In the paper I will research Lao tzu and Chuang tzu＇s cognitive aesthetics based on the generalized cognizance. Lao tzu and Chuang tzu are the representative figures of Taoism in pre-Qin period, they fully affirm the...In the paper I will research Lao tzu and Chuang tzu＇s cognitive aesthetics based on the generalized cognizance. Lao tzu and Chuang tzu are the representative figures of Taoism in pre-Qin period, they fully affirm the natural and human nature, naysay affirm human social, cultural and moral, cancel the traditional music, naysay affirm material, they pursue art which is eligibility natural and completely abandon the man-made things, esthetical state according with Tao. They think the great voice is no sound, the great semblance is invisible, the no sound voice and invisible semblance are insight native beauty which are associated with a specific aesthetic feeling but surpass the limited aesthetic feeling, all is the highest state of art and beauty, reach this level, in fact, has entered the Tao. In order to reach this state, they asked people to cleanse away inner desire and external disturbance, keep simplicity, abandon knowledge and wisdom, keep heart bright and clean, forget everything in order to contact the natural law with the nature, the nature＇s mystery runs automatically, the sounds of nature sound itself. About the invisible semblance aesthetic, they put forward the concepts such as gain its meaning but forget the word, illocutionary force展开更多
Brecht once concentrated on the theories of Lao Tse and Chuang Tzu,which can be discovered in some works of him.Living in the turbulent times,Lao Tse and Chuang Tzu had dialectical observation of the troubled society,...Brecht once concentrated on the theories of Lao Tse and Chuang Tzu,which can be discovered in some works of him.Living in the turbulent times,Lao Tse and Chuang Tzu had dialectical observation of the troubled society,which evoked the critical thinking of Brecht,and he began to re-interpret the Chinese philosophy in his own way.Through the verfremdung,in which Brecht was expert,Brecht creatively combined the theories of Lao Tse and Chuang Tzu with the seemingly irrelative western thoughts to help him to further develop his theory system.Such philosophically rich stories helped him to achieve the verfremdungseffekt between the audience and the plot of the play.展开更多
文摘In the paper I will research Lao tzu and Chuang tzu＇s cognitive aesthetics based on the generalized cognizance. Lao tzu and Chuang tzu are the representative figures of Taoism in pre-Qin period, they fully affirm the natural and human nature, naysay affirm human social, cultural and moral, cancel the traditional music, naysay affirm material, they pursue art which is eligibility natural and completely abandon the man-made things, esthetical state according with Tao. They think the great voice is no sound, the great semblance is invisible, the no sound voice and invisible semblance are insight native beauty which are associated with a specific aesthetic feeling but surpass the limited aesthetic feeling, all is the highest state of art and beauty, reach this level, in fact, has entered the Tao. In order to reach this state, they asked people to cleanse away inner desire and external disturbance, keep simplicity, abandon knowledge and wisdom, keep heart bright and clean, forget everything in order to contact the natural law with the nature, the nature＇s mystery runs automatically, the sounds of nature sound itself. About the invisible semblance aesthetic, they put forward the concepts such as gain its meaning but forget the word, illocutionary force
基金This paper is a specific funding program of the national basic scientific research ＂Brecht and the Chinese Culture＂ ( No. CDJSK100114).
文摘Brecht once concentrated on the theories of Lao Tse and Chuang Tzu,which can be discovered in some works of him.Living in the turbulent times,Lao Tse and Chuang Tzu had dialectical observation of the troubled society,which evoked the critical thinking of Brecht,and he began to re-interpret the Chinese philosophy in his own way.Through the verfremdung,in which Brecht was expert,Brecht creatively combined the theories of Lao Tse and Chuang Tzu with the seemingly irrelative western thoughts to help him to further develop his theory system.Such philosophically rich stories helped him to achieve the verfremdungseffekt between the audience and the plot of the play.
