As an indispensable element in films, father has always been the object of the film narration. In the early film creation of Zhang Yimou, there are two conflicting images of the contemporary self and the traditional f...As an indispensable element in films, father has always been the object of the film narration. In the early film creation of Zhang Yimou, there are two conflicting images of the contemporary self and the traditional father. The thoughts of Zhang Yimou in this period on history, nationality and cultures are the most profound, so the performance of the ＂patricide＂ theme in the films of this period is the most obvious. In this article, starting mainly from Zhang Yimou＇s early films, the author carries out the annotation and interpretation of the ＂patricide＂ theme in the early film creation by Zhang Yimou, as well as the main reasons behind the act of creation.展开更多
文摘As an indispensable element in films, father has always been the object of the film narration. In the early film creation of Zhang Yimou, there are two conflicting images of the contemporary self and the traditional father. The thoughts of Zhang Yimou in this period on history, nationality and cultures are the most profound, so the performance of the ＂patricide＂ theme in the films of this period is the most obvious. In this article, starting mainly from Zhang Yimou＇s early films, the author carries out the annotation and interpretation of the ＂patricide＂ theme in the early film creation by Zhang Yimou, as well as the main reasons behind the act of creation.
