After Lu Xun published“A Madman’s Diary”(Kucmgren riji)and“The True Story of Ah Q”(A Q zhengzhuan),through the active introduction by modern Korean mass media,Lu Xun enjoyed the highest popularity of all modern C...After Lu Xun published“A Madman’s Diary”(Kucmgren riji)and“The True Story of Ah Q”(A Q zhengzhuan),through the active introduction by modern Korean mass media,Lu Xun enjoyed the highest popularity of all modern Chinese literary author in Korea Peninsula.“A Madman’s Diary”translated by Ryu Sooin,was published in the magazine Donggwang(The oriental light)in 1927.Yang Baekhwa's translation of“The True Story of Ah Q”was serialized in The Chosun llbo(The Korea daily)in 1930.“Lu Xun and His Works”by Jeong Raedong,who conduct systematic criticism on Lu Xun's literature,was published in The Korea Daily in 1931.Lu Xun was thus differentiated from the so-called “Zhou Brothers”and claimed a place of his own as a representative Chinese writer.After that,Lu Xun’s various works were translated into Korean,and he was acknowledged as“a Chinese literary master”and“a world-class writer”in the Korean literary world.Lu Xun’s literature was hence widely acknowledged.Lee Kwangsoo even created another character called“Park Seondal”based on the motif of“Ah Q.”With the development of mass media,people were eager to see Lu Xun's personal image.In the 1930s,major Korean media,such as The Shin Dong-a(The new East Asia),The Dong-a llbo(The East Asia daily),The Chosun llbo(The Korea daily),The Maeil Sinbo(The daily report),Chokwang(The morning light)and Samcheonli(Three thousand miles),successively published Lu Xun’s portraits and photos,helping visualize Lu Xun’s image and making great contributions to shaping the public image of Lu Xun and his literature.Through these major media in Korea,Lu Xun’s works and his reputation became widely known,and his portrait images were also circulated.In February 1938,the Hwarang Garden Troupe staged the play The True Story of Ah Q.Considering the commercial nature of the theatre at that time,the public performance of The True Story of Ah Q indicates that Lu Xun and his works had achieved a solid foothold in the public mind.However,Korean people’s access to Lu Xun’s literature was blocked after March 1938,when Japanese imperialists imposed a blanket ideological clampdown.With the advent of liberation on August 15,1945,the modern Korean public strongly needed Lu Xun's life experience and literary spirit as enlightenment.Hence,translation and research of Lu Xun’s literary works became active again.In particular,in 1946,after the publication of The Collected Short Stories of Lu Xun(Volumes 1-2),jointly translated by Kim Kwangju and Lee Yongkyu,which included Lu Xun’s major works,Korean people were able to gain a more systematic access to Lu Xun’s literature.The inspirational value of Lu Xun’s literature was re-ignited after Korea's liberation and independence.Lu Xun was thus once again praised as“a literary giant”and“a great writer.”展开更多
这篇文章由在中国诗的翻译以后明白表示一个新观点开始，主张在 Yan Fu ( 1854-1921 )也就是构画出的中国诗的翻译的三个著名困难最重要，忠诚( xin )，运输( da )，并且优雅(你)应该事实上是最不经常被讨论的， da 。作者主要作为传...这篇文章由在中国诗的翻译以后明白表示一个新观点开始，主张在 Yan Fu ( 1854-1921 )也就是构画出的中国诗的翻译的三个著名困难最重要，忠诚( xin )，运输( da )，并且优雅(你)应该事实上是最不经常被讨论的， da 。作者主要作为传送心情然后原来的工作的意思进目标语言解释 da。这个位置然后被特定的例子从陆 Xuns (1881-1936 ) 说明感情、高度暗指的古典风格的诗，关于它的注解的迷人的问题，对圣经的解释，和用文学、学术的汉语产生了的翻译盘旋。自从感情方面的图象的推广经常被指定了为中国诗的一个必要、区分的特征，作者建议那，进西方的语言的诗必须作一个努力与简单地诉诸的原来的 imagesnot 从事的汉语的翻译解释或 substitutionsand 断定在翻译的诗能在目标语言的文学上有重要、持续的效果。展开更多
基金the National Social Science Fund of China:Documentation and Research on the History of Modern and Contemporary Literature Exchange between China and South Korea(Project No.16ZDA189).
文摘After Lu Xun published“A Madman’s Diary”(Kucmgren riji)and“The True Story of Ah Q”(A Q zhengzhuan),through the active introduction by modern Korean mass media,Lu Xun enjoyed the highest popularity of all modern Chinese literary author in Korea Peninsula.“A Madman’s Diary”translated by Ryu Sooin,was published in the magazine Donggwang(The oriental light)in 1927.Yang Baekhwa's translation of“The True Story of Ah Q”was serialized in The Chosun llbo(The Korea daily)in 1930.“Lu Xun and His Works”by Jeong Raedong,who conduct systematic criticism on Lu Xun's literature,was published in The Korea Daily in 1931.Lu Xun was thus differentiated from the so-called “Zhou Brothers”and claimed a place of his own as a representative Chinese writer.After that,Lu Xun’s various works were translated into Korean,and he was acknowledged as“a Chinese literary master”and“a world-class writer”in the Korean literary world.Lu Xun’s literature was hence widely acknowledged.Lee Kwangsoo even created another character called“Park Seondal”based on the motif of“Ah Q.”With the development of mass media,people were eager to see Lu Xun's personal image.In the 1930s,major Korean media,such as The Shin Dong-a(The new East Asia),The Dong-a llbo(The East Asia daily),The Chosun llbo(The Korea daily),The Maeil Sinbo(The daily report),Chokwang(The morning light)and Samcheonli(Three thousand miles),successively published Lu Xun’s portraits and photos,helping visualize Lu Xun’s image and making great contributions to shaping the public image of Lu Xun and his literature.Through these major media in Korea,Lu Xun’s works and his reputation became widely known,and his portrait images were also circulated.In February 1938,the Hwarang Garden Troupe staged the play The True Story of Ah Q.Considering the commercial nature of the theatre at that time,the public performance of The True Story of Ah Q indicates that Lu Xun and his works had achieved a solid foothold in the public mind.However,Korean people’s access to Lu Xun’s literature was blocked after March 1938,when Japanese imperialists imposed a blanket ideological clampdown.With the advent of liberation on August 15,1945,the modern Korean public strongly needed Lu Xun's life experience and literary spirit as enlightenment.Hence,translation and research of Lu Xun’s literary works became active again.In particular,in 1946,after the publication of The Collected Short Stories of Lu Xun(Volumes 1-2),jointly translated by Kim Kwangju and Lee Yongkyu,which included Lu Xun’s major works,Korean people were able to gain a more systematic access to Lu Xun’s literature.The inspirational value of Lu Xun’s literature was re-ignited after Korea's liberation and independence.Lu Xun was thus once again praised as“a literary giant”and“a great writer.”
