The protection project of Hanyuan Hall and Linde Hall of the Darning Palace

This paper expounds the consideration to the design of protection and exhibition of Hanyuan Hall and Linde Hall of the Daming Palace. Based on in-depth study on their existing conditions after archeological excavation, and in combination with comprehensive considerations in terms of the protection of the main body of sites, the restoration research of existing bases and superstructures, the requirement of site open exhibition, etc., it proposes the design to restore the rammed earth bases by surrounding them with bricks and stones or rammed earth. Besides the protection and exhibition of the site of Hanyuan Hall bases, it also integrates the features of landform there to design the protection and exhibition of brick and tile kiln of Tang Dynasty within the relic area. Under the condition at that time, a semi-underground small exhibition center is designed by taking advantage of the height difference of base side slopes, satisfying the requirement of exhibition, and meanwhile preserving the overall landscape of the site. The integration of the design of protection project with archeology as well as the science and technology of heritage preservation is a brand-new probe into site protection design.

谐趣园涵远堂内檐装修研究

涵远堂位于颐和园东麓谐趣园组群的北部,其内檐装修现状保存完好,基本体现了清晚期的装修面貌。本文结合档案文献梳理涵远堂建筑及装修沿革,并基于测绘调查的成果对涵远堂内檐装修从空间布局、纹样类别和尺寸设计方面进行研究。希望此研究可以为相关领域研究提供切实可信的基础资料。

唐大明宫含元殿与外朝听政

大明宫含元殿建于唐高宗龙朔年间,位于隋唐长安城东北隅,为高宗以后的政治中心。含元殿是唐代君臣举行元日、冬至大朝会和接受四夷及外国君长、使者朝贡等重大国事活动的外朝听政之处。含元殿宏大的规模以及外朝听政隆重的礼仪,正是唐王朝显示国威之所。含元殿历经岁月沧桑,直接见证了唐王朝国力兴衰的历史。

敦煌建筑画卷中的大唐长安影像——以大明宫含元殿建筑形制为例

在前人对大明宫含元殿考古发掘及复原研究的基础上,结合相关文献记载,运用考古学和图像学的方法,将敦煌壁画中平面呈"凹"形佛寺建筑图像及日本相关佛寺建筑的考古资料,与含元殿建筑形制进行对照分析。结果表明:含元殿是一座具有原创性的建筑,并对之后的佛寺建筑形制产生了重大影响,此后平面呈"凹"形佛寺建筑盛行一时。在此基础上,含元殿可作为相关历史问题年代判断的标志性建筑。

从都城与宫殿建筑复原看日本、中国、韩国的渊源与异同

日本平城宫大极殿被认为是以唐长安大明宫含元殿为范型而建造的。2010年,根据考古发掘信息、与大极殿同时代的现存建筑遗物以及同时代的绘画等资料,在奈良平城宫大极殿原址复原重建了大极殿。而韩国最近复原重建了景福宫的正门光化门,在中国则是复原了大明宫含元殿的高大台基,而没有复原宫殿建筑。本文分析了各国宫殿建筑的历史关联,并指出中、日、韩的建筑复原决策的异同与社会现状的关联。