><span>Jim Platts</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=71225X" target="_blank" title="Journal of Philosophy Study">《Journal of Philosophy Study》</a> <span class="medal"> </span> </span><span class="vol">2013年第10期945-957,共13页</span> </dd> <dd> <span class="abstract"> <span class="">Behind what is called "Needham's Grand Question" (why was China overshot by the West in science and technology?) lies a deeper question of how China came to lose the capacity of deeply reflective thought clearly...</span> <span style="display:none;">Behind what is called "Needham's Grand Question" (why was China overshot by the West in science and technology?) lies a deeper question of how China came to lose the capacity of deeply reflective thought clearly present in the ancient Chinese philosophers. This is a loss felt by all Chinese as a psychological sense of hollowness, a loss of identity, made worse by the seeming inaccessibility of the ancient Chinese wisdom to the modern Chinese mind. It is clear that at some historical point China suffered an extreme psychological blow sufficient to traumatise it at the threshold of reflective thought, unable to look inwards any more. The paper identifies that point as the utter devastation wrought by Kublai Khan and the Mongols 750 years ago. What devastates reflective thought is wilfulness, the insistent focusing of all attention and energy on external, material things, and Kublai Khan was wilful in the extreme. What confirms this as the crippling point is that, in response to Kublai Khan's Mongol invasion the Chinese, over time, not only completely altered the geography of China itself, moving their capital to the North (Beijing), but have ever since fought to establish as "China" all the territory over which Kublai Khan ruled. China is clearly not free of Kublai Khan's shadow. But even more precisely, in the process of doing this--and showing their own wilfulness--in building the Forbidden City in Beijing they built it in the shape of the Chinese metaphysical model of the universe, the Chinese version of the Tree of Life metaphysical glyph But it has an error in it. And the error is precisely that in where it places things, it makes what would have been the attributes of reflective thought subservient to wilfulness. The model itself thus shows the hollowness of the Chinese mind from that moment on. The outer form--the "appearance"---of the ancient wisdom was still there. But the content--the "substance"--of it was not. And with no reflective thought, true creativity disappears.</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3dNeedham%ef%bc%87s title="Needham's">Needham's</a></span> <span><a href=/Qikan/Search/Index?key=K%3dgrand title="grand">grand</a></span> <span><a href=/Qikan/Search/Index?key=K%3dquestion title="question">question</a></span> <span><a href=/Qikan/Search/Index?key=K%3dKublai title="Kublai">Kublai</a></span> <span><a href=/Qikan/Search/Index?key=K%3dKhan title="Khan">Khan</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dTree title="Tree">Tree</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3dLife title="Life">Life</a></span> <span><a href=/Qikan/Search/Index?key=K%3dreflective title="reflective">reflective</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthinking title="thinking">thinking</a></span> <span><a href=/Qikan/Search/Index?key=K%3dwilfulness title="wilfulness">wilfulness</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpsychological title="psychological">psychological</a></span> <span><a href=/Qikan/Search/Index?key=K%3dblock title="block">block</a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('47996638','mlInKw17b2ZYuB7ylCl7OWMaJdfGYOmqigakJ7tcNd8=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('47996638')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=25006038" target="_blank" index="8" articleid="25006038">The Best of Beijing</a> </dt> <dd class="no">9</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="25006038" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dLIN%2bZILONG title="LIN ZILONG"><span>LIN ZILONG</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=86870X" target="_blank" title="China Today">《China Today》</a> <span class="medal"> </span> </span><span class="vol">2007年第6期64-65,共2页</span> </dd> <dd> <span class="abstract"> <span class="">FOR much of China’s history, the city of Beijing has been the nation’s capital.Thus it boasts a wealth of ancient cultural treasures, including buildings, parks and monuments. These are five of the better ones.</span> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3dBeijing title="Beijing">Beijing</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dChina%e2%80%99s title="China’s">China’s</a></span> <span><a href=/Qikan/Search/Index?key=K%3dhistory title="history">history</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dcapital title="capital">capital</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dThe title="The">The</a></span> <span><a href=/Qikan/Search/Index?key=K%3dGreat title="Great">Great</a></span> <span><a href=/Qikan/Search/Index?key=K%3dWall title="Wall">Wall</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dThe title="The">The</a></span> <span><a href=/Qikan/Search/Index?key=K%3dSummer title="Summer">Summer</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpalace title="palace">palace</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dThe title="The">The</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('25006038','dogx78Rqf3/ZjhhJNagU+LZsZ49B+ScpU2eGTib+w0o=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('25006038')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <a href="/Qikan/Article/Detail?id=49483205" target="_blank" index="9" articleid="49483205">Set Relationships between Tourists' Authentic Perceptions and Authenticity of World Heritage Resources</a> <span class="cited">被引量:<a href="javascript:void(0)" data-articleid="49483205" data-zkbycount="2">2</a></span> </dt> <dd class="no">10</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="49483205" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%99%88%e4%ba%ab%e5%b0%94 title="陈享尔"><span>陈享尔</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%94%a1%e5%bb%ba%e6%98%8e title="蔡建明"><span>蔡建明</span></a></span> <span class="more hide"><a class="num" href="javascript:void(0);">+1 位作者</a></span> <span style="display: none"><a href=/Qikan/Search/Index?key=A%3d%e6%9d%a8%e6%8c%af%e5%b1%b1 title="杨振山"><span>杨振山</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dNatasha%2bWEBSTER title="Natasha WEBSTER"><span>Natasha WEBSTER</span></a></span> </span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=89782X" target="_blank" title="Journal of Resources and Ecology">《Journal of Resources and Ecology》</a> <span class="medal"> <span title="中国科学引文数据库-核心(2013-2014)">CSCD</span> </span> </span><span class="vol">2014年第1期20-31,共12页</span> </dd> <dd> <span class="abstract"> <span class="">Tourists’ authentic perceptions are crucial for the development of world heritage resources. The paper focuses on exploring the relationships between tourists’ authentic perceptions and authenticity-based tourism de...</span> <span style="display:none;">Tourists’ authentic perceptions are crucial for the development of world heritage resources. The paper focuses on exploring the relationships between tourists’ authentic perceptions and authenticity-based tourism development of world heritage. Through the empirical study on the Forbidden City in Beijing, we find that the relationships between the above two factors can be simulated by the model of set theory in algebra. As a result, five types of set relationships are proposed: “separation relation”, “intersection relation”, “inclusion relation I”,“inclusion relation II” and “superposition relation”. According to sample distribution rules, the set relationships can be further divided into primary set relationships and secondary set relationships. The study on set relationships based on demographic characteristic of tourists by using two-way analysis of variance method shows that the tourists in different groups of gender, ages, levels of education, visit frequencies and levels of early perspectives have different perceptions for the set relationships. The ifndings in this paper are helpful for identifying effects of the authenticity-based exploitation of world heritage resources and proposing future strategies for world heritage resources from tourists’ authentic perspectives.</span> <a href="javascript:void(0)" onclick="showRemark(this)">展开更多</a> </span> </dd> <dd> <span class="subject"> <span class="label">关键词</span> <span><a href=/Qikan/Search/Index?key=K%3dset title="set">set</a></span> <span><a href=/Qikan/Search/Index?key=K%3drelationships title="relationships">relationships</a></span> <span><a href=/Qikan/Search/Index?key=K%3dtourists%e2%80%99 title="tourists’">tourists’</a></span> <span><a href=/Qikan/Search/Index?key=K%3dauthentic title="authentic">authentic</a></span> <span><a href=/Qikan/Search/Index?key=K%3dperceptions title="perceptions">perceptions</a></span> <span><a href=/Qikan/Search/Index?key=K%3dauthenticity-based title="authenticity-based">authenti<u>city</u>-based</a></span> <span><a href=/Qikan/Search/Index?key=K%3ddevelopment title="development">development</a></span> <span><a href=/Qikan/Search/Index?key=K%3dworld title="world">world</a></span> <span><a href=/Qikan/Search/Index?key=K%3dheritage title="heritage">heritage</a></span> <span><a href=/Qikan/Search/Index?key=K%3dresources title="resources">resources</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" class="behavior-transfer" onclick="clickTransfer('49483205')"><i class="icon-send"></i>原文传递</a> </div> </dd> </dl> </div> <div class="full-list" id="detail" style="display:none"> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7110596071" target="_blank" index="0" articleid="7110596071">The Main Colors of the Forbidden City</a> </dt> <dd class="no">1</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7110596071" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dLong%2bQin title="Long Qin"><span>Long Qin</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dHong-li%2bLiu title="Hong-li Liu"><span>Hong-li Liu</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3dCapital%2bNormal%2bUniversity>Capital Normal University</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=71221X" target="_blank" title="Sociology Study">《Sociology Study》</a> <span class="medal"> </span> </span><span class="vol">2023年第4期206-213,共8页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">The main colors of the Forbidden City are Red and Yellow,which can represent rich cultural deposits.According to the Chinese traditional culture,the Red of the Forbidden City has always been regarded as a positive color of celebration,conveying dignity and happiness.The Yellow color is usually considered as a promising color,and represents a bumper harvest.Based on the principle of the Five Elements,Fire is red,which means breeding and encouragement,and shows prosperity and a solid foundation for the country.Yellow represents Winged Dragon,belonging to the Center of the Earth,and symbolizes the divine right of emperors.Therefore,the color of the Forbidden City(see Figure 1)is of great significance to the development of history and the revival of culture.We still need to work determinedly for the protection of the cultural heritages,so that more people can have the opportunity to understand the brilliance of Chinese civilization.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCOLORS title="COLORS">COLORS</a></span> <span><a href=/Qikan/Search/Index?key=K%3dtraditional title="traditional">traditional</a></span> <span><a href=/Qikan/Search/Index?key=K%3dculture title="culture">culture</a></span> <span><a href=/Qikan/Search/Index?key=K%3dRED title="RED">RED</a></span> <span><a href=/Qikan/Search/Index?key=K%3dYELLOW title="YELLOW">YELLOW</a></span> <span><a href=/Qikan/Search/Index?key=K%3dfive title="five">five</a></span> <span><a href=/Qikan/Search/Index?key=K%3delements title="elements">elements</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChinese title="Chinese">Chinese</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcivilization title="civilization">civilization</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dF42 title="F42"> F42 [经济管理—产业经济] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7110596071','cQmIfwKmqm/1h8FYtWn0N5YvYTox7G+rM5wNXEDsLNGFuN5BXY+g/Q==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('7110596071')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=00002HCP594O7JP0MP508JP1MFR" target="_blank" index="1" articleid="00002HCP594O7JP0MP508JP1MFR">On the Motions of Four Pagoda Clocks in the Forbidden City</a> </dt> <dd class="no">2</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="00002HCP594O7JP0MP508JP1MFR" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dLI%2bYezhuo title="LI Yezhuo"><span>LI Yezhuo</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dCHEN%2bYu-Hsun title="CHEN Yu-Hsun"><span>CHEN Yu-Hsun</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dYAN%2bHong-Sen title="YAN Hong-Sen"><span>YAN Hong-Sen</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3dSchool%2bof%2bMechanical>School of Mechanical</a></span> <span><a href=/Qikan/Search/Index?key=S%3dDepartment%2bof%2bMechanical%2bEngineering>Department of Mechanical Engineering</a></span> <span><a href=/Qikan/Search/Index?key=S%3dDepartment%2bof%2bMechanical%2bEngineering>Department of Mechanical Engineering</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=72336X" target="_blank" title="Chinese Annals of History of Science and Technology">《Chinese Annals of History of Science and Technology》</a> <span class="medal"> </span> </span><span class="vol">2020年第S01期61-81,共21页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>the collaborative research program between the Science Museum in London,Beijing Jiaotong University,and the Institute for the History of Natural Sciences(Chinese Academy of Sciences)on“Time,Culture and Identity:The Co-Creation of Historical Research and Co-Development of Visitor Experience in China and the UK”supported by the UK’s Arts and Humanities Research Council</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">Ancient mechanical clocks and automatons are solid evidence regarding the evolution of technological development.At least four ingenious eighteenth-century clocks with pagoda automatons are preserved in the Palace Museum in Beijing.Two were made in China,the other two in Britain.Although the internal mechanical components were maintained and recorded in the late twentieth century,their mechanism structure is mostly not made available to the public owing to the historical value of these artefacts.This study introduces feasible mechanism structures for the four pagoda automatons based on published works,along with considerations of mechanical design.Five subsystems of the clocks are analyzed,and two mechanisms of the pagoda automaton are illustrated.In particular,feasible mechanisms of the four pagoda automatons for raising their stories are explained.The analysis procedure presented in this paper expands the feasibility of reconstruction work on ancient mechanisms with unknown structures.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dpagoda title="pagoda">pagoda</a></span> <span><a href=/Qikan/Search/Index?key=K%3dclock title="clock">clock</a></span> <span><a href=/Qikan/Search/Index?key=K%3dmechanism title="mechanism">mechanism</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAUTOMATON title="AUTOMATON">AUTOMATON</a></span> <span><a href=/Qikan/Search/Index?key=K%3dhistory title="history">history</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3dmachines title="machines">machines</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dG269.2 title="G269.2"> G269.2 [历史地理—考古学及博物馆学] </a> </span> <span> <a href=/Qikan/Search/Index?key=C%3dTH714 title="TH714"> TH714 [机械工程—测试计量技术及仪器] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('00002HCP594O7JP0MP508JP1MFR','jmPGjViCgLPAxBftbgPSfZipr6SaoNFYh7NjZHCe8SqPPwbBw5iaXhSv1SV90Mk8Wr5Sj3IWrNE=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('00002HCP594O7JP0MP508JP1MFR')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=1004346854" target="_blank" index="2" articleid="1004346854">Renovation of the Forbidden City Should the Imperial Collection Be Displayed Underground?</a> </dt> <dd class="no">3</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="1004346854" lay-skin="primary" title=""> </dd> <dd> <span class="author"> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=86870X" target="_blank" title="China Today">《China Today》</a> <span class="medal"> </span> </span><span class="vol">2002年第8期27-31,共5页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">BERNARDO Bertolucci’s film, The Last Emperor, drew its Western audience into a mystic, grandiose, oriental palace that was the Forbidden City, leaving them awestruck at the</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dIn title="In">In</a></span> <span><a href=/Qikan/Search/Index?key=K%3dRenovation title="Renovation">Renovation</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dShould title="Should">Should</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dImperial title="Imperial">Imperial</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCollection title="Collection">Collection</a></span> <span><a href=/Qikan/Search/Index?key=K%3dBe title="Be">Be</a></span> <span><a href=/Qikan/Search/Index?key=K%3dDisplayed title="Displayed">Displayed</a></span> <span><a href=/Qikan/Search/Index?key=K%3dUnderground title="Underground">Underground</a></span> <span><a href=/Qikan/Search/Index?key=K%3dBE title="BE">BE</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ205 title="J205"> J205 [艺术—美术] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1004346854','99+Tn6B4zB70cnmwdW9ul1jV4eGOBylYf3Du9vssqAv3RhT6GZNhhw==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1004346854')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=3000792192" target="_blank" index="3" articleid="3000792192">Turandot in the Forbidden City</a> </dt> <dd class="no">4</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="3000792192" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dMA%2bWIN title="MA WIN"><span>MA WIN</span></a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=86870X" target="_blank" title="China Today">《China Today》</a> <span class="medal"> </span> </span><span class="vol">1999年第3期29-30,共2页</span> </dd> <dd> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dTurandot title="Turandot">Turandot</a></span> <span><a href=/Qikan/Search/Index?key=K%3din title="in">in</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dJ892 title="J892"> J892 [艺术—戏剧戏曲] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('3000792192','J24ABDQCo70DSfBie3/R8ciUnylbRoa5IAeTndmGutLgN/fPz/wZTg==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('3000792192')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=1004865167" target="_blank" index="4" articleid="1004865167">Recalling Antiquity at the Old Forbidden City in Jinling</a> </dt> <dd class="no">5</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="1004865167" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%3cTitle%3eAisingioro%2bXuanye title="<Title>Aisingioro Xuanye"><span><Title>Aisingioro Xuanye</span></a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=85887X" target="_blank" title="China & The World Cultural Exchange">《China & The World Cultural Exchange》</a> <span class="medal"> </span> </span><span class="vol">1996年第1期63-63,共1页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">Notes:1.The Old Forbidden city refersto the former inperial palace of theMing Dynasty.Now the site hasbecome a park open to he public.2.Nanjing was called Moling inthe Qin Dynasty.3.Phoenix-patterned banners refer to the banners on chariots used by the Qing emperors.4.The Yin(Shang)Dynasty overthrew the Xia Dynasty,but later was overthrown by the Zhou Dynasty.Here the poet warns his descendants that they should take a</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dRecalling title="Recalling">Recalling</a></span> <span><a href=/Qikan/Search/Index?key=K%3dAntiquity title="Antiquity">Antiquity</a></span> <span><a href=/Qikan/Search/Index?key=K%3dat title="at">at</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dOld title="Old">Old</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3din title="in">in</a></span> <span><a href=/Qikan/Search/Index?key=K%3dJinling title="Jinling">Jinling</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dK928.5 title="K928.5"> K928.5 [历史地理—人文地理学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('1004865167','mBS+t+RgeIaaGL9pX+zmORoj0WXmgWCSgJxCMG310xZhhnHiSS+DKQ==')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('1004865167')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=4000201120" target="_blank" index="5" articleid="4000201120">Does a Western Coffee Shop Belong in China’s Forbidden City?</a> </dt> <dd class="no">6</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="4000201120" lay-skin="primary" title=""> </dd> <dd> <span class="author"> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=61000X" target="_blank" title="Beijing Review">《Beijing Review》</a> <span class="medal"> </span> </span><span class="vol">2007年第7期46-47,共2页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">As the symbol of China’s feudal reign during the Ming and Qing dynasties (1368-1911),Beijing’s Forbidden City rep-resents all that is rich and cre-ative about China’s history andancient archi-</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dDoes title="Does">Does</a></span> <span><a href=/Qikan/Search/Index?key=K%3da title="a">a</a></span> <span><a href=/Qikan/Search/Index?key=K%3dWestern title="Western">Western</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCoffee title="Coffee">Coffee</a></span> <span><a href=/Qikan/Search/Index?key=K%3dShop title="Shop">Shop</a></span> <span><a href=/Qikan/Search/Index?key=K%3dBelong title="Belong">Belong</a></span> <span><a href=/Qikan/Search/Index?key=K%3din title="in">in</a></span> <span><a href=/Qikan/Search/Index?key=K%3dChina title="China">China</a></span> <span><a href=/Qikan/Search/Index?key=K%3ds title="s">s</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dG122 title="G122"> G122 [文化科学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" class="behavior-transfer" onclick="clickTransfer('4000201120')"><i class="icon-send"></i>原文传递</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=7105283773" target="_blank" index="6" articleid="7105283773">The Historical Information of the Decorative Polychrome Painting in the Hall of Mental Cultivation Complex,Forbidden City</a> </dt> <dd class="no">7</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="7105283773" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dHong%2bYang title="Hong Yang"><span>Hong Yang</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dJiawei%2bXie title="Jiawei Xie"><span>Jiawei Xie</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dLifang%2bJi title="Lifang Ji"><span>Lifang Ji</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3dDepartment%2bof%2bAncient%2bChinese%2bArchitecture>Department of Ancient Chinese Architecture</a></span> <span><a href=/Qikan/Search/Index?key=S%3dBeijing%2bUniversity%2bof%2bCivil%2bEngineering%2band%2bArchitecture>Beijing University of Civil Engineering and Architecture</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=59802X" target="_blank" title="Built Heritage">《Built Heritage》</a> <span class="medal"> </span> </span><span class="vol">2018年第1期19-38,共20页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">This paper analyses the decorative polychrome painting of architectural members(caihua)that has sur­vived in the Hall of Mental Cultivation(Yangxindian)in the Forbidden City,Beijing.Beginning with the Yongzheng emperor,the Hall of Mental Cultivation was the residence and centre of daily governance for Chinese emperors.Combining information gained through on-site surveys and scaled drawings executed during a recent conservation project with evidence from historical records and other sources,this study finds that the remaining decorative poly­chrome painting can be dated to four different historical phases:the reign of the Jiajing emperor;the late Ming and early Qing dynasties;the reign of the Qianlong emperor;and the late Qing Dynasty and beginning of the Republic of China.It reveals that the designs of decorative polychrome painting on architectural members are closely related to changes in the functions of the buildings and imperial use.As part of an investigative conservation project,the study aims to provide a reliable basis for the conservation and repair work in the next step.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dhistorical title="historical">historical</a></span> <span><a href=/Qikan/Search/Index?key=K%3dinformation title="information">information</a></span> <span><a href=/Qikan/Search/Index?key=K%3ddecorative title="decorative">decorative</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpolychrome title="polychrome">polychrome</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpainting title="painting">painting</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3darchitectural title="architectural">architectural</a></span> <span><a href=/Qikan/Search/Index?key=K%3dmembers(caihua) title="members(caihua)">members(caihua)</a></span> <span><a href=/Qikan/Search/Index?key=K%3dHall title="Hall">Hall</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3dMental title="Mental">Mental</a></span> <span><a href=/Qikan/Search/Index?key=K%3dCultivation(Yangxindian) title="Cultivation(Yangxindian)">Cultivation(Yangxindian)</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dcaihua title="caihua">caihua</a></span> <span><a href=/Qikan/Search/Index?key=K%3dunder title="under">under</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dMing title="Ming">Ming</a></span> <span><a href=/Qikan/Search/Index?key=K%3dcaihua title="caihua">caihua</a></span> <span><a href=/Qikan/Search/Index?key=K%3dunder title="under">under</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dQing title="Qing">Qing</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dF42 title="F42"> F42 [经济管理—产业经济] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" class="behavior-transfer" onclick="clickTransfer('7105283773')"><i class="icon-send"></i>原文传递</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=47996638" target="_blank" index="7" articleid="47996638">The Fault Line in Chinese Reflective Thinking</a> <span class="cited">被引量:<a href="javascript:void(0)" data-articleid="47996638" data-zkbycount="1">1</a></span> </dt> <dd class="no">8</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="47996638" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dJim%2bPlatts title="Jim Platts"><span>Jim Platts</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3dUniversity%2bof%2bCambridge>University of Cambridge</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=71225X" target="_blank" title="Journal of Philosophy Study">《Journal of Philosophy Study》</a> <span class="medal"> </span> </span><span class="vol">2013年第10期945-957,共13页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">Behind what is called "Needham's Grand Question" (why was China overshot by the West in science and technology?) lies a deeper question of how China came to lose the capacity of deeply reflective thought clearly present in the ancient Chinese philosophers. This is a loss felt by all Chinese as a psychological sense of hollowness, a loss of identity, made worse by the seeming inaccessibility of the ancient Chinese wisdom to the modern Chinese mind. It is clear that at some historical point China suffered an extreme psychological blow sufficient to traumatise it at the threshold of reflective thought, unable to look inwards any more. The paper identifies that point as the utter devastation wrought by Kublai Khan and the Mongols 750 years ago. What devastates reflective thought is wilfulness, the insistent focusing of all attention and energy on external, material things, and Kublai Khan was wilful in the extreme. What confirms this as the crippling point is that, in response to Kublai Khan's Mongol invasion the Chinese, over time, not only completely altered the geography of China itself, moving their capital to the North (Beijing), but have ever since fought to establish as "China" all the territory over which Kublai Khan ruled. China is clearly not free of Kublai Khan's shadow. But even more precisely, in the process of doing this--and showing their own wilfulness--in building the Forbidden City in Beijing they built it in the shape of the Chinese metaphysical model of the universe, the Chinese version of the Tree of Life metaphysical glyph But it has an error in it. And the error is precisely that in where it places things, it makes what would have been the attributes of reflective thought subservient to wilfulness. The model itself thus shows the hollowness of the Chinese mind from that moment on. The outer form--the "appearance"---of the ancient wisdom was still there. But the content--the "substance"--of it was not. And with no reflective thought, true creativity disappears.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dNeedham%ef%bc%87s title="Needham's">Needham's</a></span> <span><a href=/Qikan/Search/Index?key=K%3dgrand title="grand">grand</a></span> <span><a href=/Qikan/Search/Index?key=K%3dquestion title="question">question</a></span> <span><a href=/Qikan/Search/Index?key=K%3dKublai title="Kublai">Kublai</a></span> <span><a href=/Qikan/Search/Index?key=K%3dKhan title="Khan">Khan</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dTree title="Tree">Tree</a></span> <span><a href=/Qikan/Search/Index?key=K%3dof title="of">of</a></span> <span><a href=/Qikan/Search/Index?key=K%3dLife title="Life">Life</a></span> <span><a href=/Qikan/Search/Index?key=K%3dreflective title="reflective">reflective</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthinking title="thinking">thinking</a></span> <span><a href=/Qikan/Search/Index?key=K%3dwilfulness title="wilfulness">wilfulness</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpsychological title="psychological">psychological</a></span> <span><a href=/Qikan/Search/Index?key=K%3dblock title="block">block</a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e7%8e%b0%e4%bb%a3%e4%b8%ad%e5%9b%bd%e4%ba%ba title="现代中国人">现代中国人</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%96%ad%e5%b1%82 title="断层">断层</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%bf%83%e7%90%86%e6%84%8f%e8%af%86 title="心理意识">心理意识</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%8c%97%e4%ba%ac%e6%95%85%e5%ae%ab title="北京故宫">北京故宫</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%bd%a2%e8%80%8c%e4%b8%8a%e5%ad%a6 title="形而上学">形而上学</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%9c%b0%e7%90%86%e7%8e%af%e5%a2%83 title="地理环境">地理环境</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd%e5%88%b6%e9%80%a0 title="中国制造">中国制造</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e8%92%99%e5%8f%a4%e4%ba%ba title="蒙古人">蒙古人</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dN02 title="N02"> N02 [自然科学总论—科学技术哲学] </a> </span> <span> <a href=/Qikan/Search/Index?key=C%3dP542.3 title="P542.3"> P542.3 [天文地球—构造地质学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('47996638','mlInKw17b2ZYuB7ylCl7OWMaJdfGYOmqigakJ7tcNd8=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('47996638')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=25006038" target="_blank" index="8" articleid="25006038">The Best of Beijing</a> </dt> <dd class="no">9</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="25006038" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3dLIN%2bZILONG title="LIN ZILONG"><span>LIN ZILONG</span></a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=86870X" target="_blank" title="China Today">《China Today》</a> <span class="medal"> </span> </span><span class="vol">2007年第6期64-65,共2页</span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">FOR much of China’s history, the city of Beijing has been the nation’s capital.Thus it boasts a wealth of ancient cultural treasures, including buildings, parks and monuments. These are five of the better ones.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dBeijing title="Beijing">Beijing</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dChina%e2%80%99s title="China’s">China’s</a></span> <span><a href=/Qikan/Search/Index?key=K%3dhistory title="history">history</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dcapital title="capital">capital</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dThe title="The">The</a></span> <span><a href=/Qikan/Search/Index?key=K%3dGreat title="Great">Great</a></span> <span><a href=/Qikan/Search/Index?key=K%3dWall title="Wall">Wall</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dThe title="The">The</a></span> <span><a href=/Qikan/Search/Index?key=K%3dSummer title="Summer">Summer</a></span> <span><a href=/Qikan/Search/Index?key=K%3dpalace title="palace">palace</a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3d title=""></a></span> <span><a href=/Qikan/Search/Index?key=K%3dThe title="The">The</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e5%8c%97%e4%ba%ac title="北京">北京</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%ad%e5%9b%bd%e5%8e%86%e5%8f%b2 title="中国历史">中国历史</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%a6%96%e9%83%bd title="首都">首都</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%95%bf%e5%9f%8e title="长城">长城</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e9%a2%90%e5%92%8c%e5%9b%ad title="颐和园">颐和园</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e7%b4%ab%e7%a6%81%e5%9f%8e title="紫禁城">紫禁城</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dK928.701 title="K928.701"> K928.701 [历史地理—人文地理学] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('25006038','dogx78Rqf3/ZjhhJNagU+LZsZ49B+ScpU2eGTib+w0o=')"><i class="icon-free"></i>下载PDF</a> <a href="javascript:void(0);" style="display: none" class="imgdownzip behavior-imgDownZip" onclick="showZipDown('25006038')"><i class="icon-rar"></i>职称材料</a> </div> </dd> </dl> <dl class=""> <dt> <span class="label">题名</span><a href="/Qikan/Article/Detail?id=49483205" target="_blank" index="9" articleid="49483205">Set Relationships between Tourists' Authentic Perceptions and Authenticity of World Heritage Resources</a> <span class="cited">被引量:<a href="javascript:void(0)" data-articleid="49483205" data-zkbycount="2">2</a></span> </dt> <dd class="no">10</dd> <dd class="sel"> <input type="checkbox" lay-filter="selectArticle" data-id="49483205" lay-skin="primary" title=""> </dd> <dd> <span class="author"> <span class="label">作者</span> <span><a href=/Qikan/Search/Index?key=A%3d%e9%99%88%e4%ba%ab%e5%b0%94 title="陈享尔"><span>陈享尔</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e8%94%a1%e5%bb%ba%e6%98%8e title="蔡建明"><span>蔡建明</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3d%e6%9d%a8%e6%8c%af%e5%b1%b1 title="杨振山"><span>杨振山</span></a></span> <span><a href=/Qikan/Search/Index?key=A%3dNatasha%2bWEBSTER title="Natasha WEBSTER"><span>Natasha WEBSTER</span></a></span> </span> </dd> <dd> <span class="label">机构</span> <span class="organ"> <span><a href=/Qikan/Search/Index?key=S%3d%e4%b8%ad%e5%9b%bd%e7%a7%91%e5%ad%a6%e9%99%a2%e5%9c%b0%e7%90%86%e7%a7%91%e5%ad%a6%e4%b8%8e%e8%b5%84%e6%ba%90%e7%a0%94%e7%a9%b6%e6%89%80>中国科学院地理科学与资源研究所</a></span> <span><a href=/Qikan/Search/Index?key=S%3d%e4%b8%ad%e5%9b%bd%e7%a7%91%e5%ad%a6%e9%99%a2%e5%a4%a7%e5%ad%a6>中国科学院大学</a></span> <span><a href=/Qikan/Search/Index?key=S%3d%e6%96%af%e5%be%b7%e5%93%a5%e5%b0%94%e6%91%a9%e5%a4%a7%e5%ad%a6>斯德哥尔摩大学</a></span> </span> </dd> <dd> <span class="label">出处</span> <span class="from"> <a href="/Qikan/Journal/Summary?kind=1&gch=89782X" target="_blank" title="Journal of Resources and Ecology">《Journal of Resources and Ecology》</a> <span class="medal"> <span title="中国科学引文数据库-核心(2013-2014)">CSCD</span> </span> </span><span class="vol">2014年第1期20-31,共12页</span> </dd> <dd> <span class="label">基金</span> <span class="fund"> <span><span>National Natural Science Foundation of China(Grant No.41371008)</span></span> </span> </dd> <dd> <span class="label">文摘</span><span class="abstract"> <span class="">Tourists’ authentic perceptions are crucial for the development of world heritage resources. The paper focuses on exploring the relationships between tourists’ authentic perceptions and authenticity-based tourism development of world heritage. Through the empirical study on the Forbidden City in Beijing, we find that the relationships between the above two factors can be simulated by the model of set theory in algebra. As a result, five types of set relationships are proposed: “separation relation”, “intersection relation”, “inclusion relation I”,“inclusion relation II” and “superposition relation”. According to sample distribution rules, the set relationships can be further divided into primary set relationships and secondary set relationships. The study on set relationships based on demographic characteristic of tourists by using two-way analysis of variance method shows that the tourists in different groups of gender, ages, levels of education, visit frequencies and levels of early perspectives have different perceptions for the set relationships. The ifndings in this paper are helpful for identifying effects of the authenticity-based exploitation of world heritage resources and proposing future strategies for world heritage resources from tourists’ authentic perspectives.</span> </span> </dd> <dd> <span class="label">关键词</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3dset title="set">set</a></span> <span><a href=/Qikan/Search/Index?key=K%3drelationships title="relationships">relationships</a></span> <span><a href=/Qikan/Search/Index?key=K%3dtourists%e2%80%99 title="tourists’">tourists’</a></span> <span><a href=/Qikan/Search/Index?key=K%3dauthentic title="authentic">authentic</a></span> <span><a href=/Qikan/Search/Index?key=K%3dperceptions title="perceptions">perceptions</a></span> <span><a href=/Qikan/Search/Index?key=K%3dauthenticity-based title="authenticity-based">authenti<u>city</u>-based</a></span> <span><a href=/Qikan/Search/Index?key=K%3ddevelopment title="development">development</a></span> <span><a href=/Qikan/Search/Index?key=K%3dworld title="world">world</a></span> <span><a href=/Qikan/Search/Index?key=K%3dheritage title="heritage">heritage</a></span> <span><a href=/Qikan/Search/Index?key=K%3dresources title="resources">resources</a></span> <span><a href=/Qikan/Search/Index?key=K%3dthe title="the">the</a></span> <span><a href=/Qikan/Search/Index?key=K%3dForbidden title="Forbidden"><u>forbidden</u></a></span> <span><a href=/Qikan/Search/Index?key=K%3dCity title="City"><u>city</u></a></span> </span> </dd> <dd class="en"> <span class="label">Keywords</span> <span class="subject"> <span><a href=/Qikan/Search/Index?key=K%3d%e9%9b%86%e5%90%88%e5%bc%8f%e5%85%b3%e7%b3%bb title="集合式关系">集合式关系</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%b8%b8%e5%ae%a2%e5%8e%9f%e7%9c%9f%e6%80%a7%e6%84%9f%e7%9f%a5 title="游客原真性感知">游客原真性感知</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e5%8e%9f%e7%9c%9f%e6%80%a7%e5%bc%80%e5%8f%91 title="原真性开发">原真性开发</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e4%b8%96%e7%95%8c%e9%81%97%e4%ba%a7%e8%b5%84%e6%ba%90 title="世界遗产资源">世界遗产资源</a></span> <span><a href=/Qikan/Search/Index?key=K%3d%e6%95%85%e5%ae%ab%e5%8d%9a%e7%89%a9%e9%99%a2 title="故宫博物院">故宫博物院</a></span> </span> </dd> <dd> <span class="label">分类号</span> <span class="class"> <span> <a href=/Qikan/Search/Index?key=C%3dF590 title="F590"> F590 [经济管理—旅游管理] </a> </span> <span> <a href=/Qikan/Search/Index?key=C%3dF224 title="F224"> F224 [经济管理—国民经济] </a> </span> </span> </dd> <dd class="source"> <div class="article-source"> <a href="javascript:void(0);" class="behavior-transfer" onclick="clickTransfer('49483205')"><i class="icon-send"></i>原文传递</a> </div> </dd> </dl> </div> <div class="table-list" id="list" style="display:none"> <table> <colgroup> <col width="25"> <col> <col width="150"> <col width="180"> <col width="80"> <col width="80"> <col width="100"> </colgroup> <thead> <tr> <th></th> <th>题名</th> <th>作者</th> <th>出处</th> <th>发文年</th> <th>被引量</th> <th>操作</th> </tr> </thead> <tbody> <tr> <td> <input type="checkbox" lay-filter="selectArticle" data-id="7110596071" lay-skin="primary" title=""> <div class="table-no"><span class="no">1</span></div> </td> <td class="title"><a href="/Qikan/Article/Detail?id=7110596071" target="_blank" index="0" articleid="7110596071">The Main Colors of the Forbidden City</a></td> <td class="t-left"> <a href=/Qikan/Search/Index?key=A%3dLong%2bQin title="Long Qin">Long Qin</a> <a href=/Qikan/Search/Index?key=A%3dHong-li%2bLiu title="Hong-li Liu">Hong-li Liu</a> </td> <td class="t-left"> <a href="/Qikan/Journal/Summary?kind=1&gch=71221X" target="_blank" title="Sociology Study"> 《Sociology Study》 </a> <span class="from"> <span class="medal"> </span> </span> </td> <td class="cited">2023</td> <td class="cited"> 0 </td> <td class="source"> <div class="article-source"> <a href="javascript:void(0);" onclick="showdown('7110596071','cQmIfwKmqm/1h8FYtWn0N5YvYTox7G+rM5wNXEDsLNGFuN5BXY+g/Q==')"><i 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