Nam Cao and Lu Xun are among high-profile writers who gain wide appreciation. The movements of literary assert this over the latter half of recent century in our country. That reality persistently points us to an urge...Nam Cao and Lu Xun are among high-profile writers who gain wide appreciation. The movements of literary assert this over the latter half of recent century in our country. That reality persistently points us to an urgent need for researches on Nam Cao and Lu Xun. Tints of literary worldviews of Nam Cao and Lu Xun, though upon which numberless research works, both domestic and foreign, have provided multi-directional insights and exploration of artistic creativities, remain misevaluated. B ich Thu, the author of Nam Cao, His Life and Legacies, counted out 191 articles and books themed Nam Cao. They were edited by writers of Nam Cao＇s generation namely Nguyen Huy Tuong, Nguyen Dinh Thi, To Hoai and Nguyen Hong, and even distinguished scholars such as Ha Minh Duc, Phong Le and Nguyen Dang Manh, so on. Regarding Lu Xun, there is no denying the fact of his brilliant artistic ideology. Although Vietnamese readers have gained a late knowledge of him for just a half of century, his name is laid somewhere in the heart of our people, integrally and consistently. Vietnam＇s reader generations restlessly learn about and research on Lu Xun. A pioneering merit badge should be rewarded to the renowned literary critic Dang Thai Mai, for his introduction and translation of Lu Xun to Vietnamese readers since 1943. The most interesting coincidence of Nam Cao and Lu Xun is that their profiles are imbued with the characters in their compositions. Mentioning Lu Xun cannot help a reference to AQ, meanwhile the name ofNam Cao apparently recalls a Philistine Chi. AQ as well as Philistine Chi have become characters of the society＇s spiritual life and long live with the eternal brilliance of their two creators. That coincidence draws countless number of researchers. The ＂matching point＂, referring to the subject of farmers and intellectuals, between Nam Cao and Lu Xun＇s works has been explored to some certain extent. This elicitly invites us for deeper studies. The author of this article, in response to such invitation, delves into the subject with respect to characterization of intellectuals in Nam Cao and Lu Xun＇s short stories.展开更多
Ah Q and Chi Pheo are two typical figures created by two writers, Lu Xun of China and Nam Cao of Vietnam Authors use the typical method to create the artistic image which has the distinct individuality and can reflect...Ah Q and Chi Pheo are two typical figures created by two writers, Lu Xun of China and Nam Cao of Vietnam Authors use the typical method to create the artistic image which has the distinct individuality and can reflect certain social essence. ＂Ah Q＂ and ＂Chi Pheo＂ though in different nationalities and different age （Ah Q in the modern history stage 1911, Chi Pheo in the modem history of stage 1941）, but both are in the historical stage of the Eastern feudal society. Therefore, it can be considered that Lu Xun and Nam Cao are contemporaries. Besides, these two writers are deeply interested in the subject matter of the underclass farmers, so there are differences between the two typical characters. It is not surprising that the characters of＂Ah Q＂ and ＂Chi Pheo＂ walk from the novel to the screen, from the big screen to every corner of the lives of the people of the two countries, let the past. Present and future people can not forget them. Through the method of portraying characters, readers can further understand Lu Xun and Nam Cao＇s creative art thoughts. The social environment and historical background behind the fate of the characters. This paper attempts to find out the similarities and differences of the writers in portraying the art of the characters. Creative resonance and display of literary exchanges between the two countries展开更多
文摘Nam Cao and Lu Xun are among high-profile writers who gain wide appreciation. The movements of literary assert this over the latter half of recent century in our country. That reality persistently points us to an urgent need for researches on Nam Cao and Lu Xun. Tints of literary worldviews of Nam Cao and Lu Xun, though upon which numberless research works, both domestic and foreign, have provided multi-directional insights and exploration of artistic creativities, remain misevaluated. B ich Thu, the author of Nam Cao, His Life and Legacies, counted out 191 articles and books themed Nam Cao. They were edited by writers of Nam Cao＇s generation namely Nguyen Huy Tuong, Nguyen Dinh Thi, To Hoai and Nguyen Hong, and even distinguished scholars such as Ha Minh Duc, Phong Le and Nguyen Dang Manh, so on. Regarding Lu Xun, there is no denying the fact of his brilliant artistic ideology. Although Vietnamese readers have gained a late knowledge of him for just a half of century, his name is laid somewhere in the heart of our people, integrally and consistently. Vietnam＇s reader generations restlessly learn about and research on Lu Xun. A pioneering merit badge should be rewarded to the renowned literary critic Dang Thai Mai, for his introduction and translation of Lu Xun to Vietnamese readers since 1943. The most interesting coincidence of Nam Cao and Lu Xun is that their profiles are imbued with the characters in their compositions. Mentioning Lu Xun cannot help a reference to AQ, meanwhile the name ofNam Cao apparently recalls a Philistine Chi. AQ as well as Philistine Chi have become characters of the society＇s spiritual life and long live with the eternal brilliance of their two creators. That coincidence draws countless number of researchers. The ＂matching point＂, referring to the subject of farmers and intellectuals, between Nam Cao and Lu Xun＇s works has been explored to some certain extent. This elicitly invites us for deeper studies. The author of this article, in response to such invitation, delves into the subject with respect to characterization of intellectuals in Nam Cao and Lu Xun＇s short stories.
文摘Ah Q and Chi Pheo are two typical figures created by two writers, Lu Xun of China and Nam Cao of Vietnam Authors use the typical method to create the artistic image which has the distinct individuality and can reflect certain social essence. ＂Ah Q＂ and ＂Chi Pheo＂ though in different nationalities and different age （Ah Q in the modern history stage 1911, Chi Pheo in the modem history of stage 1941）, but both are in the historical stage of the Eastern feudal society. Therefore, it can be considered that Lu Xun and Nam Cao are contemporaries. Besides, these two writers are deeply interested in the subject matter of the underclass farmers, so there are differences between the two typical characters. It is not surprising that the characters of＂Ah Q＂ and ＂Chi Pheo＂ walk from the novel to the screen, from the big screen to every corner of the lives of the people of the two countries, let the past. Present and future people can not forget them. Through the method of portraying characters, readers can further understand Lu Xun and Nam Cao＇s creative art thoughts. The social environment and historical background behind the fate of the characters. This paper attempts to find out the similarities and differences of the writers in portraying the art of the characters. Creative resonance and display of literary exchanges between the two countries
