The Influence of Miao Nationality’s Culture in Yuan Xiang Region on the Later Poetry Creation of Qu Yuan

Miao culture is one of the minority cultures in China.It also has a certain impact on the development of Chinese literature and poetry.Chu ci is a new poetic style created by Qu Yuan,an ancient poet in China.It is the first collection of romantic poetry in the history of Chinese literature.Qu Yuan’s poetry creation is related to his life experience.Qu Yuan was exiled to Yuan Xiang region,and he had been in contact with the Miao ancestors in Yuan Xiang area during the exile.Therefore,the Miao land culture in Yuan Xiang area has a profound influence on Qu Yuan’s later poetry creation.This paper,taking Qu Yuan’s later poetry as an example,analyzes the influence of Miao culture on Chu ci in Yuan Xiang area,introduces Qu Yuan’s life and how to contact Miao culture,and probes into the influence of Miao nationality’s religious thought,customs,language and culture,oral folk song and pan song on the later poetry creation of Qu Yuan.

An Investigation into the Case of Multi-interpretation in Poetry Translation

In translating poems, it is very common that different people have quite different versions of the same poem. This paper therefore intends to expound upon the underlying factors from the perspective of Hermeneutics,by exploring the relationship between the textual meaning and the textual significance of a poem, as well as the relationship between the author's intention and the textual intention of a poem, aiming to explain the key element in translating poems—multi-interpretation.

Reasons of Taoism in Robert Bly's Poetry

Bly's preference of Taoist thoughts to Western philosophy and ideology in his poetry has its deeper reasons. It is his secluded life attitude and his poetics construction that promote him to learn from the ancient Chinese poetry which contains adequate Taoist ideas.

Sylvia Plath And Her Poetry Viewed In Psychological Aspect

Sylvia Plath is a major representative of the American confessional poetry. Her idiosyncratic poetry and her suicide in1963 aroused an intensive interest and study on her and her poems that hasn't subsided until now. This paper tries to explore the so-called Sylvia Plath myth and analyzes the various factors that molded her extreme psychology, theme and style by Lacanian psychoanalytic approach.

The Artistic State of Ancient Chinese Classical Poetry

The “poetry” is the spiritual and artistic creation of human during historical practice and civilization development, as well as a kind of literary style with both refined and popular tastes, strong flavor of life, wide range of dissemination, and strong vitality of art. While,“Ci”, as one of the poetry types with strong national characteristics, has always been enjoying the same reputation as “poetry” in the history of Chinese literature development.

Poet Zang Kejia Talks About Mao Zedong’s Poetry—Commemorating Mao Zedong’s Centenary

ZANG Kejla was already a well-known fi-gure in Chinese literary circles during the1930s.Mao Zedong used to invite him tothe Qingzheng Hall to talk about poetry and edita few pieces,and the two became good friends.AsMao’s 100th birthday approached,I visited thepoet to talk with him about the late chairman’spoetry.Mao Zedong is a name known across theworld.A great revolutionary,politician and mili-tary scientist,he was also a poet at heart.Someforeign observers once wondered that“a poet hadcreated a new China.”His pieces have a veryrevolutionary flavor that recount to his readers

Rebellious Spirit in Shelley’s Poetry

雪莱的诗歌反映了他争取平等和自由的反叛思想。诗歌中揭示了他对上层阶级的诅咒 。

Confucianism in Du Fu＇s Poetry and Sun Dayu＇s Translation

The great Chinese poet Du Fu＇s poetry in the Dang Dynasty has important significance in the development of the world culture. Confucianism is the main theme of his poetry, which penetrates connotation of benevolence, love of all life and self-cultivation. The famous poet Sun Dayu strived to highlight ideological content and the essence of Confucianism in Du Fu＇s poetry through translation. On the basis of deep understanding of the source text and careful choice of words, Sun Dayu mainly used literal translation, free translation and explanation in order to make the target readers know the spirit of Confucianism. His translation activities showed solicitude for national destiny and historical responsibility.

Boundary of Domestication:Christianized Imagery in English Translations of Mao Zedong’s Poetry

The abundant imagery in Mao Zedong’s poetry is of great political and cultural significance and its English translation plays a major role in spreading New China’s influences worldwide.Comparison reveals that,in translations of a particular kind of imagery with supernatural meanings,some translators took a domesticating stance and Christianized some images with supernatural connotations,adding to them strong Western mythological features.It misinterprets the political and cultural connotations of the original,which is harmful to establish a proper political image and cultural confidence,and violates Mao’s translation thoughts and expectations.Christianization and its causes should be critically investigated.New boundaries should be set for foreignization and domestication methods.By viewing the relationships between the translator’s subjectivity and the author’s will,as well as the pursuit of translation effect and the defence of ideological security,new discourse will be explored to tell the Chinese stories with profound political and cultural thoughts in Mao’s poetry in a correct and well-accepted way.

A Comparative Study of the Three Chinese Translated Versions of Poetry in Jane Eyre

In poetry translation,the translator’s subjectivity in translation activities determines the quality of translation to a great extent,for the translator must try to retain the imagery of the original poetry through their own understanding of the original work.By comparing the three Chinese translated versions of poetry in Jane Eyre by Huang Yuanshen,Zhu Qingying and Wu Junxie,this paper finds that the diachronic interpretation in the process of poetry creation,which is beneficial to the communication between the original work and the readers,helps the readers to experience the aesthetic beauty of the original poetry.

The Image and Text Relationship in TANG Yin＇s Scroll of Poetry and Painting

This paper seeks to examine the image and text relationship in TANG Yin＇s scroll of poetry and painting from three aspects： The first aspect focuses upon the schema type of its image and text relationship in physical form; the second aspect, explores the text＇s/poetry＇s functions of anchorage and relay while appreciating those images/paintings; the third aspect, traces the semiosis process of image, exploring how image and text as cultural products in the epistemological world mediates with the phenomenological world

The Triumph of Poetry over Time in Shakespeare's Sonnets

Since the study of Shakespeare's sonnets came to China,people come to an agreement that there is more than one theme running through these sonnets.The most popular and well-accepted ones are singing for fairness,kindness and truth,singing for friendship,and singing for love.Among all these themes,time,running through these sonnets from the beginning to the end,is absolutely one of the most important.In the eyes of the poet,time is cruel and destructive;however,he figures out poetry as a key way to triumph over it.This article attempts to argue for the triumph of poetry over time in Shakespeare's sonnets based on an analysis to the poetry.

The“Flaneur”in Modernist Poetry

Traditionally,there is a complete rejection of the city within poetry.Nevertheless,as urbanization sped up,cities eventually became the center of culture.In modernistcity poems,the speaker takes up the role of“flaneur”and conveys the poet’s reflections on urban life and urban people.By analyzing the characteristics and development of this image in modernist poetry,we can gain a deeper understanding of modernist poetry and urban life.

A Survey of English Translation Studies of Lu You’s Poetry Based on the Data Analysis of Domestic Academic Journals (2001-2022)

This article presents a comprehensive analysis of the current state of research on the English translation of Lu You’s poetry, utilizing a data sample comprising research papers published in the CNKI Full-text Database from 2001 to 2022. Employing rigorous longitudinal statistical methods, the study examines the progress achieved over the past two decades. Notably, domestic researchers have displayed considerable interest in the study of Lu You’s English translation works since 2001. The research on the English translation of Lu You’s poetry reveals a diverse range of perspectives, indicating a rich body of scholarship. However, several challenges persist, including insufficient research, limited translation coverage, and a noticeable focus on specific poems such as “Phoenix Hairpin” in the realm of English translation research. Consequently, there is ample room for improvement in the quality of research output on the English translation of Lu You’s poems, as well as its recognition within the academic community. Building on these findings, it is argued that future investigations pertaining to the English translation of Lu You’s poetry should transcend the boundaries of textual analysis and encompass broader theoretical perspectives and research methodologies. By undertaking this shift, scholars will develop a more profound comprehension of Lu You’s poetic works and make substantive contributions to the field of translation studies. Thus, this article aims to bridge the gap between past research endeavors and future possibilities, serving as a guide and inspiration for scholars to embark on a more nuanced and enriching exploration of Lu You’s poetry as well as other Chinese literature classics.

何以触发旅游虚拟社区用户价值共创行为?——基于SEM和fsQCA的混合分析

厘清旅游虚拟社区用户价值共创行为产生的机理,对旅游虚拟社区的持续发展具有重要意义。本文以S-O-R模型为理论框架,从用户感知的旅游虚拟社区特征出发,引入依恋理论探讨用户价值共创行为的形成机制。本研究采用结构方程模型(SEM)和模糊集定性比较分析(fsQCA)混合的方法。研究发现:旅游虚拟社区用户感知特征对情感依恋的两个维度(人际依恋和群组依恋)均存在显著正向影响,但不能直接影响其价值共创行为,需要通过情感依恋的中介作用才能激发行为效应,其中群组依恋的中介作用更为显著。此外,通过定性比较分析得出两类产生用户价值共创行为的组态模式,其中娱乐性是用户价值共创行为产生的必要条件,群聚性、信息源影响力、群组依恋和人际依恋在一定程度上发挥核心作用。

The Translation of Metonymy in Li Bai's Poems from a Cognitive Linguistic Perspective

Metonymy is not only regarded as a figure of speech,but also an important cognitive instrument of human beings.There are many types of metonymies in Li Bai's poems.Metonymy can make the language vivid and reflect poet's mode of knowing and thinking about the world.This paper proposes five strategies for translation of metonymy in Li Bai's poems from the perspective of cognitive linguis tics.

艺术歌曲创作与古诗英译过程研究——以翟理斯(Herbert Allen Giles)古诗英译为例

本文基于艺术歌曲构造和创作的相关理论,以翟理斯(Herbert Allen Giles)古诗英译为例,从基调的建立、音情的变化、形象表达以及风格再造方面探讨了歌曲创作对译者翻译过程的影响,旨在进一步阐释翟氏"诗体译诗"翻译观的内涵,解答符际翻译研究中的一些问题,揭示音乐创作对于文学翻译的方法论价值,据此提出"音译"新概念以及"跨界"研究新视角,指出语言、文学和音乐间的跨界研究对于中国文化传播的意义。

谈T·S艾略特文艺批评

托马斯·斯特恩斯·艾略特是美国和英国争相拥有的名士。他兼诗人、评论家、戏剧家于一身。在美国,艾略特的论著比他的诗歌的影响更为深远。他提出了“非个人化”与“客观对应物”等新的诗歌创作原则,对现代文学批评,特别是英美新批评派及诗歌创作产生了巨大的影响,推动了诗歌创作和文艺批评的发展、繁荣。文章从四个阶段来探究艾略特文艺批评发展的轨迹。