This paper firstly analyzes the culture of Marquis of Haihun site and explores the cultural and creative derivatives,followed by the value of these cultural and creative derivatives of Marquis of Haihun site and the d...This paper firstly analyzes the culture of Marquis of Haihun site and explores the cultural and creative derivatives,followed by the value of these cultural and creative derivatives of Marquis of Haihun site and the design and development path of the cultural and creative derivatives of Marquis of Haihun site for the reference of relevant scholars.展开更多
本文以克莱斯特(Heinrich von Kleist)的小说《侯爵夫人封·O》为例,首先分析了文本内人物间"少即是多"的交际模式:从差强人意的口语到公开可信的书面文字,关掉了声音,屏蔽了身体,却达成了共识。跳出情节,不可靠叙述者的...本文以克莱斯特(Heinrich von Kleist)的小说《侯爵夫人封·O》为例,首先分析了文本内人物间"少即是多"的交际模式:从差强人意的口语到公开可信的书面文字,关掉了声音,屏蔽了身体,却达成了共识。跳出情节,不可靠叙述者的省略不语有效地刺激了文本与接受间的互动张力。媒介从信息源的一部分抽离成独立的他者信使,为更好传递信息而逐渐自隐的词在描述物的同时也定义了物。展开更多
文摘This paper firstly analyzes the culture of Marquis of Haihun site and explores the cultural and creative derivatives,followed by the value of these cultural and creative derivatives of Marquis of Haihun site and the design and development path of the cultural and creative derivatives of Marquis of Haihun site for the reference of relevant scholars.
文摘本文以克莱斯特(Heinrich von Kleist)的小说《侯爵夫人封·O》为例,首先分析了文本内人物间"少即是多"的交际模式:从差强人意的口语到公开可信的书面文字,关掉了声音,屏蔽了身体,却达成了共识。跳出情节,不可靠叙述者的省略不语有效地刺激了文本与接受间的互动张力。媒介从信息源的一部分抽离成独立的他者信使,为更好传递信息而逐渐自隐的词在描述物的同时也定义了物。