A Brief Introduction to Kant’s Aesthetics of Natural Landscape

As an early philosopher who paid attention to the aesthetic value of natural scenery,Kant’s aesthetic thought of natural scenery mainly focused on the analysis of the sense of sublimity.Through the comparative interpretation of the two concepts of“sublime beauty”and“natural beauty”,the author expounded that the aesthetic object of natural beauty was mainly the individual form of“organic matters”,and the aesthetic object of sublime beauty was the natural environment composed of organic matters and inorganic matters.Through the analysis of different forms and categories of sense of sublimity,this paper summarized the characteristics of Kant’s natural landscape aesthetics:paying attention to the quantitative characteristics of space and time,preferring the original nature and wild nature and the original energy contained therein,and then revealed that the essence of Kant’s natural landscape aesthetics was the recognition of human moral emotion and their own value in the natural landscape.

On Translation of Children’s Literature Based on Reception Aesthetics:A Case Study of The Secret Garden

Grounded in reader-centered theories,Reception Aesthetics prioritizes the active engagement and acceptance of target readers.This study examines the translation of children’s literature through the lens of Reception Aesthetics,using Li Wenjun’s rendition of The Secret Garden as a case study.The objective is to scrutinize various aspects of the translation-including vocabulary,syntax,rhetorical devices,and cultural nuances-and to discern how the adaptation and application of diverse translation strategies cater to the aesthetic expectations.

A Comparative Study of Kant’s and Hegel’s Aesthetics of Landscape Architecture

Both Kant and Hegel showed their attention to landscape architecture art in their aesthetic works,their aesthetic ideas were different but also related.This paper sorted out and interpreted the landscape architecture aesthetics of Kant and Hegel based on relevant aesthetic literature,analyzed the differences between them according to the historical background of landscape architecture development and their philosophic concepts,then summarized the historical causes for the development of their landscape architecture aesthetics.

A Study on Kant’s Views on Humanity in His Aesthetics

A key to understand Immanuel Kant's philosophy is his views on humanity,and the cornerstone of Kant’s philosophy is the idea that“beauty is a symbol of morality”.From the perspective of his views on humanity,we can have a deep understanding of Kant*s analysis of beauty and the sublime and his aesthetics.The focus of Kant's aesthetics is the realization of human freedom and the sublime,and this is of special humanistic feature.

The Translation of Children's Literature under the Guidance of Reception Aesthetics

In recent years,a great majority of excellent foreign children' s literary works have sprung up in the domestic market,so the translation of children' literature are drawn much attention.However,the relevant studies which guide the translation of children literature are quite few.Reception Aesthetics which take readers reception as a goal provides a new prospective for the translation of children s literature and promote its development.

The Aesthetics of Nature in Deleuze＇s Philosophy

In Critique of Pure Reason （1996）, Immanuel Kant says that the term ＂aesthetic＂ means ＂the science of the laws of sensibility＂ and suggests giving up usage of it to indicate ＂the critique of taste＂ which executes the criticism of the beautiful. It is well known that Gilles Deleuze was inspired by all genres of the arts, namely movies, paintings, music, and so on. However, this paper argues that what is more essential for Deleuzian philosophy is aesthetics as a science of sensibility. What motivated Deleuze, especially from the 1950s to the 1960s, seems to have consisted in discovering the weaknesses of the Kantian aesthetic in order to take it apart. In fact, one of the main themes in Difference and Repetition （1994） was to free ＂sensibility＂ itself from Kant＇s philosophical system. This theme subsisted in his writing even after the 1970s, and led him to develop a ＂natural philosophy＂ of sorts. This is because the supposition that ＂the sensibility itself＂ is independent from any human faculties gave him an opportunity to carefully consider the multiplicity and productivity of Nature itself. Finally, Deleuze created his own ＂ethology＂ that would capture the increasingly interrelated movements within Nature produced by heterogeneous elements. This paper describes the process of Deleuzian thought as outlined above, surveying his view of Kantian philosophy and the development of his natural philosophy as ＂the aesthetics of Nature.＂

Flavor Amidst Plainness:An Examination of the Subjectivity of the“People’s Films”From the Perspective of Classical Aesthetics

The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through background shots,contributing to the overall aesthetic taste dominated by plainness.Chinese national aesthetic tastes,distinguished by implicitness,symbolism,and ethereality,have the magical power to present charming conceptions via plain and simple scenes,thus endowing the“People’s Films”with natural,plain,and harmonious frames that are unique to China.Behind the silent and plain scenes are representations of personal cultivation and essential values cherished by the Chinese people,which are achieved via the momentary presence and entirety of scenes photographed in the films,delivering an internal transcendence of people’s consciousness.

On the Chinese People’s Aesthetics

正Appreciation of art is not a birthright. In the prehistoric primitive society, the ancestors of the Chinese people rooted in the harsh natural environment of the Yellow River Basin and began forging their own solid characteristics as the loess and rock. Our ancestors survived in the harsh natural conditions. Pressure of keeping alive deprived of their original romantic, despite that Neolithic primitive rock art, pottery

The Rise of Aesthetic Anthropology in the Marginal Culture

At the turn of the century, the development of aesthetics encounters severe challenges and is trapped in a crisis. To get out of it, it is necessary to dig deeper in the study of aesthetics. The fact that the marginal areas＇ cultural heritage, agricultural culture, industrial culture and post-industrial culture often coexist in a harmonious way in a nation or the same area attracts the attention of aesthetic anthropologists. The paper mainly analyzes the constructive relationship between the culture of marginal areas and aesthetic anthropology, and discusses how to establish a relationship between them with the help of the development model of Yunnan＇s marginal culture.

Can Thought Become Sensible? Reflections on the Aesthetic Theories of Plato and Hegel

Hegel was highly influenced by Plato’s philosophy,as appears in his Lectures on the History of Philosophy.The German philosopher rightly attributed to Plato an“aesthetic”theory meant as a search for the meaning of Beauty(the idea of the Beautiful).For Kant the Sublime played the same role that Beauty did for the Greek philosopher,leading the human soul to grasp the super-sensible,as we read in his Critique of the Judgment of Taste.Contrary to what happened in Plato,in Hegel’s own aesthetic theory,the investigation was not focused on Beauty in general,but on artistic Beauty,the characters of the beautiful work of art.If Plato and Hegel highlight the dialectical-metaphysical function of Beauty,the judgment that they express on art is very different.However,they share an important conception:Beauty is as an intermediate and connecting reality,that functions as a link between thought and sensitivity.

A study on the present situation and aesthetic of Chinese contemporary children＇s books

The orientation and development of children＇ s book illustration affects children＇ s artistic taste, and also determines the futureand trend of children＇ s book market. This paper analyzes the present situation of children＇ s book illustration, and discusses its aesthetic styleand form of expression. Hope to be able to further explore the market potential of China＇ s children＇ s book illustrations, to establish the correctdirection of development to make some help.

Behind ＂Pop Songs Between 1930s and 1940s in Shanghai＂ Aesthetic Release of Eros Utopia

＂Pop Songs between 1930s and 1940s in Shanghai＂ contains the artistic phenomenon with the utopian feature. Its main objective lies in the will instead of hope. The era endows different aesthetic utopian meanings to ＂Pop Songs between 1930s and 1940s in Shanghai＂. After 2010, the utopian change of such songs is closely related to the contradiction between ＂aesthetic imagination and reality＂, and ＂individual interest and integrated social interest＂ that are intrinsic in the utopian concept. To sort out the utopian process of those songs, it is helpful for correcting the current status about the weakened critical realism function of the current art, and accelerating the arousal of the literary and artistic creation, and individual consciousness, laying equal stress on and gathering the aesthetic power of these individuals, which provides solid foundation for the generalization of aesthetic utopian significance.

Tess' s Losing of Virginity in Kant's Eyes

Tess is a pure girl in Hardy's eyes, as it shows in the book's subtitle. She is sinned in Victorian's time, however, she is still pure in Kant's eyes.Key words: Tesss purity;

基于S-O-R理论的儿童沉浸式美育APP研究与设计

目的针对儿童美育发展不平衡的问题,提升儿童美育产品设计,探究界面上、交互上、内容上可行性和实用性,对儿童美育APP的应用研究提出设计策略和实践探讨。方法基于S-O-R理论,结合心流理论与情感层次理论,提出相关模型,并使用SPSS、AMOS软件进行验证。在假设成立的基础上,观察38名4~14岁儿童操作APP实例,提出儿童美育APP的设计要求。结果认知性、设计类因素等能正向影响儿童美育APP的心流体验、满意度和用户黏性。结论儿童设计区别于成年人设计,提升以儿童为中心的设计,通过优化界面设计、音效、交互设计、核心机制等能有效影响儿童对于产品的沉浸式体验。

Combination of facial skeletal contouring surgery and aesthetic surgeries for Asians-personal experience

Facial skeletal contouring surgery such as reduction malarplasty and reduction angleplasty is popular in Asian countries. With rapid economic development, an increasing number of patients receive facial skeletal contouring surgery combined with other facial aesthetic sur geries. From January 2014 to December 2016, a total of 37 patients underwent Facial skeletal contouring surgery combined with facial esthetic surgeries in our department. The modified L-shape reduction malarplasty and reduction mandibular angleplasty were performed using reciprocating saws. The combined facial esthetic surgeries are 4 cases of double eyelid blepharoplasty, 6 cases of augmentation rhinoplasty, 2 cases of autologous fat transplantation and 1 case of augmentation genioplasty. 36 patients were satisfied with the final facial contour and appearance. No severe complications were seen in our series. Facial skeletal contouring surgeries can drastically and permanently change the patient's facial contour. Plastic surgeons should be acquainted with the metabolic aesthetic trends and be familiar with all the surgical techniques. The selection of an appropriate procedure or combined procedures for individual patients should be made according to the cultural background, patient's chief complain, anatomic variations and possible operative sequ elae.

Exploring Taiwan’s China Landscape Painting Aesthetic Preferences Through Evaluation Grid Method and the Continuous Fuzzy Kano Model

The primary objective of this study is to apply the Evaluation Grid Method(EGM)and the continuous fuzzy Kano quality model to explore the cognitive preferences of Taiwan China residents regarding the beauty of Taiwan’s China landscape paintings.The aim is to contribute to the development of social and cultural art and promote the widespread appeal of art products.Through a literature review,consultations with aesthetic experts,and the application of Miryoku Engineering’s EGM,this paper consolidates the factors that contribute to the attractiveness of painting art products among Taiwan China residents,taking into account various aesthetic qualities.Simultaneously,the paper introduces the use of the triangular fuzzy golden ratio scale semantics,specifically the equal-ratio aesthetic scale semantics,as a replacement for the traditional subjective consciousness model.Departing from the traditional discrete Kano model that employs the mode as the standard for evaluating quality,this study applies triangular fuzzy numbers to the continuous Kano quality model to analyze the diverse preferences and evaluation standards of the public.The hope is that this research methodology will not only deepen Taiwan China residents’understanding and aesthetic literacy of painting art but also serve as a reference for the popularization of art products.

Artistic Renewal and Heritage Conservation-Deleuze’s Philosophy in Reimagining Yongning Ancient Walled City

The Yongning Ancient Walled City, located in Quanzhou, Fujian Province, is a historic site with over 600 years of cultural heritage. Its preservation faces challenges posed by rapid urbanization, yet it also offers opportunities for creative renewal through artistic and cultural frameworks. This paper explores a novel approach to reimagining Yongning by integrating Gilles Deleuze’s philosophy-emphasizing multiplicity, rhizomatic connections, and the fold-with environmental art and cultural narratives. By drawing on Deleuze’s concepts of “nomadic space” and “fold” within the context of heritage conservation, this study provides actionable strategies for blending modern artistic practices with traditional cultural identity. Through field research, theoretical exploration, and design application, this paper demonstrates how Yongning can transform into a living museum of art, culture, and history. The findings aim to expand the dialogue on aesthetics, spatial theory, and heritage renewal.

关心社会现实追求人类福祉——《判断力批判》之解读

康德对判断力的分析和批判不仅弥合了其哲学体系中的自然概念和自由概念之间的鸿沟,而且开始了从纯粹的形而上学的研究转向社会现实的研究,实现了人的自然属性与人的理性的结合和人所期盼的美的理念与世界的合目的性的结合。《判断力批判》不仅在康德哲学内部搭起了一座桥梁,构成了完整的批判哲学思想体系,更重要的是,这部著作集中显现了康德关心社会现实,追求人类幸福的努力,开创了摆脱形而上学束缚,积极参与现实社会的改造之先河,不仅在当时起到振聋发聩的作用,而且对近现代思想界产生了重要影响,激励着其后的思想家为建立一个理想的人类社会而不断探索。

论北宋士人园林的美学意蕴

北宋士人大多是兼具文人、学者、政治家多重身份的综合型人才。作为官员,他们大多心怀济世理想,先忧后乐,但这种理想落到现实中,往往是陷于官场争斗。因此,他们渴望在官场之外构筑一些私人空间以获得身心的宁静与自由,园林便是其中之一。首先,园林可以被视为官场名教之外的自然场所,士人在其中获得逍遥之乐。其次,园林按照写意的方式构建,处处体现了文人趣味。再次,通过对园林的建构与欣赏,士人实现了身份认同。从美学上讲,园林在士人生活中具有重要意义,诗文创作、书画欣赏等文化活动不仅展现了士人的文化素养和审美趣味,也成为其社会交往的重要组成部分。更重要的是,园林是士人构建身份认同和社会地位的工具,士人通过营造和体验这些私人空间,塑造并传播一种精英文化,在更广泛的社会层面引领审美潮流。

耳前大S形切口在腮腺浅叶良性肿瘤切除术中的应用及美学效果观察

目的:探析耳前大S形切口在腮腺浅叶良性肿瘤切除术中的应用及美学效果。方法:选取2018年1月-2021年1月诊治的110例腮腺浅叶良性肿瘤患者为研究对象,所有患者均行腮腺浅叶切除术,其中采用耳前大S形切口(观察组)和传统切口(对照组)各55例,比较两组围术期指标、术后并发症及切口美观满意度,并于术后随访6个月,观察有无肿瘤复发情况。结果:所有患者均顺利完成手术。与对照组比较,观察组切口长度较长,术中出血量、面神经解剖支数较少,创面愈合时间较短,手术总有效率及术后6个月切口美观满意度视觉模拟量表(Visual analogue scale,VAS)评分较高,术后涎瘘及总并发症发生率较低,差异均有统计学意义(P<0.05);两组手术时间、住院时间、术后3个月切口美观满意度VAS评分及术后6个月肿瘤复发率比较差异无统计学意义(P>0.05)。结论:在腮腺浅叶良性肿瘤切除术中采用耳前大S形切口能减少术中出血量和面神经分支解剖数,切口创面愈合快,手术效果好,术后并发症少,切口美观度高,值得临床推广。