The Operating Revenue of Jinbo Bio-Pharmaceutical for 2023 Reaching 0.78 Billion yuan

In Mar.20th,2024,Jinbo Bio-Pharmaceutical released the first performance report since it was listed at Beijing Stock Exchange,with many data hitting a record high.The company realized an operating revenue of 0.78 billion yuan,with a year-on-year increase of 99.96%,and hitting a new high for the past five years.The net profit attributable to shareholders was 0.3 billion yuan,with a year-on-year increase of 174.6%.The net profit attributable to shareholders after deducting non recurring gains and losses was 0.286 billion yuan,with a year-on-year increase of 181.02%.

The Translation of Slangs in Two English Versions of Jin Ping Mei

The Chinese classical novel Jin Ping Mei abounds with a large number of slangs,which correspondingly leads to the difficulty of the novel’s English translation and also gives rise to the emergence of diversified English versions.The two English translators,Clement Egerton and David Roy,adopted completely different translation strategies when dealing with Chinese slangs in the novel.Their different translation purposes account for the significant disparity concerning the slang translation.Clement Egerton pays more attention to the novel’s plot in his English version The Golden Lotus,rather than the unique expressions of the original language,so that in the concrete translation process,a domestication strategy is adopted for the sake of the target language readers’understanding,resulting in distortion and omission of the slang expressions in the translated text.By contrast,the translation purpose which guides David Roy’translation The Plum in the Golden Vase is to convey the complexity and literariness of the original Chinese text,and hence the foreignization strategy is employed concerning slang translation,which aims to accurately reproduce the unique expressions of slangs in the original text.Comparatively speaking,David Roy’s translation succeeds in preserving the Chinese slangs to the greatest extent both in form and meaning,and can shed light for the slang translation in other Chinese literary works.

The Study on the Spatial Narrative in Jin Yucheng’s Flowers of Shanghai

Spatial narrative,as a unique literary narrative technique,focuses on advancing the plot and shaping characters through meticulous portrayal of space,providing readers with rich visual and perceptual experiences.This paper examines the spatial narrative utilized in Jin Yucheng’s novel,Flowers of Shanghai.Through an in-depth analysis of the spatial narrative techniques in the novel,this paper asserts that such an exploration has far-reaching consequences in broadening research perspectives and fostering interdisciplinary collaborations between literature and geography.Furthermore,the paper explores the unique aspects of narrative perspective,narrative structure,and narrative time in Flowers of Shanghai,and how these elements perfectly combine with spatial narrative to create a fascinating literary world for readers.The aim of this study is to deeply explore the artistic value and literary charm of the novel through a comprehensive interpretation of the spatial narrative in Flowers of Shanghai.

Xi Jinping stresses sci-tech modernization,innovation

A conference conflating the National Science and Technology Conference,the National Science and Technology Award Conference,the 21st General Assembly of Academicians of the Chinese Academy of Sciences,and the 17th General Assembly of Academicians of the Chinese Academy of Engineering,was held at the Great Hall of the People in Beijing on the morning of June 24.Xi Jinping,general secretary of the Communist Party of China (CPC) Central Committee,Chinese president,and chairman of the Central Military Commission,attended the conference,presented medals and certificates for China's top science and technology award to laureates and delivered an important speech.

A Study of the Treatment of Disfiguring Diseases in the “Qian Jin Fang”

Traditional Chinese medicine(TCM)has been passed down for more than 2,000 years.TCM beauty products driven by the principles of identification and treatment with various dosage forms and exhibit mild and safe efficacy are bound to become a main component of the beauty industry in the future.Xu once commented that“Qian Jin Fang”is different from the traditional prescription system,which emphasizes the use of medicines.In this paper,we mainly selected the prescriptions for the treatment of disfigurement diseases such as acne,scarring,black dryness,face hyperpigmentation,black mole,and rosacea from the article titled,“Upper Seven Orifices Disease-Facial Medicine IX”in the Bei Ji Qian Jin Yao Fang[1].By studying and analyzing the original composition of the formula,understanding the etiology and pathogenesis of the disease,and exploring the characteristics of the formula concerning the efficacy of TCM,their properties,flavors,and meridians,we summarized the characteristics of the Qian Jin Fang.It is based on the external treatment of disfigurement diseases,with a wide variety of drugs,flexibility,and accuracy.This method draws upon analogies while utilizing excipients and harmonizers to focus on the combined healing approach of treatment and nourishment.

The revenue of Jinbo Bio-pharmaceutical for the first three quarters of 2023 reaching the highest value of the past five years

On Oct.26th,2023,Shanxi Jinbo Bio-pharmaceutical Co.,Ltd(Stock Code:832982,hereafter referred to as Jinbo Bio-pharmaceutical)released the financial report for the third quarter of 2023 at Beijing Stock Exchange.According to the financial report,the revenue of Jinbo Bio-pharmaceutical for the third quarter was 0.201 billion yuan,with a year-on-year increase of 106.43%。

Full Text:2023 New Year Address by President Xi Jinping

BEIJING-On New Year’s eve,President Xi Jinping delivered his 2023 New Year Address through China Media Group and the Internet.The following is the full text of the address:Greetings to you all.The year 2023 is approaching.From Beijing,I extend my best New Year wishes to all of you.

两晋“碑文似赋”说补证

碑文于两晋之时多为叙述性,近于赋之铺陈,故易受赋影响,常主动借鉴赋之写法。两晋碑文沿袭汉碑传统,在题材、句式、用韵上多与辞赋“同体异用”,且常以赋家笔法叙述碑主家族功勋、描绘历史背景、敷陈碑主德行事业,使得碑文辞采增华,赋化倾向更为明显。“碑文似赋”实与魏晋文学自觉相关,援赋笔破体为文,虽使碑文一改汉魏体制,篇幅增长,但在整体上增强了其文学性、可读性和感染力,强化了其文学张力,使得泛文学观念落到了实处。

文化自信视域下异化策略在晋商文化外宣翻译中的应用——以国家精品舞剧《一把酸枣》为例

以民族舞剧《一把酸枣》为例,在文化自信视域下,针对晋商文化外宣翻译的现状及问题,提出了“异化为主、归化为辅”的翻译策略,即在译文中保留汉语风格和文化内涵,旨在让目标语读者更好地感受中华文化的独特魅力,增强晋商文化外宣翻译的文化传播力。文章以舞剧之名《一把酸枣》及“小伙计”“走西口”“冲喜”等为例,展现了异化策略的翻译效果。

课程思政视域下晋剧文化在山西高校的传承探究

课程思政是新时期党和国家对于高校育人提出的新要求,也是落实立德树人的重要举措。晋剧作为中华优秀传统文化的一部分,蕴含中华传统美德,传承着民族精神,体现了中华文化的自信。晋剧文化融入山西高校课程思政,面临着教学模式单一和评价机制缺失的问题,应探索多元化教学形式,并科学完善新型评价机制,形成“戏曲+思政”协同育人的大格局。

《画史会要》“朱谋垔托名说”辨误

《画史会要》是考索明代画家的重要文献,然其编者为明人朱谋垔抑或金赉,尚存疑议。本文通过比勘署名不同的两种《画史会要》版本,同时考察朱谋垔编刊美术文献的历程,认为朱谋垔编纂《画史会要》有案可稽,金赉则为好事者虚造之乌有先生。进而对莫伯骥、谢巍辨伪过度的原因进行分析,于书画文献辨伪之方法亦略献刍荛。

现存《新刻金瓶梅词话》为《金瓶梅》初刻本新考——兼论其最终刊刻完成时间

梳理现存《新刻金瓶梅词话》是否为《金瓶梅》的初刻本相关论述,双方不少分歧属于对个别文献解读的仁智之见,沈德符所见“吴中刻本”就是《金瓶梅》的初刻本则是在不断讨论中形成的重要共识。实际上,解决这一问题的关键在于确定现存《新刻金瓶梅词话》刊刻完成时间以及沈德符“金瓶梅”条所记其得见“吴中刻本”时间。根据避讳情况,现存《新刻金瓶梅词话》刊刻完成在万历四十八年(1620)九月至天启元年(1621)正月之间;根据沈德符生平及其与丘志充交往情况,其得见《金瓶梅》初刻本并撰写“金瓶梅”条时间亦为万历四十八年。文献记载与实物证据的交叉重合,充分证明现存《新刻金瓶梅词话》就是《金瓶梅》初刻本,其最终刊刻完成时间为万历四十八年年底。

两册清代北四阁《四库全书》书叶纸张的材料分析研究

本研究以北京大学图书馆藏文渊阁和文津阁2种《四库全书》抄本纸张为研究纸样,综合分析了纸张的组成成分。结果表明,2种纸样的定量相近,厚度和紧度有一定差异,且纤维组成均为檀皮和稻草,纸张类别均为宣纸;2种纸样正反面的微观形貌相同,均有少量矿物颗粒散布于纤维空隙,表面元素均为C、O、Si、S和Ca,其中C、O集中分布区基本与纤维整体形状一致,而Ca、S主要分布于被填充的纤维孔隙,为矿物颗粒的主要成分;2种纸样均为单层结构,有矿物颗粒无规分布于纸张内部,且矿物颗粒的主要成分为生石膏(CaSO_(4)·2H_(2)O),另文渊阁抄本纸张中还含有少量方解石(CaCO_(3))。基于上述分析结果,初步推测文献中所记载的北四阁《四库全书》所用“金线榜纸”,一部分是含有生石膏成分的檀皮稻草混料单宣。

金岳霖融通中西的形而上学之道

金岳霖《论道》的写作目的,是为了实现中西哲学的融通,建构一个既能够体现中国哲学精神传统又能吸收西方哲学的形而上学之道的哲学体系。金岳霖的形而上学作为一种元哲学,其问题意识来源于西方哲学,其论证方式来自西方哲学与逻辑学。但是,由于“道”在中国人的思想世界及价值信仰方面居于核心地位,金岳霖建构的形而上学之道显然是立足于中国哲学的。金岳霖坚持以中国哲学特别是宋明理学的思维方式、价值观念、哲学范畴为基础,通过一系列西方逻辑体系的论证,最终建构了一个以传统中国哲学范畴为基本框架、吸收了西方哲学的现代中国哲学体系。不能仅仅将金岳霖的《论道》理解为民族文化、情感归属的需求,他同时也是站在时代和人类的哲学思考高度,通过融通中西哲学以解决现代形而上学重建的问题,其形而上学之道具有回应人类普遍哲学问题的世界现代哲学意义。

基于晋剧盔饰元素的非遗工坊体验家具设计研究

非物质文化遗产的保护和创新是推进乡村振兴战略的重要途径。提升体验者对晋剧盔饰整体意象的认知,探究非遗工坊体验家具形态设计的创新方法,挖掘非遗元素在家具设计中的趣味性。采用KE-FAHP-DT框架来增强非遗传承人、体验者、家具以及空间之间的联系,以得到更为直观的设计体验。其次,应用模糊层次分析法(FAHP)对用户需求进行细致剖析,以此为依据确定非遗体验家具设计的功能特性。此外,对消费者评论以及用户的感性评价使用自组织映射(SOM)方法进行分析,明确用户在非遗体验和情感偏好方面对非遗活化的影响。该分析与设计方法不仅为晋剧盔饰元素在体验类家具形态设计中的应用开拓了新视角,强调了用户中心设计在非遗产业发展中的重要性,还为同类型非遗工坊体验类家具设计提供了依据和借鉴。

山西侯马上马墓地青铜器铅同位素比值分析

山西侯马上马墓地是一处重要的晋国邦墓地,出土了大量东周时期的晋国青铜器。本研究对4件上马墓地春秋中期青铜器开展了铅同位素比值分析,以探讨春秋中期晋国铅料产地。研究结果显示4件青铜器的铅同位素比值均为普通铅,与晋南地区西周晚期至春秋早期青铜器所使用的铅料基本相同,可能产自长江中游地区。上马墓地青铜器与瓦窑坡春秋中期青铜器使用的铅料不同,反映了春秋时期青铜金属资源流通网络的复杂性。

“死—生”仪式:谢晋电影语言与“现代化”

在新中国电影中,英雄人物的死亡往往伴随着仪式化表达,谢晋的《红色娘子军》也是同样。在20世纪80年代,谢晋电影中死亡仪式的表达或不再使用,或被改造成了“死—生”仪式,即把情感的表达更多投向未来。谢晋电影语言在20世纪80年代发生的变化与彼时“电影语言现代化”的思潮不无关系,而这一思潮背后更有整个社会走向“现代化”的大背景,以及由此产生的对“谢晋电影模式”的批评。立足当下,我们可以看到,电影的仪式化表达应该是一种文化的产物,与观念意识形态的关系不大,谢晋在大变革的时代既顺应了“现代化”的要求,也坚持了传统的审美。

明代《古今医鉴》版本、订补及学术贡献

《古今医鉴》八卷,明代龚信编辑,其子龚廷贤续编,成书于明万历四年(1576),刊刻于万历五年(1577),由周曰校的万卷楼刊刻。此后周庭槐再版刻印,八卷,改书名为《新刊古今医鉴》。周四达又请王肯堂对《古今医鉴》进行校正,以初刻本为底本重新刊刻,名《重刻古今医鉴》,仍为八卷,此本显示出由王肯堂校注修改的痕迹,其成书时间当在初刻本与周庭槐本之后王肯堂十六卷本之前。王肯堂之后又对《古今医鉴》重新进行了全面修订整理,勘误补漏,阐释医理,调整方药,加工润色,并改成十六卷本重新刊印,做出了重要的贡献,明万历十七年(1589)由叶华生刊印完成《王宇泰先生订补古今医鉴》。尚见“姑苏文台沈公本”,是以初刻本为底本刻印的活字本,刻印时间为日本元和年间(1615—1624)。本书对临床各科百余种病证进行阐述,荟萃古今诸家之论,完整保存了确有效验的官府、民间验方及父子二人所创方剂,在诸多方面具有创新,做出了重要的学术贡献。

现象学视域中的“人格美”

中西方思想对“人格”的使用方式有所不同:西方偏于“人格”的描述性意义,中国偏于“人格”的评价性意义。西方偏于“人格”的外在性,中国偏于“人格”的内在性。西方的“人格性”相当于“精神性”,中国的“人格性”侧重于“道德性”。“人格美”具有两个维度:在形而上学维度,它是一种美学观念;在现象学维度,它是一种审美对象。“人格美”的合法性受到怀疑,理由有二:一是“人格美”可能是道德判断,也可能是审美判断,更可能是二者的混同;二是人格是否可以诉诸感性直观,尚在未定之数。身体现象学表明,心灵和精神都是具身化并表现于外的。身体不是对立于心灵/精神的身体,而是融合了心灵/精神的身体。于是,人格也可以在身体上获得感性直观,成为审美对象。因此,“人格美”从属于“身体美”。人格美属于身体美,又超越身体美,与身体美有一种若即若离的关系。身体美与人格美的关系,可用胡塞尔人格现象学的体现和共现加以说明。

冯友兰和汤用彤魏晋玄学观比较研究

对于魏晋玄学,冯友兰和汤用彤都对之有着深入的研究和精辟的论断,其学术贡献也为学界所称道。冯友兰和汤用彤的魏晋玄学研究有共同之处,都认为玄学受到汉末名学的影响,主要问题和代表人物基本一致,也都强调竹林玄学是对正始玄学的补充。不过,冯友兰和汤用彤在研究方法以及对玄学的界定等方面也存在明显的不同。研究冯友兰和汤用彤的魏晋玄学观,不仅有助于我们从宏观角度对魏晋玄学有一个整体的认识,也会为我们了解近现代视域下的魏晋玄学研究提供一个新的维度。