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特效软件Hollywood Fx应用技巧
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作者 马金钟 《延边大学学报(自然科学版)》 CAS 2006年第4期267-269,共3页
在电视节目的后期制作中有许多软件可以令节目视觉效果精彩纷呈,Hollywood Fx就是其中一种,它可以丰富转场特效,让画面的衔接更自然.本文针对该软件中的扩展编辑器和3D插件的应用技巧做些有益的探讨.
关键词 hollywood Fx 插件 转场特效
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在会声会影中调用Hollywood的技巧
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作者 李冉 《福建电脑》 2011年第2期168-168,158,共2页
Hollywood FX算得上最著名的外挂插件,应用非常广泛,本文详细论述了在会声会影中调用不同版本的Hollywood FX特效的方法技巧,以及解决去水印和添加婚庆转场特技的方法。
关键词 hollywood 调用 转场 特技
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论在Premiere Pro中调用Hollywood FX特技
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作者 李冉 《中小企业管理与科技》 2016年第12期162-163,共2页
Adobe Premiere Pro是视频编辑的最常用工具软件,而hollywood FX则是目前视频特效最炫、预置最多、使用最方便的一款视频特效插件,但是因为商业利益等方面的原因,Hollywood FX只支持到Premiere 6.5的版本,Hollywood FX到底有哪些优势,在... Adobe Premiere Pro是视频编辑的最常用工具软件,而hollywood FX则是目前视频特效最炫、预置最多、使用最方便的一款视频特效插件,但是因为商业利益等方面的原因,Hollywood FX只支持到Premiere 6.5的版本,Hollywood FX到底有哪些优势,在Premiere Pro中如何调用它,本文将根据笔者的实际使用经验从选题的背景、Hollywood FX相对于Premiere视频转场特效之显著优势分析以及如何在Premiere Pro中调用Hollywood FX特技等三个方面进行阐述。 展开更多
关键词 PREMIERE Pro hollywood FX 特效 优势分析 视频编辑 插件调用
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Hollywood
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作者 张晟 《疯狂英语(初中天地)》 2002年第16期12-12,共1页
To many people, the word Hollywood has two meanings. Hollywood is an area in Los Angeles. Hollywood is also the American movie industry. In 1918, after four years of war, which had left millions of people dead, the pe... To many people, the word Hollywood has two meanings. Hollywood is an area in Los Angeles. Hollywood is also the American movie industry. In 1918, after four years of war, which had left millions of people dead, the people alive began to look for a better and happier world. The cinema supplied an answer. With little money, people could forget their unhappy lives and dream(向往) of better ones. In Hollywood, the warm climate(气候) 展开更多
关键词 hollywood
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Muted Message: Capital Punishment in the Hollywood Cinema
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作者 David Ray Papke 《Journalism and Mass Communication》 2012年第10期1019-1027,共9页
Contemporary Hollywood films seem at first glance to be opposed to capital punishment. However, this article's consideration of five surprisingly similar films (Dead Man Walking, The Chamber, Last Dance, True Crime,... Contemporary Hollywood films seem at first glance to be opposed to capital punishment. However, this article's consideration of five surprisingly similar films (Dead Man Walking, The Chamber, Last Dance, True Crime, and The Life of David Gale) finds that they do not truly and consistently condemn capital punishment. Instead of suggesting that the practice of capital punishment is fundamentally immoral and should in general be ended, the films champion only worthy individuals on death row and delight primarily in the personal growth of other characters who attempt to aid the condemned. In the end, Hollywood offers only a muted message regarding the on-going use of capital punishment. 展开更多
关键词 capital punishment death penalty death row film hollywood cinema
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Why Hollywood Hates Business: Immanuel Kant's Role in Avatar." Movie Reviewed by Adam Smith
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作者 James F. Pontuso 《Journal of Philosophy Study》 2013年第6期470-480,共11页
One of cinematic science fiction's most popular plot lines is to imagine an invasion of earth by an advanced alien species. James Cameron's Avatar turns the tables on that premise. Humans attack a peaceful, less tec... One of cinematic science fiction's most popular plot lines is to imagine an invasion of earth by an advanced alien species. James Cameron's Avatar turns the tables on that premise. Humans attack a peaceful, less technologically sophisticated race in order to exploit their natural resources. Driving the assault is a mining company hell-bent on improving its bottom line. The villain of Avatar is not a person, but those people who seek profit. To put it starkly, business is evil. But why has the entertainment business cast business as a heavy? Hollywood has now made Immanuel Kant as the director of moral sentiment. Not, of course, directly, but rather the ghostwriter of Hollywood's ideas about morality. The works of Kant are not discussed or debated in the public arena, but their principles have influenced the way people think about what is just and good. The ideas of Kant have filtered into the contemporary discourse and are one of the key ingredients in the national dialogue over what it means to be moral. The categorical imperative holds that an action is moral only if it is free from calculation of reward or gain. To be truly, moral people must abandon all practical considerations of need or desire; they must be directed by pure good will alone. Business people can never measure up to Kant's standard. They always make choices based on cost and benefit. Their businesses would quickly go bankrupt, if they made decisions on good will rather than interest. Kant's principles have raised the moral standard so high that even the common inclination to seek one's own benefit is looked on with some mistrust. In Kantian-influenced movies, business people have come to play the evil antagonist; they seek gain instead of the good. How would Adam Smith, the father of economic rationality, respond to popularized Kantian morality? 展开更多
关键词 SMITH Kant hollywood
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Aristotle and Hollywood: Dramatic Structure From Ancient Greece to Avatar & Beyond
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作者 Andrew Horton 《Journalism and Mass Communication》 2015年第8期428-433,共6页
It is fascinating to realize that even while Hollywood continually comes up with incredible special effects in films such as Avatar (2009), the basic structure and development closely "follows" the guidelines for ... It is fascinating to realize that even while Hollywood continually comes up with incredible special effects in films such as Avatar (2009), the basic structure and development closely "follows" the guidelines for drama and storytelling laid out by Aristotle in his The Poetics, written several thousand years ago. We are specifically speaking of three act (beginning, middle, and ending) structure, focusing more on plot than character, and the need for a final resolution (catharsis). But throughout literary and cinematic history, not everyone has followed these rules. Ironically, we take a close look at the award-winning Greek director Theo Angelopoulos' Ulysse's Gaze (1995) staring Harvey Keitel, as an example of a very non-Aristotelian approach to filmmaking and storytelling. Angelopoulos' film is character rather than plot centered on the Harvey Keitel figure and the journey of the narrative can be broken down to between 8-10 acts, depending how you describe them. We discuss many of the standard American "how to write screenplay book" authors such as Syd Field, while bringing a variety of authors such as Lajos Egri (The Art of Dramatic Writing) who criticize both Aristotle's Poetics and the way it has been interpreted for centuries especially in Hollywood. We conclude that there is a middle ground as well, for while Casablanca (1942) has a clear three act structure, it does not give us a happy romantic "Hollywood" ending/resolution as Rick insists that Lisa leave with her husband. 展开更多
关键词 Aristotle's Poetics hollywood narrative structure plot vs character
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Research on the Developmental Trend of CG Technology in Hollywood and the Influence on Chinese Film and Television Production
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作者 Yuting Cui Wantong Cao 《International Journal of Technology Management》 2016年第1期35-38,共4页
In this paper, we conduct basic research on the developmental trend of CG technology in Hollywood and the influence on Chinese film and the television production. The film' s real, this should not be true of physical... In this paper, we conduct basic research on the developmental trend of CG technology in Hollywood and the influence on Chinese film and the television production. The film' s real, this should not be true of physical reality, and should be a real art. Under the real line of art, is the creation subject, communicators, accepts the main body of the social era, cultural environment and its moral conscience and the humanities. Virtual reality technology in the development of today, no we can' t do, only we believe technology as a means of implementation, not only need theory to guide, also need the discretion of moral criterion. Which is involved in the film wonders of all, need thoughtful, measure the questions very carefully. In the angle of modern CG illustration artistic creation, it is the creation of raw materials, inspiration and the material. It can go, deformation, transplantation, restructuring, and so on, finally achieve the goal of creating a new illustration works. Our research proposes the new paradigm for the Chinese film and the television production that is innovative. 展开更多
关键词 Developmental Trend CG Technology hollywood CHINESE Film and Television.
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Hollywood一词的来历
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作者 王林洪 《语言教育》 1996年第12期39-39,共1页
今天,Hollywood(好莱坞)一词不但已成为美国电影的同义词,而且还有世界电影制作中心的意味。那么,Hollywood 一词是怎么来的呢?1908年,芝加哥的地商山立格创办了一家电影公司,为拍摄电影《茶花女》寻找场景。为节约经费,他找到了加利福... 今天,Hollywood(好莱坞)一词不但已成为美国电影的同义词,而且还有世界电影制作中心的意味。那么,Hollywood 一词是怎么来的呢?1908年,芝加哥的地商山立格创办了一家电影公司,为拍摄电影《茶花女》寻找场景。为节约经费,他找到了加利福尼亚洛杉矶附近的一片荒凉地带,在那里搭制了摄影棚,拍完了影片。为纪念这次成功的拍摄,导演随口给这片荒地起了一个美丽的名字——HoUywood,意思是“常青的橡树林”。 展开更多
关键词 电影公司 世界电影 美国电影 制作中心 《茶花女》 hollywood 尼亚 电影制片 人烟稀少
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On the Chinese Elements in Hollywood Movies from Kung fu Panda
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作者 Sun Hui 《International Journal of Technology Management》 2013年第7期10-12,共3页
With the development of globalization, movie, as the important media for broadcasting and exchanging cultures, promotes the international cultural communications among countries. Kung fu Panda, a blockbuster by Dream ... With the development of globalization, movie, as the important media for broadcasting and exchanging cultures, promotes the international cultural communications among countries. Kung fu Panda, a blockbuster by Dream works, sets off a new upsurge of the Chinese style. It not only gives a chance for the audiences in western countries to enjoy the traditional Chinese culture, but also for the Chinese to enjoy this visual feast. This article will illustrate the implicit and explicit Chinese elements in Kung fu Panda, in hope of finding out the extensive use of Chinese elements in today's Hollywood movies. According to the collection of media data concluded, the film production team undertook detailed investigation and studies in the traditional Chinese culture so that today's Hollywood movies can successfully interpret Chinese elements. Thus, the international cultural communications are found hiding behind the widely used of Chinese elements. With the analysis of this article, Chinese reader can know further about how important the diffusion of Chinese traditional culture is. Thereby, it can remind Chinese people of the responsibility to carry on and broadcast the splendid traditional Chinese culture. 展开更多
关键词 Chinese elements hollywood movies traditional Chinese culture
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Christian Associations in Hollywood Science Fiction Films
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作者 亓蓉清 《海外英语》 2014年第9X期214-216,219,共4页
Hollywood movies are profoundly influenced by American culture while promoting its mainstream ideologies and core values via the silver screen.The Christian elements embodied in Hollywood science fiction films reflect... Hollywood movies are profoundly influenced by American culture while promoting its mainstream ideologies and core values via the silver screen.The Christian elements embodied in Hollywood science fiction films reflect the importance of Christianity in American culture and distinguish themselves from science fictions made in other countries,therefore serve the studies of Hollywood films and American culture. 展开更多
关键词 hollywood SCIENCE FICTION FILMS CHRISTIANITY film
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电视编辑特效软件Hollywood FX应用拾遗
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作者 覃朝晖 马继霞 《中国教育技术装备》 2006年第5期58-60,共3页
本文详细介绍了电视编辑特效软件Hollywood FX几个鲜为人用的功能。
关键词 电视编辑 特效软件 hollywood FX 功能
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浅谈Hollywood软件在Premiere中的应用
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作者 肖康 《数字技术与应用》 2010年第9期23-23,共1页
作为著名的外挂插件,Hollywood FX弥补了Premiere转场特效较少的不足。特别是其丰富的高级性能,包括可自定义的强大功能选项、扩展编辑器、3D对象导入和字幕功能,都特别适用于非线性视频编辑,因而在业界获得广泛的应用与好评。
关键词 视频编辑 转场效果 PREMIERE CS3 hollywood FX
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Hollywood Is Not the Role Model for Chinese Films
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《China Today》 2001年第4期36-39,共4页
关键词 hollywood Is Not the Role Model for Chinese Films
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Hollywood
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作者 刘昊 《中学英语园地(初一版)》 2005年第Z1期122-128,共2页
关键词 好莱坞 hollywood
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耕升Hollywood/MX
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作者 张越 《个人电脑》 2001年第7期62-62,共1页
对于很多家庭用户来说3D加速卡的作用并不是只限于3D游戏,毕竟游戏并不是娱乐的全部内容。如果你想购买一款能够提供视频输入输出、带有电视接收功能的显示卡,那么除了ATI公司的All-in-Wonder系列显示卡外。
关键词 耕升hollywood/MX 3D显示卡 计算机
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Cross Hollywood 陈冲:穿越好莱坞
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作者 周晓红 《艺术导刊》 2001年第5期49-53,共5页
关键词 Cross hollywood
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Probing into the Influence of American Culture on Chinese Culture from the Angle of Cultural Capital--A Case Study of Hollywood Movies
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作者 zhang yiying huang qiuyue(译) 《学术界》 CSSCI 北大核心 2016年第2期269-274,共6页
In this paper,we study the features and implicature of Hollywood movies from the angel of cultural capital,identify development indicators of the Hollywood movie industry,thereby putting forward the future development... In this paper,we study the features and implicature of Hollywood movies from the angel of cultural capital,identify development indicators of the Hollywood movie industry,thereby putting forward the future development path of Chinese film culture. 展开更多
关键词 中国文化 电影产业 好莱坞 美国文化 资本
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美国“英雄救世”电影价值观批判——论美国商业电影制作体系与电影价值观之演变
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作者 王俞霖 《艺术百家》 北大核心 2024年第2期32-38,46,共8页
美国电影价值观有其内在结构,底层是欧洲的文化价值观,“美国梦”表达了美国独特的价值观,好莱坞电影艺术呈现了美国价值观体系。法兰克福学派批判了欧美20世纪初兴起的文化工业,认为其商品化和工业化生产伤害了文化艺术,暗含着资本主... 美国电影价值观有其内在结构,底层是欧洲的文化价值观,“美国梦”表达了美国独特的价值观,好莱坞电影艺术呈现了美国价值观体系。法兰克福学派批判了欧美20世纪初兴起的文化工业,认为其商品化和工业化生产伤害了文化艺术,暗含着资本主义意识形态控制的功能。美国“商业电影”制作模式必然地产生了“英雄拯救世界”类型电影,将个人英雄主义和英雄救世哲学上升到了哲学世界观高度,其中的极端个人英雄主义对美国社会有着“光谱式”的影响。中国电影应构造有中国特色的价值观体系,创作出具有中国特色的英雄主义电影。 展开更多
关键词 好莱坞 商业电影 价值观 法兰克福 英雄主义 中国电影
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置身巴黎大街上的实拍:好莱坞与新浪潮
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作者 蔡文晟(译) 《上海师范大学学报(哲学社会科学版)》 北大核心 2024年第4期93-99,共7页
没有比较,就没有历史,没有历史,就没有故事,更遑论叙事,亦即一个攸关人及其视角的艺术行动。诚然,20世纪50年代盛极一时的好莱坞大举移师巴黎实拍的风气,与战后美法间一系列经济政策关系匪浅,但,若少了那几个以《电影手册》为策反据点... 没有比较,就没有历史,没有历史,就没有故事,更遑论叙事,亦即一个攸关人及其视角的艺术行动。诚然,20世纪50年代盛极一时的好莱坞大举移师巴黎实拍的风气,与战后美法间一系列经济政策关系匪浅,但,若少了那几个以《电影手册》为策反据点、以场面调度为电影之真的终极圭臬的“新浪潮五虎将”的积极介入,“就地取材”,最终也只能流于最片面意义的写实主义,并至多引来批评家的阵阵奚落。从某种程度上来说,得是引领日后新浪潮的那几个年轻影评人,才让好莱坞到巴黎大街上实拍这件事具备了绝对意义上的创造性,不仅先行催生出法国本地影坛的突变,继又受惠于此:外部环境之变虽能左右影史走势,但唯有一种迷影式的目光,该历史才得以无限生成。 展开更多
关键词 好莱坞 新浪潮 巴黎 实拍 迷影 比较电影
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