The Qiang ethnic group in southern Songpan county lives in vernacular plank houses(VPHs) with an architectural tradition that dates to the period of the ancient Di people.VPHs are now mainly constructed in settlements...The Qiang ethnic group in southern Songpan county lives in vernacular plank houses(VPHs) with an architectural tradition that dates to the period of the ancient Di people.VPHs are now mainly constructed in settlements of ethnic groups such as Baima Tibetans, Amdo Tibetans, and the Qiang people living in Wenxian county, Longnan city of Gansu province, and Maoxian, Lixian, Wenchuan, and Beichuan of Sichuan province respectively.Although VPHs of the Qiang people living in southern Songpan share many similarities with those of adjacent Tibetans in structure, construction, and spatial layout, they feature the Qiang people's unique architectural culture, and reflect a style transition from VPHs in the north to blockhouses in the south.The VPHs, as represented by those in Xiaoxinggou, play a significant role in the diversified architectural culture of this ethnic group.Their unique cultural value is worthy of further exploration and protection.展开更多
There is a very ancient and magical ritual dance （leather drum dance） in the folk society of Qiang ethnic minority, which is located in Wenchuan, Maoxian County, and Beichuan County of the Northwest Plateau. It is a...There is a very ancient and magical ritual dance （leather drum dance） in the folk society of Qiang ethnic minority, which is located in Wenchuan, Maoxian County, and Beichuan County of the Northwest Plateau. It is a dance used by Qiang people to lead the way for honoring their gods, expelling the evil spirit, seeking happiness, and sending the soul of the dead to the heavy. In this paper, the origin, development, morphological characteristics, formation control, and social functions are studied.展开更多
Objective: Exploring how an ethnic culture-focused collective narrative strategy can be effectively used to promote resilience among the affected Qiang children for post-disaster psychological trauma at scale. Design:...Objective: Exploring how an ethnic culture-focused collective narrative strategy can be effectively used to promote resilience among the affected Qiang children for post-disaster psychological trauma at scale. Design: The study was conducted with a cohort of ethnic Qiang children through a pretest(n=1100) and post-three years test(n=957) to evaluate the effect of the intervention program from myth story-based collective narrative cultural practices. Results: Data from the study clearly indicate that children's resilience behaviour had been greatly improved by the myth story-based collective narrative activities with average scores on 11 items showing a significant increase from 2.08 at baseline to 4.12 at 3 years follow-up posttest(mean=2.04, 95% CI=0.97, 3.11, p <0.0001). No similar change occurred in the control groups(mean=0.74, 95% CI=-0.75, 2.23, n.s). Conclusion: The adoption of an ethnic culture-focused collectivism narrative approach for reduction of vulnerability was able to greatly promote the cultural variable to enhance coping for Qiang children affected by trauma at scale, which informed the urgency for developing an indigenous psych-cultural agenda for collectively responding to disaster trauma in ethnic minority contexts.展开更多
Since 2008 when the Wenchuan earthquake occurred, media from different countries and regions across the world reported the earthquake so that a less well-known ethnic group of China, the Qiang ethnic minority, has att...Since 2008 when the Wenchuan earthquake occurred, media from different countries and regions across the world reported the earthquake so that a less well-known ethnic group of China, the Qiang ethnic minority, has attracted attention around the world. The Qiang ethnic minority could be dated back to the Shang Dynasty （ca. 1600-1046BC）. The long-standing Qiang culture is an important part of those brilliant Chinese cultures. The Qiang’s traditional dress and adornment is an integral part of the Qiang culture, appreciating unique ethnic characteristics and cultural meanings. Being against the backdrop of promoting cultural diversity nowadays, this paper makes a brief introduction to the Qiang’s traditional dress and adornment and gives an explanation of their rich unique cultural meanings so as to present the Qiang’s traditional dress and adornment to the world, facilitate their going out to the world and communication with other cultures in the world, and enrich the world’s ethnic cultures.展开更多
基金the findings of a “Study on Architectural Culture Fusion in the Ethnic Corridor Area: A Case Study of Qiang Architecture in the Upper Reaches of the Minjiang River” (13XJC850002)a cultural and social science research project of the Ministry of Education in 2013the findings of a discipline project (Studies on Bashu Culture) of Sichuan Academy of Social Sciences。
文摘The Qiang ethnic group in southern Songpan county lives in vernacular plank houses(VPHs) with an architectural tradition that dates to the period of the ancient Di people.VPHs are now mainly constructed in settlements of ethnic groups such as Baima Tibetans, Amdo Tibetans, and the Qiang people living in Wenxian county, Longnan city of Gansu province, and Maoxian, Lixian, Wenchuan, and Beichuan of Sichuan province respectively.Although VPHs of the Qiang people living in southern Songpan share many similarities with those of adjacent Tibetans in structure, construction, and spatial layout, they feature the Qiang people's unique architectural culture, and reflect a style transition from VPHs in the north to blockhouses in the south.The VPHs, as represented by those in Xiaoxinggou, play a significant role in the diversified architectural culture of this ethnic group.Their unique cultural value is worthy of further exploration and protection.
文摘There is a very ancient and magical ritual dance （leather drum dance） in the folk society of Qiang ethnic minority, which is located in Wenchuan, Maoxian County, and Beichuan County of the Northwest Plateau. It is a dance used by Qiang people to lead the way for honoring their gods, expelling the evil spirit, seeking happiness, and sending the soul of the dead to the heavy. In this paper, the origin, development, morphological characteristics, formation control, and social functions are studied.
基金the volunteer participants and the John and Daphne Keats Endowment Research Fund from the University of Newcastle,Australia(G1500214,G0189569,G0900100)UNICEF which funded the fieldwork of the project in China
文摘Objective: Exploring how an ethnic culture-focused collective narrative strategy can be effectively used to promote resilience among the affected Qiang children for post-disaster psychological trauma at scale. Design: The study was conducted with a cohort of ethnic Qiang children through a pretest(n=1100) and post-three years test(n=957) to evaluate the effect of the intervention program from myth story-based collective narrative cultural practices. Results: Data from the study clearly indicate that children's resilience behaviour had been greatly improved by the myth story-based collective narrative activities with average scores on 11 items showing a significant increase from 2.08 at baseline to 4.12 at 3 years follow-up posttest(mean=2.04, 95% CI=0.97, 3.11, p <0.0001). No similar change occurred in the control groups(mean=0.74, 95% CI=-0.75, 2.23, n.s). Conclusion: The adoption of an ethnic culture-focused collectivism narrative approach for reduction of vulnerability was able to greatly promote the cultural variable to enhance coping for Qiang children affected by trauma at scale, which informed the urgency for developing an indigenous psych-cultural agenda for collectively responding to disaster trauma in ethnic minority contexts.
文摘Since 2008 when the Wenchuan earthquake occurred, media from different countries and regions across the world reported the earthquake so that a less well-known ethnic group of China, the Qiang ethnic minority, has attracted attention around the world. The Qiang ethnic minority could be dated back to the Shang Dynasty （ca. 1600-1046BC）. The long-standing Qiang culture is an important part of those brilliant Chinese cultures. The Qiang’s traditional dress and adornment is an integral part of the Qiang culture, appreciating unique ethnic characteristics and cultural meanings. Being against the backdrop of promoting cultural diversity nowadays, this paper makes a brief introduction to the Qiang’s traditional dress and adornment and gives an explanation of their rich unique cultural meanings so as to present the Qiang’s traditional dress and adornment to the world, facilitate their going out to the world and communication with other cultures in the world, and enrich the world’s ethnic cultures.
