The Reconciliation Between Individuality and Universality in Spirit： On the Task of Hegel＇s Aesthetics

Under the background of binary opposition of modern philosophy and aesthetics, Hegel takes ＂spirit＂ as the startingpoint and aims to achieve the reconciliation between binaries through the dialectical development of spirit. At thesame time, this process also makes spirit reach its own self-consciousness and self-realization. Among manyoppositions and contradictions, one of the key issues that Hegel attempts to deal with is the relationship betweenindividuality and universality in spirit. In Hegel＇s view, spirit is universal self-consciousness, a unity ofindividuality and universality. Consistent with his philosophy, the task of his aesthetics is also to reconcileuniversality and individuality in spirit. In Aesthetics, this settlement is mainly reflected in three aspects, namely theunity of content and form, the unity of the general world situation, and the character and finally the unity ofsubjective artistic creation and objective performance. In this way, Hegel＇s Aesthetics bridges the distance betweenindividuality and universality, achieving the goal of self-consciousness and self-realization in spirit, thus giving hisresponse to the problem of binary opposition caused by modern philosophy and aesthetics.

On Translation of Children’s Literature Based on Reception Aesthetics:A Case Study of The Secret Garden

Grounded in reader-centered theories,Reception Aesthetics prioritizes the active engagement and acceptance of target readers.This study examines the translation of children’s literature through the lens of Reception Aesthetics,using Li Wenjun’s rendition of The Secret Garden as a case study.The objective is to scrutinize various aspects of the translation-including vocabulary,syntax,rhetorical devices,and cultural nuances-and to discern how the adaptation and application of diverse translation strategies cater to the aesthetic expectations.

A Comparative Study of Kant’s and Hegel’s Aesthetics of Landscape Architecture

Both Kant and Hegel showed their attention to landscape architecture art in their aesthetic works,their aesthetic ideas were different but also related.This paper sorted out and interpreted the landscape architecture aesthetics of Kant and Hegel based on relevant aesthetic literature,analyzed the differences between them according to the historical background of landscape architecture development and their philosophic concepts,then summarized the historical causes for the development of their landscape architecture aesthetics.

The Translation of Children's Literature under the Guidance of Reception Aesthetics

In recent years,a great majority of excellent foreign children' s literary works have sprung up in the domestic market,so the translation of children' literature are drawn much attention.However,the relevant studies which guide the translation of children literature are quite few.Reception Aesthetics which take readers reception as a goal provides a new prospective for the translation of children s literature and promote its development.

Can Thought Become Sensible? Reflections on the Aesthetic Theories of Plato and Hegel

Hegel was highly influenced by Plato’s philosophy,as appears in his Lectures on the History of Philosophy.The German philosopher rightly attributed to Plato an“aesthetic”theory meant as a search for the meaning of Beauty(the idea of the Beautiful).For Kant the Sublime played the same role that Beauty did for the Greek philosopher,leading the human soul to grasp the super-sensible,as we read in his Critique of the Judgment of Taste.Contrary to what happened in Plato,in Hegel’s own aesthetic theory,the investigation was not focused on Beauty in general,but on artistic Beauty,the characters of the beautiful work of art.If Plato and Hegel highlight the dialectical-metaphysical function of Beauty,the judgment that they express on art is very different.However,they share an important conception:Beauty is as an intermediate and connecting reality,that functions as a link between thought and sensitivity.

Flavor Amidst Plainness:An Examination of the Subjectivity of the“People’s Films”From the Perspective of Classical Aesthetics

The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through background shots,contributing to the overall aesthetic taste dominated by plainness.Chinese national aesthetic tastes,distinguished by implicitness,symbolism,and ethereality,have the magical power to present charming conceptions via plain and simple scenes,thus endowing the“People’s Films”with natural,plain,and harmonious frames that are unique to China.Behind the silent and plain scenes are representations of personal cultivation and essential values cherished by the Chinese people,which are achieved via the momentary presence and entirety of scenes photographed in the films,delivering an internal transcendence of people’s consciousness.

On the Chinese People’s Aesthetics

正Appreciation of art is not a birthright. In the prehistoric primitive society, the ancestors of the Chinese people rooted in the harsh natural environment of the Yellow River Basin and began forging their own solid characteristics as the loess and rock. Our ancestors survived in the harsh natural conditions. Pressure of keeping alive deprived of their original romantic, despite that Neolithic primitive rock art, pottery

The Rise of Aesthetic Anthropology in the Marginal Culture

At the turn of the century, the development of aesthetics encounters severe challenges and is trapped in a crisis. To get out of it, it is necessary to dig deeper in the study of aesthetics. The fact that the marginal areas＇ cultural heritage, agricultural culture, industrial culture and post-industrial culture often coexist in a harmonious way in a nation or the same area attracts the attention of aesthetic anthropologists. The paper mainly analyzes the constructive relationship between the culture of marginal areas and aesthetic anthropology, and discusses how to establish a relationship between them with the help of the development model of Yunnan＇s marginal culture.

A study on the present situation and aesthetic of Chinese contemporary children＇s books

The orientation and development of children＇ s book illustration affects children＇ s artistic taste, and also determines the futureand trend of children＇ s book market. This paper analyzes the present situation of children＇ s book illustration, and discusses its aesthetic styleand form of expression. Hope to be able to further explore the market potential of China＇ s children＇ s book illustrations, to establish the correctdirection of development to make some help.

Behind ＂Pop Songs Between 1930s and 1940s in Shanghai＂ Aesthetic Release of Eros Utopia

＂Pop Songs between 1930s and 1940s in Shanghai＂ contains the artistic phenomenon with the utopian feature. Its main objective lies in the will instead of hope. The era endows different aesthetic utopian meanings to ＂Pop Songs between 1930s and 1940s in Shanghai＂. After 2010, the utopian change of such songs is closely related to the contradiction between ＂aesthetic imagination and reality＂, and ＂individual interest and integrated social interest＂ that are intrinsic in the utopian concept. To sort out the utopian process of those songs, it is helpful for correcting the current status about the weakened critical realism function of the current art, and accelerating the arousal of the literary and artistic creation, and individual consciousness, laying equal stress on and gathering the aesthetic power of these individuals, which provides solid foundation for the generalization of aesthetic utopian significance.

Hegel's Philosophical Discourse of Political Ethics and Spirit of Enchantment

Philosophy of Right as the text of Hegel's thought of practical philosophy has been the most important academic dominance on Hegel.The differences of ethical spirit between Phenomenology of Spirit and Philosophy of Right were lack of attention.The former focuses on historical consciousness in formation of modern spirit.The latter which is construction practice is based on the former.This concern will enable us to maintain a clear understanding of the particularity behind universal ethical values in globalization era and multi-cultural dialogue.

Combination of facial skeletal contouring surgery and aesthetic surgeries for Asians-personal experience

Facial skeletal contouring surgery such as reduction malarplasty and reduction angleplasty is popular in Asian countries. With rapid economic development, an increasing number of patients receive facial skeletal contouring surgery combined with other facial aesthetic sur geries. From January 2014 to December 2016, a total of 37 patients underwent Facial skeletal contouring surgery combined with facial esthetic surgeries in our department. The modified L-shape reduction malarplasty and reduction mandibular angleplasty were performed using reciprocating saws. The combined facial esthetic surgeries are 4 cases of double eyelid blepharoplasty, 6 cases of augmentation rhinoplasty, 2 cases of autologous fat transplantation and 1 case of augmentation genioplasty. 36 patients were satisfied with the final facial contour and appearance. No severe complications were seen in our series. Facial skeletal contouring surgeries can drastically and permanently change the patient's facial contour. Plastic surgeons should be acquainted with the metabolic aesthetic trends and be familiar with all the surgical techniques. The selection of an appropriate procedure or combined procedures for individual patients should be made according to the cultural background, patient's chief complain, anatomic variations and possible operative sequ elae.

Exploring Taiwan’s China Landscape Painting Aesthetic Preferences Through Evaluation Grid Method and the Continuous Fuzzy Kano Model

The primary objective of this study is to apply the Evaluation Grid Method(EGM)and the continuous fuzzy Kano quality model to explore the cognitive preferences of Taiwan China residents regarding the beauty of Taiwan’s China landscape paintings.The aim is to contribute to the development of social and cultural art and promote the widespread appeal of art products.Through a literature review,consultations with aesthetic experts,and the application of Miryoku Engineering’s EGM,this paper consolidates the factors that contribute to the attractiveness of painting art products among Taiwan China residents,taking into account various aesthetic qualities.Simultaneously,the paper introduces the use of the triangular fuzzy golden ratio scale semantics,specifically the equal-ratio aesthetic scale semantics,as a replacement for the traditional subjective consciousness model.Departing from the traditional discrete Kano model that employs the mode as the standard for evaluating quality,this study applies triangular fuzzy numbers to the continuous Kano quality model to analyze the diverse preferences and evaluation standards of the public.The hope is that this research methodology will not only deepen Taiwan China residents’understanding and aesthetic literacy of painting art but also serve as a reference for the popularization of art products.

耳前大S形切口在腮腺浅叶良性肿瘤切除术中的应用及美学效果观察

目的:探析耳前大S形切口在腮腺浅叶良性肿瘤切除术中的应用及美学效果。方法:选取2018年1月-2021年1月诊治的110例腮腺浅叶良性肿瘤患者为研究对象,所有患者均行腮腺浅叶切除术,其中采用耳前大S形切口(观察组)和传统切口(对照组)各55例,比较两组围术期指标、术后并发症及切口美观满意度,并于术后随访6个月,观察有无肿瘤复发情况。结果:所有患者均顺利完成手术。与对照组比较,观察组切口长度较长,术中出血量、面神经解剖支数较少,创面愈合时间较短,手术总有效率及术后6个月切口美观满意度视觉模拟量表(Visual analogue scale,VAS)评分较高,术后涎瘘及总并发症发生率较低,差异均有统计学意义(P<0.05);两组手术时间、住院时间、术后3个月切口美观满意度VAS评分及术后6个月肿瘤复发率比较差异无统计学意义(P>0.05)。结论:在腮腺浅叶良性肿瘤切除术中采用耳前大S形切口能减少术中出血量和面神经分支解剖数,切口创面愈合快,手术效果好,术后并发症少,切口美观度高,值得临床推广。

Study on the Application of Gestalt Theory in CLT

CLT is an activity of aesthetic representation,in which the translators undertake analysis,synthesis,and reconstruction of the aesthetic qualities inherent in the original work until the representation of these aesthetic qualities is achieved.Gestalt theory could help the translator to represent aesthetic qualities of the source text in the target text in CLT.

沉浸式体验与审美消费——以北京SKP-S商场中的当代艺术元素为例

北京的SKP-S商场营造了以"数字-模拟未来"为主题的沉浸式科幻购物场景,构建了一个感觉经验不断流动生成的当代审美空间。当代艺术的审美感知嵌入消费文化,充分参与了商场外部陈设空间的建构与产品的生产过程,延展为一种新的时尚范式。新型媒介技术的介入催生了多感官、互动性、开放性的审美体验,构筑了极具感受性的购物氛围。沉浸式商业空间以一种新的感性存在模式与感知类型,在与观者的互动交流中获得了新的意义生成,重塑了都市人的感性经验结构与生活方式,成为当代"感觉共同体"的具体化表达。

“The Great Classicist Symphonic Movements of Beethoven... Can Be Ideally So Heard as Lasting Just a Moment：” Adorno on Musical Time

In the context of his thoughts on the relationship between music and time in his Musical Writings, Adorno refers often to the above quoted thesis. This paradoxicality, attributed to particular symphonies of Beethoven, tends to become a fixed idea in the context of his thoughts on musical time. Adorno adopts Hegel＇s understanding of time as process of permanent overcoming of instants. He finds an analogy between instant and musical motive, based on the common, in Hegel＇s and Beethoven＇s systems, notion of the working-out of an idea and of a musical structure respectively. He then tries to include in the process of becoming extended and reappearing formal parts, such as themes and expositions. How could he find a convergence between permanent formal growth and persistence of formal parts, which distinguishes a musical work from an improvisation？ In order to transcend this immanent antinomy, he applies Hegelian logical principles.

On the Appliance of Lin Yutang's Translation Theory in his Translation Practice of Six Chapters of a Floating Life

The thesis explores Lin Yutang's translation practice from a microscopic perspective by means of the application of Lin's translation theory. It attempts to analyze Lin's translation characteristics and the reason why he does so from the point of view of Lin's translation theory,basically two rules:fidelity rule and aesthetic beauty rule and evaluate Lin's translation.

改良S形切口入路腮腺切除术治疗腮腺肿瘤的美学效果研究

目的:探讨改良S形切口入路腮腺切除术治疗腮腺肿瘤的美学效果。方法:选取2018年1月-2021年1月就诊于笔者医院口腔颌面外科并行手术治疗的69例患者,其中34例采用改良“S”形切口入路腮腺切除术作为观察组,35例采用常规腮腺切除术作为对照组。采用视觉模拟量表评估术后美学效果和满意度;记录两组住院时间、手术时间及术中出血量;采用华盛顿大学生存质量问卷(University of Washington quality of life questionnaire,UW-QOL)对患者术后半年的生活质量进行评分;统计两组并发症发生率。结果:观察组美学效果和满意度评分高于对照组,差异有统计学意义(P<0.05)。两组手术时间、术中出血量比较差异无统计学意义(P>0.05);但观察组住院时间短于对照组,差异有统计学意义(P<0.05)。观察组术后情绪、疼痛、唾液、咀嚼、味觉各项生活质量评分均高于对照组,差异有统计学意义(P<0.05)。观察组并发症发生率为8.82%低于对照组的28.57%,差异有统计学意义(P<0.05)。结论:改良“S”形切口入路腮腺切除术可提高腮腺肿瘤患者的美学效果和满意度,不会增加手术时间和术中出血量,缩短住院时间,提升术后生活质量,降低并发症发生率。

如果齐泽克再读《S/Z》--艺术形式流变中的“暴力”与“空无”

罗兰·巴特的后结构主义文本《S/Z》,阅读了巴尔扎克的现实主义小说《萨拉辛》,将一个爱情故事重写为一个“阉割的故事”。在阅读中,巴特指出了在《萨拉辛》的雕塑、油画和文字三种艺术形式中存在的“恐惧感”,并通过这种感觉的强度建立了一个“审美体验强度序列”,其中雕塑、油画和文字三者的强度依次递减。这一序列建立在艺术实体的空间维度上,反映了传统艺术观念对物质世界的重视。然而,现代艺术却轻视艺术实体,齐泽克将艺术品视为放置在艺术空位上的任意物,艺术实体的重要性被消解,符号的象征意义得以强化。论文立足于两种艺术观念的冲突,受到《S/Z》的启发,在精神分析学引领下,阅读并重写了《S/Z》中艺术审美体验的文本,发现三种艺术形式带来的“恐惧感”来自于不同性质的暴力。根据齐泽克的暴力理论,论文发现雕塑的“爱欲的暴力”强度最轻,其次是油画的“男性凝视的暴力”,最后是文字的“剔除的暴力”,具有最大的强度,因此颠覆性地确立了“雕塑,油画,文字”依次递增的“审美体验强度序列”。