期刊文献+
共找到3篇文章
< 1 >
每页显示 20 50 100
Narration as Therapy in Natsume Sōseki's I Am a Cat
1
作者 安藤文人 《外语教育研究》 2014年第4期70-76,共7页
Natsume Sōseki(1867-1916) suffered from cyclic mental depressions through his life, and it was when he was in the state of the most terrible one that he started his career as a writer by writing I Am a Cat(1905-1906)... Natsume Sōseki(1867-1916) suffered from cyclic mental depressions through his life, and it was when he was in the state of the most terrible one that he started his career as a writer by writing I Am a Cat(1905-1906). There are some evidence by his wife and friends that Sōseki's condition of disease dramatically improved during its serialization on a magazine, and the writer himself admited humorously in the preface of other work that it was his depression and mania that enabled him to produce I Am a Cat and other early works. This paper aims at describing the process how his act of narrating had therapeutic effects on his state of mind focusing on the construction of complicitous relationship between an implied author and readers in the work by the unique functions of the first-‘person' narrator: A Cat. Among others, I will consider the influence of Laurence Sterne's Tristram Shandy(1759-1767), which Sōseki introduced to Japan for the first time, by discussing the frequent use of metalepsis that the two works have in common. 展开更多
关键词 natsume seki I Am a Cat Laurence sterne METALEPsIs NARRATIVE
下载PDF
试论夏目漱石文学的基石 被引量:4
2
作者 孙苏平 《长春工程学院学报(社会科学版)》 2010年第1期105-107,110,共4页
介绍了夏目漱石青少年时期接受汉学教育情况;结合他一生的创作来探讨中国文学对夏目漱石文学创作的影响;指出贯穿夏目漱石作品的是一种入世的、重实际的、侧重于道德与伦理的文学观,这种经世济民、劝善惩恶的文学观与中国文学的思想根... 介绍了夏目漱石青少年时期接受汉学教育情况;结合他一生的创作来探讨中国文学对夏目漱石文学创作的影响;指出贯穿夏目漱石作品的是一种入世的、重实际的、侧重于道德与伦理的文学观,这种经世济民、劝善惩恶的文学观与中国文学的思想根源——儒家思想是一致的。从这个意义上说,中国文学是夏目漱石文学创作的基石。 展开更多
关键词 漱石文学 中国文学 基石 儒家思想
下载PDF
《道草》与日本近代知识分子的生存困境
3
作者 郭晓丽 《外国问题研究》 2014年第1期57-61,共5页
夏目漱石的自传小说《道草》是作者根据1903年从英国留学归来之后的生活体验而写成。小说主人公健三是困守书斋的知识分子形象。本文着眼于人物内在的精神层面,从欲望与伦理意识两个方面入手,分析"无余裕"状态下人物内部世界... 夏目漱石的自传小说《道草》是作者根据1903年从英国留学归来之后的生活体验而写成。小说主人公健三是困守书斋的知识分子形象。本文着眼于人物内在的精神层面,从欲望与伦理意识两个方面入手,分析"无余裕"状态下人物内部世界与外部世界的矛盾冲突,考察日本近代知识分子在与"世俗"的现实世界交往中的自我认识和自我否定。 展开更多
关键词 夏目漱石 《道草》 欲望 伦理
下载PDF
上一页 1 下一页 到第
使用帮助 返回顶部