Walt Whitman’s poem"Song of Myself"is one of his most representative works.It is not only a song of Whitman himself,but also a song of America.This paper will make an analysis of this poem from the angle of...Walt Whitman’s poem"Song of Myself"is one of his most representative works.It is not only a song of Whitman himself,but also a song of America.This paper will make an analysis of this poem from the angle of its theme,including American identity and American dream.展开更多
语篇中前后句子的主位和主位,述位和述位,主位和述位之间就会发生某种联系和变化,这种联系和变化就叫推进(progression)。随着各句主位的向前推进,整个语篇逐步展开,直至形成一个能表达某一完整意义的整体。不同语言学家对主位推进模式...语篇中前后句子的主位和主位,述位和述位,主位和述位之间就会发生某种联系和变化,这种联系和变化就叫推进(progression)。随着各句主位的向前推进,整个语篇逐步展开,直至形成一个能表达某一完整意义的整体。不同语言学家对主位推进模式的总结各不相同,本文利用朱永生的四种主位推进模式:主位同一型、述位同一型、延续型和交叉型,分析全新版大学英语综合教程第一册的开篇之作,美国著名作家Russell Baker的自传Growing Up的节选Writing for Myself,了解主位推进模式在文章结构的有效安排中所起到的重要作用。展开更多
In the chapter ＂The Adjustment of Controversies＂ in his eponymous work, Zhuangzi has the character Nanguo Ziqi declare ＂I effaced myself,＂ thereby holding that one can return to the state of naturalness only after...In the chapter ＂The Adjustment of Controversies＂ in his eponymous work, Zhuangzi has the character Nanguo Ziqi declare ＂I effaced myself,＂ thereby holding that one can return to the state of naturalness only after breaking with the ＂self＂ that is in opposition to ＂objects,＂ abandoning his subject-object standpoint and entering a state of ＂effacement＂ wherein one fuses with the Dao. Coincidently, the French philosopher Jean Baudrillard also repeatedly stresses the ＂disappearance of the subject＂ in his later philosophy, trying to dissolve subject-centrism by means of a counterattack by the object wherein its logic would entrap the subject. Although they lived in different times, both Zhuangzi and Baudrillard note the same human predicament--the situation wherein the ＂I as subject＂ constantly obscures the ＂real I.＂ Their resolutions of the predicament are similar： both put their hopes in the dissolution of the ＂I＂ or self in subject-object relations, with Zhuangzi declaring ＂I effaced myself＇ and Baudrillard mooting the ＂disappearance of the subject.＂ They differ, however, on how to dissolve the ＂I＂ （myself）. Briefly, Zhuangzi advocates ＂effacing myself through the Dao,＂ that is, quitting one＇s ＂fixed mindset＂ and ＂egoism＂ and returning to the Dao by means of ＂forgetting＂ or ＂effacing＂; Baudrillard, on the other hand, proposes to ＂efface oneself through the object,＂ i.e., replace the supremacy of the subject with that of the object. Baudrillard＇s theory has often been criticized as pataphysics because of its nihilism without transcendence; in contrast, Zhuangzi＇s view, which construes the whole world as the unfolding of the Dao, seems more thought-provoking.展开更多
文摘Walt Whitman’s poem"Song of Myself"is one of his most representative works.It is not only a song of Whitman himself,but also a song of America.This paper will make an analysis of this poem from the angle of its theme,including American identity and American dream.
文摘语篇中前后句子的主位和主位,述位和述位,主位和述位之间就会发生某种联系和变化,这种联系和变化就叫推进(progression)。随着各句主位的向前推进,整个语篇逐步展开,直至形成一个能表达某一完整意义的整体。不同语言学家对主位推进模式的总结各不相同,本文利用朱永生的四种主位推进模式:主位同一型、述位同一型、延续型和交叉型,分析全新版大学英语综合教程第一册的开篇之作,美国著名作家Russell Baker的自传Growing Up的节选Writing for Myself,了解主位推进模式在文章结构的有效安排中所起到的重要作用。
文摘In the chapter ＂The Adjustment of Controversies＂ in his eponymous work, Zhuangzi has the character Nanguo Ziqi declare ＂I effaced myself,＂ thereby holding that one can return to the state of naturalness only after breaking with the ＂self＂ that is in opposition to ＂objects,＂ abandoning his subject-object standpoint and entering a state of ＂effacement＂ wherein one fuses with the Dao. Coincidently, the French philosopher Jean Baudrillard also repeatedly stresses the ＂disappearance of the subject＂ in his later philosophy, trying to dissolve subject-centrism by means of a counterattack by the object wherein its logic would entrap the subject. Although they lived in different times, both Zhuangzi and Baudrillard note the same human predicament--the situation wherein the ＂I as subject＂ constantly obscures the ＂real I.＂ Their resolutions of the predicament are similar： both put their hopes in the dissolution of the ＂I＂ or self in subject-object relations, with Zhuangzi declaring ＂I effaced myself＇ and Baudrillard mooting the ＂disappearance of the subject.＂ They differ, however, on how to dissolve the ＂I＂ （myself）. Briefly, Zhuangzi advocates ＂effacing myself through the Dao,＂ that is, quitting one＇s ＂fixed mindset＂ and ＂egoism＂ and returning to the Dao by means of ＂forgetting＂ or ＂effacing＂; Baudrillard, on the other hand, proposes to ＂efface oneself through the object,＂ i.e., replace the supremacy of the subject with that of the object. Baudrillard＇s theory has often been criticized as pataphysics because of its nihilism without transcendence; in contrast, Zhuangzi＇s view, which construes the whole world as the unfolding of the Dao, seems more thought-provoking.
