Music and colour,as human hearing and visual art,are closely related to human psychological feelings and symbolic associations.There is an isomorphic relationship between music and colour.The article uses the concept...Music and colour,as human hearing and visual art,are closely related to human psychological feelings and symbolic associations.There is an isomorphic relationship between music and colour.The article uses the concept of“synesthesia”in psychology and the“co-construction”relationship in mathematics as a bridge,based on Kandinsky’s“inner sound”theory and Mallion’s“tone-colour system”,an interdisciplinary theoretical model of“timbre isomorphism synesthesia”(ISCM)is constructed.At the practical level,based on the ISCM theory,a set of timbre synesthesia visualization tools ASAH and visualization processes are designed,through music data input,graphics mapping visualization,colour mapping visualization,real-time interactive visualization,and finally output timbre synesthesia visualization works.In order to avoid the visual homogenization caused by algorithm design,ASHA has set up a custom editor,which emphasizes the individual differences and multi-sensory experience of tonal synesthesia visualization.展开更多
In this text, we seek to present and analyze artistic works that were part of the exhibition Visual Music： interactions between music and image. This exhibition was held for a period of one month at Brazilian Bank Cu...In this text, we seek to present and analyze artistic works that were part of the exhibition Visual Music： interactions between music and image. This exhibition was held for a period of one month at Brazilian Bank Cultural Center and integrated III Understanding Visual Music Symposium （2015）. This international event brought together artists from four continents and has been considered one of the most important academic forums dedicated to the study of the relationship between music and image. The works presented in the exhibition dealt with different possibilities of and the need for interaction with the public. Further, interesting discussions were raised, especially related to the possibilities and need for preservation of these works. These debates were unfolded to the plan of artistic dissemination; moreover, have embraced considerations about ephemeral art.展开更多
文摘Music and colour,as human hearing and visual art,are closely related to human psychological feelings and symbolic associations.There is an isomorphic relationship between music and colour.The article uses the concept of“synesthesia”in psychology and the“co-construction”relationship in mathematics as a bridge,based on Kandinsky’s“inner sound”theory and Mallion’s“tone-colour system”,an interdisciplinary theoretical model of“timbre isomorphism synesthesia”(ISCM)is constructed.At the practical level,based on the ISCM theory,a set of timbre synesthesia visualization tools ASAH and visualization processes are designed,through music data input,graphics mapping visualization,colour mapping visualization,real-time interactive visualization,and finally output timbre synesthesia visualization works.In order to avoid the visual homogenization caused by algorithm design,ASHA has set up a custom editor,which emphasizes the individual differences and multi-sensory experience of tonal synesthesia visualization.
文摘In this text, we seek to present and analyze artistic works that were part of the exhibition Visual Music： interactions between music and image. This exhibition was held for a period of one month at Brazilian Bank Cultural Center and integrated III Understanding Visual Music Symposium （2015）. This international event brought together artists from four continents and has been considered one of the most important academic forums dedicated to the study of the relationship between music and image. The works presented in the exhibition dealt with different possibilities of and the need for interaction with the public. Further, interesting discussions were raised, especially related to the possibilities and need for preservation of these works. These debates were unfolded to the plan of artistic dissemination; moreover, have embraced considerations about ephemeral art.
