Development of Top-quality Tourism Corridor with Cultural Heritage of Emperor's Tomb of Wulingyuan Mausoleum as Theme Experience

Cultural heritage of emperor's tomb of Wulingyuan Mausoleum lies in Xianyang which is located at north-central of Guanzhong Plain and which is the central area of Guanzhong-Tianshui economic development zone.With special geographical position and excellent location condition,it is the important tourism resource and archaeological remains in Shaanxi Province.By using relevant knowledge on tourism,in the perspective of development principle,necessity,feasibility,construction strategy and thought of top-quality tourism corridor with cultural heritage of emperor's tomb of Wulingyuan Mausoleum as theme experience,the author systematically explained the mode elements and value of experiential tourism products,and publicized the tourism resources to a certain extent.On the basis of publicity,the author strived to provide reference for the sustainable development of economy and ecology in this region.

Study on the Expression Forms of Landscape Elements in the Ecological Restoration of Han Yangling Mausoleum

Through analyzing the present landform and geological conditions of Han Yangling Mausoleum, investigating the features of gardening and mausoleum construction in Han Dynasty, this study elaborated expression forms of each landscape element in the ecological restoration of Han Yangling Mausoleum.

Manufacturing techniques of armor strips excavated from Emperor Qin Shi Huang's mausoleum,China

The chemical compositions and microstructures of the armor strips excavated from the Emperor Qin Shi Huang's mausoleum were examined systematically by using optical microscopy and electron microscopy.It was found that the armor strips were made of pure copper.Based on the morphology of α-Cu recrystal grain and copper sulphide(Cu2S) inclusions in the armor strips,the manufacturing techniques were proposed as follows:smelting pure copper,casting a lamellar plate,forming the cast ingots into sheets through repeated cold forging combined with annealing heat treatment,and finally cutting the sheets into filaments.Furthermore,through the deformation of copper sulphide(Cu2S) inclusions in the strips,the work rate during forging was evaluated and calculated to be close to 75%.

A Study Into Marketing Strategies for Promoting Cultural and Creative Products of Emperor Qinshihuang’s Mausoleum Site Museum in New Era

China’s booming economy and the growing demand of urban middle class are creating a favorable situation for the development of domestic cultural and creative industry.The consumption pattern has changed and families spend more outlay on cultural products and services.Within this flourishing industry,many museums caught development opportunities and began to get profit through successfully promoting their own cultural and creative products.However,it is unusual that Emperor Qinshihuang’s Mausoleum Site Museum,enjoying high social status and a reputation for world cultural heritage as well as a national 5A level tourist attraction,regretfully,did not achieve noticeable achievements in this area.Therefore,based on STP theory,the purpose of this paper is to study the reasons why this museum fails to fulfill its potential in promising cultural and creative industry and give some suggestions to the development and promotion of its cultural and creative goods.

The Ancient Charm of the southern Dynasty Mausoleum Stone Carvings

IN the Qthe field to the south-east of Naning there Squat several stone aniInals. These sfoneanimals of the Southern Dynasty(420-557 A.D.) tombs are treasurs ofart emforying the cfor Of Naningcapital of sin dynastieS.

Mausoleum of Emperor Yan

THE MAUSOLEUM is in a lovely spot,shaded by an-cient trees and surrounded by structures with charming names:Yongfeng(Celebrating Harvest)Pav-ilion,Weicao(Fragrant Herbs)Pav-ilion,Chongde(Admiring Virtue)Arch,Luyuan(Deer Plain)Cave,Xiyao(Washing Medicinal Herbs)Pool and Longnao(Dragon Brain)Stone.

The Yellow Emperor's Mausoleum

The final resting place of China's legendary ancestor sits in a forest on top of Mount Qiao,an imposing place for hundreds of thousands to come to every year and reflet om what it means to be Chine....

Mausoleum of the First Qin Emperor

An area of both outstanding human creativity and pristine natural landscapes

Medieval mausoleums of Kazakhstan: Genesis, architectural features, major centres

This article details the origin and development of one of the core groups of the Central Asian (Kazakhstani) medieval architecture - i.e. domed mausoleums;also it identifies the original traits of the medieval Kazakhstani mausoleums and their major locations centres. As determined by the authors so called "dual code' was used as per building of medieval Central Asian mausoleums one of which corresponded to the generalized image of domed tomb as per the new ideology (Islam), and the second one matched the existing local forms and their decorative elements. Subsequently following several major compositional types of the Central Asian (Kazakhstan) mausoleums were formed and later on became standard i. e.- central, frontai, portal-domed ones. They served as the foundation for numerous architectural 'schools' in Kazakhstan which developed further specific building structures, their details,elements proportions,facades divisions, decor, etc. In accorda nee with this, the gen esis and main ways of forming the mausoleums on the territory of Kazakhstan was as follows - from singlechamber (central mausoleums,"facade" and portal ones) compositions up to multi-chamber ones, Also compositional features & specifics of the monuments of the main regional centres were revealed in the article.

Microelement analysis of source of raw materials of terracotta warriors and horses of Qin's Mausoleum in pits No.1 and No.2

In order to search for sources of the raw material of the Qin’s terracotta warriors and horses, we selected 20 samples of pottery warriors and pottery horses of the Qin’s Mausoleum from pit No. 1,19 samples of pottery warriors and brick from pit No. 2, 20 samples of clays near the Qin’s Mausoleum and 2 samples of Yaozhou porcelain bodies. The 32 kinds of element content of each sample were measured by neutron activation analysis (NAA). These data were analyzed by fuzzy cluster analysis, the trend cluster analysis diagram was obtained. The results showed that samples of terracotta warriors and horses from pits No.1 and No. 2 were closely related to the loam layer near Qin’s Mausoleum, but their relations with the loess layers were not so close, and they were out of all relation to Yaozhou porcelain bodies. Thus, it could be deduced that the Li Mountain clay may be considered as the original place of the raw materials of the terracotta warriors and horses, the kiln sites might be located nearby the Qin’s

Narratives in Mamluk architecture： Spatial and perceptual analyses of the madrassas and their mausoleums

Mamluk sultans were known for their patronage of the arts and architecture. Their educational institutions were among the wide array of architectural projects that linked them as ruling elites to the religious scholars of their times. Their tombs were placed in a mausoleum attached to their educational-religious complexes to attest to their legacy. The evolution of their buildings such that both educational and memorial functions are integrated with the dense surroundings is scrutinized through chronological-spatial analysis. The configuration of the built form, the disposition of its boundaries, its patterns of accessibility, and its visual properties are the features that present the buildings to one＇s experience and bring certain perceptions into play. In this study, various spatial descriptor tools of space syntax are employed to analyze the data of 14 Mamluk examples （1260-1517A.D.） and capture the differences in the experience where the expression is preserved. Analyses of the configurational characteristics, axial attributes, visibility structures, and isovists highlight how the spatial and formal properties of the layouts were used to express certain representational relationships. The advantages of combining different spatial investigations allows for understanding historical design principles and how the geometry of forms could hide in its abstract rules, conceptual and perceptual qualities.

Plant crop remains from the outer burial pit of the Han Yangling Mausoleum and their significance to Early Western Han agriculture

A large amount of carbonized plant remains were discovered in one of the outer burial pits of the Han Yangling Mausoleum, which was built more than 2000 years ago for the Jing Emperor, Liu, Qi (188―141 cal a BC), the fourth emperor of the Western Han Dynasty. The remains are identified by phytolith analysis and macrofossil morphological features. Seeds from foxtail millet (Setaria italica), broomcorn millet (Panicum miliaceum), rice (Oryza sativa) and chenopod (possible Chenopodium giganteum) are identified, suggesting that these four crops might have been the staple plant foods in the capital area (Guanzhong area), Shaanxi Province during the Early Western Han Dynasty. Chenopods were often considered as weeds since they have only been rarely found as carbonized seeds in prehistoric sites. This is the first time such a large amount of seeds has been found at a site, which provides strong material evidence for chenopod cultivation with a long history in China. Wheat was thought to be promoted and popularized in the Guanzhong area since the Wu Emporor, Liu, Che (156―87 cal a BC), the fifth emperor of the Western Han Dynasty. No wheat was found at this site, which supports the historical document record that wheat was still secondary in the diet and agrarian economy before the Wu Emperor's reign.

“陵墓若都邑”视角下的唐陵石刻与治国策略

唐陵的设计遵循“陵墓若都邑”的丧葬观念,其设计明显模拟了唐都长安。在这一理念下,唐陵石刻同样有重要的象征意义,前期帝陵石刻的变化与唐文化的渊源、唐王朝对边疆经略变化有着密切联系,它们对于认识唐王朝的边疆经略重心从南向西及其西北转变有重要价值。

东汉帝陵封土考

东汉帝陵一改秦、西汉传统,使用圆形封土。相对于西汉帝陵封土以高度为最重要的等级特征,东汉帝陵封土更注重面积。西汉晚期圆形封土在中原地区逐渐流行,而东汉帝陵正是顺应了这一历史形势,并将其发扬广大,其形制很可能直接来源于长沙国、南阳墓葬封土传统。封土是墓葬地上最为显著的设施,标示性强,采用圆形封土不仅能赢得南阳豪族的亲近、认同,还能标明长沙国、舂陵刘氏一系的家族传统,树立东汉皇室的正统观念。当然最直接原因还是与刘秀为人节俭、力主薄葬有关。

南京明代建筑遗产价值传承及其对城市的贡献

南京是著名历史文化名城,明南京都城的建设遗留塑造了这座城市如今最基础的骨架。然而明清以来,南京城多遭兵燹,建筑遗产几经罹毁,近乎殆尽。如何保护明代建筑遗产,真实表达遗产文化价值?如何延续城脉,将遗产保护与城市文化传承同频共振?是开展遗产保护工作时首要考虑的问题。以笔者主持的南京明孝陵、南京鼓楼、南京灵谷寺中三处明代建筑遗产保护工程为例,探讨时空变迁下应如何认知和诠释明代建筑遗产内涵与价值,将对历史信息真实性与完整性的表达贯彻到保护实践之中,阐述建筑遗产故事,完善城市史脉塑造。

殷墟王陵四论

本文在前辈学者研究的基础上,进一步指出殷墟王陵始建于洹北商城时期,是洹北商城始建之时都邑格局的重要组成部分。新的考古发现仍说明殷墟王陵废弃于西周早期,这与周革殷命的政治策略有关。王陵东区大量祭祀坑的年代为殷墟早期,特别是武丁时期,大规模祭祀是“武丁中兴”重要的政治举措。以妇好为代表的诸多王族成员死后仍葬于宫殿宗庙区,反映出当时的族邑理念。

陈嘉庚与中华民族共同体建设——以近现代中国象征符号体系为中心

论文探讨了陈嘉庚在现代中国象征符号体系建构中的重要作用,特别是其在增强中华民族共同体意识层面的突出贡献。作为著名爱国华侨领袖,陈嘉庚在新中国成立前后积极参与并推动了国旗、纪念碑等象征符号的设计与建设。在国旗问题上,他反对国民党以党旗替代国旗,力主国旗改革,最终支持五星红旗成为新中国国旗,强化了国家认同和民族团结。与此同时,他参与人民英雄纪念碑设计,主持修建集美解放纪念碑,彰显了对新中国历史新纪元的纪念与宣示。此外,陈嘉庚还关心黄帝陵的修缮与保护工作,重视黄帝符号对中华民族的象征意义。陈嘉庚为推动构建新中国的象征符号系统,从而推动全体中华儿女对伟大祖国、中华民族、中华文化、中国共产党和社会主义的认同,为铸牢中华民族共同体意识做出了突出贡献。