Botticelli’s Minerva and the Centaur of 1482-1483,along with his other mythological paintings,the Primavera,the Birth of Venus,and Mars and Venus,remains an iconographical mystery.As such,it is particularly interesti...Botticelli’s Minerva and the Centaur of 1482-1483,along with his other mythological paintings,the Primavera,the Birth of Venus,and Mars and Venus,remains an iconographical mystery.As such,it is particularly interesting to analyze them.Now at the Galleria degli Uffizi in Florence and National Gallery in London,these paintings,executed between 1480 and 1490,were commissioned with specific aesthetic and intellectual aims and were intended to be hung in private rooms for personal viewing.Botticelli’s mythological paintings reflect the Renaissance humanistic body of thought:the study of antiquity and Neoplatonic philosophy.This essay focuses on one aspect:an interpretation of the influence of antiquity and humanism in Botticelli’s Minerva and the Centaur,a conflation of Minerva pacifica and Minerva pudica.展开更多
The Altomani&Sons Collection owns a remarkable newly discovered portrait of Guidobaldo II della Rovere,Duke of Urbino(1514-1574),a historical military figure who was a condottiere,ruler of Urbino,Commander-in-chie...The Altomani&Sons Collection owns a remarkable newly discovered portrait of Guidobaldo II della Rovere,Duke of Urbino(1514-1574),a historical military figure who was a condottiere,ruler of Urbino,Commander-in-chief of the Papal Estate,and Perfect of Rome,as well as a collector and patron of the Fine Arts.Camilla Guerrieri Nati(1628-1694),a seventeenth-century Italian painter from Fossombrone(in the province of Pesaro and Urbino),portrayed this heroic personage surrounded by emblems associated with his military courage and leadership,including his plumed burgonet helmet,metal gilded armor,a necklace with the golden fleece,and batons of secular and religious dominions.This oil painting on copper-considered a precious metal at the time-emphasizes the importance of the commission.The material and technique also reveals a unique artistic achievement in that it provides the painting with a smooth,reflective surface and vibrant coloration,symbolizing precious imagery.展开更多
文摘Botticelli’s Minerva and the Centaur of 1482-1483,along with his other mythological paintings,the Primavera,the Birth of Venus,and Mars and Venus,remains an iconographical mystery.As such,it is particularly interesting to analyze them.Now at the Galleria degli Uffizi in Florence and National Gallery in London,these paintings,executed between 1480 and 1490,were commissioned with specific aesthetic and intellectual aims and were intended to be hung in private rooms for personal viewing.Botticelli’s mythological paintings reflect the Renaissance humanistic body of thought:the study of antiquity and Neoplatonic philosophy.This essay focuses on one aspect:an interpretation of the influence of antiquity and humanism in Botticelli’s Minerva and the Centaur,a conflation of Minerva pacifica and Minerva pudica.
文摘The Altomani&Sons Collection owns a remarkable newly discovered portrait of Guidobaldo II della Rovere,Duke of Urbino(1514-1574),a historical military figure who was a condottiere,ruler of Urbino,Commander-in-chief of the Papal Estate,and Perfect of Rome,as well as a collector and patron of the Fine Arts.Camilla Guerrieri Nati(1628-1694),a seventeenth-century Italian painter from Fossombrone(in the province of Pesaro and Urbino),portrayed this heroic personage surrounded by emblems associated with his military courage and leadership,including his plumed burgonet helmet,metal gilded armor,a necklace with the golden fleece,and batons of secular and religious dominions.This oil painting on copper-considered a precious metal at the time-emphasizes the importance of the commission.The material and technique also reveals a unique artistic achievement in that it provides the painting with a smooth,reflective surface and vibrant coloration,symbolizing precious imagery.
