Metropolises in the globalization call nowadays Towns＇ of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities＇ into question. Jazz a...Metropolises in the globalization call nowadays Towns＇ of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities＇ into question. Jazz answers with stories and memories can learn a lesson for the future of towns, metropolises and their background, shows through examples of stories of jazz in New Orleans, New York, Paris, Bordeaux and Rome, how this nomad, notable and crossbreeding music contributes to the history of jazz, and world music, and listeners＇ memories, in ＂their own way＂ as towns, cities and their memories can contribute to the prosperity of the metropolises in globalization, through original melting pot works.展开更多
《中国新音乐史论》初版^([1])和增订版^([2])出版后,大量书评在台北、内地的学报上出现。据不完全统计,1998年至2001年出版的书评近40篇,从中挑选了一部分加上在北京和香港举办的研讨会宣读的论文与发言录音整理共29篇,编辑出版了《〈...《中国新音乐史论》初版^([1])和增订版^([2])出版后,大量书评在台北、内地的学报上出现。据不完全统计,1998年至2001年出版的书评近40篇,从中挑选了一部分加上在北京和香港举办的研讨会宣读的论文与发言录音整理共29篇,编辑出版了《〈中国新音乐史论〉研讨会论文集》^([3])。增订版的书评只见到4篇。《中国新音乐史论》英译版A Critical History of New Music in China^([4])出版后至今,见到7篇英文书评。这7篇书评,有三位是外籍学者,三位是中国学者,一位是报纸文化版编辑。现在阅读这些书评,颇能发人深思:一、初版的内地书评作者与增订版的内地书评作者,相隔十余年,观点、角度、文风与心态显然不同;二、台、港、内地的书评各有各的着重点;三、中、外(包括在美国任教的华裔学者)书评作者的中国音乐史观有别。展开更多
文摘Metropolises in the globalization call nowadays Towns＇ of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities＇ into question. Jazz answers with stories and memories can learn a lesson for the future of towns, metropolises and their background, shows through examples of stories of jazz in New Orleans, New York, Paris, Bordeaux and Rome, how this nomad, notable and crossbreeding music contributes to the history of jazz, and world music, and listeners＇ memories, in ＂their own way＂ as towns, cities and their memories can contribute to the prosperity of the metropolises in globalization, through original melting pot works.
文摘《中国新音乐史论》初版^([1])和增订版^([2])出版后,大量书评在台北、内地的学报上出现。据不完全统计,1998年至2001年出版的书评近40篇,从中挑选了一部分加上在北京和香港举办的研讨会宣读的论文与发言录音整理共29篇,编辑出版了《〈中国新音乐史论〉研讨会论文集》^([3])。增订版的书评只见到4篇。《中国新音乐史论》英译版A Critical History of New Music in China^([4])出版后至今,见到7篇英文书评。这7篇书评,有三位是外籍学者,三位是中国学者,一位是报纸文化版编辑。现在阅读这些书评,颇能发人深思:一、初版的内地书评作者与增订版的内地书评作者,相隔十余年,观点、角度、文风与心态显然不同;二、台、港、内地的书评各有各的着重点;三、中、外(包括在美国任教的华裔学者)书评作者的中国音乐史观有别。
