Based on the classification of rhymes in Gu Yun Biao Zhun (Standard Archaic Rhymes) and the complementary relation of Yin (the first tone) and Ru (the fourth tone) reflected in Si Sheng Qie Yun Biao as well as the the...Based on the classification of rhymes in Gu Yun Biao Zhun (Standard Archaic Rhymes) and the complementary relation of Yin (the first tone) and Ru (the fourth tone) reflected in Si Sheng Qie Yun Biao as well as the theory of “Several Rhymes plus the Fourth Tone”, Jiang Yong created his archaic Chinese phonological system in which, he found, Yin, Yang (the second tone) and Ru stand in complementary relations and Ji, Tai, Guai and Fei have become independent categories due to their relations with the fourth tone. His discovery of the relationship between Ji, Tai,Guai, Fei and the fourth tone exercised a direct effect on Dai Zhen, Wang Niansun and Jiang Yougao’s theories that all regard Ji as a separate category.展开更多
文摘Based on the classification of rhymes in Gu Yun Biao Zhun (Standard Archaic Rhymes) and the complementary relation of Yin (the first tone) and Ru (the fourth tone) reflected in Si Sheng Qie Yun Biao as well as the theory of “Several Rhymes plus the Fourth Tone”, Jiang Yong created his archaic Chinese phonological system in which, he found, Yin, Yang (the second tone) and Ru stand in complementary relations and Ji, Tai, Guai and Fei have become independent categories due to their relations with the fourth tone. His discovery of the relationship between Ji, Tai,Guai, Fei and the fourth tone exercised a direct effect on Dai Zhen, Wang Niansun and Jiang Yougao’s theories that all regard Ji as a separate category.
