The Application Value and Strategy of Red Music Culture in Ideological and Political Education in Primary and Secondary Schools

As an important carrier of red culture,red music culture carries the glorious history of revolution,construction,and reform led by the Communist Party of China(CPC),and has significant functional value in cultivating students’ideals,values,and cultural identity,as well as patriotic consciousness and national pride.However,the integration of red music culture into the ideological and political education of primary and secondary schools faces the dilemmas of low cultivation awareness,insufficient excavation of resources,and lack of optimization of atmosphere and field.In view of these problems,the strategies of enhancing cultivation awareness,excavating the resources in-depth,and creating a positive atmosphere and field provide new ideas and methods for ideological and political education in primary and secondary schools.

Women in the Musical Culture of Danzig in the First Half of the 20th Century

The musical culture of pre-war Danzig/Gdansk remains an area that is not well enough recognized in the scholarly literature.Numerous traces of this musical life are preserved in the collections of the Gdansk Library of the Polish Academy of Sciences.The collection ranges from scholarly publications and scores to an extensive number of concert programs and posters.The collection testifies to the dynamism and diversity of the city’s pre-war musical life.Notable among the collected materials is the role of female figures-composers,singers,and instrumentalists who made significant contributions to the shape of Gdansk musical life.In this article,I will present forgotten profiles of musically committed women:Martha Reincke,Ella Mertins,and Lotte Prins.In light of the surviving materials,it can be assumed that they were significant figures in the musical culture and social life of the city.

Research on the Value and Strategy of Integrating Music Education and National Music Culture

China’s traditional national music is an art form formed by the working people and art pioneers to express their emotions during thousands of years of productive labor.National music not only contains emotional stories that are capable of evoking praises and tears,but also has a profound understanding of the lives of sages.In summary,integrating college music education with national music culture can allow students to deeply discover music,thereby stimulating students’enthusiasm for learning music,improving students’learning quality,mastering the core parts of music learning,and helping students to go a long way in music.This article mainly focuses on the characteristics and educational value of national music culture,and its effective integration with music education in colleges and universities.This article can help relevant workers in college music education and promote the sustainable development of music education in colleges and universities in China.

The Role of Music in Multicultural Education:A Tool for Promoting Cultural Understanding and Inclusion

In this essay,it will be examined how music can be a powerful tool in multicultural education in promoting humanity and cultural sensitivity.As classroom diversity increases,the challenge lies with educators to ensure that an equal and appropriate learning environment for all students with cultural sensitivity is maintained.To address this problem,therefore,the study explores how music may be effectively incorporated into intercultural education approaches.This paper has evidence that music is a language that has transcended cultures and promotes tolerance,appreciation,and acceptance of diversity through a synthesis of literature and examples.Several implications posit that music can make people feel they belong,enhance the relations of people from diverse cultures,and provide a practical way of learning about other cultures.The potential of music as a tool to engage social justice issues and liberate oppressed groups is also discussed in this research.It exists,but with caution to cultural appropriation and stereotyping of students,thus requiring educators to be sensitive and socially-apperceived on the best practice ways on how to integrate music into classrooms.The end explains how music helps in nurturing a generation of embracing the world,more sensitive and more inclined to the happenings in society to create a society that will be more sensitive and tolerant with the growing society which is diversifying.Therefore,the current article recommends further exploration and development of music-facilitated/inclined pedagogy of ME in hopefully enhancing cultural consciousness/sensitivity and fostering more social integration.

Russian Music of the Soviet Era: For Archive or Forever

The purpose of the article is to present several topics in Russian music of the Soviet era(roughly 1920-1990).The time that has passed since the fall of the Iron Curtain allows us to rethink and revise the cultural treasures of seven decades and reassess new research of the last decade,carried out both by people who previously gained a reputation as an authority in Soviet culture,and by scientists who came from this environment and began sharing their vision of the subject after acquiring the skills of a Western scholar.The article is based mainly on the latter research and tries to see its subject as a complete picture,albeit with missing details,so to speak,a postmodern picture that requires the reader to participate in its refinement.The methodological basis of this study is working with published sources through the critical lens of cultural anthropology as it has developed and presently looks.

Research on the Innovation of Traditional Music Cultural Inheritance

Traditional music is an important source of Chinese civilization and has a profound impact on the origin,enrichment,leap forward,and sublimation of Chinese culture.Starting from the three dimensions of history,people,and integration,it is important to inherit,carry forward,and spread the contemporary value of traditional music culture.We should focus on the inheritance of historical dimension,reposition the unique function of traditional music culture,strengthen the ecological protection of traditional music culture,and advocate excavation protection,purification protection,and promotion protection.Additionally,we focus on the development of the people dimension,adhere to the people-centered creative orientation,grasp the needs of the people,reflect their aspirations,and strive to enhance the timeliness and attraction of national music.We also focus on the communication of integration dimension,leverage the characteristic advantages of emerging media communication,promote the cross-border integration of the traditional music industry and related fields,respond to the focus and interaction of music audience services,and promote the construction of a modern three-dimensional communication system of traditional music.

The Contribution of Vocal Music Education in Colleges and Universities to Cultural Inheritance and Innovation

The importance of education and cultural inheritance is becoming increasingly prominent.Through literature review and empirical research,combining quantitative data and qualitative analysis,this paper assesses the teaching methods,curriculum,and student interest and participation in vocal music education in colleges and universities.The study found that vocal music education played a positive role in increasing students’participation in cultural activities,enhancing their identification with traditional music and improving their skills,despite problems such as inadequate teaching systems and homogenized curricula.In particular,the participation rate of students in cultural activities before and after the educational changes increased significantly from 31–54.7%to 62.4–83.6%,indicating that vocal music education can effectively stimulate students’enthusiasm for cultural participation.In addition,the strengthening of the teaching staff and innovations in teaching methods,such as the application of multimedia and virtual reality technologies,provide students with richer learning experiences and personalized learning paths.

Urban Public Space Development in Harbin Driven by Music Culture Intervention

"Social event driving" has become a way to promote urban development, create urban public spaces and create a city image. As one of the important big cities in northeastern China, Harbin enjoys the reputation of "The Music City", and its public space development is inextricably linked with the driving of music culture. This paper started with the analysis of the correlation between the development of urban public spaces and the development of music culture in Harbin, and studied the influence and driving role of music culture on the construction and development of urban public spaces.

Gilman Salakhov’s Role and Importance in Azerbaijani Music Culture

Azerbaijani music has been created and polished by the people for centuries,and reflects the people’s spiritual strength,desire for freedom,ideas,and hopes.Azerbaijani music has been passed down from generation to generation,lived in oral traditions,and Numerous types of percussion,wind and stringed instruments,which date back to long before our era,have developed and improved throughout history and formed the basis of our national musical treasury.Pearls of this treasure have served the cultural development and creative activity of our people for centuries,adorned its life and traditions(Alasgarov&Abdullayeva,1996,p.47).The role of the genius composer,publicist and public figure Uzeyir Hajibayli in the development of musical instruments,which has a prominent place in the history of the 20th century Azerbaijani national music,is unparalleled.He characterized the national musical instruments,gave their classification and sound sequence,and determined the prospects for future development.has always been distinguished by its antiquity and rich culture.Many concepts have emerged in the musical-aesthetic-concepts of antiquity and the Middle Ages,and categories of aesthetic analysis of music have been formed.Music and musical aesthetics have historically been widespread,and have shaped various socio-cultural forms in a forward-looking way.The rich musical heritage created in different periods since ancient times are undoubtedly a proof of the genetic talent inherent in every generation of the Azerbaijani people.Our national musical instruments,adapted to the emotional color,rhythm,tempo and art of Azerbaijani folk music,have passed a long historical development and brought many aspects of traditional music performance and creativity to the present day.They are one of the elements that connect the future of our musical culture with the past.Traditional music and musical instruments,which are still played today,reflect the main features of Azerbaijan’s national musical thinking and artistic creativity.Information on komuz and kilkomuz,the ancestors of stringed and plectrum musical instruments in the origin and development of Azerbaijani folk musical instruments,is also found in examples of oral folk art,in the all-Turkic monument“Kitabi-Dada Gorgud”.According to written sources,88 musical instruments,including 32 string and 23 wind instruments,were widely used in Azerbaijani performing arts.Information about this is found in the chronicles of ancient historians,in the works of medieval thinkers Safiaddin Urmavi,Abdulgadir Maragayi,Dervish Ali Changi,Qatran Tabrizi,and others on musicology.

Social Media Is the New Punk User Experience, Social Music and DIY Culture

In the digital convergence culture （Jenkins, 2006） and in the network society （Castells, 1996）, the theories of personal branding, social identity, and the two-step flow of communication have become intertwined to create a model through which individuals and musicians share and embrace music. This paper examines the rise of social network for music involving both the practices of use and consumption and those of creation, sharing and distribution of innovative and independents musical reality. Social media have introduced radical changes in social and musical practices increasing the ability of creation from the bottom in contrast to mainstream. Moreover, thanks to performativity, collaboration and participation offering by Web 2.0, fit fully in culture ＂DIY 2.0＂ offering an interesting chance for the emerging underground music.

A Study on the Way of Wuhan S Red Music Culture Integrating into the Ideological Work of College Students

The purpose of this paper is to explore the new ideas of integrating the local Red Music cultural resources into the ideological and political work of colleges and universities,the main contents are to effectively tap the local Red music cultural resources in Wuhan,and to carry out the education of Party history around me Popularizing the Red Music Culture in the music textbooks of primary and middle schools reveals that the ideological and political work of colleges and universities should be good at discovering the red music education around them to carry on the party history education.

The Union of the East and West via Music Culture

It is universally acknowledged that cultural diversity can be showed in various aspects, and it take the music culture for example here. As the UN Sec-Gen Ban Ki Moon said:"there are no languages required in the musical world, That is the power of music.That is the power of heart."Through this promotion of arts we can better understand the culture and civilization of other people.

Inheritance and Innovation of Traditional Music Culture in Modern Music Composition

Traditional music culture,from perspective of axiology,is considered the essence of arts of the era which witnesses the innovation of musical culture in various historical periods and drives the development of modern music,in which creative thoughts and ideas cherish the factor and perfection making a new request to aesthetics of its composition.Therefore,blending traditional music culture with modern music composition will generate new characteristics of classic elegance,artistic beauty and epoch aesthetics,bringing a new trend of the modern music composition into being and propelling actively to form creative thoughts and innovative ideas by utilizing inheritance and innovation of traditional music as carriers.

Research on the Development Trend of Chinese Traditional Music Art from the Perspectives of Aesthetic and Historical Culture

In this paper, we conduct research on the development trend of Chinese traditional music art from the perspectives of aesthetic and historical culture. In the ancient Chinese aesthetic tradition, ＂peace＂ music aesthetic of music practice has the extremely important influence, not only affect the music creation, performance, appreciation that also affect the music form and content, social function, etc. ＂peace＂ as beauty is the core of the ancient music esthetics thought, so to speak. Chinese music culture while constantly in the long course of history, the Chinese music culture of different nations, but as a precocious and has a long history of nation, he has a great ability, that is both absorb different music culture, and unified as the relatively stable whole music culture and maintain their own basic features, and distinguish it from other music culture.

A Study of the Relationship between Rock Music and the Counterculture Movement

In the 1960 s, America has entered a new historical period with recession in economy and increasingly bad social problem. Besides, Civil Rights Movement and women rights movement have been led by black people and women for equal rights.With the development of these movements, the counter-cultural movement came into being, and the movement which represented a significant period in post-war youth cultural history was caused by the impending readjustment of social structure during the transition from industrial to post-industrial society in the 1960 s. American white middle class youth were disillusioned with the way their parent culture controlled the society and had no desire to become caught up in the machinery of social power themselves.The counter-cultural constituted a direct attack on the part of white middle class youth against the dominant ideological machinery set in place and maintained by its parent culture, and its influence has been maintained to the modern times. Except for the liberation of sex and drug, the most important symbol of the counter-culture is rock music. There is a close relationship between the counter-cultural movement and rock music. During the mid to late 1960 s rock music became a centrally significant medium for the dissemination of a range of social-political issues in counter-cultural movement. The period from the mid-1960 s to the early 1970 s represented the first time that popular music, a mass cultural form, had become a centrally significant medium for the dissemination of a range of sociopolitical issues, from US involvement in the Vietnam war to the Civil Rights Movements, to the rejection of western political and cultural ideology. As Eyerman and Jamison^([1])point out:‘Movement ideas, images,and feelings were disseminated in and through popular music and, at the same time, the movements of the times influenced developments, in both form and content, in popular music'.

音乐文化在乡村文化振兴战略中的功能与作用研究

乡村振兴战略是一个多维度“目标工程”,不仅要“振软件”还要“兴硬件”,既要构建物质文明,还要构建精神文明,所以乡村文化振兴是乡村振兴全面推进的应有之义。乡村音乐文化拥有口头性、地域性、集体性的特点,是乡土文化、农耕文化、民族文化、历史文化、地域文化的传承载体,是文化价值、文化思想、文化理念传承的重要渠道。加强音乐文化传播与建设,对推进乡村文化振兴拥有鲜明的功能。应明确乡村文化振兴的科学内涵,分析乡村音乐文化建设的问题,制定科学的发展路线。

社会学视域下不同文化间的音乐理解——中国音乐史学问题思索之十一

本文以社会学理论为视野,论及文化与音乐文化的构成,谈及中国音乐与世界不同文明间音乐文化的共性与差异,阐述在对不同民族音乐语言或其他不熟悉的音乐情事上的认同时应持有的态度,阐述对不同地域音乐的“理解”时,需要沟通人与人的心灵、化解人与人之间在音乐情事上的隔阂与误解。要把世界不同民族、不同时代、不同特色的音乐文化,都纳入社会学的视域中,将其放在同一认知平台上,以不怀偏见的态度进行理解与研究,以音乐社会学共通法则进行探索,是音乐文化研究整体观的充分体现。在对待中国各民族不同文化间的多元音乐文化,也应持平等客观的态度,同等地重视不同地域与民族的音乐文化,这是我们在研究中国民族音乐文化时值得审慎对待的问题。

运用红色音乐文化资源提升思政课堂实效性

红色音乐文化是指以革命歌曲、红色经典歌曲为代表且具有鲜明时代特征的文化艺术形式,它作为红色文化的一种特殊表现形式,生动记录了中国共产党带领人民通过艰苦卓绝的伟大斗争取得伟大胜利的过程,展现出中华民族英勇无畏、坚强不屈的精神面貌。将红色音乐文化融入思政课堂有助于高校全面贯彻党的教育方针,落实立德树人根本任务,创新思政教学模式。文章分析了红色音乐融入思政课堂的价值,探索运用红色音乐文化提升思政课教学实效的策略,旨在推动红色音乐全方面、深层次融入思政课堂,提高思政教学实效。

礼乐文化与中国艺术精神的现代转化——以聂振斌的美学研究为例

中华传统礼乐文化承载着中华文明的重要历史积淀,是中国艺术精神的重要思想资源。面对现代社会中传统礼乐文化所遭遇的挑战,尤其是自五四运动以来对传统文化的批判,聂振斌通过美学研究提出了一系列方法,旨在将传统礼乐文化的智慧,包括注重理性精神、弘扬人文精神、追求人格精神、倡导自由精神等方面应用于现代社会。他强调了中西文化对话与融合对于中国艺术精神的重要性。聂振斌的研究不仅推动了中华传统文化在现代社会中的发展和转化,更为深刻理解中国传统文化在当代社会中的地位和转变提供了独特的视角,凸显了他在这一过程中的贡献和意义。

从“文化声音原型”出发的文化表达——论朱践耳的《江雪》与叶小纲的《喜马拉雅之光》

“文化声音原型”是在音乐创作意识或潜意识中饱含历史文化信息的声音(音乐)参照系。朱践耳的《第十交响曲——江雪》与叶小纲的《喜马拉雅之光》这两部作品,虽各具独特的文化内涵,但两者都从“文化声音原型”的角度出发,展开深刻的文化诠释。尽管表达路径各异,但两者在表达文化精髓的思路上殊途同归。其“文化声音原型”的确立,决定了作品体裁、音色、语句形态、空间结构等作为文化表达的音乐形式。这两部作品基于“文化声音原型”所构建的音乐形式,与其最终的文化表达互为因果、辩证统一,呈现出主旨性、风格性、民族性、时代性等方面的异同,同时也彰显了中国当代音乐创作在人文价值立场上的共通性。