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Effect of Bacteriostat(Qianxing No.1) on Open Tissue Culture of Sugarcane 被引量:5
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作者 卢加举 Arak Tira-Umphon +2 位作者 张正学 雷石富 余兰 《Agricultural Science & Technology》 CAS 2014年第9期1478-1481,共4页
[Objective] The effect of bacteriostat (Qianxing No.l) on open tissue cul- ture of sugarca6e was discussed in this paper. [Method] The axillary bud explants of Qiantang No.5 were used as experimental material. Diffe... [Objective] The effect of bacteriostat (Qianxing No.l) on open tissue cul- ture of sugarca6e was discussed in this paper. [Method] The axillary bud explants of Qiantang No.5 were used as experimental material. Different concentrations of Qianxing No.1 were added in the media to determine the optimal bacteriostatic con- centrations of Qianxing No.1 for induction and proliferation culture of sugarcane in the open tissue culture. [Result] The results showed Qianxing No.1 with the con- centration of 0.5% could effectively inhibit the medium contamination. Under that bacteriostatic concentration, the surviving rate of explants was up to 80%, and the propagation coefficient was 3.1. [Conclusion] This research would provide a theoretic basis for the simplification of sugarcane tissue culture procedure and the reduction of production costs. 展开更多
关键词 Qianxing No.1 bacteriostat: Sugarcane: open tissue culture
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Grand Theatre:A Landmark of Shanghai's Open Culture
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作者 WeiXing 《China & The World Cultural Exchange》 2002年第5期14-16,共3页
In June, the Shanghai Grand Theatre invested 10 million yuan (1.2 million U.S. dollars) to stage the classic Broadway musical "Les Miserables."The performance celebrated the 200th anniversary of the birth of... In June, the Shanghai Grand Theatre invested 10 million yuan (1.2 million U.S. dollars) to stage the classic Broadway musical "Les Miserables."The performance celebrated the 200th anniversary of the birth of writer Victor Hugo, author of the book on which the musical was based. The Shanghai tour makes China the 36th country to stage "Les Miserables," one of the world’s four most 展开更多
关键词 Grand Theatre:A Landmark of Shanghai’s open culture
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