Ancient Sichuan Salt Road(the ancient road for the transportation of Sichuan salt) is a cultural route characterized by salt transportation culture in southwest and central-west China, along which a large number of di...Ancient Sichuan Salt Road(the ancient road for the transportation of Sichuan salt) is a cultural route characterized by salt transportation culture in southwest and central-west China, along which a large number of diversifi ed and systematic cultural heritages have been left, including both tangible and intangible salt transportation cultural heritages such as ancient salt transportation road, salt shop, post house, stele inscription, ancient town, ancient bridge, guild hal, and boatmen's work songs. With the rapid economic and social development, the accelerating modernization and urbanization, and also drastic changes of traffi c environment have contributed to the endangered situation of ancient Sichuan salt road cultural heritage. In face of such problems as lack of coordinated protection mechanism, destructive development, backward protection of cultural relics, and inheritance risks of intangible heritage, cultural heritages along the ancient Sichuan salt road should be protected by establishing a protection mechanism, organizing the coordinated actions of local areas along the road, investigating and rescuing cultural heritage in time, and enhancing the cooperative research. In view of the complicate and long-term nature of protecting linear cultural heritage, successful experience of domestic and foreign cultural route heritage management can be learned, salt transportation cultural heritage protection, tourism planning and development of ancient Sichuan salt road should be considered, protection of the ancient salt road should be combined with economic, social and cultural development of regions along the road, so as to explore an effective mode for the protection, development and management of large-scale linear cultural heritages consisting of both land and water routes.展开更多
The temporal-spatial pattern of linear cultural heritage in the context of the tourism industry is closely linked to heritage management.Using the 1800 km long Beijing-Hangzhou Grand Canal as an example,this study com...The temporal-spatial pattern of linear cultural heritage in the context of the tourism industry is closely linked to heritage management.Using the 1800 km long Beijing-Hangzhou Grand Canal as an example,this study compared the dynamic evolution of tourism businesses in Beijing,Liaocheng,and Yangzhou at three time points(2010,2015,and 2019)via nearest neighbor analysis,kernel density estimation,and the standard deviational ellipse.Next,a Geo-detector was used to examine the influencing factors.The results reveal significant growth regardless of the quantity or agglomeration degree from 2010 to 2019,and the direction of industrial expansion is consistent with the flow direction of the canal.Moreover,the explanatory powers of factors related to socioeconomic development and canal resources are obviously stronger than those of the natural environment.The findings of this study offer theoretical constructs and policy recommendations for the sustainable development of the Beijing-Hangzhou Grand Canal and other linear cultural heritage sites.展开更多
Research on the evolution of cultural policy is the key in the field of public policy study,and it is also an important means to solve the problems that have emerged in cultural heritage management.The National Cultur...Research on the evolution of cultural policy is the key in the field of public policy study,and it is also an important means to solve the problems that have emerged in cultural heritage management.The National Cultural Park is an innovative cultural heritage protection system proposed by Chinese leaders within the context of national rejuvenation and building a culturally-strong country campaign.From the perspective of system evolution theory,this paper systematically sorts out the ideas behind international heritage management and the evolutionary process of the Cultural Relics Protection Unit system,in an effort to explore the origin,innovation and vision of the National Cultural Park System.A review of the international heritage documents revealed that the principle of heritage protection has developed from“authenticity”to“integrity”,and the focus of the protection object has also changed from“monism”to“diversity”,which provided a theoretical background for the burgeoning National Cultural Park.The Cultural Relics Protection Unit system has been promoted as the most crucial cultural heritage management system in China.Therefore,this study sheds light on the evolution and limitations of the system that lays a practical foundation for the National Cultural Park System.There have been three stages in the history of China’s National Cultural Relics Protection Unit,namely,the creation of the system(1956–1965),the survival crisis of the system(1966–1977),and the rebirth and development of the system(1978 to the present),in which the main driving concepts of China's cultural heritage management have been sequentially elucidated as simple protectionism,tolerant conservatism and comprehensive developmentalism,respectively.Since the establishment of China’s Cultural Relics Protection Unit system,tremendous progress has been made not only in the enlightenment of the public’s mindset and but also in the development of system and culture.However,the changes in the institutional environment gradually exposed its limitations regarding cultural relic management and value expression.The National Cultural Park System is the fruit created by the internal contradictions of the cultural heritage system itself and the evolution of heritage theory.Its biggest innovation lies in the two core connotations of“integrated protection”and“integrated development”.In the future,as the National Cultural Park management system matures,a Chinese cultural heritage management system will take shape in which the National Cultural Parks become dominant and various cultural resources are utilized.Finally,the National Cultural Park will become a symbol of Chinese culture and will be internalized into the common belief system of the Chinese nation.展开更多
基金Sponsored by Bidding Project of China Salt Culture Research Center,Sichuan University of Science&Engineering,Key Research Base of Sichuan Provincial Philosophy and Social Sciences(YWHZB14-01)2015 Planning Program of Zigong Municipal Philosophy and Social Sciences
文摘Ancient Sichuan Salt Road(the ancient road for the transportation of Sichuan salt) is a cultural route characterized by salt transportation culture in southwest and central-west China, along which a large number of diversifi ed and systematic cultural heritages have been left, including both tangible and intangible salt transportation cultural heritages such as ancient salt transportation road, salt shop, post house, stele inscription, ancient town, ancient bridge, guild hal, and boatmen's work songs. With the rapid economic and social development, the accelerating modernization and urbanization, and also drastic changes of traffi c environment have contributed to the endangered situation of ancient Sichuan salt road cultural heritage. In face of such problems as lack of coordinated protection mechanism, destructive development, backward protection of cultural relics, and inheritance risks of intangible heritage, cultural heritages along the ancient Sichuan salt road should be protected by establishing a protection mechanism, organizing the coordinated actions of local areas along the road, investigating and rescuing cultural heritage in time, and enhancing the cooperative research. In view of the complicate and long-term nature of protecting linear cultural heritage, successful experience of domestic and foreign cultural route heritage management can be learned, salt transportation cultural heritage protection, tourism planning and development of ancient Sichuan salt road should be considered, protection of the ancient salt road should be combined with economic, social and cultural development of regions along the road, so as to explore an effective mode for the protection, development and management of large-scale linear cultural heritages consisting of both land and water routes.
基金The National Natural Science Foundation of China(42301273)The R&D Program of Beijing Municipal Education Commission(SM202210015004)The Beijing Central Axis Protection Foundation(DYKT-2023-015).
文摘The temporal-spatial pattern of linear cultural heritage in the context of the tourism industry is closely linked to heritage management.Using the 1800 km long Beijing-Hangzhou Grand Canal as an example,this study compared the dynamic evolution of tourism businesses in Beijing,Liaocheng,and Yangzhou at three time points(2010,2015,and 2019)via nearest neighbor analysis,kernel density estimation,and the standard deviational ellipse.Next,a Geo-detector was used to examine the influencing factors.The results reveal significant growth regardless of the quantity or agglomeration degree from 2010 to 2019,and the direction of industrial expansion is consistent with the flow direction of the canal.Moreover,the explanatory powers of factors related to socioeconomic development and canal resources are obviously stronger than those of the natural environment.The findings of this study offer theoretical constructs and policy recommendations for the sustainable development of the Beijing-Hangzhou Grand Canal and other linear cultural heritage sites.
基金The China National Social Science Fund of Art Sciences(20ZD02).
文摘Research on the evolution of cultural policy is the key in the field of public policy study,and it is also an important means to solve the problems that have emerged in cultural heritage management.The National Cultural Park is an innovative cultural heritage protection system proposed by Chinese leaders within the context of national rejuvenation and building a culturally-strong country campaign.From the perspective of system evolution theory,this paper systematically sorts out the ideas behind international heritage management and the evolutionary process of the Cultural Relics Protection Unit system,in an effort to explore the origin,innovation and vision of the National Cultural Park System.A review of the international heritage documents revealed that the principle of heritage protection has developed from“authenticity”to“integrity”,and the focus of the protection object has also changed from“monism”to“diversity”,which provided a theoretical background for the burgeoning National Cultural Park.The Cultural Relics Protection Unit system has been promoted as the most crucial cultural heritage management system in China.Therefore,this study sheds light on the evolution and limitations of the system that lays a practical foundation for the National Cultural Park System.There have been three stages in the history of China’s National Cultural Relics Protection Unit,namely,the creation of the system(1956–1965),the survival crisis of the system(1966–1977),and the rebirth and development of the system(1978 to the present),in which the main driving concepts of China's cultural heritage management have been sequentially elucidated as simple protectionism,tolerant conservatism and comprehensive developmentalism,respectively.Since the establishment of China’s Cultural Relics Protection Unit system,tremendous progress has been made not only in the enlightenment of the public’s mindset and but also in the development of system and culture.However,the changes in the institutional environment gradually exposed its limitations regarding cultural relic management and value expression.The National Cultural Park System is the fruit created by the internal contradictions of the cultural heritage system itself and the evolution of heritage theory.Its biggest innovation lies in the two core connotations of“integrated protection”and“integrated development”.In the future,as the National Cultural Park management system matures,a Chinese cultural heritage management system will take shape in which the National Cultural Parks become dominant and various cultural resources are utilized.Finally,the National Cultural Park will become a symbol of Chinese culture and will be internalized into the common belief system of the Chinese nation.