As one of the most significant critical essays of T.S.Eliot,Tradition and Individual Talent has defined writing as a process during which the primitive oneness has seized the individual writer of figurative descriptio...As one of the most significant critical essays of T.S.Eliot,Tradition and Individual Talent has defined writing as a process during which the primitive oneness has seized the individual writer of figurative descriptions to help represent itself.This theory has latter been practiced in Eliot’s Wasteland,and shows its similarity with The Birth of Tragedy,written by Friedrick Nietzsche,the German philosopher.Eliot’s‘tradition’has been concluded by Nietzsche as‘Dionysian Spirit’,which represents oneness transcending good and evil,past and present,while‘individual talent’has resembled‘Apollonian Spirit’in the urge for original figuration as an apparatus.The paper aims to explain and compare the definitions of‘tradition’and‘individual talent’of Eliot’s work with that of‘Dionysian spirit’and‘Apollonian Spirit’in Nietzsche’s illustrations,so as to provide a deeper understanding of these two works by unveiling the individual and social sameness and difference of Eliot and Nietzsche.展开更多
This article presents a comprehensive analysis of the current state of research on the English translation of Lu You’s poetry, utilizing a data sample comprising research papers published in the CNKI Full-text Databa...This article presents a comprehensive analysis of the current state of research on the English translation of Lu You’s poetry, utilizing a data sample comprising research papers published in the CNKI Full-text Database from 2001 to 2022. Employing rigorous longitudinal statistical methods, the study examines the progress achieved over the past two decades. Notably, domestic researchers have displayed considerable interest in the study of Lu You’s English translation works since 2001. The research on the English translation of Lu You’s poetry reveals a diverse range of perspectives, indicating a rich body of scholarship. However, several challenges persist, including insufficient research, limited translation coverage, and a noticeable focus on specific poems such as “Phoenix Hairpin” in the realm of English translation research. Consequently, there is ample room for improvement in the quality of research output on the English translation of Lu You’s poems, as well as its recognition within the academic community. Building on these findings, it is argued that future investigations pertaining to the English translation of Lu You’s poetry should transcend the boundaries of textual analysis and encompass broader theoretical perspectives and research methodologies. By undertaking this shift, scholars will develop a more profound comprehension of Lu You’s poetic works and make substantive contributions to the field of translation studies. Thus, this article aims to bridge the gap between past research endeavors and future possibilities, serving as a guide and inspiration for scholars to embark on a more nuanced and enriching exploration of Lu You’s poetry as well as other Chinese literature classics.展开更多
In translating poems, it is very common that different people have quite different versions of the same poem. This paper therefore intends to expound upon the underlying factors from the perspective of Hermeneutics,by...In translating poems, it is very common that different people have quite different versions of the same poem. This paper therefore intends to expound upon the underlying factors from the perspective of Hermeneutics,by exploring the relationship between the textual meaning and the textual significance of a poem, as well as the relationship between the author's intention and the textual intention of a poem, aiming to explain the key element in translating poems—multi-interpretation.展开更多
Bly's preference of Taoist thoughts to Western philosophy and ideology in his poetry has its deeper reasons. It is his secluded life attitude and his poetics construction that promote him to learn from the ancient...Bly's preference of Taoist thoughts to Western philosophy and ideology in his poetry has its deeper reasons. It is his secluded life attitude and his poetics construction that promote him to learn from the ancient Chinese poetry which contains adequate Taoist ideas.展开更多
Sylvia Plath is a major representative of the American confessional poetry. Her idiosyncratic poetry and her suicide in1963 aroused an intensive interest and study on her and her poems that hasn't subsided until n...Sylvia Plath is a major representative of the American confessional poetry. Her idiosyncratic poetry and her suicide in1963 aroused an intensive interest and study on her and her poems that hasn't subsided until now. This paper tries to explore the so-called Sylvia Plath myth and analyzes the various factors that molded her extreme psychology, theme and style by Lacanian psychoanalytic approach.展开更多
ZANG Kejla was already a well-known fi-gure in Chinese literary circles during the1930s.Mao Zedong used to invite him tothe Qingzheng Hall to talk about poetry and edita few pieces,and the two became good friends.AsMa...ZANG Kejla was already a well-known fi-gure in Chinese literary circles during the1930s.Mao Zedong used to invite him tothe Qingzheng Hall to talk about poetry and edita few pieces,and the two became good friends.AsMao’s 100th birthday approached,I visited thepoet to talk with him about the late chairman’spoetry.Mao Zedong is a name known across theworld.A great revolutionary,politician and mili-tary scientist,he was also a poet at heart.Someforeign observers once wondered that“a poet hadcreated a new China.”His pieces have a veryrevolutionary flavor that recount to his readers展开更多
Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the...Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the first collection of romantic poetry in the history of Chinese literature.Qu Yuan’s poetry creation is related to his life experience.Qu Yuan was exiled to Yuan Xiang region,and he had been in contact with the Miao ancestors in Yuan Xiang area during the exile.Therefore,the Miao land culture in Yuan Xiang area has a profound influence on Qu Yuan’s later poetry creation.This paper,taking Qu Yuan’s later poetry as an example,analyzes the influence of Miao culture on Chu ci in Yuan Xiang area,introduces Qu Yuan’s life and how to contact Miao culture,and probes into the influence of Miao nationality’s religious thought,customs,language and culture,oral folk song and pan song on the later poetry creation of Qu Yuan.展开更多
The abundant imagery in Mao Zedong’s poetry is of great political and cultural significance and its English translation plays a major role in spreading New China’s influences worldwide.Comparison reveals that,in tra...The abundant imagery in Mao Zedong’s poetry is of great political and cultural significance and its English translation plays a major role in spreading New China’s influences worldwide.Comparison reveals that,in translations of a particular kind of imagery with supernatural meanings,some translators took a domesticating stance and Christianized some images with supernatural connotations,adding to them strong Western mythological features.It misinterprets the political and cultural connotations of the original,which is harmful to establish a proper political image and cultural confidence,and violates Mao’s translation thoughts and expectations.Christianization and its causes should be critically investigated.New boundaries should be set for foreignization and domestication methods.By viewing the relationships between the translator’s subjectivity and the author’s will,as well as the pursuit of translation effect and the defence of ideological security,new discourse will be explored to tell the Chinese stories with profound political and cultural thoughts in Mao’s poetry in a correct and well-accepted way.展开更多
In poetry translation,the translator’s subjectivity in translation activities determines the quality of translation to a great extent,for the translator must try to retain the imagery of the original poetry through t...In poetry translation,the translator’s subjectivity in translation activities determines the quality of translation to a great extent,for the translator must try to retain the imagery of the original poetry through their own understanding of the original work.By comparing the three Chinese translated versions of poetry in Jane Eyre by Huang Yuanshen,Zhu Qingying and Wu Junxie,this paper finds that the diachronic interpretation in the process of poetry creation,which is beneficial to the communication between the original work and the readers,helps the readers to experience the aesthetic beauty of the original poetry.展开更多
Since the study of Shakespeare's sonnets came to China,people come to an agreement that there is more than one theme running through these sonnets.The most popular and well-accepted ones are singing for fairness,k...Since the study of Shakespeare's sonnets came to China,people come to an agreement that there is more than one theme running through these sonnets.The most popular and well-accepted ones are singing for fairness,kindness and truth,singing for friendship,and singing for love.Among all these themes,time,running through these sonnets from the beginning to the end,is absolutely one of the most important.In the eyes of the poet,time is cruel and destructive;however,he figures out poetry as a key way to triumph over it.This article attempts to argue for the triumph of poetry over time in Shakespeare's sonnets based on an analysis to the poetry.展开更多
Traditionally,there is a complete rejection of the city within poetry.Nevertheless,as urbanization sped up,cities eventually became the center of culture.In modernistcity poems,the speaker takes up the role of“flaneu...Traditionally,there is a complete rejection of the city within poetry.Nevertheless,as urbanization sped up,cities eventually became the center of culture.In modernistcity poems,the speaker takes up the role of“flaneur”and conveys the poet’s reflections on urban life and urban people.By analyzing the characteristics and development of this image in modernist poetry,we can gain a deeper understanding of modernist poetry and urban life.展开更多
Metonymy is not only regarded as a figure of speech,but also an important cognitive instrument of human beings.There are many types of metonymies in Li Bai's poems.Metonymy can make the language vivid and reflect ...Metonymy is not only regarded as a figure of speech,but also an important cognitive instrument of human beings.There are many types of metonymies in Li Bai's poems.Metonymy can make the language vivid and reflect poet's mode of knowing and thinking about the world.This paper proposes five strategies for translation of metonymy in Li Bai's poems from the perspective of cognitive linguis tics.展开更多
In1939 a new poetry magazine appearedin Japan with the title Arechi,meaning’Waste Land’;the name,the editor said later,expressed‘our mental elimate’.In describinghis immediate response to Eliot’s The WasteLand,an...In1939 a new poetry magazine appearedin Japan with the title Arechi,meaning’Waste Land’;the name,the editor said later,expressed‘our mental elimate’.In describinghis immediate response to Eliot’s The WasteLand,another Japanese observed that tohis youthful eyes the world depicted there‘seemed to reflect our own sad and disillu-sioned world’.Other countries,some ofthem equally remote in space from the os-tensible setting of the poem,have reactedin similar ways.Rather differently,Eliot’searly essay Tradition and the IndividualTalent proved of timely interest in coun-tries where European and American literarypractices had impinged on the native litera-ture:far from being inert or burdensome,展开更多
John Donne’s poetry is noted for its use of conceit. The reason why his poems have special charm is not only that heis able to master this rhetorical device skillfully, but also that he has made conceit into a mode o...John Donne’s poetry is noted for its use of conceit. The reason why his poems have special charm is not only that heis able to master this rhetorical device skillfully, but also that he has made conceit into a mode of thinking.Therefore, conceit carries his philosophical speculation, love oath and religious piety, and this unique expressionproduces novel effect of defamiliarization and strengthens the emotional tension of his poetry.展开更多
Poetry is an integral part of the artistic framework of A Dream of Red Mansions,and plays a crucial role in shaping the atmosphere,portraying characters,and reflecting social reality,therefore it has both unique artis...Poetry is an integral part of the artistic framework of A Dream of Red Mansions,and plays a crucial role in shaping the atmosphere,portraying characters,and reflecting social reality,therefore it has both unique artistic charm and research value.This paper takes Kuhn’s and Schwarz’s translation of A Dream of Red Mansions as the research objects,selects 19 poems that both translators have translated to make a corpus,uses the software LancsBox to compare the translations from three levels of vocabulary,syntax,and text,in order to provide a new interpretation dimension for the translation research of A Dream of Red Mansions and enrich the application of the corpus-based method in the field of translation research of Chinese classics.展开更多
文摘As one of the most significant critical essays of T.S.Eliot,Tradition and Individual Talent has defined writing as a process during which the primitive oneness has seized the individual writer of figurative descriptions to help represent itself.This theory has latter been practiced in Eliot’s Wasteland,and shows its similarity with The Birth of Tragedy,written by Friedrick Nietzsche,the German philosopher.Eliot’s‘tradition’has been concluded by Nietzsche as‘Dionysian Spirit’,which represents oneness transcending good and evil,past and present,while‘individual talent’has resembled‘Apollonian Spirit’in the urge for original figuration as an apparatus.The paper aims to explain and compare the definitions of‘tradition’and‘individual talent’of Eliot’s work with that of‘Dionysian spirit’and‘Apollonian Spirit’in Nietzsche’s illustrations,so as to provide a deeper understanding of these two works by unveiling the individual and social sameness and difference of Eliot and Nietzsche.
文摘This article presents a comprehensive analysis of the current state of research on the English translation of Lu You’s poetry, utilizing a data sample comprising research papers published in the CNKI Full-text Database from 2001 to 2022. Employing rigorous longitudinal statistical methods, the study examines the progress achieved over the past two decades. Notably, domestic researchers have displayed considerable interest in the study of Lu You’s English translation works since 2001. The research on the English translation of Lu You’s poetry reveals a diverse range of perspectives, indicating a rich body of scholarship. However, several challenges persist, including insufficient research, limited translation coverage, and a noticeable focus on specific poems such as “Phoenix Hairpin” in the realm of English translation research. Consequently, there is ample room for improvement in the quality of research output on the English translation of Lu You’s poems, as well as its recognition within the academic community. Building on these findings, it is argued that future investigations pertaining to the English translation of Lu You’s poetry should transcend the boundaries of textual analysis and encompass broader theoretical perspectives and research methodologies. By undertaking this shift, scholars will develop a more profound comprehension of Lu You’s poetic works and make substantive contributions to the field of translation studies. Thus, this article aims to bridge the gap between past research endeavors and future possibilities, serving as a guide and inspiration for scholars to embark on a more nuanced and enriching exploration of Lu You’s poetry as well as other Chinese literature classics.
文摘In translating poems, it is very common that different people have quite different versions of the same poem. This paper therefore intends to expound upon the underlying factors from the perspective of Hermeneutics,by exploring the relationship between the textual meaning and the textual significance of a poem, as well as the relationship between the author's intention and the textual intention of a poem, aiming to explain the key element in translating poems—multi-interpretation.
文摘Bly's preference of Taoist thoughts to Western philosophy and ideology in his poetry has its deeper reasons. It is his secluded life attitude and his poetics construction that promote him to learn from the ancient Chinese poetry which contains adequate Taoist ideas.
文摘Sylvia Plath is a major representative of the American confessional poetry. Her idiosyncratic poetry and her suicide in1963 aroused an intensive interest and study on her and her poems that hasn't subsided until now. This paper tries to explore the so-called Sylvia Plath myth and analyzes the various factors that molded her extreme psychology, theme and style by Lacanian psychoanalytic approach.
文摘ZANG Kejla was already a well-known fi-gure in Chinese literary circles during the1930s.Mao Zedong used to invite him tothe Qingzheng Hall to talk about poetry and edita few pieces,and the two became good friends.AsMao’s 100th birthday approached,I visited thepoet to talk with him about the late chairman’spoetry.Mao Zedong is a name known across theworld.A great revolutionary,politician and mili-tary scientist,he was also a poet at heart.Someforeign observers once wondered that“a poet hadcreated a new China.”His pieces have a veryrevolutionary flavor that recount to his readers
基金Western Project of Chinese National Social Sciences Fund(Project Number:18XZW017).
文摘Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the first collection of romantic poetry in the history of Chinese literature.Qu Yuan’s poetry creation is related to his life experience.Qu Yuan was exiled to Yuan Xiang region,and he had been in contact with the Miao ancestors in Yuan Xiang area during the exile.Therefore,the Miao land culture in Yuan Xiang area has a profound influence on Qu Yuan’s later poetry creation.This paper,taking Qu Yuan’s later poetry as an example,analyzes the influence of Miao culture on Chu ci in Yuan Xiang area,introduces Qu Yuan’s life and how to contact Miao culture,and probes into the influence of Miao nationality’s religious thought,customs,language and culture,oral folk song and pan song on the later poetry creation of Qu Yuan.
文摘The abundant imagery in Mao Zedong’s poetry is of great political and cultural significance and its English translation plays a major role in spreading New China’s influences worldwide.Comparison reveals that,in translations of a particular kind of imagery with supernatural meanings,some translators took a domesticating stance and Christianized some images with supernatural connotations,adding to them strong Western mythological features.It misinterprets the political and cultural connotations of the original,which is harmful to establish a proper political image and cultural confidence,and violates Mao’s translation thoughts and expectations.Christianization and its causes should be critically investigated.New boundaries should be set for foreignization and domestication methods.By viewing the relationships between the translator’s subjectivity and the author’s will,as well as the pursuit of translation effect and the defence of ideological security,new discourse will be explored to tell the Chinese stories with profound political and cultural thoughts in Mao’s poetry in a correct and well-accepted way.
文摘In poetry translation,the translator’s subjectivity in translation activities determines the quality of translation to a great extent,for the translator must try to retain the imagery of the original poetry through their own understanding of the original work.By comparing the three Chinese translated versions of poetry in Jane Eyre by Huang Yuanshen,Zhu Qingying and Wu Junxie,this paper finds that the diachronic interpretation in the process of poetry creation,which is beneficial to the communication between the original work and the readers,helps the readers to experience the aesthetic beauty of the original poetry.
文摘Since the study of Shakespeare's sonnets came to China,people come to an agreement that there is more than one theme running through these sonnets.The most popular and well-accepted ones are singing for fairness,kindness and truth,singing for friendship,and singing for love.Among all these themes,time,running through these sonnets from the beginning to the end,is absolutely one of the most important.In the eyes of the poet,time is cruel and destructive;however,he figures out poetry as a key way to triumph over it.This article attempts to argue for the triumph of poetry over time in Shakespeare's sonnets based on an analysis to the poetry.
文摘Traditionally,there is a complete rejection of the city within poetry.Nevertheless,as urbanization sped up,cities eventually became the center of culture.In modernistcity poems,the speaker takes up the role of“flaneur”and conveys the poet’s reflections on urban life and urban people.By analyzing the characteristics and development of this image in modernist poetry,we can gain a deeper understanding of modernist poetry and urban life.
文摘Metonymy is not only regarded as a figure of speech,but also an important cognitive instrument of human beings.There are many types of metonymies in Li Bai's poems.Metonymy can make the language vivid and reflect poet's mode of knowing and thinking about the world.This paper proposes five strategies for translation of metonymy in Li Bai's poems from the perspective of cognitive linguis tics.
文摘In1939 a new poetry magazine appearedin Japan with the title Arechi,meaning’Waste Land’;the name,the editor said later,expressed‘our mental elimate’.In describinghis immediate response to Eliot’s The WasteLand,another Japanese observed that tohis youthful eyes the world depicted there‘seemed to reflect our own sad and disillu-sioned world’.Other countries,some ofthem equally remote in space from the os-tensible setting of the poem,have reactedin similar ways.Rather differently,Eliot’searly essay Tradition and the IndividualTalent proved of timely interest in coun-tries where European and American literarypractices had impinged on the native litera-ture:far from being inert or burdensome,
文摘John Donne’s poetry is noted for its use of conceit. The reason why his poems have special charm is not only that heis able to master this rhetorical device skillfully, but also that he has made conceit into a mode of thinking.Therefore, conceit carries his philosophical speculation, love oath and religious piety, and this unique expressionproduces novel effect of defamiliarization and strengthens the emotional tension of his poetry.
文摘Poetry is an integral part of the artistic framework of A Dream of Red Mansions,and plays a crucial role in shaping the atmosphere,portraying characters,and reflecting social reality,therefore it has both unique artistic charm and research value.This paper takes Kuhn’s and Schwarz’s translation of A Dream of Red Mansions as the research objects,selects 19 poems that both translators have translated to make a corpus,uses the software LancsBox to compare the translations from three levels of vocabulary,syntax,and text,in order to provide a new interpretation dimension for the translation research of A Dream of Red Mansions and enrich the application of the corpus-based method in the field of translation research of Chinese classics.
