This article mainly analyzes the application of technical and tactical skills in mixed martial arts competitions,including mixed martial arts and its competition characteristics,the main application significance of te...This article mainly analyzes the application of technical and tactical skills in mixed martial arts competitions,including mixed martial arts and its competition characteristics,the main application significance of technical and tactical skills in mixed martial arts competitions,and its primary application strategies.It is hoped that this analysis can provide some guidelines for the appropriate application of mixed martial arts athletes’technical and tactical skills to improve their winning rate in mixed martial arts competitions.展开更多
Conceptual art is one of the twentieth century art movements that has gained popular attention in the contemporary artworld. It has received much scholarly prominence in the Western world, and perceived as an emergent...Conceptual art is one of the twentieth century art movements that has gained popular attention in the contemporary artworld. It has received much scholarly prominence in the Western world, and perceived as an emergent art of European origin. What has been given little or no scholarly attention is the African essence of root of conceptual art movement. This article addresses the historical epochs of conceptual art in Africa and delves into the critical question of whether or not conceptual art is an emergent art in Africa. With the help of the images of African artworks, this article attempts to fmd visual answers by examining the art-historical account of the art through visual analysis in simple narrative format in telling the African side of the story. It concludes that the adoration and idolization of Marcel Duchamp as the father of conceptual art is contestable since the art was many centuries old in Africa before the twentieth century artists began to practice it in the West. Duchamp＇s attempt at dematerialization of art, and showing distaste to the traditional aesthetics of Western art at the time through conceptual exploration had been in practice in African art and, therefore, not an invention.展开更多
In 1923, Wu Ruiyan, a schoolgirl at the Beijing People＇s Art Drama School, starred in a play titled Hero and Beauty, written by Chert Dabei. This was the first joint performance of male and female performers in the h...In 1923, Wu Ruiyan, a schoolgirl at the Beijing People＇s Art Drama School, starred in a play titled Hero and Beauty, written by Chert Dabei. This was the first joint performance of male and female performers in the history of Chinese drama. The incident immediately triggered a debate in the Morning Newspaper Supplement between a group of middle-class intellectuals concerning ＂female involvement in art performances＂. This paper sees the boom in female participation in politics in the 1920s, as well as the ＂improvement in traditional drama＂ during the early republican period in China as the reasons behind the discussion. This incident shows how the New Cultural Movement shaped intellectuals＇ views on females and art performances.展开更多
文摘This article mainly analyzes the application of technical and tactical skills in mixed martial arts competitions,including mixed martial arts and its competition characteristics,the main application significance of technical and tactical skills in mixed martial arts competitions,and its primary application strategies.It is hoped that this analysis can provide some guidelines for the appropriate application of mixed martial arts athletes’technical and tactical skills to improve their winning rate in mixed martial arts competitions.
文摘Conceptual art is one of the twentieth century art movements that has gained popular attention in the contemporary artworld. It has received much scholarly prominence in the Western world, and perceived as an emergent art of European origin. What has been given little or no scholarly attention is the African essence of root of conceptual art movement. This article addresses the historical epochs of conceptual art in Africa and delves into the critical question of whether or not conceptual art is an emergent art in Africa. With the help of the images of African artworks, this article attempts to fmd visual answers by examining the art-historical account of the art through visual analysis in simple narrative format in telling the African side of the story. It concludes that the adoration and idolization of Marcel Duchamp as the father of conceptual art is contestable since the art was many centuries old in Africa before the twentieth century artists began to practice it in the West. Duchamp＇s attempt at dematerialization of art, and showing distaste to the traditional aesthetics of Western art at the time through conceptual exploration had been in practice in African art and, therefore, not an invention.
文摘In 1923, Wu Ruiyan, a schoolgirl at the Beijing People＇s Art Drama School, starred in a play titled Hero and Beauty, written by Chert Dabei. This was the first joint performance of male and female performers in the history of Chinese drama. The incident immediately triggered a debate in the Morning Newspaper Supplement between a group of middle-class intellectuals concerning ＂female involvement in art performances＂. This paper sees the boom in female participation in politics in the 1920s, as well as the ＂improvement in traditional drama＂ during the early republican period in China as the reasons behind the discussion. This incident shows how the New Cultural Movement shaped intellectuals＇ views on females and art performances.
