The Neue Nationalgalerie(1968)is considered an icon of the 20th century and part of the legacy of Mies van der Rohe.Almost 50 years after its construction the building showed some physiological decay;however,it has be...The Neue Nationalgalerie(1968)is considered an icon of the 20th century and part of the legacy of Mies van der Rohe.Almost 50 years after its construction the building showed some physiological decay;however,it has been considered obsolete due to the changing standards of use and comfort of an international art gallery affected also by a growing flux of visitors.The paper investigates the future of such an icon of modern architecture moving from some open issues of the intervention carried out by David Chipperfield started up in 2015 and now in an advanced stage.The refurbishment is pursuing the modernization of the building,but trying to match the historical values with the requirements of climate control and safety.The binomials memories/requirements and authenticity/form are at the base of the investigation.Although the intervention confirms the continuity of original use and it is aimed at keeping the image of the icon,it imposes transformations that belong to very different strategies,sometimes incompatible with the preservation of material meanings and values.The restoration work on modern heritage outlines how new cultural and socio-economic needs confront themselves with respecting/reproducing the appearance of the monument.展开更多
柏林新博物馆(Neues Museum zu Berlin)中展品—空间关系的发展与处理策略极具代表性,但以往研究仅在建筑实体修复方面进行展开。该研究对其展品—空间关系类型、各类型典型展厅存在的问题沿革和应对策略进行了解析,试图填补对新博物馆...柏林新博物馆(Neues Museum zu Berlin)中展品—空间关系的发展与处理策略极具代表性,但以往研究仅在建筑实体修复方面进行展开。该研究对其展品—空间关系类型、各类型典型展厅存在的问题沿革和应对策略进行了解析,试图填补对新博物馆展品—空间关系发展的认知空白,并从这个经典个案出发,探索可以借鉴和推广的分析与设计方法。研究表明,新博物馆中存在三种典型的展品—空间关系,契合不同的展陈任务且应用了不同的空间展陈设计手法予以平衡。新博物馆的展品—空间关系发展历久弥新,是同类建筑中同类问题发展的一个缩影,对我国博物馆的设计与改造具有深远的借鉴价值。展开更多
文摘The Neue Nationalgalerie(1968)is considered an icon of the 20th century and part of the legacy of Mies van der Rohe.Almost 50 years after its construction the building showed some physiological decay;however,it has been considered obsolete due to the changing standards of use and comfort of an international art gallery affected also by a growing flux of visitors.The paper investigates the future of such an icon of modern architecture moving from some open issues of the intervention carried out by David Chipperfield started up in 2015 and now in an advanced stage.The refurbishment is pursuing the modernization of the building,but trying to match the historical values with the requirements of climate control and safety.The binomials memories/requirements and authenticity/form are at the base of the investigation.Although the intervention confirms the continuity of original use and it is aimed at keeping the image of the icon,it imposes transformations that belong to very different strategies,sometimes incompatible with the preservation of material meanings and values.The restoration work on modern heritage outlines how new cultural and socio-economic needs confront themselves with respecting/reproducing the appearance of the monument.
文摘柏林新博物馆(Neues Museum zu Berlin)中展品—空间关系的发展与处理策略极具代表性,但以往研究仅在建筑实体修复方面进行展开。该研究对其展品—空间关系类型、各类型典型展厅存在的问题沿革和应对策略进行了解析,试图填补对新博物馆展品—空间关系发展的认知空白,并从这个经典个案出发,探索可以借鉴和推广的分析与设计方法。研究表明,新博物馆中存在三种典型的展品—空间关系,契合不同的展陈任务且应用了不同的空间展陈设计手法予以平衡。新博物馆的展品—空间关系发展历久弥新,是同类建筑中同类问题发展的一个缩影,对我国博物馆的设计与改造具有深远的借鉴价值。
