雍乾之际厉鹗效应下广陵词坛与浙派咏物词的联通

雍乾之际,厉鹗等浙派词人寓居于扬州,以韩江吟社为阵地,大兴咏物风尚,推动了浙派在广陵词坛的词土扩张。而广陵咏物词也在“厉鹗效应”的作用下,基于扬州新生词人群体特性与本土雅俗并兼的文化气象,产生题材与思想内涵的新变,在一派清空醇雅之中,掺入扬州文化生态的市井蒸腾,不仅真实客观地再现民生风情,使咏物词具有了史料价值,亦推进了清代“词史”观的构建进程。

汉魏之际广陵郡战略作用变化探析

东汉末年,广陵郡成为中原政权的边地政区,相比长江上游和中游,魏吴双方在广陵一线并没有显著的战争成果。但从宏观来看,其所具有的战略意义远远大过实际战果。对曹魏政权来说,广陵从陈登任太守时的战略牵制地区到魏文帝时成为战略进攻地区,黄初六年后成为战略缓冲地区,广陵的作用经历了一个动态的变化过程。对吴国政权来说,广陵则由一开始的战略进攻地区变为战略防御地区,再到战略进攻地区,很快又变成缓冲地区。广陵对南北两政权的战略作用在经历了不同转换后又达成了一致。

广陵琴学指法论探赜

广陵琴学思想受清代“务实”学术风气的影响,对指法问题尤为重视。广陵琴学指法论一方面继承虞山琴学思想,一方面又呈现出自家风貌。在“技”与“道”的关系问题上,大多广陵琴人承认琴乐之“道”,但否定了前代琴论中“道”与“技”的对立关系,而是更加重视“技”的规范表达。相比于“技”与“道”的关系,“广陵五谱”序跋更倾向于讨论“技”与“意”或“心”的关系。可见,“广陵五谱”琴学思想的重心由乐教道统逐渐向琴人的主体个性转移,追求指法内容和形式的统一,这为广陵琴派指法细腻多变风格的基本走向奠定了理论基础。

Research on Modelling Digital Paper-cut Preservation

This paper studies the model of the digital preservation of paper-cut after analyzing the state-of-the-art of the preservation of intangible cultural heritage at home and abroad, focusing on paper-cutting in Hebei, China in a comprehensive approach of sociology, anthropology, folk art, folklore, communication, computer, and information science. Models, methods, and solutions for the preservation and retention of national and folk cultural heritage are proposed. A virtual multimedia interactive system framework of the digital preservation of national and folk cultural heritage is constructed. The standards of paper-cut digitization are studied. The main content of the paper involves： regulated data collection and recording of the scattered Chinese folk paper-cut works in Hebei; digitization, optimization, compression, classification, icon and pattern extraction, vectorization, and work analysis of the first-hand material. This paper also investigates the demonstration, dissemination, database construction, and retrieval of the classified material, icons, and patterns; the demonstration of the reconstruction and application of icon and pattern database; the design and development of an immersive virtual gaming platform of the multi-media scenes and production process of folk paper-cut.

A survey of digital paper-cutting

Paper-cutting is one of the most fantastic Chinese folk arts. With the aid of computers, digital paper-cutting has become a popular topic in the field of NPR research. This paper will make a comprehensive survey of related references in four as- pects-image-based paper-cutting, paper-cutting based on computer graphics, paper architectures and paper-cutting animation and it shows that the imitation of the masters＇ artistic styles of paper-cutting will be the trend of future study.

Inheritance and Development of Fuyang Folk Paper-cut Art: A Case Study of “Cheng’s Paper-cut” Art

Intangible cultural heritage plays a prominent role in local cultural construction and tourism brand building. This paper took Fuyang as an example to expound the origin and development of Fuyang folk paper-cut art, analyzed its characteristics, and put forward some countermeasures and ways of inheritance and development, so as to promote the inheritance, protection and development of intangible cultural heritage.

Artistic Innovation of Famous Paper-cutting Artist Wang Xiaying

Paper-cutting is a traditional Chinese art,and Fuyang paper-cutting is a miracle of Chinese paper-cutting art.As Fuyang paper-cutting art is gradually promoted by artists during the historical inheritance,its traditional form has changed,a batch of new-style paper-cutting artworks have been created,Wang Xiaying is a leading figure in its inheritance.From the perspective of manifestation means and modeling language,this paper found that Wang Xiaying on the basis of inheriting traditional paper-cutting learned from other arts,applied innovative techniques to break through limitations in modeling,and realized the innovation of paper-cutting art.It was concluded that traditional paper-cutting arts could only achieve sustainable development by integrating with new elements.

Discussion of Subjects on Guangdong＇s Foshan Paper-cutting

Guangdong＇ s Foshan paper-cutting art is significantly related with the local folk culture and religion, with unique craflwork as well as rich subjects. In the present paper, the characteristics of subjects was analyzed in detail based on the relationship between Foshan papercutting and local folk religion, folk activities and folk cultural activities. It is suggested that subjects of Foshan paper-cutting is strongly affected by the coast and regional culture as well as widely affected by the coastal culture especially foreign culture. Foshan paper-cutting is the typical example for studying folk custom life of Lingnan area because of the rich subjects.

Qiao Xiaoguang's paper-cut Art

Qiao Xiaoguang, a professor with the Central Academy of Fine Arts and director of the China Folk Paper-cut Research Society, recently held a solo exhibition at Beijing Century Art Gallery, showcasing some 30 new paper-cut works including "The Sun and the Old Man", "Auspicious Himalayas", "Bach’s Mass" and "Salute to Jorge Borges".

Art and Life of Manchu Paper-Cut Artist Ni Youzhi

The advice to“disclose the family business to no one”has remained in my mind for a long time.It influenced how I perceived the works of Ni Youzhi,a paper-cut artist,which are shrouded in mystery and marked with her family’s hue.I certainly feel proud and understand the sense of mission for this inheritance that has been passed down from generation to generation[2].However,her Manchu paper-cut changed dramatically over time despite my best efforts to preserve this“heirloom”[3].Looking back on her journey of creation,her trajectory of inheritance,creation,transformation,and regression was marked clearly.

Analysis of Northern regional folk culture on the Paper-cutart

Northern regional folk culture and art is colorful, bright vibrant, showing a flourishing pomp, The paper-cut art is one of the essential of the Pearl.The following article is based on the premise of the relationship between the North and the surrounding area customs and cultural heritage of folk art paper-cut, carrys on the review and analysis, focuses on northern folk paper-cut of origin, schools,, characteristics and the differences between the North and South.

广灵驴PDGFD基因克隆、生物信息学分析及其时序表达研究

血小板源性生长因子D(Platelet derived growth factor D,PDGFD)基因与调控脂质沉积紧密相关。为探究广灵驴不同组织中该基因表达水平,使用RT-PCR技术,以18月龄广灵驴背最长肌cDNA为模板,克隆该基因CDS区,分析生物信息学。围绕广灵驴和晋南驴心、肝、脾、肺、肾、皮下脂肪和背最长肌,利用qPCR技术分别比较该基因在广灵驴同月龄不同组织和同一组织不同月龄表达水平以及两个品种在36月龄各组织中的表达水平。结果表明,PDGFD基因CDS长1095 bp(GenBank登录号:OP482072),编码364个氨基酸,同源性比对广灵驴与马亲缘关系最近,与红原鸡最远。qPCR检测该基因在广灵驴背最长肌和皮下脂肪中mRNA表达量随月龄呈极显著增加(P<0.001)。该基因在36月龄广灵驴心脏、肝脏和皮下脂肪mRNA表达量均高于同月龄晋南驴。推测该基因与心脏、肝脏、皮下脂肪和背最长肌发育调控紧密相关。研究为深入探究该基因在广灵驴脂质代谢调控机制奠定理论基础。

非遗视域下广灵剪纸艺术的传承创新研究

本文通过对广灵剪纸的历史文化脉络,地域化风俗,民间剪纸技艺等实地收集资料,探索广灵剪纸艺术在现代社会中的价值传承与创新发展方式。打破时间与空间的界限,使广灵剪纸艺术能够顺应时代发展,结合互联网模式促进传统手工剪纸艺术与美术设计教育的融合沟通。深入调研广灵地区民间剪纸艺术的特色与保护开发,分析其发展所面临的问题和机遇,提出适合其实际情况的研发路径和策略,为晋北地区的经济发展和文化保护做出积极探索,也为非遗传统剪纸手工艺产业的发展提供有益借鉴和创新设计,助推地方经济发展,实现乡村振兴带动经济共同繁荣。

miR-150靶向AOC3调控绵羊前体脂肪细胞分化的研究

旨在通过探究miR-150与AOC3的靶标关系,揭示miR-150在广灵大尾羊前体脂肪细胞分化过程中的作用机制。本研究以3只5日龄发育正常且健康的广灵大尾羊公羊为试验材料,采用qPCR方法检测广灵大尾羊皮下、肾周和尾部脂肪组织中miR-150的表达量;采集广灵大尾羊的尾部脂肪组织并分离绵羊前体脂肪细胞;通过细胞免疫荧光技术鉴定细胞纯度;利用生物信息学软件预测和双荧光素酶报告试验验证miR-150与AOC3的靶标关系;转染miR-150 mimics和inhibitors并检测AOC3和成脂分化标志基因的表达情况;构建并转染绵羊AOC3基因的过表达和干扰载体至绵羊前体脂肪细胞,利用qPCR和Western blotting检测miR-150与AOC3在广灵大尾羊前体脂肪细胞分化中的表达规律;油红O染色检测成脂能力,上述试验方法均设立3个生物学重复。结果表明,miR-150在3个不同部位脂肪组织中尾部脂肪表达量最高,差异极显著(P<0.001)。与对照组相比,过表达miR-150后,AOC3基因和成脂标志基因的表达显著下调(P<0.05),且脂滴生成减少,抑制了绵羊前体脂肪细胞分化;抑制miR-150后,结果相反。miR-150与AOC3的3′-UTR存在结合位点,miR-150极显著降低了AOC3野生型的相对荧光活性(P<0.001)。过表达AOC3后,成脂分化标志基因的表达极显著上调(P<0.01),脂肪细胞产生了更多脂滴,AOC3促进了绵羊前体脂肪的分化;干扰AOC3后,结果相反。本研究表明,miR-150与AOC3的3′-UTR存在结合位点,在绵羊前体脂肪细胞分化的过程中,miR-150与AOC3的表达量呈负相关性,miR-150通过靶向AOC3抑制脂肪分化,研究结果为microRNAs(miRNAs)在分子水平上的研究提供了一定的理论依据。

非物质文化遗产博物馆传承路径研究——以广灵剪纸艺术博物馆为例

非物质文化遗产是人类通过口传心授、世代相传的无形文化遗产,而博物馆是对其保护传承的重要路径之一。广灵剪纸艺术博物馆通过对广灵剪纸历史、剪纸技术、剪纸内容的展陈,不仅有效传承保护了广灵剪纸这个非物质文化遗产,而且极大地带动了当地经济的发展。但目前广灵剪纸艺术博物在传承方面还存在着活态展示不足、剪纸创新人才缺乏,产品题材单一等问题,为此建议博物馆以“传承中发展,在发展中保护”为原则,在展陈中以实物制作再现、文创产品创新、剪纸素材扩大、品牌效力增强等方式,切实推进广灵剪纸艺术博物馆非遗文化传承能力。

基于数据挖掘分析钟广玲治疗痹病肝肾阴虚证用药规律

目的 基于数据挖掘方法分析钟广玲治疗痹病肝肾阴虚证用药规律。方法 分析钟广玲教授2019年1月1日-2022年6月30日于广州中医药大学附属佛山中医院治疗的痹病肝肾阴虚证患者资料,建立病案数据库,利用SPSS Statistics 26.0软件对用药频次、性味归经进行统计,使用SPSS Modeler 18.0和Cytoscape3.9.1对药物进行关联规则分析,对频次排名前30位的高频药物进行系统聚类,挖掘核心药物组成。结果 共筛选出处方121首,使用中药156味,总频次1 651次。使用频次前5位的中药分别为当归、牛膝、白芍、桑寄生、甘草;药性多温、平,药味多以甘、苦、辛为主,归肝、肾、脾经最多。关联规则分析得到42个药物组合,2、3、4味药物关联组合代表分别为当归→桑寄生,熟地黄、桑寄生→当归,熟地黄、桑寄生、牛膝→当归;聚类分析得到9组核心药物。结论 钟广玲教授治疗痹病肝肾阴虚证以补肝肾、强筋骨为基,活血化瘀为要,辅以补气、养血、滋阴、温阳之法。

山西广灵剪纸艺术在文创产品设计中的应用研究

本文以山西广灵剪纸在文创产品设计中的应用研究为出发点,探索具有民族特色的现代文化创意产品设计。通过对广灵剪纸的造型解读与元素提取,创作出系列灯具及吉祥周边类文创产品设计方案,在传承与发展广灵剪纸艺术的同时,打开文化创意产品设计的新视角。

扬州市广陵区设施农业土壤农膜残留特征

为明确设施农业土壤农膜残留特征,采用大田监测的方法调查了扬州市广陵区6个设施农业监测点土壤中的农膜残留量。结果表明:2018年、2019年、2020年、2021年广陵区土壤农膜残留量平均值依次为1.635、2.010、1.005、0.600 kg/hm^(2),变化区间依次为0.240~3.315、0.525~6.570、0.585~1.365、0.390~0.810 kg/hm^(2)。其中,种植西瓜的土壤4年农膜残留量依次为1.575、1.620、1.575、1.425 kg/hm^(2),种植番茄的土壤4年农膜残留量依次为3.315、1.230、1.200、1.305 kg/hm^(2),种植茄子的土壤4年农膜残留量依次为0.150、0.750、0.660、1.875 kg/hm^(2)。可知,广陵区设施农业土壤的农膜残留量总体较少,需要从宣传引导、技术支撑、政府管理等途径强化农膜残留管理。

新媒体视域下非物质文化遗产创造性转换路径研究——以山西广灵剪纸为例

在当代多元文化氛围中,文化语境与审美趣味正快速发生改变,非物质文化遗产的传统传承空间随之逐步坍缩。而新媒体的快速发展,为提升非遗价值、实现文化创新、促进非遗保护的转型升级提供了可能。在非物质文化遗产逐步向数字化、智能化和网络化等方向进行创新和传承过程中,存在价值特征畸变、产权边界模糊、数字鸿沟加深等问题。该文将基于上述问题,以山西广灵剪纸为例,从文化内涵挖掘和转换、造型设计提取和创新、数字技术应用与联合、多领域跨界融合,以及品牌塑造和IP设计出发,综合探讨利用新媒体推动非物质文化遗产创造性转换的路径,从而推动非物质文化遗产的活态流变和现代化传承。

大明三年王畿的设立与刘宋国家政治的结构性转向

刘宋大明三年设立王畿,涉及国家政治空间结构的调整。先秦畿服制度与江左王畿观念为刘宋设置制度化王畿提供政治文化基础。王畿的结构性功能为“内奉京师”与“外表众夏”,其内在逻辑为宋廷给予吴地优崇政治地位,以图深度汲取吴地经济资源。元嘉以降江北边镇经济、政治地位的衰退是王畿设立的重要原因,而设立王畿又意味着吴地以外地区地位的进一步下降,直接导致广陵刘诞之叛。大明八年罢废王畿的表面原因是东诸郡大旱,根本原因是吴地灾害频发,王畿在经济上无法闭合,宋廷为求取其他地区资源供给,无法长期保持优崇吴地的王畿称号。刘宋王畿虽存续时间短暂,却是南朝地缘政治长期困局的缩影。