Twists and Turns of the Post-1949 Years

Success of the revolution represents but only the first step in a long march. ---Mao Zedong Mao Zedong’s announcement in 1949 that "the Chinese people have stoodup," ended the dark decades of domestic fragmentation and foreign subjugation,

Psalm 137 According to Zhang Xiaofeng： The Walling Wall in Post-1949 Taiwan Literary History

The aim of this essay is to analyze the first story by Zhang Xiaofeng, Taiwan writer, playwright, known in the mainland of China mainly as an excellent essayist. The Wailing Wall （Kuqiang） was written in 1968 in the atmosphere of the Six Days War in Israel, the atrocities during the first years of the Cultural Revolution in the mainland of China, and war in Vietnam, Wailing Wall is a poetic symbol of sadness and suffering mostly of the innocent people. For the author of the story it is reminiscent of the biblical Psalm 137 depicting the moods of the Hebrews in the Babylonian Captivity after 586 B.C. and the situation of her compatriots who were forced to leave their old homes in the Mainland before Oct. 1, 1949. Zhang Xiaofeng is a Christian author regarding love as the cornerstone of inter-human relations. She believes in love of God for all human beings and in the universal love. The short story consisting of one woman and her relations with two brothers between October 1949 and June 1967, against the background what happened in the world around them, and in their vicinity, brought her an unpleasant cognition： The true love is hardly possible where the human beings should live between, or behind the walls, where hate is prevailing.

论战后陕西国民义务劳动与地方建设(1945—1949)

国民义务劳动在陕西省抗战后的地方建设中扮演了重要的角色,它为陕西地方建设提供了行政、人力、经费和宣传方面的支持,陕西地方政府也将其作为鼓励和加快地方建设的手段。通过分析相关文献,理清国民义务劳动与陕西地方建设的关系,探究二者的相互作用,进而给予评价。

入深·务实·求新:上海古典戏曲研究七十年

1949年至今,上海地区古典戏曲研究共涌现五代学人,学术梯队持续未断,在古代戏曲理论批评研究、古代戏曲作家作品考证系年、跨学科研究三个领域薪火相传、影响甚著。古代戏曲理论批评研究依次经历了筚路蓝缕、开拓局面、整体联络、全面排查、透视内核的过程。这一横向拓展和纵深开掘交织并进的历程正是学术史演进的典型路向。而元明清三代戏曲作家作品考证系年工作,以其资料性、系统性和严谨性嘉惠学林。不仅如此,广大学人也在跨学科视野中观照戏曲史演进。他们借助其他相关学科理论既“向内转”又“朝外看”,带来了研究方法的突破。七十年间,上海地区五代学人为戏曲史学贡献了丰硕的成果。他们的研究提供了丰富的历史材料,厘清了大量的基本事实,完善了古代戏曲演进的讲述,使得戏曲历史图景的呈现更加立体。

1949年以后台湾地区考古学的发展历程——以台湾大学《考古人类学刊》为视角

台湾大学《考古人类学刊》是我国台湾地区刊登考古学文章最为集中的期刊,通过对其1953—2006年发表的学术论文和作者的统计分析,可以审视自创刊以来台湾考古学的发展及其成就。该刊刊载论文以民族学、考古学和人类学三大学科为支柱,其中民族学类论文为最大宗,考古学类次之,人类学文章紧随其后。台湾考古经历了三个阶段:20世纪50年代对日据时期日本学者工作的梳理和总结,再到60年代以中原(殷商)考古为主导,逐步过渡到70年代以后台湾地区考古的本土化和重新定位。