In the context of emerging media,cultural image has been widely studied form the perspectives of culture,media and language,especially after the introduction of the concept of cultural China.This paper investigates th...In the context of emerging media,cultural image has been widely studied form the perspectives of culture,media and language,especially after the introduction of the concept of cultural China.This paper investigates the forms and contents of the emerging media involved in China' s cultural image building,and the interaction on cultural issues between audiences home and abroad.Then China's cultural image has been analyzed into the technical,formal,and informal levels based on Hall's theory.The analysis shows more in-depth,effective and prompt use of the emerging media may help improve China' s cultural image building.展开更多
The anti-Japanese woodcuts focus on the red revolutionary culture and describe the connotation of the Anti-Japanese War era,which is self-evident in the commemorative value of China’s revolutionary struggle history.F...The anti-Japanese woodcuts focus on the red revolutionary culture and describe the connotation of the Anti-Japanese War era,which is self-evident in the commemorative value of China’s revolutionary struggle history.For example,in Shanxi,China,woodcut art activities and social practice promotion activities organized around the theme of the Anti-Japanese War are also everywhere,which all show the people’s nature of the Chinese people during the revolutionary struggle from the two aspects of the red culture of the Anti-Japanese War and traditional art and culture,and its humanistic connotation is quite profound.In this paper,we first introduce the historical origin of woodcut during the Anti-Japanese War,and then show the people’s value connotation of woodcut art activities in Shanxi.This paper mainly discusses the image narration,language and picture narration and construction significance of woodcuts in Shanxi’s War of Resistance,fully reveals the narrative nature of image media,strives to arouse people’s recognition of this period of Shanxi’s War of Resistance culture and history,and reflects the realistic value and significance of Shanxi’s War of Resistance Woodcuts art activities.展开更多
William Somerset Maugham(1874-1965),one of the most popular writers of the twentieth century,is famous for his exquisitenarrative technique.The Painted Veil tells a touching story with unique narrative style.This pape...William Somerset Maugham(1874-1965),one of the most popular writers of the twentieth century,is famous for his exquisitenarrative technique.The Painted Veil tells a touching story with unique narrative style.This paper takes Edward Said's postcolonial crit-ical theory of orientalism as its theoretical foundation to conduct a study of The Painted Veil in detail with an intention to explore China's image and disclose the cultural hegemony of Maugham.The Painted Veil about demonizing and distorting China's image is based onthe perspective of Orientalism,which is inextricably linked to Maugham's cultural hegemony thought.展开更多
郁飞翻译林语堂的英语长篇小说Moment in Peking,是译界一件很特殊的任务。其中原文及原文作者与译本及译者之间的关系很复杂,涉及到乱世沧桑与生离死别的社会背景,至交好友与至亲父子的人物关系,倾情相托与父债子还的文坛佳话。这些背...郁飞翻译林语堂的英语长篇小说Moment in Peking,是译界一件很特殊的任务。其中原文及原文作者与译本及译者之间的关系很复杂,涉及到乱世沧桑与生离死别的社会背景,至交好友与至亲父子的人物关系,倾情相托与父债子还的文坛佳话。这些背景,对译者的主体性有重大的影响。因此,对此译作的解读,不能忽略了其译者主体性对译作的影响及其在译作中的体现。本文试图借用杨晓荣老师的"同情的理解"的观点,从译者主体性的形成背景,对译作的影响,以及译本中语言风格和文化意象的回归等方面对郁飞的译本《瞬息京华》中的译者主体性进行解读。展开更多
基金the staged achievement of the Project of Teachers'Education and Curriculum Reform of Henan Province-Research on the Development & Application of Characteristic Resources for Henan Foreign Language Teachers'Education(2016-JSJYYB-025)the Project of the Youth Science Fund of Henan Normal University-The Automatic Analysis of Henan-Accented English Pronunciation(2014QK33)
文摘In the context of emerging media,cultural image has been widely studied form the perspectives of culture,media and language,especially after the introduction of the concept of cultural China.This paper investigates the forms and contents of the emerging media involved in China' s cultural image building,and the interaction on cultural issues between audiences home and abroad.Then China's cultural image has been analyzed into the technical,formal,and informal levels based on Hall's theory.The analysis shows more in-depth,effective and prompt use of the emerging media may help improve China' s cultural image building.
文摘The anti-Japanese woodcuts focus on the red revolutionary culture and describe the connotation of the Anti-Japanese War era,which is self-evident in the commemorative value of China’s revolutionary struggle history.For example,in Shanxi,China,woodcut art activities and social practice promotion activities organized around the theme of the Anti-Japanese War are also everywhere,which all show the people’s nature of the Chinese people during the revolutionary struggle from the two aspects of the red culture of the Anti-Japanese War and traditional art and culture,and its humanistic connotation is quite profound.In this paper,we first introduce the historical origin of woodcut during the Anti-Japanese War,and then show the people’s value connotation of woodcut art activities in Shanxi.This paper mainly discusses the image narration,language and picture narration and construction significance of woodcuts in Shanxi’s War of Resistance,fully reveals the narrative nature of image media,strives to arouse people’s recognition of this period of Shanxi’s War of Resistance culture and history,and reflects the realistic value and significance of Shanxi’s War of Resistance Woodcuts art activities.
文摘William Somerset Maugham(1874-1965),one of the most popular writers of the twentieth century,is famous for his exquisitenarrative technique.The Painted Veil tells a touching story with unique narrative style.This paper takes Edward Said's postcolonial crit-ical theory of orientalism as its theoretical foundation to conduct a study of The Painted Veil in detail with an intention to explore China's image and disclose the cultural hegemony of Maugham.The Painted Veil about demonizing and distorting China's image is based onthe perspective of Orientalism,which is inextricably linked to Maugham's cultural hegemony thought.
文摘郁飞翻译林语堂的英语长篇小说Moment in Peking,是译界一件很特殊的任务。其中原文及原文作者与译本及译者之间的关系很复杂,涉及到乱世沧桑与生离死别的社会背景,至交好友与至亲父子的人物关系,倾情相托与父债子还的文坛佳话。这些背景,对译者的主体性有重大的影响。因此,对此译作的解读,不能忽略了其译者主体性对译作的影响及其在译作中的体现。本文试图借用杨晓荣老师的"同情的理解"的观点,从译者主体性的形成背景,对译作的影响,以及译本中语言风格和文化意象的回归等方面对郁飞的译本《瞬息京华》中的译者主体性进行解读。
