Research on the Communication and Development of Heilongjiang Cultural and Creative Industry under the Background of“Belt and Road”

This paper focuses on the research on the dissemination and development of cultural and creative industries in Heilongjiang Province under the background of“Belt and Road.”Firstly,the paper analyzes the main characteristics of cultural and creative industries in Heilongjiang Province and then puts forward the leading advantages of the government to promote the development of cultural and creative industries.The government gives full play to its regional advantages and creates Longjiang cultural products,while also accelerating regional industrial cooperation and innovative cultural communication forms.In-depth discussion is made on integrating scientific and technological means of the times and strengthening the cultivation of innovative talents.The government optimizes the communication and development path of the Heilongjiang cultural entrepreneurship industry and brings positive influence to the stable development of the Heilongjiang region in the future.

Interactive Development of Heritage Resource Utilization and Cultural Creative Industry:A Case Study of Jingdezhen

Heritage resources provide profound historical and cultural connotations and earners for the cultural creative industry the development of cultural creative industry also promotes the sustainable development of heritage resources.Taking Jingdezhen for example,this paper analyzed local heritage resources and development of local cultural creative industry,on this basis proposed that key efforts should be devoted to develop ceramic culture creative industry,cultivate industrial agglomerations of considerable scale,and form industrial chain,in order to realize the high-efficiency transition from heritage resources to cultural creative industry,and eventually improve cultural taste and build the characteristic brand of the city.

Sustainable development of cultural and creative industry in the internet environment

As a recent-booming field, China's cultural and creative industry has a certain gap compared with developed countries, but there also exists a potential for its market prospect, together with the help of Chinese government policies. What's more, the fast-growing internet has still provided the industry with more possibilities of further development. Analysis suggests that the internet inevitably optimizes China's cultural and creative industry by re-integration of massive resources, promoting its sustainable innovation. Thus the new industrial chain is created, and more profits would flood into the companies in this field in the meantime. In other words, the ecosystem of China's cultural and creative industry is established in this way, which would enjoy a prosperous prospect for sure.

Development and Protection: Reshaping Cultural Policies——A Study of the UN's Advancement of Cultural and Creative Industry in Developing Countries

Cultural diversity originates from modern cultural industries. The UN's decade–long promotion of cultural diversity coincides with the advancement of China's cultural and creative industries; however, China's situation is different from the creative economy advocated by the UN in terms of developmental logic. The policy of cultural diversity provides a basis for the UN to push forward the development of cultural and creative industries in developing countries. It is derived from the developmental theories of developed countries, which regard creativity(innovation) as a "technique" and overlook its uniqueness. The digital revolution has never given fair play to developing countries which explains why the UN's promotion of cultural diversity has not yet helped developing countries to substantially increase their exports of cultural goods and services in the past ten years. Nevertheless, the development of the in ternet and digital technology may create an opportunity for developing countries to catch up with and surpass their developed neighbors. China's unique approach to cultural and creative development may serve as a model for the international community to pursue sustainable development in the future.

Research on the Development Path of Zigong Salt Culture and Creative Industry in the Era of Digital New Media

Salt culture is the main component of traditional culture in Zigong,Sichuan.With centuries of history,it has accumulated rich cultural connotations.At present,Zigong salt culture,as a precious traditional cultural wealth,has taken cultural and creative industries as a new carrier of communication in the rapid development of digital new media technology,giving full play to the resource advantages of its traditional culture.This article focuses on the study of the development path of Zigong salt cultural and creative industry in the new digital media era.Combining digital new media technology with cultural and creative industries,Zigong salt culture actively uses virtual technology to realize the innovative development of cultural and creative industries,promote the cultivation of cultural and creative brands based on digital new media technology.This article aims to give relevant strategies with reference value,so as to make corresponding contributions to the development path of Zigong salt culture in the future.

Creative Industrial Cluster： Three- Stage Development and the Case of Beijing＇s 798 Art District

This paper presents a three-stage hypothesis on the development of creative industrial clusters, which includes stages of agglomeration, interfacing, and network development. In the first stage, micro-entities concentrate geographically in a creative industrial cluster in search of resources. The second stage reflects the need for building identity. Finally, the third stage is the outcome of multi-dimensional expansion. As a creative industrial cluster develops, its focus moves from geographic concentration to division of labor and the creation of novel systems. Using this three-stage framework, this paper conducts an empirical study on Beijing＇s 798 District （＂798＂）. Our study finds that the ＂self-destruction ＂phenomenon （which appeared after 798 had reached the stage of network development in a low-level capacity） is essentially the product of a squeezing effect of commercial prosperity on art production. Our study further examines four models of art-commerce integration and explains the ways in which creative industrial clusters are different from conventional industrial clusters： a creative cluster is a platform of integration for culture, commerce, and technology. Its course of development is characterized by novelty, emergence of identity through interfacing, and network cooperation.

The Sports Culture Creative Industry in the UK and its Enlightenment on Sports Industry of China

This research is based on creative industry of sports culture of the U.K. Firstly, the literature research method is used to collect relevant authoritative economic data, and clarify and identify concepts of the sports culture creative industry with the ＂rule of thirds＂ of creative industry of the U.K.; secondly, empirical research is conducted to describe an active and drive function of the 3 kinds of expansion effects-forward effect, bystander effect and backward effect on peripheral industries on sports industry and even national economy development by rapid development of the sports culture creative industry in the U.K.; thirdly, this paper figures out that the sports culture creative industry will become new economic growth, ixew development route for the sports industry in the future and new power for industrial structure optimization and upgrading; finally, the research outcome gives reference and guide to scientific development, transformation and upgrading of the sports industry of China in the new round of worlds＇ economic restructuring.

Reflections on Economic and Cultural Driving Factors for the Development of Creative Industry:A Book Review on Creative Cities in Practice:European and Asian Perspectives

Creative Cities in Practice:European and Asian Perspectives Authors:Yan TANG,Klaus R.Kunzmann Year:2013Publisher:Tsinghua University Press ISBN:9787302325192(281 pages,in Chinese)The book,titled Creative Cities in Practice:European and Asian Perspectives,by Dr.Yan TANG and Prof.Klaus R.Kunzmann,is an outstanding piece of work introducing creative industry and creative cities in a fairly comprehensive and

产业数字化驱动民俗文化创造力传承发展的内在机理与实现路径

产业数字化是中国经济社会步入高质量发展新阶段的标志,也是推动民俗文化创造力传承发展的重要机遇。通过分析现阶段中国民俗文化创造力发展现状,深入挖掘、构建、留存民俗文化样态演变过程中的母本、母题以及文化符号、图式、形态的基因数据库,研究当下中国民俗文化创造力健康、和谐、高效传承发展所遇到的产品创新及新媒体内容服务建设出现的问题。未来通过产业数字化技术平台驱动技术路径、内容路径和跨界路径三个方面,促进新媒体环境下中国民俗文化创造力传承发展,并搭建民俗文化意象和工艺的资源谱系,弘扬大国工匠精神。中国民俗文化创造力传承发展的实现路径,首先要突出文化内涵,弘扬中华优秀传统文化的与时俱进精神,深化民俗文化的产业数字化支撑。其次要倡导民俗文化生产企业秉持中华造物精神、工匠境界、匠人态度的文化理念。最后在国家层面要引导全社会参与民俗文化传承与创新发展,让人民群众了解和喜爱民俗文化,增强民族自豪感和文化自信心。

“互联网+”背景下贵州非遗文创产业发展路径研究

非物质文化遗产是人类历史长河和在人们日常生活中凝聚而成的文化精粹,非遗文化的艺术价值、工艺价值、文化价值以及商业价值等都将在文创设计时焕发新机,而形成产业将会激发出最大的发展潜能。目前,随着信息技术和互联网的飞速发展,贵州非遗的保护、传承以及发展迎来了新契机,而非遗文创产业是对其传承与保护的重要途径,也是推动经济增长的有效方式。本文在“互联网+”背景下分析贵州非遗基本现状及存在的问题,并为贵州非遗文创产业提出发展路径建议,以期促进贵州非遗产业的可持续发展,进而助力贵州经济发展。

文化创新赋能景德镇陶瓷产业链韧性的机理及实现路径

经济环境的长期累积压力和急性冲击对产业链的现代化及产业高质量发展提出了新的挑战和要求,破除锁定、提升产业链韧性是实现产业链现代化的必要举措。景德镇陶瓷产业链发展遭遇网络组织的普遍困境,但其产业内含的深厚文化资源成为提升韧性的一种独特要素。基于“困境识别—机理剖析—提升路径”的分析架构,研究发现,文化创新通过理念创新、体制创新、内容创新和科技创新使陶瓷产业多个子链条及关键要素得到优化。因此,需要依托文化创新顶层设计,发展数字新基建、打造文化科技融合平台、发展文化科技交流与合作,促进景德镇陶瓷产业链韧性提升。

数字经济视角下景德镇陶瓷文创产业战略转型的路径

近几年来,随着文旅产业的发展,衍生的文创产业市场竞争力逐渐增强,主要依托于传统手工艺的景德镇陶瓷文创又如何能脱颖而出?数字经济作为国家发展工程,景德镇陶瓷文创产业应当抓住数字经济这一契机,将数字经济融入景德镇陶瓷文创产业,从而实现景德镇陶瓷文创产业新发展、新转化,进一步提升景德镇陶瓷文创产业的市场竞争力。基于此,本文从数字经济视角下的景德镇陶瓷文创产业发展现状、存在的问题及如何助推其发展,为景德镇陶瓷文创产业在数字经济时代下转型升级的路径提出建议,为打造景德镇国家陶瓷文化传承创新试验区增添助力,为打响景德镇“千年瓷都”这一品牌形象添砖加瓦。

中国陶瓷文化传播研究进展与反思——基于CiteSpace的知识图谱分析

中国陶瓷文化传播对乡村振兴战略下我国非物质文化遗产传承创新和景德镇产业转型升级至关重要。文章基于CiteSpace可视化分析软件梳理研究脉络并分析发展趋势,为未来实践探索和理论研究提供借鉴。近15年来景德镇城市和产业转型的阻力相应导致学界研究深度有限,研究重心随国家战略逐年从非遗文化继承保护向文化创意产业发展转移,当前热点主题涵盖多元系统创新和产业升级。未来研究应从系统维度出发,利用科技手段促进多学科融合,推动非遗活态传承、满足市场需求、实现产业升级。

基于质感理论的红色工业遗产文创产品设计研究

基于当下红色工业遗产的时代新需求,探索感知理论应用于工业遗产文创设计的新路径。通过分析当下国内工业遗产文创产业的发展状况,剖析当下工业文创产品的弊端,使用感质理论中“感质三层次、五大感质力”作为理论指导对于“西港花园文创园”进行产业分析。将工业遗产文化与感质理论结合,提出基于感质理论下的“感质之物”“感质之境”“感质之魂”三方面设计层次,并在当中构建“五大感质力”进行文创设计与分析,对工业遗产文创开发开展研究与论述。将感知理论融入工业遗产文创开发中,有助于多维度挖掘工业文化的传播潜力。以物、境、魂作为切入点,文化氛围营造与文化多媒介传播作为途径,丰富整个红色工业文化深层次的文化内容和传播方式,促进红色工业遗产文创产业的发展与传播。

博物馆陶瓷文创产品的开发设计研究——以景德镇中国陶瓷博物馆“千年窑火文创盲盒”为例

近年来,新兴的博物馆文创产业发展蓬勃,在国外已经出现了一套成熟的产业链,在国内以故宫博物院、河南省博物院和湖南省博物馆为代表的一系列博物馆也掀起了现象级“文创热”。本文在综合国内博物馆文创经验以及景德镇中国陶瓷博物馆文创现状的基础上,探讨了目前的陶瓷文创产品的优缺点,并对今后陶瓷文创的开发设计提出了针对性的建议,有助于推动博物馆陶瓷文创的进一步发展。

景德镇陶瓷产业的运营实例——江西景德镇陶溪川文创街区集市

本论文以江西景德镇陶溪川文创街区集市为实例,剖析了景德镇陶瓷产业的历史与现状,包括起源、发展和当前形势。同时,探讨了文创街区集市的运营模式与特色,以及经营管理与策略。通过多个案例分析,重点阐述了品牌建设、产品多元化实践和文化创意产业跨界融合等方面的案例特点,并总结了景德镇陶溪川文创街区集市实践所带来的启示与思考。

服务视角下的东北红色文创设计

该文从服务视角出发,深入研究并探讨了东北历史文创设计领域的相关问题。作为中国重要的文化和工业基地之一,东北地区拥有丰富的历史和文化资源。东北历史文创设计作为将地区特有的历史文化元素与现代创意设计相融合的文化创意产物,旨在传承和弘扬本地历史文化,同时促进地区经济和文化的可持续发展。该文通过方法论和实证研究,深入剖析了东北历史文创设计的现状、问题和潜力。研究结果不仅为东北地区历史文创设计提供有力的理论支持,还为类似文化创意领域的研究和实践提供借鉴,将有助于推动东北地区的文化产业繁荣,为地方经济和文化的可持续发展提供有益启示。

可持续发展视角下的陶瓷文创产品包装设计新趋势

可持续发展视角下,陶瓷文创产品的包装设计向着生态友好型材料转变,现代设计语言和传统工艺结合、个性化和定制化结合、结构优化等趋势,都对陶瓷行业及包装行业有着积极作用。

文化创意产业对区域经济发展的影响

随着经济全球化的加剧和多元文化的冲击,虽然我国具有丰富的历史文化资源,但文化创意产业的开发与创新却迫在眉睫。与此同时,文化创意产业在促进区域经济发展和提升城市软实力方面的作用也越来越受到重视,文化创意产业以其独特的优势和潜力,对区域经济发展产生了积极而深远的影响,大力发展文化创意产业,将有助于推动区域经济的持续、健康和快速发展。该文结合具体实践案例,运用文献分析法、对比研究法,探讨文化创意产业对区域经济发展的影响因素,分析其对区域经济的推动和联动作用,以此为我国城市发展提供参考方案,进一步推动我国的城市健康发展。

数字时代景德镇手工陶瓷文创产品设计方法

数字时代景德镇手工陶瓷文创产品设计带有手工艺性、文化性、在地性、情感性、创新性的原生价值,同时面临文化内涵表达不足、文化性与实用性失衡以及与数字生活智能化脱节等局限性。分析数字时代手工陶瓷文创产品的发展趋势,探索增强产品实用性拓展多功能设计、数字化技术助力手工艺制作流程、注重用户体验实现多元设计、挖掘文化内涵丰富设计呈现方式、跨领域合作实现万物互联等设计方法,为数字时代传统手工艺文创设计提供参考思路。