The Eye in the Door is one of the masterpieces of Pat Barker,a famous contemporary British female writer.In this novel the image of the Panopticon stands out because ofits high frequency and detailed descriptions,and ...The Eye in the Door is one of the masterpieces of Pat Barker,a famous contemporary British female writer.In this novel the image of the Panopticon stands out because ofits high frequency and detailed descriptions,and it also becomes the key to the interpretation of the novel because of its relation to the fates of many characters and its metaphorical meanings.From the perspective of semiotics,this paper makes a progressive interpretation of this imagery symbol from three aspects:the features of the Panopticon in the surface sense,the surveillance function and power mechanism of the Panopticon in the deeper sense,and the Panopticon as the metaphor of the British society during the First World War in the social and cultural sense,then points out that the imagery symbol of the Panopticon is the encoding and embodiment of the writer's ideas.Through this imagery symbol,the writer criticizes the disciplinary characteristics and totalitarian tendency of the British society during the First World War and expresses her reflection on the First World War and its causes.展开更多
Rem Koolhaas/OMA carried out the study for De Koepel prison throughout a decade(1979-1988).However,only its initial stages(1979-1980)were disclosed and have been investigated.The hypothesis presented in this article s...Rem Koolhaas/OMA carried out the study for De Koepel prison throughout a decade(1979-1988).However,only its initial stages(1979-1980)were disclosed and have been investigated.The hypothesis presented in this article suggests that Koolhaas implemented his dthend recent thesis present in Delirious New York(1978)on“life in the metropolis”and the“Culture of Congestion”in the conception and design of this project.Thus,this article has the aim of examining dby means of the documents compelling the entire period of the studyd how the project suggested transforming the domesticity of De Koepel prison into a“social condenser”of the contemporary metropolis.By doing so,it makes it possible to consider the role of this project within the first decade of Koolhaas’career as an architect(1978-1989),and to establish that Delirious New York is,in fact,the theory on which it was based on when first conceived.This project anticipated the strategy and the methodology he implemented,at a later time,in other projects,offering a different perspective.On this occasion,this diagrammatic investigation took place in Bentham’s Panopticon;reason why,he was then able to develop the reflections on heterotopias and prisons carried out by Foucault.展开更多
基金This paper received support from Jiangsu Province Social Sciences Fund by Jiangsu Planning Office of Philosophy and Social Science.The project funded is"A Study of the Postmemory Writing in Pat Barker's Novels"(project number:19WWB002).
文摘The Eye in the Door is one of the masterpieces of Pat Barker,a famous contemporary British female writer.In this novel the image of the Panopticon stands out because ofits high frequency and detailed descriptions,and it also becomes the key to the interpretation of the novel because of its relation to the fates of many characters and its metaphorical meanings.From the perspective of semiotics,this paper makes a progressive interpretation of this imagery symbol from three aspects:the features of the Panopticon in the surface sense,the surveillance function and power mechanism of the Panopticon in the deeper sense,and the Panopticon as the metaphor of the British society during the First World War in the social and cultural sense,then points out that the imagery symbol of the Panopticon is the encoding and embodiment of the writer's ideas.Through this imagery symbol,the writer criticizes the disciplinary characteristics and totalitarian tendency of the British society during the First World War and expresses her reflection on the First World War and its causes.
基金This research was funded by the EU EUROPEAN SOCIAL FUND and COMUNIDAD DE MADRID,grant number PEJD-2017-PRE-HUM-4149UNIVERSIDAD POLITECNICA DE MADRID CONSEJO SOCIAL Fellowshiplater EU ERASMUS+Traineeship Grant.
文摘Rem Koolhaas/OMA carried out the study for De Koepel prison throughout a decade(1979-1988).However,only its initial stages(1979-1980)were disclosed and have been investigated.The hypothesis presented in this article suggests that Koolhaas implemented his dthend recent thesis present in Delirious New York(1978)on“life in the metropolis”and the“Culture of Congestion”in the conception and design of this project.Thus,this article has the aim of examining dby means of the documents compelling the entire period of the studyd how the project suggested transforming the domesticity of De Koepel prison into a“social condenser”of the contemporary metropolis.By doing so,it makes it possible to consider the role of this project within the first decade of Koolhaas’career as an architect(1978-1989),and to establish that Delirious New York is,in fact,the theory on which it was based on when first conceived.This project anticipated the strategy and the methodology he implemented,at a later time,in other projects,offering a different perspective.On this occasion,this diagrammatic investigation took place in Bentham’s Panopticon;reason why,he was then able to develop the reflections on heterotopias and prisons carried out by Foucault.
