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Construction of Buddhist -From Either-or Notion Spirit in Gesar Epic to Mutual Construction 被引量:1
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作者 于静 王景迁 《西北民族大学学报(哲学社会科学版)》 CSSCI 2012年第6期5-11,共7页
关键词 摘要 编辑部 编辑工作 读者
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Study on Cognitive Metaphors in King Gesar and Its English Version
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作者 李秀丽 《海外英语》 2017年第3期242-244,共3页
This thesis analyzes the book King Gesar and its English version through cognitive metaphors or concept metaphors.It studies on the three types of metaphors among them and the target domain coming from emotions,nature... This thesis analyzes the book King Gesar and its English version through cognitive metaphors or concept metaphors.It studies on the three types of metaphors among them and the target domain coming from emotions,nature and animals.Its purpose is to provide a cognitive understanding for translation practices. 展开更多
关键词 Cognitive Metaphor King gesar EPIC
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The Modern Changes of“Gesar”Thangka Under Multiple Contexts
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作者 CHEN Meizhen 《Journal of Literature and Art Studies》 2019年第7期797-802,共6页
“Gesar”Thangka is an important type of Tibetan Tangka.With the generation and spread of Gesar epic,“Gesar”Thangka is also undergoing complex historical changes in the social and historical process of Tibetan areas... “Gesar”Thangka is an important type of Tibetan Tangka.With the generation and spread of Gesar epic,“Gesar”Thangka is also undergoing complex historical changes in the social and historical process of Tibetan areas.Since the 1980s,in the context of the rescue of Gesar epic,the rise of market economy,and the protection of intangible cultural heritage,“Gesar”Thangkar has gained creative vitality and experienced modern changes,presenting the aesthetic characteristics of secularization,sanctification,and art. 展开更多
关键词 gesar”Thangka MULTIPLE CONTEXT MODERN ALTERATION
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“We” and “They”: On Gesar Culture and Ethnic Boundaries of Rebgong Khre-Tse Sde-Bzhi
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作者 ZHOU Mao-xian 《Journal of Literature and Art Studies》 2020年第10期886-894,共9页
The Gesar Epic is not only a literary work and cultural icon of the Tibetan people but a symbol of maintaining ethnic boundaries.In particular,in the community mixed with both Hor and Tibetan residents,the cultural me... The Gesar Epic is not only a literary work and cultural icon of the Tibetan people but a symbol of maintaining ethnic boundaries.In particular,in the community mixed with both Hor and Tibetan residents,the cultural memory of Gesar is considered as one of the greatest distinguishing factors to tell the Self Group from the Other-Group.Khre-Tse Sde-Bzhi(referring to the four villages),a marginal group in Tibetan-inhabited area of Rebgong,is called Hor or DorDo by local Tibetans.When it comes to ethnic identification,the ethnic group is commonly recognized as Tu ethnicity.In fact,in the community of Khre-Tse Sde-Bzhi,local residents are distinguished by whether they are Hor(a branch of Mongolian language family)or Bod(Tibetan);moreover,there remains a relatively obvious sense of ethnic identity.And yet,in addition to the dominant characteristics of local languages,it is the Gesar culture that has become one of the main features to differentiate between Bod and Hor.More importantly,people of Bod and Hor identify themselves by whether the others tell the complete version of the Gesar Epic or whether they have the authentic King Gesar enshrined,in order to determine their cultural identity. 展开更多
关键词 ethnic boundary gesar culture ethnic identity four villages Khre-Tse Sde-Bzhi
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The Gesar Storytellers
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作者 Gymbian Gyatso 《China & The World Cultural Exchange》 2000年第6期13-15,共3页
关键词 The gesar Storytellers
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Ecological Content of Epic King Gesar
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作者 DORJE ZHOLMA 《China's Tibet》 2005年第4期31-33,共3页
King Gesar,an epic created orally by the Tibetans long ago,covers ethnic groups, language,religion,civil affairs,literature and arts, history,politics,military,ethic,ecology and psychology.etc.Thus it is viewed as Tib... King Gesar,an epic created orally by the Tibetans long ago,covers ethnic groups, language,religion,civil affairs,literature and arts, history,politics,military,ethic,ecology and psychology.etc.Thus it is viewed as Tibetan encyclopedia.A study of the epic shows that in view of the forefathers of the Tibetans,man and nature both have souls and are equal life forms with religious dignity.It is mainly represented in following aspects.the idea of“respecting life and nature”as its core. 展开更多
关键词 西藏 生态学 中国 神话传说 “King gesar
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King Gesar Effectively Saved
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《China's Tibet》 2002年第6期20-21,共2页
King Gesar is an encyclopedia with contents covering social develop-ment, history, wars, religious belief, folklore, linguistics and exchanges between different tribes.In Tibet, folk balladeers declare they can sing u... King Gesar is an encyclopedia with contents covering social develop-ment, history, wars, religious belief, folklore, linguistics and exchanges between different tribes.In Tibet, folk balladeers declare they can sing up to 1,000 volumes of the epic, passed down through history orally and enriched in contents by the public themselves. The Central Government sets great store by the gathering, compiling and publishing of the epic, considered to be 展开更多
关键词 In BA King gesar Effectively Saved
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Protecting Gesar Balladeers
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作者 SOINAM GELEC 《China's Tibet》 2002年第6期8-9,共2页
Effort made to preserve King Gesar began soon after the end of the chaotic "cultural revolution" (1966-76). In 1980, the Tibet Autonomous Region set up an office to deal with the work; it was placed under th... Effort made to preserve King Gesar began soon after the end of the chaotic "cultural revolution" (1966-76). In 1980, the Tibet Autonomous Region set up an office to deal with the work; it was placed under the Tibet Academy of Social Sciences in 1985.Office members found a total of 40-odd folk balladeers able to sing the epic. They ranged from the elderly to youngsters. Nineteen of them were invited to put their voice on tape, and 122 volumes of the singing editions were recorded on 4,500 tapes. 展开更多
关键词 In Protecting gesar Balladeers
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Tangka Painting of Gesar
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作者 JAMBIAN GYAMCO 《China's Tibet》 2002年第6期10-10,共1页
Rope and other patterns on pottery unearthed from the Karub cultural sites, dating back some 5,000 years, are considered to be the earliest examples of painting art known so far. Rock paintings believed to have come l... Rope and other patterns on pottery unearthed from the Karub cultural sites, dating back some 5,000 years, are considered to be the earliest examples of painting art known so far. Rock paintings believed to have come later constitute the embryo of Tibetan painting art.Tangka painting is closely related to frescoes in terms of painting art. Tangka is created to reproduce what is painted in the fresco. Cultures prevalent in China’s hinterland, India and Nepal exerted deep influence on Tibetan painting art.Both Princess Wencheng and Princess Jincheng brought the Han Chinese culture into Tibet, which proved to be a boon for the development of Tibetan painting art. With construction of the Potala Palace, Jokhang, Qamzhub and other monasteries, Tibetan painting art developed apace. Frescoes in Jokhang Monastery, Qamzhub Monastery and Potala Palace, still visible today, feature a simple nature, with rich colors and concise lines, while figures were painted in 展开更多
关键词 In Tangka Painting of gesar
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Traditional Sports In 'King Gesar'
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作者 WU YU 《China's Tibet》 1996年第5期27-27,共1页
TraditionalSportsIn'KingGesar'¥WUYUSome1,500yearsago,traditionalsportswereheldduringtheOngkor(BumperlHarvest... TraditionalSportsIn'KingGesar'¥WUYUSome1,500yearsago,traditionalsportswereheldduringtheOngkor(BumperlHarvest)Festival.Theyinc... 展开更多
关键词 King gesar Traditional Sports In
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Millennium Celebrations of King Gesar
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作者 Degyi 《China's Tibet》 2002年第6期3-,2,共2页
King Gesar has been circulating among Tibetans for some 1,000 years or more.The longest epic in the world, passed down through the ages in the oral form, has even drawn the concern of the international community. UNES... King Gesar has been circulating among Tibetans for some 1,000 years or more.The longest epic in the world, passed down through the ages in the oral form, has even drawn the concern of the international community. UNESCO has approved activities in honor of the millennium of the epic. Public opinion hails this as a major event important for the protection of traditional Tibetan culture and the promotion of various ethnic groups in the world.The epic is a concentration of ancient tales, legends, sayings, and various kinds of folk arts. Thus far, 150 volumes have been located; they contain some 1.5 milion lines. 展开更多
关键词 In Millennium Celebrations of King gesar
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Sangzhub Edition of King Gesar
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《China's Tibet》 2002年第6期18-19,共2页
Tibetan folk artists created and passed down through succeeding generations the story of King Gesar. All of them had an extraordinarily good memory. Of the known editions of the epic, only 10 percent are in written fo... Tibetan folk artists created and passed down through succeeding generations the story of King Gesar. All of them had an extraordinarily good memory. Of the known editions of the epic, only 10 percent are in written form with the remainder have been sung and passed down through history orally.A general survey of the folk editions of the epic in the 1980s showed that some 40 folk balladeers could sing more than 10 editions of King Gesar. Efforts have since been made to save, compile and publish these. Thus far, we have recorded 122 volumes of the epic in 展开更多
关键词 In Sangzhub Edition of King gesar
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Bsam Grub Singing EDITION OF KING GESAR
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作者 YANG ENHONG 《China's Tibet》 2001年第4期26-27,共2页
关键词 In Bsam Grub Singing EDITION OF KING gesar
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King Gesar:The World's Longest Epic
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《China's Tibet》 2000年第4期31-33,共3页
关键词 King gesar:The World’s Longest Epic World
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Rescue Mission——Cewang Jigmei On Tibet's Effort to Save King Gesar
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《China's Tibet》 2002年第6期5-7,共3页
Recently, we interviewed Cewang Jigmei, President of the Tibet Academy of Social Sciences, on the efforts Tibet has made to save King Gesar.QUESTION: The 31st UNESCO Session held in Paris in October 2001 decided unani... Recently, we interviewed Cewang Jigmei, President of the Tibet Academy of Social Sciences, on the efforts Tibet has made to save King Gesar.QUESTION: The 31st UNESCO Session held in Paris in October 2001 decided unanimously to include activities to celebrate the millennium anniversary of King Gesar in the list of projects undertaken with UNESCO involvement in 2002-2003. Could you please tell me your views on this?ANSWER: This shows the international recognition of, and appreciation for, the 展开更多
关键词 Rescue Mission Cewang Jigmei On Tibet’s Effort to Save King gesar
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A Grand Event for Cultural Circles──Publication Begins of the 40-volume King Gesar
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《China's Tibet》 2001年第2期27-27,共1页
关键词 A Grand Event for Cultural Circles Publication Begins of the 40-volume King gesar
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STORIES of King Gesar
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《China's Tibet》 2001年第2期32-33,共2页
关键词 STORIES of King gesar
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King Gesar:PUBLISHING PLAN
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《China's Tibet》 2001年第2期28-28,共1页
关键词 King gesar:PUBLISHING PLAN
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Millennia Anniversary of King Gesar
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《China's Tibet》 2002年第6期15-17,共3页
In November 2001, UNESCO approved China’s proposal for celebrating the millennium anniversary of King Gesar in 2002-2003. The Chinese deem this as a confirmation of their efforts to rescue, compile, translate and pub... In November 2001, UNESCO approved China’s proposal for celebrating the millennium anniversary of King Gesar in 2002-2003. The Chinese deem this as a confirmation of their efforts to rescue, compile, translate and publish the longest epic in the world. Efforts have since been made to prepare for the event. The National King Gesar Office joined hands with local branch offices to sponsor celebration activities from last June.——Garze in Sichuan held a meeting in the hometown of Gesar in June; 展开更多
关键词 Millennia Anniversary of King gesar
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Travel Afar for a Lengthy Song──Thoughts on Research on Gesar Artists’
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作者 RONGTI 《China's Tibet》 1997年第6期46-46,共1页
关键词 Thoughts on Research on gesar Artists
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