Chinese ancient poetry is artistically beautified with extraordinarily subtle artistic images, conceptions and rhythms.How well the translator knows and understands the linguistic and cultural differences between Chin...Chinese ancient poetry is artistically beautified with extraordinarily subtle artistic images, conceptions and rhythms.How well the translator knows and understands the linguistic and cultural differences between Chinese and English and the source poem in terms of its author, writing background and intended artistic conceptions, and what translating strategies the translator adopts will have a great impact on the translated version. Based on Nida's "functional equivalence" theory as the theoretical basis of the study, two different English versions of five-character jueju"Jiang Xue were chosen as the research objects, and studied from two perspectives, namely romantic charm including artistic images and conceptions and artistic form including language employed and rhythms to examine whether the two English versions have reproduced the source poem as it was. It was pointed out in the paper that achieving the functional equivalence between the source language poem and the translated version in terms of artistic images, language style and rhythm allows the possibility of the target language reader comprehending the translated version to the point that they can conceive of how the source language reader must have understood and appreciated the source poem.展开更多
诗歌形式是诗歌文本区别于其他文本最重要的特征,是诗之所以为诗的标志。诗歌翻译能否保持原诗形式?江枫认为形似才能神似,并将其翻译理念付诸实践,取得了显著成就。从形式移植的角度来分析惠特曼"Oh,Captain! My Captain!"...诗歌形式是诗歌文本区别于其他文本最重要的特征,是诗之所以为诗的标志。诗歌翻译能否保持原诗形式?江枫认为形似才能神似,并将其翻译理念付诸实践,取得了显著成就。从形式移植的角度来分析惠特曼"Oh,Captain! My Captain!"的江枫译文《哦,船长,我的船长》,揭示了形式移植在诗歌翻译中的重要性。展开更多
罗伯特.弗洛斯特的著名格律诗Stopping by Woods on a Snowy Evening在意象、结构、韵律3个方面堪称典范,江枫将有关的形式特征移植于译诗《雪夜林边》,可谓独具匠心、妙手天成。这是译者与诗人心灵契合的结果,也是直译和意译的成功结...罗伯特.弗洛斯特的著名格律诗Stopping by Woods on a Snowy Evening在意象、结构、韵律3个方面堪称典范,江枫将有关的形式特征移植于译诗《雪夜林边》,可谓独具匠心、妙手天成。这是译者与诗人心灵契合的结果,也是直译和意译的成功结合。形式移植的确对诗歌翻译至关重要,但摆脱形式的束缚而又能传神达意的译文也应能接受。只有诗歌翻译的多元化才能带来诗歌翻译的繁荣。展开更多
文摘Chinese ancient poetry is artistically beautified with extraordinarily subtle artistic images, conceptions and rhythms.How well the translator knows and understands the linguistic and cultural differences between Chinese and English and the source poem in terms of its author, writing background and intended artistic conceptions, and what translating strategies the translator adopts will have a great impact on the translated version. Based on Nida's "functional equivalence" theory as the theoretical basis of the study, two different English versions of five-character jueju"Jiang Xue were chosen as the research objects, and studied from two perspectives, namely romantic charm including artistic images and conceptions and artistic form including language employed and rhythms to examine whether the two English versions have reproduced the source poem as it was. It was pointed out in the paper that achieving the functional equivalence between the source language poem and the translated version in terms of artistic images, language style and rhythm allows the possibility of the target language reader comprehending the translated version to the point that they can conceive of how the source language reader must have understood and appreciated the source poem.
文摘诗歌形式是诗歌文本区别于其他文本最重要的特征,是诗之所以为诗的标志。诗歌翻译能否保持原诗形式?江枫认为形似才能神似,并将其翻译理念付诸实践,取得了显著成就。从形式移植的角度来分析惠特曼"Oh,Captain! My Captain!"的江枫译文《哦,船长,我的船长》,揭示了形式移植在诗歌翻译中的重要性。
文摘罗伯特.弗洛斯特的著名格律诗Stopping by Woods on a Snowy Evening在意象、结构、韵律3个方面堪称典范,江枫将有关的形式特征移植于译诗《雪夜林边》,可谓独具匠心、妙手天成。这是译者与诗人心灵契合的结果,也是直译和意译的成功结合。形式移植的确对诗歌翻译至关重要,但摆脱形式的束缚而又能传神达意的译文也应能接受。只有诗歌翻译的多元化才能带来诗歌翻译的繁荣。
