This paper focus on the myth of ＂Huang of Xiahoushi＂ （~）：~ ~2_t~）, focusing on the distribution of Jade Huang （夏后氏之璜） since the early neolithic and its process of pluralistic integration. The paper explor...This paper focus on the myth of ＂Huang of Xiahoushi＂ （~）：~ ~2_t~）, focusing on the distribution of Jade Huang （夏后氏之璜） since the early neolithic and its process of pluralistic integration. The paper explores the story of ethnic group, cultural identification and the significance of Jade Huang in the discourse construction of etiquette civilization behind the mythic narrative based on multi-evidence method and the local meaning of literature in ancient Chinese context.展开更多
A cultural image is a kind of cultural symbol and cognitive schema,which can make the national wisdom and historical memory get together.From the view of literary anthropology,the article applies quadruple-evidence ap...A cultural image is a kind of cultural symbol and cognitive schema,which can make the national wisdom and historical memory get together.From the view of literary anthropology,the article applies quadruple-evidence approaches to interpret cultural images of rainbow multi-dimensionally and systematically in the field of the great tradition.Meanwhile,in order to break through the concealment and misleadingness of ancient documentary records,we need rely on the multi-ethnic living ethnography from generation to generation and jade Huang(玉璜,semi-annular jade pendant)narrative in the form of hierophany.So we can find that the rainbow represents luckiness,a bumper harvest,and sexual intercourse.Moreover,we conclude that faith in rainbow culture in ancient times is the headstream of faith in dragon culture that rooted in the heart of all Chinese.Hence,quadruple-evidence approaches play more significant roles in the reconstruction and rebuilding of Chinese great tradition’s view of culture than before.展开更多
基金This paper is suported by China National Social Science Foundation ＂A Study on the Relationship Between the Myth of Ritual Vessels in Rites of Zhou and the Construction of Chinese ritual discourse＂ （3CZW022）. Here I＇m grateful to Wu Yuwei for her help to translate the article and to An Qi for her timely help to revise and polish it.
文摘This paper focus on the myth of ＂Huang of Xiahoushi＂ （~）：~ ~2_t~）, focusing on the distribution of Jade Huang （夏后氏之璜） since the early neolithic and its process of pluralistic integration. The paper explores the story of ethnic group, cultural identification and the significance of Jade Huang in the discourse construction of etiquette civilization behind the mythic narrative based on multi-evidence method and the local meaning of literature in ancient Chinese context.
基金This paper is sponsored by General Project of Philosophy and Social Science Research of Colleges and Universities in Jiangsu Province in 2019(2019SJA1905)General Project of Research of Agricultural Literature and Culture in School of Liberal Arts in 2020(2020NW07).
文摘A cultural image is a kind of cultural symbol and cognitive schema,which can make the national wisdom and historical memory get together.From the view of literary anthropology,the article applies quadruple-evidence approaches to interpret cultural images of rainbow multi-dimensionally and systematically in the field of the great tradition.Meanwhile,in order to break through the concealment and misleadingness of ancient documentary records,we need rely on the multi-ethnic living ethnography from generation to generation and jade Huang(玉璜,semi-annular jade pendant)narrative in the form of hierophany.So we can find that the rainbow represents luckiness,a bumper harvest,and sexual intercourse.Moreover,we conclude that faith in rainbow culture in ancient times is the headstream of faith in dragon culture that rooted in the heart of all Chinese.Hence,quadruple-evidence approaches play more significant roles in the reconstruction and rebuilding of Chinese great tradition’s view of culture than before.
