品牌专门店不仅是单纯的购物环境,还是传达品牌文化和消费文化内涵的空间,建构人们的身份认同、生活方式和审美观念的场所。本文试图通过对PRADA纽约店与东京店两间体验中心进行对比分析,并从消费文化的角度进行解读,探讨OMA与Herzog &a...品牌专门店不仅是单纯的购物环境,还是传达品牌文化和消费文化内涵的空间,建构人们的身份认同、生活方式和审美观念的场所。本文试图通过对PRADA纽约店与东京店两间体验中心进行对比分析,并从消费文化的角度进行解读,探讨OMA与Herzog & de Meuron的不同设计理念和策略,以作为我们在消费时代进行建筑创作的借鉴和启示。展开更多
Miranda Priestly,the remarkable antagonist in Lauren Weisberger’s best-seller The Devil Wears Prada,has been widely considered to be a typical tyrannical female leader since the novel was published.Her forceful image...Miranda Priestly,the remarkable antagonist in Lauren Weisberger’s best-seller The Devil Wears Prada,has been widely considered to be a typical tyrannical female leader since the novel was published.Her forceful image and her impolite language features have attracted researcher’s attention,but the puzzle remains of why Miranda is a fashionable devil of great charm.To figure it out,this paper investigated the characterization of Miranda by exploring the explicit and implicit aspects of the novel’s characterization as well as the multiple faces of Miranda Priestly.It was found that Lauren mainly used the protagonist Andrea’s description,dialogues between Andrea and other characters,Miranda’s remarks and behaviour to create the character,Miranda.She is a multifaceted person and her complexity made her a realistic round character.She has become a representative sample of a bossy female leader owing to her perfectionism,unreasonableness,arrogance and self-centredness.However,Miranda is still a lovable character for the following reasons:First,the things she does are contradictory and ironic.Second,her perfectionism made people work at Runway in a comical way.Lastly,Miranda’s great talent as a fashion magazine editor,her marvellous achievements as well as her perfectionism can compensate for the suffering she has caused.The findings are believed to make a positive contribution to practical knowledge of building a bossy female leader character.展开更多
文摘品牌专门店不仅是单纯的购物环境,还是传达品牌文化和消费文化内涵的空间,建构人们的身份认同、生活方式和审美观念的场所。本文试图通过对PRADA纽约店与东京店两间体验中心进行对比分析,并从消费文化的角度进行解读,探讨OMA与Herzog & de Meuron的不同设计理念和策略,以作为我们在消费时代进行建筑创作的借鉴和启示。
文摘Miranda Priestly,the remarkable antagonist in Lauren Weisberger’s best-seller The Devil Wears Prada,has been widely considered to be a typical tyrannical female leader since the novel was published.Her forceful image and her impolite language features have attracted researcher’s attention,but the puzzle remains of why Miranda is a fashionable devil of great charm.To figure it out,this paper investigated the characterization of Miranda by exploring the explicit and implicit aspects of the novel’s characterization as well as the multiple faces of Miranda Priestly.It was found that Lauren mainly used the protagonist Andrea’s description,dialogues between Andrea and other characters,Miranda’s remarks and behaviour to create the character,Miranda.She is a multifaceted person and her complexity made her a realistic round character.She has become a representative sample of a bossy female leader owing to her perfectionism,unreasonableness,arrogance and self-centredness.However,Miranda is still a lovable character for the following reasons:First,the things she does are contradictory and ironic.Second,her perfectionism made people work at Runway in a comical way.Lastly,Miranda’s great talent as a fashion magazine editor,her marvellous achievements as well as her perfectionism can compensate for the suffering she has caused.The findings are believed to make a positive contribution to practical knowledge of building a bossy female leader character.
文摘电影《The Devil Wears Prada》,译作《穿PRADA的恶魔》(也有译作《穿prada的女魔头》,《时尚女魔头》)改编自同名小说。该小说于2003年在美国纽约出版,一夜间爆红,在《纽约时报》畅销书排行榜上保持6个月,在出版人周刊畅销书排行榜上蝉联40周。2006年,以此改编的电影力邀《Sex and the City》服装指导Patricia Field助阵,奥斯卡影后Meryl Streep主演,众多时尚顶尖品牌鼎力相助,上映一个月票房达1亿美金。
