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Differential advantages of musical backgrounds on binaural integration and interaction skills in instrumentalists,vocalists,and non-musicians
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作者 Kavassery Venkateswaran Nisha Adya Parmar +1 位作者 Chandana Shivaiah Prashanth Prabhu 《Journal of Otology》 CAS CSCD 2023年第4期185-192,共8页
Background:Musical perception requires a host of skills.Instrumental musicians place greater emphasis on motor coordination,whereas vocal musicians rehearse vocal sounds.The study explored the differential advantages ... Background:Musical perception requires a host of skills.Instrumental musicians place greater emphasis on motor coordination,whereas vocal musicians rehearse vocal sounds.The study explored the differential advantages of musical background on binaural integration and interaction in musicians(instrumentalists,vocalists)and compared them with age-matched non-musicians.Methods:Eight six participants aged 20e40 y with normal hearing sensitivity were subjected to binaural tests using a standard group comparison research design.The participants were segregated into three groups e Group 1 included instrumentalists(n?26,mean age:17.73±2.83 y),while Group 2 and Group 3 consisted of vocalists(n?30,mean age:19.30±2.47 y)and non-musicians(n?30,mean age:18.20±3.02 y)respectively.The binaural processes namely integration(Dichotic syllable test,DST;and virtual acoustic space identification-VASI)and interaction(Interaural difference thresholds for time and level:ITD&ILD),were administered on all the participants.Results:Statistical analyses showed the main effect of musicianship.Bonferroni pair-wise test revealed that the musicians(instrumentalists and vocalists)outperformed(p<0.05)non-musicians in all the tests.The differential advantage of the musical background was seen on the binaural integration test with instrumentalists performing better in the VASI test compared to vocalists,and vice-versa for DST.No difference was observed in interaction tasks(ITD&ILD)between vocalists and instrumentalists(p>0.05).Conclusion:Musical background-induced differential advantages can be reasonably noted in the binaural skills of instrumentalists and vocalists(compared to non-musicians). 展开更多
关键词 musicians Instrumentalist Vocalist Musical training Binaural processing Localization VASI Binaural integration Binaural interaction
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Enhanced auditory evoked potentials in musicians:A review of recent findings
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作者 Himanshu Kumar Sanju Prawin Kumar 《Journal of Otology》 CSCD 2016年第2期63-72,共10页
Auditory evoked potentials serve as an objective mode for assessment to check the functioning of the auditory system and neuroplasticity.Literature has reported enhanced electrophysiological responses in musicians, wh... Auditory evoked potentials serve as an objective mode for assessment to check the functioning of the auditory system and neuroplasticity.Literature has reported enhanced electrophysiological responses in musicians, which shows neuroplasticity in musicians. Various databases including Pub Med, Google, Google Scholar and Medline were searched for references related to auditory evoked potentials in musicians from 1994 till date. Different auditory evoked potentials in musicians have been summarized in the present article. The findings of various studies may support as evidences for music-induced neuroplasticity which can be used for the treatment of various clinical disorders. The search results showed enhanced auditory evoked potentials in musicians compared to non-musicians from brainstem to cortical levels. Also, the present review showed enhanced attentive and pre-attentive skills in musicians compared to non-musicians. 展开更多
关键词 NEUROPLASTICITY Auditory evoked potential REVIEW musicians Electrophysiological
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Geochemistry of the lava and its implications in Musicians Seamounts
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作者 李传顺 潘玉成 +1 位作者 李安春 Rodey Batiza 《Chinese Journal of Oceanology and Limnology》 SCIE CAS CSCD 2008年第4期459-468,共10页
Chemical and isotopic data of the lava samples dredged in the southern Bach Ridge and the northern Italian Ridge of the Musicians Seamounts province, northeast of Hawaii. Although most of the samples analyzed are gene... Chemical and isotopic data of the lava samples dredged in the southern Bach Ridge and the northern Italian Ridge of the Musicians Seamounts province, northeast of Hawaii. Although most of the samples analyzed are generally altered, a few are fresh. The latter exhibits similar geochemical and isotopic characteristics to normal MORB (Mid-Ocean Ridge Basalts). There are systematic geochemical trends from hotspot to mid-ocean ridge in the province. Incompatible element and isotopic variations suggest that the flow field had at least two distinct parental magmas, one with higher and one with lower MgO concentrations. The two parental magmas could be related by a magma mixing model. The major and trace element modeling shows that the two parental magmas could not have been produced by different degrees of melting of a homogeneous mantle source, but they are consistent with melting of a generally depleted mantle containing variable volumes of embedded enriched heterogeneity enriched interbeds. 展开更多
关键词 musicians Seamounts GEOCHEMISTRY HOTSPOT mid-ocean ridge ridge-hotspot interaction
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A Study on the Differentiation Phenomenon of Cultural Identity and Social Role of Chinese Qin Musicians in Modern Social Context
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作者 HU Bin 《Journal of Literature and Art Studies》 2020年第4期372-380,共9页
With the social change,the role behavior of Qin culture’s producers and inheritors have changed from traditional to modern,among which the significant symbol is the differentiation of cultural identity and social rol... With the social change,the role behavior of Qin culture’s producers and inheritors have changed from traditional to modern,among which the significant symbol is the differentiation of cultural identity and social role.Starting with the historical perspective,social-cultural perspective,etc.,and analyzing the role differentiation phenomenon of Qin musicians,this thesis considers that the changes in the role of the Qin musician are influenced by various external strong discourses in different periods.How to maintain the cultural creation and role responsibility of the Qin musicians’self-consciousness under the interaction of various external forces becomes the key to the successful protection and inheritance of the Qin cultural heritage. 展开更多
关键词 Qin musicians cultural identity social role modern social context
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Noise Exposure and Otological Morbidity in Military Musicians in Cotonou
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作者 Alexis AWC do Santos Zounon Marius Claude Flatin +5 位作者 Bignon Losdia Gypsy Wannou Ulrich Bidossessi Vodouhe Franç ois Avakoudjo Wassi Adjibabi Bernadette Yehouessi-Vignikin 《International Journal of Otolaryngology and Head & Neck Surgery》 2022年第1期39-55,共17页
<strong>Introduction:</strong> Military musicians are subjected to a double risk of noise related to the use of combat weapons and then to the use of musical instruments. The objective of this study was to... <strong>Introduction:</strong> Military musicians are subjected to a double risk of noise related to the use of combat weapons and then to the use of musical instruments. The objective of this study was to assess the otological damage of military music professionals in Cotonou. <strong>Methods:</strong> This was an analytical cross-sectional study carried out from July 15 to November 15, 2019. It focused on soldiers from the Music Squadron and the first Motorized Intervention Battalion of Camp Guézo in Cotonou. <strong>Results:</strong> 110 soldiers were included. The mean age was 34.3 ± 6.2 years. The sex ratio was 17.3. The instruments used were wind (74.5%), percussion (23.6%) and string (1.8%). The average length of service in the Music Squadron was 11.5 ± 6.7 years with extremes of 1 year and 25 years. They practiced military music for an average of 4.58 hours per day for 4 days per week. The mean sonometric measurement during training ranged from 89.1 dB (A) to 116.4 dB (A). Hearing loss was predominant in the military musicians group and was mild degree bilaterally (p = 0.002) and perceptual type (p = 0.007). <strong>Conclusion:</strong> Military musicians are exposed to high noise levels, putting them at risk of developing hearing problems that may limit their performance. The main otological morbidity found was hearing loss associated with a few cases of tinnitus and headache. 展开更多
关键词 Occupational Hearing Loss Otologic Morbidity Military musicians BENIN
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Beijing Acclaims New Dance Drama on Folk Musician A Bing
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《China & The World Cultural Exchange》 2000年第1期38-39,共2页
关键词 Beijing Acclaims New Dance Drama on Folk musician A Bing
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五代十国之五代音乐考
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作者 韩启超 《民族艺术研究》 2024年第2期140-151,共12页
五代十国是一个比较特殊的时期:从社会发展史来看,它是唐宋继代变革的中间地带;从音乐发展史来看,它是从隋唐以歌舞为中心的中古伎乐时代到以戏曲为代表的近世俗乐时代的过渡时期。因此,时间虽短暂,但受社会政治、经济、文化、宗教等方... 五代十国是一个比较特殊的时期:从社会发展史来看,它是唐宋继代变革的中间地带;从音乐发展史来看,它是从隋唐以歌舞为中心的中古伎乐时代到以戏曲为代表的近世俗乐时代的过渡时期。因此,时间虽短暂,但受社会政治、经济、文化、宗教等方面的影响,这一时期的音乐具有鲜明的时代特点。随着五代时期社会结构的重大变化,社会的主流群体审美志趣和审美层次发生了重大改变,导致俗乐俚曲盛行,宫廷与民间的音乐发展走向趋同。这也许是五代音乐发展具有典型时代特征的根本原因,也标志着近世俗乐时代的来临。 展开更多
关键词 五代十国 音乐机构 乐人 社会结构
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清华简《周公之琴舞》文本结构及其乐舞体制
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作者 李韶华 《古代文明(中英文)》 2024年第2期49-60,M0004,共13页
清华简《周公之琴舞》是由篇题、序言以及含有乐诗演奏符号在内的十首歌辞组成的诗文本,是周代乐官掌教的典礼乐舞演奏脚本。篇题中的“琴舞”表明这部乐舞以琴为伴奏乐器的同时又以琴为舞具,序言两次出现的“九絉”表明这部乐舞使用的... 清华简《周公之琴舞》是由篇题、序言以及含有乐诗演奏符号在内的十首歌辞组成的诗文本,是周代乐官掌教的典礼乐舞演奏脚本。篇题中的“琴舞”表明这部乐舞以琴为伴奏乐器的同时又以琴为舞具,序言两次出现的“九絉”表明这部乐舞使用的是在上古九体乐舞基础上根据典礼需要改编而成的“1+9”结构的新式乐舞结构,与歌辞融为一体的“启”“乱”等演奏符号在标识乐舞开幕的同时,也表明每一幕乐舞的伴奏乐歌皆由演唱形式不同的两部分构成。简文这种在结构内容上体现出的重视礼乐实践指导而不同于传世本《诗经》的文本样态,是周代乐官对仪式乐歌用于教习、演奏时相关信息的文字记载,是乐家传《诗》的一种。 展开更多
关键词 《周公之琴舞》 琴舞 九絉 启乱 乐家《诗》
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唐代昭武九姓胡乐人及其存在意义探究
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作者 刘硕 《新疆艺术学院学报》 2024年第3期28-36,共9页
唐代乐人数量众多,除了中原本土的艺人外,从亚洲其他国家、地区来的艺人也是不可忽视的群体。这些昭武九姓胡乐人,对当时中国的宫廷音乐、民间音乐、综合文艺都有不少的贡献。其中的家族乐人更是世袭几代、几朝传承技艺,造就了绵延百余... 唐代乐人数量众多,除了中原本土的艺人外,从亚洲其他国家、地区来的艺人也是不可忽视的群体。这些昭武九姓胡乐人,对当时中国的宫廷音乐、民间音乐、综合文艺都有不少的贡献。其中的家族乐人更是世袭几代、几朝传承技艺,造就了绵延百余年的音乐文化。隋唐时期与中原地区频繁往来的昭武九姓艺人们,将各种艺术体裁发展、改创、融合,从政治服务、通商经济、双向文化交流及音乐舞蹈方面来看,是具有积极意义的。 展开更多
关键词 唐代音乐 唐代乐人 昭武九姓 胡乐人 胡乐入华
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四川地区汉代乐舞俑形态阐释与审美意识
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作者 杜兰朵 郭瀚繁 《四川民族学院学报》 2024年第1期102-108,共7页
乐舞俑是汉代俑文化的重要部分,它以雕塑这一艺术语言表现两汉时期乐舞内容,展示出背后蕴藏的两汉乐舞文化与社会活动风貌。四川是汉代俑像出土的重要地区,其乐舞俑更是别具炉锤,彰显了蜀地丰厚灿烂的文化,为研究两汉乐舞文化提供了重... 乐舞俑是汉代俑文化的重要部分,它以雕塑这一艺术语言表现两汉时期乐舞内容,展示出背后蕴藏的两汉乐舞文化与社会活动风貌。四川是汉代俑像出土的重要地区,其乐舞俑更是别具炉锤,彰显了蜀地丰厚灿烂的文化,为研究两汉乐舞文化提供了重要物证。本文以四川地区的汉代乐舞俑为主要研究对象,探究在汉代历史大背景下,四川地区乐舞俑像之艺术形态特征及其背后所蕴含的蜀地人民审美意识。 展开更多
关键词 四川地区 汉代乐舞 乐舞俑 审美意识
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传统与现代:工部局乐队对近代中国音乐发展的推动与影响探究
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作者 仇红玲 《新疆艺术学院学报》 2024年第2期1-9,共9页
上海工部局乐队是一个融合了传统与现代元素的音乐机构,以独特的地位和功能成为中国音乐发展中的一个关键节点。作为中国近代音乐史上的重要组成部分,对中国传统与现代音乐的发展产生了深远的影响。其乐队借鉴中国传统音乐创作的“中国... 上海工部局乐队是一个融合了传统与现代元素的音乐机构,以独特的地位和功能成为中国音乐发展中的一个关键节点。作为中国近代音乐史上的重要组成部分,对中国传统与现代音乐的发展产生了深远的影响。其乐队借鉴中国传统音乐创作的“中国风格”交响音乐作品,是一次中西音乐融合的新尝试,同时也为中国新音乐的发展提供了宝贵的经验和积累,更为中国传统音乐向现代音乐转型提供了新的视角和创新思路。工部局乐队时期对中国音乐教育的栽培与扶持起到了关键性的作用,通过西方音乐文化的理念与舞台实践相结合,为中国培养出一批具有传统与现代相结合的音乐素养的音乐人才,也为推动日后中国音乐的创新与发展提供了借鉴与启示。 展开更多
关键词 上海工部局 中国音乐家 音乐教育 影响
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Effects of self-administered exercises based on Tuina techniques on musculoskeletal disorders of professional orchestra musicians: a randomized controlled trial
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作者 Cláudia Maria Sousa Daniela Coimbra +1 位作者 Jorge Machado Henry J.Greten 《Journal of Integrative Medicine》 SCIE CAS CSCD 2015年第5期314-318,共5页
BACKGROUND: Musicians are frequently affected by playing-related musculoskeletal disorders (PRMD). Common solutions used by Western medicine to treat musculoskeletal pain include rehabilitation programs and drugs, ... BACKGROUND: Musicians are frequently affected by playing-related musculoskeletal disorders (PRMD). Common solutions used by Western medicine to treat musculoskeletal pain include rehabilitation programs and drugs, but their results are sometimes disappointing. OBJECTIVE: To study the effects of self-administered exercises based on Tuina techniques on the pain intensity caused by PRMD of professional orchestra musicians, using numeric visual scale (NVS). DESIGN, SETTING, PARTICIPANTS AND INTERVENTIONS: We performed a prospective, controlled single-blinded, randomized study with musicians suffering from PRMD. Participating musicians were randomly distributed into the experimental (n = 39) and the control (n = 30) groups. After an individual diagnostic assessment, specific Tuina self-administered exercises were developed and taught to the participants. Musicians were instructed to repeat the exercises every day for 3 weeks. MAIN OUTCOME MEASURES: Pain intensity was measured by NVS before the intervention and after 1, 3, 5, 10, 15 and 20 d of treatment. The procedure was the same for the control group, however the Tuina exercises were executed in points away from the commonly-used acupuncture points. RESULTS: In the treatment group, but not the control group, pain intensity was significantly reduced on days 1, 3, 5, 10, 15 and 20. CONCLUSION: The results obtained are consistent with the hypothesis that self-administered exercises based on Tuina techniques could help professional musicians controlling the pain caused by PRMD. Although our results are very promising, further studies are needed employing a larger sample size and double blinding designs. 展开更多
关键词 TUINA musculoskeletal disorders professional orchestra musicians randomized controlled trial
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音乐社会学(下)
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作者 江松洁(译) 《北方音乐》 2024年第4期129-138,共10页
文章译自英语世界权威音乐工具书《新格罗夫音乐与音乐家辞典》(2001版)中的“音乐社会学”条目。该条目作者约翰·谢泼德是当今国际上音乐社会学研究领域的领军学者之一,目前任职于加拿大喔太华卡尔顿大学。本中译文是该条目在国... 文章译自英语世界权威音乐工具书《新格罗夫音乐与音乐家辞典》(2001版)中的“音乐社会学”条目。该条目作者约翰·谢泼德是当今国际上音乐社会学研究领域的领军学者之一,目前任职于加拿大喔太华卡尔顿大学。本中译文是该条目在国内的首次完整呈现,相信这将为国内的音乐社会学研究增添一份重要的参考文献。 展开更多
关键词 音乐社会学 辞典条目 《新格罗夫音乐与音乐家辞典》(2001) 中译文
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Assessment of rock musician’s efferent system functioning using contralateral suppression of otoacoustic emissions
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作者 Prawin Kumar Vibhu Grover +2 位作者 Sam Publius A Himanshu Kumar Sanju Sachchidanand Sinha 《World Journal of Otorhinolaryngology-Head and Neck Surgery》 2016年第4期-,共5页
Objective:Contralateral suppression of oto acoustic emission (OAE) is referred as activation of efferent system. Previous literature mentioned about the importance of contra-lateral suppression of OAEs as a tool to as... Objective:Contralateral suppression of oto acoustic emission (OAE) is referred as activation of efferent system. Previous literature mentioned about the importance of contra-lateral suppression of OAEs as a tool to assess efferent system in different groups of popula-tion. There is dearth of literature to explore the efferent system function in experienced musicians exposed to rock music using TEOAEs and DPOAEs. Methods:Two groups of participant (14 rock musicians and 14 non-musicians) in the age range of 18e25 years were involved in the study. Contralateral suppression of TEOAEs and DPOAEs were measured using ILO (Version 6) in both groups. Results: Descriptive statistics showed higher suppression of TEOAEs and DPOAEs in rock-musicians at most of the frequencies in comparison to non-musicians. For DPOAE measures, Mann Whitney U test results revealed significantly greater DPOAE suppression only at 1 kHz and 3 kHz in rock-musicians compared to non-musicians. For within group comparison, Kruskal Wallis test results revealed there were significant difference observed across most of the fre-quencies i.e. at 1 kHz, 3 kHz and 6 kHz. For TEOAE measures, Mann Whitney U test results re-vealed that only at 2 kHz, TEOAE suppression in rock-musician was significantly greater compared to non-musicians. Similarly, Kuskal Wallis test results revealed that within group there were no significant differences observed for most of the frequencies except 2 kHz. Conclusions:Based on the above finding, present study concludes that rock musicians are hav-ing better efferent system compared to non-musicians. No suppression effect at few fre-quencies probably indicates more vulnerability at those frequencies. Contralateral suppression of DPOAE shows more significant finding in comparison to contralateral suppression of TEOAEs in present study. 展开更多
关键词 Rock musicians Contralateral suppression Efferent pathway
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Immediate effects of Tuina techniques on working-related musculoskeletal disorder of professional orchestra musicians
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作者 Cláudia Maria Sousa Luis Moreira +2 位作者 Daniela Coimbra Jorge Machado Henry J.Greten 《Journal of Integrative Medicine》 SCIE CAS CSCD 2015年第4期257-261,共5页
BACKGROUND:Musicians are a prone group to suffer from working-related musculoskeletal disorder(WRMD).Conventional solutions to control musculoskeletal pain include pharmacological treatment and rehabilitation progr... BACKGROUND:Musicians are a prone group to suffer from working-related musculoskeletal disorder(WRMD).Conventional solutions to control musculoskeletal pain include pharmacological treatment and rehabilitation programs but their effi ciency is sometimes disappointing.OBJECTIVE:The aim of this research is to study the immediate effects of Tuina techniques on WRMD of professional orchestra musicians from the north of Portugal.DESIGN,SETTING,PARTICIPANTS AND INTERVENTIONS:We performed a prospective,controlled,single-blinded,randomized study.Professional orchestra musicians with a diagnosis of WRMD were randomly distributed into the experimental group(n=39)and the control group(n=30).During an individual interview,Chinese diagnosis took place and treatment points were chosen.Real acupoints were treated by Tuina techniques into the experimental group and non-specifi c skin points were treated into the control group.Pain was measured by verbal numerical scale before and immediately after intervention.RESULTS:After one treatment session,pain was reduced in 91.8%of the cases for the experimental group and 7.9%for the control group.CONCLUSION:Although results showed that Tuina techniques are effectively reducing WRMD in professional orchestra musicians of the north of Portugal,further investigations with stronger measurements,double-blinding designs and bigger simple sizes are needed. 展开更多
关键词 diagnosis(TCM) stress Tuina musicians musculoskeletal disorders
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2023中国音乐家协会作曲与作曲理论学会年会汪立三诞辰90周年暨钢琴及室内乐创作(哈尔滨)研讨会综述
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作者 李思囡 《北方音乐》 2024年第2期131-134,共4页
2023中国音乐家协会作曲与作曲理论学会年会--汪立三诞辰90周年暨钢琴及室内乐创作(哈尔滨)研讨会,于2023年12月6-9日在哈尔滨音乐学院召开。本次会议分为三大板块:学会年会会议、研讨会学术交流、音乐会展演。来自全国音乐学院、艺术... 2023中国音乐家协会作曲与作曲理论学会年会--汪立三诞辰90周年暨钢琴及室内乐创作(哈尔滨)研讨会,于2023年12月6-9日在哈尔滨音乐学院召开。本次会议分为三大板块:学会年会会议、研讨会学术交流、音乐会展演。来自全国音乐学院、艺术学院和综合大学音乐学院的100多名专家、学者和青年学子参加了此次盛会。两次会议体现展现我国当前钢琴音乐和室内乐创作的新成果,促进作曲家、演奏家与音乐理论家之间的相互交流。 展开更多
关键词 中国音乐家协会 作曲与作曲理论学会 汪立三 钢琴及室内乐创作 研讨会 综述
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音乐社会学(上)
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作者 江松洁(译) 《北方音乐》 2024年第3期138-144,共7页
文章译自英语世界权威音乐工具书《新格罗夫音乐与音乐家辞典》(2001)中的“音乐社会学”条目。该条目的作者约翰·谢泼德是当今国际上音乐社会学研究领域的领军学者之一,目前任职于加拿大渥太华卡尔顿大学。该条目内容大致可分为... 文章译自英语世界权威音乐工具书《新格罗夫音乐与音乐家辞典》(2001)中的“音乐社会学”条目。该条目的作者约翰·谢泼德是当今国际上音乐社会学研究领域的领军学者之一,目前任职于加拿大渥太华卡尔顿大学。该条目内容大致可分为四部分,分别论及音乐社会学的社会学学理基础、学科历史、学科特点,以及该领域当前的四个主要研究方向,即音乐的社会意义、音乐作为社会互动、音乐作为社会认同,以及音乐作为商业化与工业化过程研究。作者对音乐社会学领域的重要学者及其代表作、观点均有简要述评。本中译文是该条目在国内的首次完整呈现,相信这将为国内的音乐社会学研究增添一份重要参考文献。 展开更多
关键词 音乐社会学 辞典条目 《新格罗夫音乐与音乐家辞典》(2001) 中译文
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Musician's Stage
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作者 SU GUANMING 《Women of China》 2000年第2期14-,共1页
关键词 musician’s Stage
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乐署乐人的活动与宋代艺术表演地理空间的开拓
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作者 董希平 姜欣辰 《中原文化研究》 2023年第4期76-84,共9页
宋代乐署乐人活动范围极广。中央、地方乐署乐人,以大小都市为表演中心,极易形成规模化演出,进而辐射临近乡村,促成了都市乡村间表演空间的延伸贯通,并有助于实现城乡音乐的融通与互动,丰富表演的内容与风格。州府衙前乐人相对固定地活... 宋代乐署乐人活动范围极广。中央、地方乐署乐人,以大小都市为表演中心,极易形成规模化演出,进而辐射临近乡村,促成了都市乡村间表演空间的延伸贯通,并有助于实现城乡音乐的融通与互动,丰富表演的内容与风格。州府衙前乐人相对固定地活动于中心城市的核心地带,并向周边辐射,进而连缀成片形成区域特色,且州府衙前乐人主要服务于地方官员以及与官员交往密切的文士,有时甚至参与进官员士大夫的日常生活中,其歌舞表演产生的影响力往往跨越时间与空间的限制,成为推动宋代艺术表演的中坚力量。亲从亲事乐人专属于主官,兼有官署乐人和私家乐人的优势,主官的流动升迁也促进了亲从亲事乐人的流动,于地理空间范围内形成多个流动的歌舞表演中心,主官的审美倾向往往决定了亲从亲事乐人的表演风格,一系列地理位置上多元并立的歌舞表演中心促成了演唱的贯通与发展。 展开更多
关键词 乐署乐人 艺术表演 地理空间
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李白音乐批评初探
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作者 明言 《北方音乐》 2023年第2期86-94,共9页
李白诗词可谓是千古名篇,观其文本,绝大多数是从文学层面展开的。而在唐代诗词中,音乐是一个不可或缺的组成部分。文章站在音乐的角度审视这类经典名篇。在李白诗作中遴选出部分诗词,用音乐批评的手法给出初步解析。
关键词 李白 音乐批评 宫中行乐词 听(抚)琴诗 观伎乐诗 乐人品藻诗
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