Temple of the Three Sus,which was first established during the Yuan Dynasty,features a natural,unrestrained,and classically elegant garden architectural style.This paper discusses the multiple characteristics and mean...Temple of the Three Sus,which was first established during the Yuan Dynasty,features a natural,unrestrained,and classically elegant garden architectural style.This paper discusses the multiple characteristics and meanings of traditional architectural decorative patterns at Temple of the Three Sus from a semiotic perspective.First,it analyzes the denotative aspects of these patterns,including their stylistic forms,structural frameworks,and craftsmanship techniques.Second,the paper classifies the traditional architectural decorative patterns of the Temple of the Three Sus based on the types of sources of these patterns and interprets the implied meanings of each.Finally,the paper explores the application of these traditional decorative patterns in modern urban design,specifically in Meishan City,discussing the inheritance and innovation of these patterns in contemporary urban design and emphasizing the importance of integrating tradition with modernity.展开更多
There are many important ancient buildings left in Bofang Village with a long history.The Xianweng Temple located in the north of the village is the only Taoist building in the ancient building group of Bofang Village...There are many important ancient buildings left in Bofang Village with a long history.The Xianweng Temple located in the north of the village is the only Taoist building in the ancient building group of Bofang Village.Its historical origin can be traced back to Tang and Song dynasties.The temple is a collection of gardens,buildings,painted in one place,all aspects of the achievement is quite high.Through the study of the decorative art characteristics of Xien-weng Temple in Bofang Village,Gaoping,this paper summarizes the artistic characteristics of Taoist architectural decoration in Shanxi,excavates the great value of its existence,and inspires more people to reflect on the protection of ancient buildings.展开更多
The replacement of Lingnan Taoist Zuting Temples from Lingbao Sect to Quanzhen Sect in the Qing Dynasty has led to the change of the layout of Taoist temples on Luofu Mountain. Through literature review, field researc...The replacement of Lingnan Taoist Zuting Temples from Lingbao Sect to Quanzhen Sect in the Qing Dynasty has led to the change of the layout of Taoist temples on Luofu Mountain. Through literature review, field research, image comparison and other research methods, the paper explores how the layout of the Taoist temples on Luofu Mountain evolved from the Four Taoist Temples in the Gehong period to the Five Taoist Temples in the Qing Dynasty under the influence of different Taoist ideologies, aiming to explore the cultural implications of the evolution of the layout of Lingnan Taoism Zuting Temple in the Qing Dynasty.展开更多
Dao Xuan’s Gantonglu records:“About fifteen kilometers down from the southeast of the Wutai Mountain,there is the ancient Dafu Lingjiu Temple,and there are two Taoist temples in the east and west,where Buddhist matt...Dao Xuan’s Gantonglu records:“About fifteen kilometers down from the southeast of the Wutai Mountain,there is the ancient Dafu Lingjiu Temple,and there are two Taoist temples in the east and west,where Buddhist matters are fulfilled.According to ancient legend,it was made by Emperor Ming of the Han Dynasty”(Daoxuan,Tang Dynasty,p.257).It can be seen that Buddhism has been introduced into Wutai Mountain since the Eastern Han Dynasty,and Buddhist temple murals have been painted on the walls of temples with the introduction of Buddhism,playing the role of spreading scriptures and decorating the walls.The pattern of Buddha’s futon base in the murals reflects the worship and rank differences of Buddhist monks in different periods.As a medium of meditation and worship,futuan is also a ritual instrument in Buddhist legend,which is of great significance.The research on the style of futon from the perspective of the frescoes in the temple of Wutai Mountain mainly focuses on the historical evolution of the frescoes and futon,the research and analysis of the base shape,pattern,composition and color of the futon in the frescoes of the temple.Explore the religious significance and historical and cultural value behind the futon style.展开更多
As a national cultural property,General Zhang Fei’s Temple is the largest ancient architectural complex in the Three Gorges of the Yangtze River.It was built in the Han Dynasty and has a long history of nearly 2,000 ...As a national cultural property,General Zhang Fei’s Temple is the largest ancient architectural complex in the Three Gorges of the Yangtze River.It was built in the Han Dynasty and has a long history of nearly 2,000 years.In 1994,the Chinese government launched the Three Gorges Dam project at the Yangtze River and implemented the largest relocation project for the General Zhang Fei Temple to prevent it from being submerged.The temple was relocated 32 kilometers upstream along with the local people of Yunyang County,and the historic environment was rebuilt on the opposite side of the migrant city of New Yunyang County.The temple was restored successfully and the tradition of offering sacrifices to General Zhang Fei continued in the local community.The relocation project lasted for 8 years and became the largest cultural heritage conservation project of the People’s Republic of China at the end of the 20th century.This paper comprehensively summarizes and reviews the project goals,implementation process,and project highlights of this relocation,so as to provide an important case reference for heritage conservation projects in the future.展开更多
文摘Temple of the Three Sus,which was first established during the Yuan Dynasty,features a natural,unrestrained,and classically elegant garden architectural style.This paper discusses the multiple characteristics and meanings of traditional architectural decorative patterns at Temple of the Three Sus from a semiotic perspective.First,it analyzes the denotative aspects of these patterns,including their stylistic forms,structural frameworks,and craftsmanship techniques.Second,the paper classifies the traditional architectural decorative patterns of the Temple of the Three Sus based on the types of sources of these patterns and interprets the implied meanings of each.Finally,the paper explores the application of these traditional decorative patterns in modern urban design,specifically in Meishan City,discussing the inheritance and innovation of these patterns in contemporary urban design and emphasizing the importance of integrating tradition with modernity.
文摘There are many important ancient buildings left in Bofang Village with a long history.The Xianweng Temple located in the north of the village is the only Taoist building in the ancient building group of Bofang Village.Its historical origin can be traced back to Tang and Song dynasties.The temple is a collection of gardens,buildings,painted in one place,all aspects of the achievement is quite high.Through the study of the decorative art characteristics of Xien-weng Temple in Bofang Village,Gaoping,this paper summarizes the artistic characteristics of Taoist architectural decoration in Shanxi,excavates the great value of its existence,and inspires more people to reflect on the protection of ancient buildings.
文摘The replacement of Lingnan Taoist Zuting Temples from Lingbao Sect to Quanzhen Sect in the Qing Dynasty has led to the change of the layout of Taoist temples on Luofu Mountain. Through literature review, field research, image comparison and other research methods, the paper explores how the layout of the Taoist temples on Luofu Mountain evolved from the Four Taoist Temples in the Gehong period to the Five Taoist Temples in the Qing Dynasty under the influence of different Taoist ideologies, aiming to explore the cultural implications of the evolution of the layout of Lingnan Taoism Zuting Temple in the Qing Dynasty.
基金This study was supported by the“2019 Planning Fund Project for Humanities and Social Science Research,Ministry of Education,China”.Project title:“Research on the Image of Utensils in the Remains of Ancient Murals in Shanxi-From Song and Jin to Ming and Qing”(approval number:19YJA760066)This study was supported by the“Teaching Reform and Innovation Project of Higher Education Institutions in Shanxi Province in 2022”,Project title:“Teaching System Reform and Nurturing Practice of Visual Communication Design Major under the View of Double First-class”(Project No.J20220002).
文摘Dao Xuan’s Gantonglu records:“About fifteen kilometers down from the southeast of the Wutai Mountain,there is the ancient Dafu Lingjiu Temple,and there are two Taoist temples in the east and west,where Buddhist matters are fulfilled.According to ancient legend,it was made by Emperor Ming of the Han Dynasty”(Daoxuan,Tang Dynasty,p.257).It can be seen that Buddhism has been introduced into Wutai Mountain since the Eastern Han Dynasty,and Buddhist temple murals have been painted on the walls of temples with the introduction of Buddhism,playing the role of spreading scriptures and decorating the walls.The pattern of Buddha’s futon base in the murals reflects the worship and rank differences of Buddhist monks in different periods.As a medium of meditation and worship,futuan is also a ritual instrument in Buddhist legend,which is of great significance.The research on the style of futon from the perspective of the frescoes in the temple of Wutai Mountain mainly focuses on the historical evolution of the frescoes and futon,the research and analysis of the base shape,pattern,composition and color of the futon in the frescoes of the temple.Explore the religious significance and historical and cultural value behind the futon style.
文摘As a national cultural property,General Zhang Fei’s Temple is the largest ancient architectural complex in the Three Gorges of the Yangtze River.It was built in the Han Dynasty and has a long history of nearly 2,000 years.In 1994,the Chinese government launched the Three Gorges Dam project at the Yangtze River and implemented the largest relocation project for the General Zhang Fei Temple to prevent it from being submerged.The temple was relocated 32 kilometers upstream along with the local people of Yunyang County,and the historic environment was rebuilt on the opposite side of the migrant city of New Yunyang County.The temple was restored successfully and the tradition of offering sacrifices to General Zhang Fei continued in the local community.The relocation project lasted for 8 years and became the largest cultural heritage conservation project of the People’s Republic of China at the end of the 20th century.This paper comprehensively summarizes and reviews the project goals,implementation process,and project highlights of this relocation,so as to provide an important case reference for heritage conservation projects in the future.
