Construction of Cultural Landscapes in Changjiang Waters of Jingdezhen since the Song Dynasty

Waters of Changjiang River were first defined.As the mother river of Jingdezhen,Changjiang River once was the only way for this ancient ceramic city communicating with the outer world,and played an important role in the economic development and ceramic industry of Jingdezhen.By consulting documents and investigating the local area,this study expounded and proved kiln landscapes of this ceramic city along the Changjiang River,traffic landscapes in the Changjiang River,folk customs and architectural landscapes,as well as unique images.The construction and evolution of its cultural landscapes were analyzed to explore the development history of this city.Characteristic cultural landscapes with the Changjiang River as the principal line were highlighted,"water elements" in the urban development of Jingdezhen,production and transportation of ceramic industry were demonstrated,so as to provide useful references for the reformation project of "one river and both banks",and the construction of new cultural landscapes in Jingdezhen,help Jingdezhen go smoothly in its urban development and transition from a traditional to a modern city.

Interactive Development of Heritage Resource Utilization and Cultural Creative Industry:A Case Study of Jingdezhen

Heritage resources provide profound historical and cultural connotations and earners for the cultural creative industry the development of cultural creative industry also promotes the sustainable development of heritage resources.Taking Jingdezhen for example,this paper analyzed local heritage resources and development of local cultural creative industry,on this basis proposed that key efforts should be devoted to develop ceramic culture creative industry,cultivate industrial agglomerations of considerable scale,and form industrial chain,in order to realize the high-efficiency transition from heritage resources to cultural creative industry,and eventually improve cultural taste and build the characteristic brand of the city.

The Formulation of Water System Planning of Jingdezhen Under Diversified Needs

The water system is the basic condition for urban development, and a key resource and environmental carrier in the process of urban formation. It has an important restrictive effect on the survival of the city. Based on the diversified needs of urban water system development, this paper explores the preparation of the urban water system planning of Jingdezhen, strengthens the protection of water system and environmental quality, and explores urban cultural connotation, in order to build a unique urban water environment.

On the inheritance and development of the traditional 72 Jingdezhen hand porcelain schemata

Jingdezhen, known as the ＂porcelain capital,＂ it is said that the Millennium kiln fire is constant here, its porcelain, with ＂ white as jade, bright as a mirror, as thin as paper, such as chime sound ＂ style, renowned at home and abroad. Area of Jingdezhen handmade porcelain craft is mainly Jingdezhen urban and rural areas. ＂State the number of Chinese porcelain, Porcelain peak is this all.＂ Over more than a thousand year, Jingdezhen system culminates best collection of industry of ancient Ming Yao, forming a unique handmade porcelain craft production system, creating the most brilliant piece of Chinese ceramic history. Their high achievements, impact, the craft, the varieties, which any other kilns at any time are difficult to match.

World Porcelain Capital Playing the Spring Overture——Notes on the Building of Jingdezhen City into the World Porcelain Capital

Jingdezhen city lies in the Northeast of Jiangxi Province.It is located in the transitional area between the Huangshan-Huaiyushan mountain range and the Plain of Poyang Lake and is known as the historical"capital of porcelain"with a history of about 1000 years.It was listed as the four

Jingdezhen:History of Porcelain Trade

Porcelains produced in Jingdezhen began to be exported in large quantity from the Song Dynasty(960-1279).During the Ming and Qing period(1368-1911)。

手工艺研究的一些新思考——论非物质文化遗产的物质性与流动性

当前手工艺类非物质文化遗产研究多关注无形文化如技艺习得与技艺传承,容易忽略手工艺发展所依托的有形之物,即物质性基础的研究。人类学整体观视角下将非物质文化遗产作为一个整体,统合了物质与非物质,自然与文化。因此,研究者应对手工艺类非物质文化遗产的物质性与非物质性层面同时进行深度的考察。手工艺类非物质文化遗产作为整体性存在,还包括了流动性与可变性,它并非是凝滞的地方特色产物,其存在与发展始终伴随着与地方社会以外世界的连接与互动。

中国当代陶瓷艺术话语体系内容与构建策略——基于景德镇国家陶瓷文化传承创新试验区建设

中国传统陶瓷艺术话语体系的历史演变主要包括陶器和瓷器两部分,在世界上占据重要地位。中国当代陶瓷艺术话语整体处于弱势地位,应基于景德镇国家陶瓷文化传承创新试验区建设加强构建。中国当代陶瓷艺术话语体系构建的主要内容包括学术理论话语体系、实践创作话语体系、表述方式话语体系和传播媒介话语体系,应采取有效策略加以推进。

中国当代陶瓷艺术话语体系构建现状与意义——基于景德镇国家陶瓷文化传承创新试验区建设

中国当代陶瓷艺术话语体系构建近些年来取得了不少成就,但是还存在着一些问题,如少数陶瓷艺术界人士缺乏民族文化自信心、高校陶艺教育体系的西方化、市场竞争力弱、学术理论脱离实际、西方国家强化其话语权垄断地位等。基于景德镇陶瓷文化传承创新试验区建设,中国当代陶瓷艺术话语体系构建在提升民族文化自信心、提升中国当代陶瓷艺术地位、促进中外陶瓷艺术交流、推动中国当代陶瓷艺术健康发展等均具有重要意义。

Transformation from Neoproterozoic Sinistral to Early Paleozoic Dextral Shearing for the Jingdezhen Ductile Shear Zone in the Jiangnan Orogen, South China

The Jingdezhen ductile shear zone is evolved from the Neoproterozoic Zhangyuan ophiolite melange belt in the eastern Jiangnan Orogen, South China. Comprehensive study of geometry, kinematics, quartz c-axis fabric, temperature-pressure conditions and geochronology were conducted in this study. The Jingdezhen shear zone extends -180 km along the NE orientation with two groups of subvertical fo- liation and subhorizontal lineation. One group of foliation strikes NEN orientation whereas another one NEE orientation. Field investigation, microscopic observation and quartz c-axis fabric show that sinistral shearing along NEN-striking foliation occurred earlier than dextral shearing along NEE-striking foliation. Syn-tectonic staurolite porphyroblasts and deformation manner of feldspar imply that sinistral shearing occurred at 530-420 ℃ and 6-2 kbar. Deformation manner and c-axis fabric of quartz and pre-tectonic staurolite porphyroblasts indicate that dextral shearing took place at 420-300 ℃. LA-ICP-MS zircon U-Pb and mica ^40Ar/^39Ar dating indicate that the sinistral shearing occurred during Neoproterozoic oro- geny （830-800 Ma） whereas the dextral shearing at 447＋12 Ma. The sinistral shearing resulted from the Neoproterozoic final assembly between the Yangtze and Cathaysia blocks. The dextral shearing was caused by Early Paleozoic orogen parallel extension and clockwise rotation.

在赓续中坚守在传承中创新——2023年景德镇国家陶瓷文化传承创新试验区发展论坛评析

2023年10月16日至18日,由中共景德镇市委员会、景德镇市人民政府、景德镇陶瓷大学和江西日报社联合主办的“第三届景德镇国家陶瓷文化传承创新试验区发展论坛”在景德镇陶瓷大学湘湖校区国际学术报告厅召开。本届论坛共邀请国内外24位相关单位的主要领导和专家学者探讨陶瓷文化传承创新与景德镇国家陶瓷文化传承创新试验区建设事宜。其中,有7位与会代表作了主旨发言,分别就陶瓷考古价值、中国瓷域外影响及其产业演变、陶瓷创新性传播研究进行深入探讨。在习近平总书记亲临景德镇行政视察以及国际陶瓷博览会开展的契机下,有效推进国内外陶瓷文化研究的创新发展。

景德镇陶瓷非遗的数字化建构与跨媒介叙事设计研究

目的 通过景德镇陶瓷非遗的数字化建构和跨媒介叙事设计,打造具有科学真实性、循序推演性、开放可控性、过程可溯性、感官沉浸性,以及互动友好性的叙事效果和受众体验,促使叙事主体与受众之间建立共情,增强受众对陶瓷非遗的自觉认同,进而更好地实现陶瓷非遗的活态传承与创新转化。方法 以景德镇陶瓷非遗的数字化建构为切入点,阐明陶瓷非遗的跨媒介叙事设计旨趣。论述叙事设计中行为主体-叙事角色、技艺载体-叙事道具、发生环境-叙事场景、传播媒介-叙事平台等设计要素之间的相互关系。从叙事语境、叙事视角和叙事媒介三个维度构建陶瓷非遗的跨媒介叙事设计逻辑。结论 景德镇陶瓷非遗的活化创新与动态传承亟须数字化和融媒体技术的加持。跨媒介、沉浸式、多感官、可交互的叙事设计不仅有利于引导受众自觉地化身为非遗内涵的阐释者与陶瓷文化的传播者,而且有利于催生新的文化意涵和达成广泛的文化共识。

当代景德镇陶瓷雕塑艺术的传承与创新

当代景德镇陶瓷文化表现形式丰富而多元,在这样一个繁荣创新的时代潮流中,景德镇陶瓷雕塑艺术迎来了新的发展机遇,在传承与创新中不断拓展自身的内涵与外延,吸纳新的观念和表达,成为景德镇当代陶瓷艺术中的一枝独秀。文章从陶瓷雕塑艺术创作对中国传统写意精神、中国民俗和本土化艺术符号、陶瓷材料与观念的探索实践三个方面进行阐述,对当代景德镇陶瓷雕塑中传承与创新的艺术现象进行分析,从理论与实践层面全方位梳理总结当代景德镇陶瓷雕塑艺术所取得的成就。

数字经济视角下景德镇陶瓷文创产业战略转型的路径

近几年来,随着文旅产业的发展,衍生的文创产业市场竞争力逐渐增强,主要依托于传统手工艺的景德镇陶瓷文创又如何能脱颖而出?数字经济作为国家发展工程,景德镇陶瓷文创产业应当抓住数字经济这一契机,将数字经济融入景德镇陶瓷文创产业,从而实现景德镇陶瓷文创产业新发展、新转化,进一步提升景德镇陶瓷文创产业的市场竞争力。基于此,本文从数字经济视角下的景德镇陶瓷文创产业发展现状、存在的问题及如何助推其发展,为景德镇陶瓷文创产业在数字经济时代下转型升级的路径提出建议,为打造景德镇国家陶瓷文化传承创新试验区增添助力,为打响景德镇“千年瓷都”这一品牌形象添砖加瓦。

“景德镇模式”与陶瓷艺术

笔者通过分析“景德镇模式”的发展历程以及景德镇的陶瓷艺术如何得以形成且发展,发现二者之间具有密不可分的关系。而本文旨在揭示“景德镇模式”如何推动了陶瓷艺术的繁荣与创新,陶瓷艺术又如何给“景德镇模式”带来生机和活力。

20世纪90年代景德镇陈设瓷造型研究

主要运用图像学,统计学等研究方法,在对20世纪90年代景德镇陈设瓷进行分类的基础上,从文献中提取大量关于90年代景德镇陈设瓷造型的数据与图像,将这些造型的整体以及局部的形态样式进行比较、分析、归类后,研究得出景德镇90年代陈设瓷造型趋向简洁化以及个性化的特征,旨在探索这一时期陈设瓷的造型规律及现象,为学习和研究景德镇陈设瓷造型提供参考。

推求暴雨强度公式时的年限选择方法——以景德镇为例

在城市化发展影响下,各地降雨资料不断增多,大部分站点都满足城市暴雨强度公式编制的最低年限要求,很多站点有40、50 a或者60 a以上资料。因此在编制暴雨强度公式实际工作中,年限要如何进行选取,对推求科学的暴雨强度公式意义重大。以景德镇为例,依据1961—2015年分钟降雨资料,采用年最大值法提取样本。从样本均值及变差系数2个方面,比较分析得到合适年限范围。采用耿贝尔分布曲线对3种不同年限样本进行拟合,最小二乘法求得参数,获得不同年限编制的3个暴雨强度公式,并进行比较。结果表明:在编制城市暴雨强度公式时,可以按照一定方法进行年限资料选择,统计所有不同年限均值以及变差系数,分析数值大小及离散程度,根据当地降水特征,规避均值低值区域及变差系数高值区域,通过百分位数法确认具体范围,综合交叉得到年限区域。合理处理好样本年限均值大小与样本年限变差系数之间的关系,得到科学的编制年限,是暴雨强度公式工作编制的基础,决定了所推求暴雨强度公式的准确性和科学性。

景德镇陶瓷产业的运营实例——江西景德镇陶溪川文创街区集市

本论文以江西景德镇陶溪川文创街区集市为实例,剖析了景德镇陶瓷产业的历史与现状,包括起源、发展和当前形势。同时,探讨了文创街区集市的运营模式与特色,以及经营管理与策略。通过多个案例分析,重点阐述了品牌建设、产品多元化实践和文化创意产业跨界融合等方面的案例特点,并总结了景德镇陶溪川文创街区集市实践所带来的启示与思考。