As a representative modernist writer of the early 20th century,Gertrude Stein creatively established a unique experimental writing style to support her modernist expression.This paper attempts to analyze the Oriental ...As a representative modernist writer of the early 20th century,Gertrude Stein creatively established a unique experimental writing style to support her modernist expression.This paper attempts to analyze the Oriental elements,especially elements and images related to“China”in her works.Stein’s uses these elements to construct a systematic and complex matrix of aesthetics and politics.“China”in Stein’s matrix is an essential source of her so-called“the oriental peaceful penetration”and a significant lens for her ideological expression and political thoughts.Although Stein emphasizes her Oriental components in the source of identity,she always places herself in a Western position,ignoring cultural and political expressions in the real Chinese context and turning“China”into a useful tool in the collective fantasies of the West.展开更多
There are abound with the deconstruction of classic works in recent years,among which Updike’s Gertrude and Claudius is undoubtedly an impressive one.Updike completed the antecedent part of Shakespeare’s play Hamlt....There are abound with the deconstruction of classic works in recent years,among which Updike’s Gertrude and Claudius is undoubtedly an impressive one.Updike completed the antecedent part of Shakespeare’s play Hamlt.Noticeably,this new prequel of Hamlet,from the mindset of female,takes Queen Gertrude as the narrative center and airs Gertrude’s psychological states to break the confinement of female discourse in Shakespeare’s plays.Hinged on Foucault’s theory of power and discourse,this paper attempts to analyze how Updike manifests women’s endeavors to assert preserve and construct their discourse,break the aphasia and even challenge the voice of male authority by elucidating the interactions between Queen Gertrude and other crucial male roles in the full text in order to navigate readers in-depth to scrutinize the changes of women’s social status in different era.展开更多
AS the first African woman to organize a UN conference, Gertrude Mongella’s demeanor, courage and insight, as demonstrated in the preparations and procedures of this largest UN conference ever, is sure to be remember...AS the first African woman to organize a UN conference, Gertrude Mongella’s demeanor, courage and insight, as demonstrated in the preparations and procedures of this largest UN conference ever, is sure to be remembered by people around the world.展开更多
David Herbert Lawrence is one of the greatest English novelists of the 20th century. He is not only a turn-of-the-century social reformer, but also an artist deeply concerned with human relationships. His famouse work...David Herbert Lawrence is one of the greatest English novelists of the 20th century. He is not only a turn-of-the-century social reformer, but also an artist deeply concerned with human relationships. His famouse work--Sons and Lovers （1994）, describes the process of young Paul＇s growth with young Lawrence＇s personal life as the model. The present paper, first of all, gives a brief introduction of the novel. Then the three forms of unreal love in the story are what the present paper mainly explored. Firstly, the love between Paul and his mother is a distorted love between a mother and a son. Secondly, the love between Paul and Miriam is an immature love of young people. Thirdly, the love between Paul and Clara is physical and short-lived. The three forms of love are unreal and doomed to be fruitless展开更多
Where do we draw the line of divinely inspired visionary art, and Christian kitsch？ Folk artists such as the Rev. Howard Finster and Sister Gertrude Morgan straddled the fence of kitsch and visionary art because they...Where do we draw the line of divinely inspired visionary art, and Christian kitsch？ Folk artists such as the Rev. Howard Finster and Sister Gertrude Morgan straddled the fence of kitsch and visionary art because they created work that was blatantly polemical and didactic, yet lived lives that inspired thousands of people across the US. The so-called ＂Southern Folk Art＂ movement consists of self-taught artists from the American South who are self-trained and rely heavily on ＂visions＂ and ＂prophetic words＂ as the genesis of their art. This article contends that the art produced by folk artists is documentation of their visionary insights as opposed to detached works that are admired for aesthetic reasons. While folk art of the American South portrays the charismatic imagination with themes of eschatological community and the second coming, it is the ＂visionary artist＂ that is contemplated, rather than his or her bona fide message of redemption and re-creation.展开更多
文摘As a representative modernist writer of the early 20th century,Gertrude Stein creatively established a unique experimental writing style to support her modernist expression.This paper attempts to analyze the Oriental elements,especially elements and images related to“China”in her works.Stein’s uses these elements to construct a systematic and complex matrix of aesthetics and politics.“China”in Stein’s matrix is an essential source of her so-called“the oriental peaceful penetration”and a significant lens for her ideological expression and political thoughts.Although Stein emphasizes her Oriental components in the source of identity,she always places herself in a Western position,ignoring cultural and political expressions in the real Chinese context and turning“China”into a useful tool in the collective fantasies of the West.
文摘There are abound with the deconstruction of classic works in recent years,among which Updike’s Gertrude and Claudius is undoubtedly an impressive one.Updike completed the antecedent part of Shakespeare’s play Hamlt.Noticeably,this new prequel of Hamlet,from the mindset of female,takes Queen Gertrude as the narrative center and airs Gertrude’s psychological states to break the confinement of female discourse in Shakespeare’s plays.Hinged on Foucault’s theory of power and discourse,this paper attempts to analyze how Updike manifests women’s endeavors to assert preserve and construct their discourse,break the aphasia and even challenge the voice of male authority by elucidating the interactions between Queen Gertrude and other crucial male roles in the full text in order to navigate readers in-depth to scrutinize the changes of women’s social status in different era.
文摘AS the first African woman to organize a UN conference, Gertrude Mongella’s demeanor, courage and insight, as demonstrated in the preparations and procedures of this largest UN conference ever, is sure to be remembered by people around the world.
文摘David Herbert Lawrence is one of the greatest English novelists of the 20th century. He is not only a turn-of-the-century social reformer, but also an artist deeply concerned with human relationships. His famouse work--Sons and Lovers （1994）, describes the process of young Paul＇s growth with young Lawrence＇s personal life as the model. The present paper, first of all, gives a brief introduction of the novel. Then the three forms of unreal love in the story are what the present paper mainly explored. Firstly, the love between Paul and his mother is a distorted love between a mother and a son. Secondly, the love between Paul and Miriam is an immature love of young people. Thirdly, the love between Paul and Clara is physical and short-lived. The three forms of love are unreal and doomed to be fruitless
文摘Where do we draw the line of divinely inspired visionary art, and Christian kitsch？ Folk artists such as the Rev. Howard Finster and Sister Gertrude Morgan straddled the fence of kitsch and visionary art because they created work that was blatantly polemical and didactic, yet lived lives that inspired thousands of people across the US. The so-called ＂Southern Folk Art＂ movement consists of self-taught artists from the American South who are self-trained and rely heavily on ＂visions＂ and ＂prophetic words＂ as the genesis of their art. This article contends that the art produced by folk artists is documentation of their visionary insights as opposed to detached works that are admired for aesthetic reasons. While folk art of the American South portrays the charismatic imagination with themes of eschatological community and the second coming, it is the ＂visionary artist＂ that is contemplated, rather than his or her bona fide message of redemption and re-creation.
