On the Praxis-Oriented Semiotic Aesthetics in Eastern European Marxism

Eastern European Marxism,taking a critical stance towards structuralism,gave rise to a unique paradigm of praxis-oriented semiotic aesthetics.This novel approach posits that signs emerge from humans’social praxis and also function as a means of praxis.It further delves into the principle governing the generation and usage of signs,i.e.,the Economy Principle,the homogenization of signs,the situatedness or contextual constraints,as well as their aesthetic features and transcendental attributes.As a result,the praxis-oriented semiotic aesthetics within Eastern European Marxism exhibits distinct theoretical value.

The Study of “Imitation” Aesthetics in Ancient Painting Theory-Taking the Chinese and Western Sources as an Example

The theory of“imitation”in painting occupies a leading position in western art,which originated from the theory of“imitation”in ancient Greece,and has become one of the art theories affecting the world through the continuous development of later generations.Through the exploration of the source of“imitation”in China and the West,there are some comments on the meaning of“imitation”in Chinese classical painting theory,such as“transfer model writing”and“image form”,which is obvious differences from the west.Traditional Chinese painting is a combination of careful observation of natural things and subjective emotions to express their own aesthetic feelings,and ultimately form a vivid artistic conception.Modern imitation is borrowed from Western imitation.In fact,imitation in traditional painting has its own meaning,which contains Chinese aesthetic thought.“Imitation”aesthetics is unique in traditional Chinese painting and is the most important form of painting art.

Translation of Culture-loaded Words in The Golden Cangue under the Perspective of Reception Aesthetics

Good translations play a very important role in cultural exchange.The idea of reception aesthetics think the reader as the center in translation process.This paper will study the translation of culture-loaded words from the perspective of reception aesthetics.It is divided into five parts.The first part mainly introduces the background and theoretical foundation of this paper,the second part introduces the writer’s works,the third part gives examples to analyze the culture-loaded words appearing in The Golden Cangue,the fourth part gives examples of the translation methods,and the fifth part is the conclusion.It aims to provide a reference for the English translation of culture-loaded words.

On Translation of Children’s Literature Based on Reception Aesthetics:A Case Study of The Secret Garden

Grounded in reader-centered theories,Reception Aesthetics prioritizes the active engagement and acceptance of target readers.This study examines the translation of children’s literature through the lens of Reception Aesthetics,using Li Wenjun’s rendition of The Secret Garden as a case study.The objective is to scrutinize various aspects of the translation-including vocabulary,syntax,rhetorical devices,and cultural nuances-and to discern how the adaptation and application of diverse translation strategies cater to the aesthetic expectations.

Research on the Path of Integrating Party Construction Aesthetics into Ideological and Political Education in Colleges and Universities

Party construction aesthetics is a valuable aesthetic resource formed in the practical exploration of rural revitalization,and it has logical compatibility with ideological and political education in terms of concepts,goals,tasks,etc.At present,comprehensive deepening reform has entered a deep-water zone,and some erroneous value orientations such as utilitarianism,emptiness,and liberalization are common in colleges and universities,and ideological and political education is caught in a new round of difficulties.As the main position of ideological and political education,colleges and universities should further use party construction aesthetics to strengthen and improve ideological and political education,adhere to the carrier of aesthetic education,carry out diversified integrated education,broaden the ideological and political practical teaching system,build a long-term mechanism for collaborative education of ideological and political education and party construction aesthetics,and fully integrate party construction aesthetics into ideological and political education in colleges and universities.

The Past and Future of Aesthetics in Mathematics

This paper explores the connotations of mathematical aesthetics and its connections with art,facilitated by collaboration with Ester,an individual with an artistic professional background.It begins by tracing the historical evolution of aesthetics from the classical pursuit of authenticity to the modern shift toward self-expression in art.The discussion then highlights the similarities in the pursuit of truth between mathematics and art,despite their methodological differences.Through an analysis of aesthetic elements in mathematics,such as lines and function graphs,the article illustrates that the beauty of mathematics is not only manifested in cognitive processes but can also be intuitively expressed through visual arts.The paper further examines the influence of mathematics on the development of art,particularly how Leonardo da Vinci applied mathematical principles to his artworks.Additionally,the article addresses art students’perceptions of mathematics,proposes the customization of math courses for art students,and discusses future trends in the integration of mathematics and art,emphasizing the significance of art therapy and the altruistic direction of art.Lastly,the authors use a poster to visually convey the idea that the beauty of mathematics can be experienced through the senses.

Myth and Digital Fantasy from the Perspective of Technical Aesthetics

The surreal space of digital technology development has created an unprecedented utopian mythological world.The virtual reality research started in the 1960s has gradually become a reality with the support of hardware technology.The media mode of observing the world by simulating human eyes with cameras is being replaced by computer simulation technology.The metaverse global vision based on virtual space and sense of time obscures the traditional perspective,and a novel progressive aesthetic category gradual y emerges.Starting with the aesthetic experience of myth brought by digital technology,this paper reviews the history of myth and analyzes the mental image of myth and religion to push the origin of life to a more profound realm.The contemporary“myth”following technological development changes the situation of human cognition of the world,separates the myth from the historical frame and relates it to the contemporary ongoing.

The Ecological Aesthetics of Funeral Architecture towards Death:A Case Study of Tomba Brion Family Cemetery

This paper discusses the design of funeral architecture with ecological aesthetics as the entry point,and makes a poetic interpretation of the gardening techniques and spiritual connotation of Tomba Brion Family Cemetery,a funeral architecture,in combination with architecture,ecological design aesthetics,landscape ecology,oriental aesthetics and other disciplines to explore the unique charm of the architectural field related to death for life,trying to provide the reference value of ecological aesthetics for the development of funeral architecture.

Flavor Amidst Plainness:An Examination of the Subjectivity of the“People’s Films”From the Perspective of Classical Aesthetics

The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through background shots,contributing to the overall aesthetic taste dominated by plainness.Chinese national aesthetic tastes,distinguished by implicitness,symbolism,and ethereality,have the magical power to present charming conceptions via plain and simple scenes,thus endowing the“People’s Films”with natural,plain,and harmonious frames that are unique to China.Behind the silent and plain scenes are representations of personal cultivation and essential values cherished by the Chinese people,which are achieved via the momentary presence and entirety of scenes photographed in the films,delivering an internal transcendence of people’s consciousness.

The Constructed Image:“China”in Gertrude Stein’s Composite Matrix of Aesthetics and Politics

As a representative modernist writer of the early 20th century,Gertrude Stein creatively established a unique experimental writing style to support her modernist expression.This paper attempts to analyze the Oriental elements,especially elements and images related to“China”in her works.Stein’s uses these elements to construct a systematic and complex matrix of aesthetics and politics.“China”in Stein’s matrix is an essential source of her so-called“the oriental peaceful penetration”and a significant lens for her ideological expression and political thoughts.Although Stein emphasizes her Oriental components in the source of identity,she always places herself in a Western position,ignoring cultural and political expressions in the real Chinese context and turning“China”into a useful tool in the collective fantasies of the West.

An Exploration of Translation Strategies of Global Cosmetics Brands Based on Reception Aesthetics

With the advancement of economic globalization,the flow of commodities from one country to another has become closer and closer.Especially in recent years,the logistics industry has been developing rapidly,overseas purchasing agents and cross-border online shopping have been enormously prevailing,and accordingly more and more British and American cosmetics expect to occupy a place in the huge market of China.Therefore,it is particularly important to explore the Chinese translation strategies for British and American cosmetic brands.Based on the theory of reception aesthetics,this thesis takes the corpus Estee Lauder,La mer,and other famous cosmetics brands.The thesis proposes several methods for translating cosmetic brands:transliteration for proper names like person or geography names;free translation to recreate brand aesthetics;creative translation for new brands;and adapted translation for divergence in language habits.Therefore,this thesis is of theoretical and practical significance as far as the field of cosmetics is concerned.

高校“新六艺”美育课程体系建构研究

高校美育是落实立德树人、实现培根铸魂教育目标的重要方式,在构建德智体美劳全面培养的教育体系中占据极为重要的地位。通过梳理相关美育学术史,阐述了构建相对全面,富有学术性、普适性、可操作性的“新六艺”美育课程体系的重要意义;基于对“新六艺”美育课程体系建构的内涵、原则及实施框架等内容分析,从夯实课堂教学、推进美育科研、丰富校园文化、服务社会需求等方面对燕山大学美育课程体系进行理论探讨和实践呈现,以期在推动燕山大学美育教学研究、完善“新六艺”美育课程体系的同时,为高校美育课程体系的建构提供借鉴。

“物色”作为中华感兴美学精神之光的灿烂显现

“物色”作为中华感兴美学理论的一个基本范畴,最初由刘勰提出。“物色”既是中华古典艺术审美“感物”“感兴”“比兴”得以发生的对象来源,又是古典艺术“意象”“气象”“意境”得以生成的重要基础。物色论是进入中国古典美学尤其是感兴美学研究的必经之路,但学界对物色论美学范畴的研究相对薄弱。“物色”美学范畴在中国美学史上形成了一个绵延不断的学术谱系。“物色”美学范畴的哲学基础是中国古代气论哲学和气感哲学。“物色”是宇宙元气和天地精神在自然物象之声色状貌光影中的感性闪耀,同时又是人的德性精神之光与自由精神之光的生动呈现。物色成为中华感兴美学精神之光的灿烂显现。物色论美学可与西方美学的自然美论、形式美论、审美感性论、灿烂感性论、存在境域论加以比较,亦可与德国古典美学精神和马克思主义美学精神相互发明。物色美学范畴因而具有重要的当代意义和普遍价值,值得展开系统研究和现代阐释。

课程美育的内涵、意义及实践路径——以陕西中医药大学为例

为全面贯彻落实习近平总书记关于教育的重要论述和全国教育大会精神,切实加强新时代高等学校美育工作,充分发挥各门课程的美育功能而进行了美育教育的思考与探索。课程美育的本质是一种教育理念,在教会学生求“真”的同时,也教会学生求“美”;课程美育的宗旨是立德树人,促进学生德智体美劳全面发展,培养堪当民族复兴重任的时代新人;课程美育的核心是挖掘课程美育资源,将美的素材、美的元素融入渗透到专业课程学习之中,课程美育和美育课程相互补充、相得益彰、同向同行、协同育人。开展课程美育有利于打通学科壁垒、专业界限、课程属性,深化“三全育人”,充分挖掘各专业课中所蕴含的美育教育资源,有利于美育教育提质增效并可强化协同育人。课程美育的最终实现则需做好顶层设计、示范引领以及推广应用。

硫酸羟氯喹联合甲硝唑凝胶治疗玫瑰痤疮的疗效观察

目的:探讨硫酸羟氯喹联合甲硝唑凝胶治疗玫瑰痤疮的美学效果及疗效和安全性。方法:选取2020年12月-2022年12月湖南省中医药研究院附属医院收治的84例玫瑰痤疮患者,按随机数表法分为观察组(硫酸羟氯喹联合甲硝唑凝胶治疗,n=42)和对照组(甲硝唑凝胶治疗,n=42)。比较两组患者的治疗效果、不良反应,比较两组患者治疗前后的临床症状评分、痤疮特异性生活质量量表(Acne-specific quality of life scale,Acne-QOL)评分及白细胞介素-6(Interleukin-6,IL-6)、C反应蛋白(C-reactive protein,CRP)、肿瘤坏死因子-α(Tumo rnecrosis factor-α,TNF-α)水平。结果:观察组总有效率为95.24%,显著高于对照组的80.95%(P<0.05);治疗后两组各项临床症状评分显著低于治疗前,观察组低于对照组(P<0.05);治疗后两组Acne-QOL各项评分显著高于治疗前,观察组高于对照组(P<0.05);治疗后两组IL-6、CRP、TNF-α显著低于治疗前,观察组低于对照组(P<0.05);观察组和对照组的不良反应总发生率分别为9.52%、7.14%,差异无统计学意义(P>0.05)。结论:硫酸羟氯喹联合甲硝唑凝胶治疗玫瑰痤疮安全有效,可有效改善患者的临床症状,提高患者的面部美学效果及生活质量。

交集与汇通:电影工业美学的“工作伦理”兼与其他学派关系的思考

电影工业美学主张电影从业者秉持踏实勤恳、理性自制的职业精神,在电影制作的复杂流程中,各司其职、尽职尽责、高效配合,使电影实现品质和效益的最大化。这种“工作伦理”精神体现在电影的内部/外部层面。在内部层面主张制作表达大同性、常人化伦理观的电影作品,并与电影伦理学共同关注中国电影对伦理底线的恪守;但电影工业美学倡导对伦理表达方式的宽容。在外部层面,电影工业美学主张电影的大众文化品性,即对新老受众群体——“常人”所赏之美给予尊重。其“工作伦理”精神则与电影共同体美学在电影系统的和谐高效方面追求一致,但主张避免过度注重整体共情,造成电影审美上的单一。电影工业美学的“工作伦理”旨在通过维护电影制作过程的伦理和谐,提升电影的品质,促进电影传递正向伦理,丰富其伦理品格。电影工业美学与电影伦理学和电影共同体美学交集汇通、“互文”互见,既提升了中国电影的伦理品格和人学高度,也是对“中国电影学派”学术体系、话语体系、学科体系建构务实的有效实践。

刘兆吉美育思想及其对当代美育的启示

刘兆吉先生是美育心理学科创始人,其美育思想的产生经历了启蒙、孕育、创立三个阶段。刘兆吉先生提出的“美育与美育心理学是皮毛相依的关系”“艺美融合实现大美育”“将美寓各科,实现各科育美、五育共美”和“探究美育理论与实践相结合”等思想,对当代开展学校美育工作具有重要启示意义。新时代,美育应遵循美育心理规律,提升美育教学的有效性;倡导大美育理念,构建各科育美、协同育人的美育机制;扎根中华优秀传统文化和时代生活,培育中华美育精神,以此改进和加强美育实践。

智能技术具身下审美教育锚定人工智能素养的理路演进

人工智能的具身化发展升级了技术具身的概念,“智能技术中的身体”和“智能技术身体”深刻变革人类认知方式转向人机共创的模式。审美教育具有学科共通性,智能技术具身演化了审美教育的新生态,形成了包括智能环境、人机协同融合模式、智能代理机制和大脑智能的新型智能架构。智能技术具身下审美教育目标就是找到提高学生审美认知的可行方法和有效方式。审美认知表现在以身体为中心的智能技术和学生心智的协同与耦合,相应地审美教育的目标就锚定了人工智能素养。人工智能素养导向的审美教育可以为学生审美认知赋能赋权,有力支撑学生知情意行和谐统一的教育总体目标,铺设学生思维升级的路径。智能技术具身下的审美教育成为培育学生人工智能素养的新范式,即以自动化实现为审美理念引导智能通识技能的升格、以解决问题为审美目标引导计算思维的提升、以协同创造为审美理想引导高阶思维的跃迁。

课程思政背景下新时代高校音乐美育发展路径研究

在课程思政的大背景下,高校教师需要积极探索音乐美育与课程思政的融合策略,使音乐美育能充分发挥自身教化功能,从而引导学生形成积极健康的生态审美意识,进而树立生态审美道德,使在提升自身综合素质之余为生态建设工作贡献更多力量。本文以高校音乐教学课程为例,分析了思政教育与音乐美育教育在其中的契合性及现存不足,并就其发展路径提出了相关建议,以期为同行业人员提供帮助。

基于美学需求的个案护理模式对乳腺癌保乳切除术后患者心理状态和瘢痕的影响

目的:探究基于美学需求的个案护理模式对乳腺癌保乳切除术后患者心理状态和瘢痕的影响。方法:选择2019年2月-2022年2月笔者医院行乳腺癌保乳切除术的106例患者,按随机数表法分为观察组(n=53)和对照组(n=53)。对照组采用常规护理模式,观察组采用基于美学需求的个案护理模式。比较两组护理干预前后心理状态[焦虑自评量表(Selfrating anxiety scale,SAS)、抑郁自评量表(Self-rating depression scale,SDS)、自尊量表(Rosenberg senesteem scale,RSES)]、生活质量[乳腺癌生存质量测评量表(Functional assessment of cancer therapy-breast,FACT-B)]、瘢痕[温哥华瘢痕量表(Vancouver scar scale,VSS)]及并发症发生情况。结果:干预后,两组的SAS、SDS均低于干预前,且观察组均低于对照组(P<0.05),而两组RSES评分高于干预前,且观察组高于对照组(P<0.05);术后1、3、6个月,观察组的VSS评分均低于对照组(P<0.05);干预后,两组的FACT-B各项评分均高于干预前,且观察组的生理状况、社会/家庭状况、情感状况、功能状况、附加关注状况均高于对照组(P<0.05);观察组并发症发生率为22.64%,显著低于对照组的43.40%(P<0.05)。结论:基于美学需求的个案护理模式能够改善乳腺癌保乳切除患者术后心理状态,减轻术后瘢痕,并能提高患者的生活质量。