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Milan RenéMagritte的异想世界
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作者 Carrie Tsang 丁燕燕 +2 位作者 韩多妮 RAY 《明日风尚》 2009年第2期201-201,共1页
关于自己的超现实主义作品,画家RenéMagritte曾有以下自评:"我的画作虽然都是肉眼可见,但其背后隐藏的,其实空无一物。也许人们会形容为那是神秘莫测,但实际上,看罢的人都不禁狐疑,这画究竟要表达什么?其实,我的画作根本就没... 关于自己的超现实主义作品,画家RenéMagritte曾有以下自评:"我的画作虽然都是肉眼可见,但其背后隐藏的,其实空无一物。也许人们会形容为那是神秘莫测,但实际上,看罢的人都不禁狐疑,这画究竟要表达什么?其实,我的画作根本就没有别的意思。所谓神秘,说穿了不过是不可知的!" 展开更多
关键词 超现实主义 MILAN magritte REN 不可知 空无 传世之作 世界大战时期 十九世纪 N
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The Cultural Paradigm of Visuality in Times of Blindness
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作者 Paulo Alexandre e Castro 《Cultural and Religious Studies》 2023年第5期238-240,共3页
Visuality can be generically described as the quality of the visual,that is,as the given visual field in which a subject’s attention is concentrated.In fact,the visual is intrinsically linked to human vision,and this... Visuality can be generically described as the quality of the visual,that is,as the given visual field in which a subject’s attention is concentrated.In fact,the visual is intrinsically linked to human vision,and this presupposes the existence of a visible horizon from which(visual)images are given.However,this formulation presents something uncanny paradoxical because it forgets,on one hand,the broader status of the image(such as auditory and olfactory images)-seeing is not just a visual process(at least since Diderot we know it)and there are mental mechanisms in the visual constitution process that help to fabricate reality and that gestalt theory has explained-and on the other hand,the possibility of seeing beyond what is visible,after all,everything(or almost everything)that presents itself in a digital and virtual environment it can be quite ontologically suspect.Based on some of these premises,we will trace a path of analysis that leads us to the current blindness:unconditional faith in digital technology and the fragile hope of happiness in a way that rejects the reality of the visible. 展开更多
关键词 VISUALITY visible DIDEROT magritte MERLEAU-PONTY BLINDNESS
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