On Translation of Children’s Literature Based on Reception Aesthetics:A Case Study of The Secret Garden

Grounded in reader-centered theories,Reception Aesthetics prioritizes the active engagement and acceptance of target readers.This study examines the translation of children’s literature through the lens of Reception Aesthetics,using Li Wenjun’s rendition of The Secret Garden as a case study.The objective is to scrutinize various aspects of the translation-including vocabulary,syntax,rhetorical devices,and cultural nuances-and to discern how the adaptation and application of diverse translation strategies cater to the aesthetic expectations.

Flavor Amidst Plainness:An Examination of the Subjectivity of the“People’s Films”From the Perspective of Classical Aesthetics

The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through background shots,contributing to the overall aesthetic taste dominated by plainness.Chinese national aesthetic tastes,distinguished by implicitness,symbolism,and ethereality,have the magical power to present charming conceptions via plain and simple scenes,thus endowing the“People’s Films”with natural,plain,and harmonious frames that are unique to China.Behind the silent and plain scenes are representations of personal cultivation and essential values cherished by the Chinese people,which are achieved via the momentary presence and entirety of scenes photographed in the films,delivering an internal transcendence of people’s consciousness.

A Comparative Study of Kant’s and Hegel’s Aesthetics of Landscape Architecture

Both Kant and Hegel showed their attention to landscape architecture art in their aesthetic works,their aesthetic ideas were different but also related.This paper sorted out and interpreted the landscape architecture aesthetics of Kant and Hegel based on relevant aesthetic literature,analyzed the differences between them according to the historical background of landscape architecture development and their philosophic concepts,then summarized the historical causes for the development of their landscape architecture aesthetics.

A Study on Kant’s Views on Humanity in His Aesthetics

A key to understand Immanuel Kant's philosophy is his views on humanity,and the cornerstone of Kant’s philosophy is the idea that“beauty is a symbol of morality”.From the perspective of his views on humanity,we can have a deep understanding of Kant*s analysis of beauty and the sublime and his aesthetics.The focus of Kant's aesthetics is the realization of human freedom and the sublime,and this is of special humanistic feature.

The Translation of Children's Literature under the Guidance of Reception Aesthetics

In recent years,a great majority of excellent foreign children' s literary works have sprung up in the domestic market,so the translation of children' literature are drawn much attention.However,the relevant studies which guide the translation of children literature are quite few.Reception Aesthetics which take readers reception as a goal provides a new prospective for the translation of children s literature and promote its development.

Exploring Taiwan’s China Landscape Painting Aesthetic Preferences Through Evaluation Grid Method and the Continuous Fuzzy Kano Model

The primary objective of this study is to apply the Evaluation Grid Method(EGM)and the continuous fuzzy Kano quality model to explore the cognitive preferences of Taiwan China residents regarding the beauty of Taiwan’s China landscape paintings.The aim is to contribute to the development of social and cultural art and promote the widespread appeal of art products.Through a literature review,consultations with aesthetic experts,and the application of Miryoku Engineering’s EGM,this paper consolidates the factors that contribute to the attractiveness of painting art products among Taiwan China residents,taking into account various aesthetic qualities.Simultaneously,the paper introduces the use of the triangular fuzzy golden ratio scale semantics,specifically the equal-ratio aesthetic scale semantics,as a replacement for the traditional subjective consciousness model.Departing from the traditional discrete Kano model that employs the mode as the standard for evaluating quality,this study applies triangular fuzzy numbers to the continuous Kano quality model to analyze the diverse preferences and evaluation standards of the public.The hope is that this research methodology will not only deepen Taiwan China residents’understanding and aesthetic literacy of painting art but also serve as a reference for the popularization of art products.

The Aesthetics of Nature in Deleuze＇s Philosophy

In Critique of Pure Reason （1996）, Immanuel Kant says that the term ＂aesthetic＂ means ＂the science of the laws of sensibility＂ and suggests giving up usage of it to indicate ＂the critique of taste＂ which executes the criticism of the beautiful. It is well known that Gilles Deleuze was inspired by all genres of the arts, namely movies, paintings, music, and so on. However, this paper argues that what is more essential for Deleuzian philosophy is aesthetics as a science of sensibility. What motivated Deleuze, especially from the 1950s to the 1960s, seems to have consisted in discovering the weaknesses of the Kantian aesthetic in order to take it apart. In fact, one of the main themes in Difference and Repetition （1994） was to free ＂sensibility＂ itself from Kant＇s philosophical system. This theme subsisted in his writing even after the 1970s, and led him to develop a ＂natural philosophy＂ of sorts. This is because the supposition that ＂the sensibility itself＂ is independent from any human faculties gave him an opportunity to carefully consider the multiplicity and productivity of Nature itself. Finally, Deleuze created his own ＂ethology＂ that would capture the increasingly interrelated movements within Nature produced by heterogeneous elements. This paper describes the process of Deleuzian thought as outlined above, surveying his view of Kantian philosophy and the development of his natural philosophy as ＂the aesthetics of Nature.＂

On the Chinese People’s Aesthetics

正Appreciation of art is not a birthright. In the prehistoric primitive society, the ancestors of the Chinese people rooted in the harsh natural environment of the Yellow River Basin and began forging their own solid characteristics as the loess and rock. Our ancestors survived in the harsh natural conditions. Pressure of keeping alive deprived of their original romantic, despite that Neolithic primitive rock art, pottery

耳前大S形切口在腮腺浅叶良性肿瘤切除术中的应用及美学效果观察

目的:探析耳前大S形切口在腮腺浅叶良性肿瘤切除术中的应用及美学效果。方法:选取2018年1月-2021年1月诊治的110例腮腺浅叶良性肿瘤患者为研究对象,所有患者均行腮腺浅叶切除术,其中采用耳前大S形切口(观察组)和传统切口(对照组)各55例,比较两组围术期指标、术后并发症及切口美观满意度,并于术后随访6个月,观察有无肿瘤复发情况。结果:所有患者均顺利完成手术。与对照组比较,观察组切口长度较长,术中出血量、面神经解剖支数较少,创面愈合时间较短,手术总有效率及术后6个月切口美观满意度视觉模拟量表(Visual analogue scale,VAS)评分较高,术后涎瘘及总并发症发生率较低,差异均有统计学意义(P<0.05);两组手术时间、住院时间、术后3个月切口美观满意度VAS评分及术后6个月肿瘤复发率比较差异无统计学意义(P>0.05)。结论:在腮腺浅叶良性肿瘤切除术中采用耳前大S形切口能减少术中出血量和面神经分支解剖数,切口创面愈合快,手术效果好,术后并发症少,切口美观度高,值得临床推广。

The Rise of Aesthetic Anthropology in the Marginal Culture

At the turn of the century, the development of aesthetics encounters severe challenges and is trapped in a crisis. To get out of it, it is necessary to dig deeper in the study of aesthetics. The fact that the marginal areas＇ cultural heritage, agricultural culture, industrial culture and post-industrial culture often coexist in a harmonious way in a nation or the same area attracts the attention of aesthetic anthropologists. The paper mainly analyzes the constructive relationship between the culture of marginal areas and aesthetic anthropology, and discusses how to establish a relationship between them with the help of the development model of Yunnan＇s marginal culture.

Can Thought Become Sensible? Reflections on the Aesthetic Theories of Plato and Hegel

Hegel was highly influenced by Plato’s philosophy,as appears in his Lectures on the History of Philosophy.The German philosopher rightly attributed to Plato an“aesthetic”theory meant as a search for the meaning of Beauty(the idea of the Beautiful).For Kant the Sublime played the same role that Beauty did for the Greek philosopher,leading the human soul to grasp the super-sensible,as we read in his Critique of the Judgment of Taste.Contrary to what happened in Plato,in Hegel’s own aesthetic theory,the investigation was not focused on Beauty in general,but on artistic Beauty,the characters of the beautiful work of art.If Plato and Hegel highlight the dialectical-metaphysical function of Beauty,the judgment that they express on art is very different.However,they share an important conception:Beauty is as an intermediate and connecting reality,that functions as a link between thought and sensitivity.

A study on the present situation and aesthetic of Chinese contemporary children＇s books

The orientation and development of children＇ s book illustration affects children＇ s artistic taste, and also determines the futureand trend of children＇ s book market. This paper analyzes the present situation of children＇ s book illustration, and discusses its aesthetic styleand form of expression. Hope to be able to further explore the market potential of China＇ s children＇ s book illustrations, to establish the correctdirection of development to make some help.

Behind ＂Pop Songs Between 1930s and 1940s in Shanghai＂ Aesthetic Release of Eros Utopia

＂Pop Songs between 1930s and 1940s in Shanghai＂ contains the artistic phenomenon with the utopian feature. Its main objective lies in the will instead of hope. The era endows different aesthetic utopian meanings to ＂Pop Songs between 1930s and 1940s in Shanghai＂. After 2010, the utopian change of such songs is closely related to the contradiction between ＂aesthetic imagination and reality＂, and ＂individual interest and integrated social interest＂ that are intrinsic in the utopian concept. To sort out the utopian process of those songs, it is helpful for correcting the current status about the weakened critical realism function of the current art, and accelerating the arousal of the literary and artistic creation, and individual consciousness, laying equal stress on and gathering the aesthetic power of these individuals, which provides solid foundation for the generalization of aesthetic utopian significance.

Tess' s Losing of Virginity in Kant's Eyes

Tess is a pure girl in Hardy's eyes, as it shows in the book's subtitle. She is sinned in Victorian's time, however, she is still pure in Kant's eyes.Key words: Tesss purity;

Combination of facial skeletal contouring surgery and aesthetic surgeries for Asians-personal experience

Facial skeletal contouring surgery such as reduction malarplasty and reduction angleplasty is popular in Asian countries. With rapid economic development, an increasing number of patients receive facial skeletal contouring surgery combined with other facial aesthetic sur geries. From January 2014 to December 2016, a total of 37 patients underwent Facial skeletal contouring surgery combined with facial esthetic surgeries in our department. The modified L-shape reduction malarplasty and reduction mandibular angleplasty were performed using reciprocating saws. The combined facial esthetic surgeries are 4 cases of double eyelid blepharoplasty, 6 cases of augmentation rhinoplasty, 2 cases of autologous fat transplantation and 1 case of augmentation genioplasty. 36 patients were satisfied with the final facial contour and appearance. No severe complications were seen in our series. Facial skeletal contouring surgeries can drastically and permanently change the patient's facial contour. Plastic surgeons should be acquainted with the metabolic aesthetic trends and be familiar with all the surgical techniques. The selection of an appropriate procedure or combined procedures for individual patients should be made according to the cultural background, patient's chief complain, anatomic variations and possible operative sequ elae.

如果齐泽克再读《S/Z》--艺术形式流变中的“暴力”与“空无”

罗兰·巴特的后结构主义文本《S/Z》,阅读了巴尔扎克的现实主义小说《萨拉辛》,将一个爱情故事重写为一个“阉割的故事”。在阅读中,巴特指出了在《萨拉辛》的雕塑、油画和文字三种艺术形式中存在的“恐惧感”,并通过这种感觉的强度建立了一个“审美体验强度序列”,其中雕塑、油画和文字三者的强度依次递减。这一序列建立在艺术实体的空间维度上,反映了传统艺术观念对物质世界的重视。然而,现代艺术却轻视艺术实体,齐泽克将艺术品视为放置在艺术空位上的任意物,艺术实体的重要性被消解,符号的象征意义得以强化。论文立足于两种艺术观念的冲突,受到《S/Z》的启发,在精神分析学引领下,阅读并重写了《S/Z》中艺术审美体验的文本,发现三种艺术形式带来的“恐惧感”来自于不同性质的暴力。根据齐泽克的暴力理论,论文发现雕塑的“爱欲的暴力”强度最轻,其次是油画的“男性凝视的暴力”,最后是文字的“剔除的暴力”,具有最大的强度,因此颠覆性地确立了“雕塑,油画,文字”依次递增的“审美体验强度序列”。

杜尚艺术实践的美学分析——对康德美学遭遇后现代艺术的进一步探讨

杜尚的艺术实践在对康德美学构成挑战的同时,又对其有某种继承性。天才一方面在制定规则,另一方面规则又是不可说的。规则不是供其他艺术家模仿的,而只具有对产生新规则的示范作用。对其他主体的不信任,杜尚自己制定艺术规则,崇尚创新和自由,但其想象力与知性并没有达到和谐的地步,斩断鉴赏力的传统,没有考虑到它的普遍性,只是一个未驯化的主体,所以作品争议不断。杜尚的现成品艺术,并非什么都可以。杜尚反对美,但不反对形式的精雕细琢。“艺术=美的艺术”是杜尚作品界定的误区,而层次性的艺术概念是消除此误区的关键所在。

《伟大征程》的“人民性”底蕴及其政治美学表达

《伟大征程》是继《东方红》《中国革命之歌》《复兴之路》《奋斗吧中华儿女》之后的又一部大型情景史诗,展现了中国共产党带领中国人民进行革命、建设、改革、复兴的辉煌进程。《伟大征程》不但继承与发扬了中国共产党“人民性文艺”的创作宗旨,还特别突出“人民史观”的政治审美叙事,强调中国共产党始终把“以人民为中心”作为价值追求,折射出其马克思主义的政治美学表达。《伟大征程》中的“人类命运共同体”意识,不但扩充了“人民性”的内涵,更是将其政治审美的境界提升到“人类终极关怀”的高度,推动人类和平共赢事业不断向前发展。

审美平等与当代批判理论中的康德美学批判

审美政治是当代批判理论思考社会问题的理论路径之一,包括审美平等、审美解放和审美共同体等具体问题。康德美学作为传统哲学美学的代表,在解释快速变化的社会现实时暴露其限度。当代批判理论从康德美学出发,改造美学与政治的关系,思考审美平等的问题。朗西埃在感性平等的维度,将审美共通感阐释为自由运动的感性能力的普遍预设,让惯常感性分配体制下不可见的群体重新显现。巴迪欧聚焦主体平等问题,以康德不确定、无意义的超验理念,引导主体无限开放的思维能力,艺术主体以感觉方式的革新推动政治平等。阿甘本从生命平等出发,反思康德的先验演绎对人与非人之合法性形象的划分,将平等问题奠基于非人的生命感知活动。

扬弃与整合:王国维美学思想的演变

在王国维美学理论的形成过程中,其理论建构的意图、方式,理论结构、层次的设置,学理的介入等,都与其对康德、叔本华等西方哲学、美学的研习有着密切的、直接的关系。从《红楼梦评论》《文学小言》到《〈人间词〉乙稿序》再到《人间词话》,王国维美学经历了从立足于叔本华而糅合席勒美学,到立足叔本华糅合康德美学,再到立足于康德兼容叔本华美学的复杂过程。这是一个同时包含了扬弃与整合的过程。但至《宋元戏曲史》,王国维却开始逐渐抹去西学影响的痕迹。王国维的转变从一个侧面反映了他对西方理论观念、中国文学和理论自身特点,以及两者合洽性的反思和认识,此种反思包含的知识认知、选择的复杂性和创新性,理应成为学术史研究的重要命题。