How Sense of Ritual in Tourism Impacts Tourists’Co-Creation of Tourism Experience Values:A Study Based on the Theory of Value Co-Creation

Establishing a sense of ritual within tourism consumption scenarios offers tourists the opportunity for interactive engagement.Drawing upon the value co-creation theory,this study constructed an influence mechanism model to examine tourists'active engagement in the process of co-creating tourism experience values.It employed Partial Least Squares Structural Equation Modeling(PLS-SEM)to empirically test the proposed hypotheses.The findings demonstrate that the model constructed in the present study exhibits robust reliability,validity,and explanatory power.The perception of the sense of ritual in tourism exerts a significant positive influence on tourists’co-creation of tourism experience values,thereby significantly enhancing both the communitas and flow experienced by tourists during their travels.Moreover,such communitas and flow can mediate the influence of the sense of ritual in tourism on tourists’co-creation of tourism experience values.This study contributes to advancing the current research on tourists’co-creation of tourism experience values and the sense of ritual in tourism,thereby providing theoretical foundations for cultivating a sense of ritual within tourism consumption scenarios.

An Exploration of Traditional Chinese Cultural Programs:The Construction of Rituals,Narrative Strategies,and Experiential Insights

In the context of the cultural development of the new era and the burgeoning spiritual demands of the people,there has been a remarkable surge in the proliferation of traditional Chinese cultural programs.The“Chinese Festivals”series,produced by Henan TV,standing out as an engaging TV program that showcases traditional Chinese culture,has rapidly captivated a diverse audience across different age groups,creating a rich,multi-dimensional,and cross-media cultural communication ecosystem.The program strategically selects symbolic elements by systematically categorizing and organizing traditional Chinese cultural symbols to create a rich cultural space.It employs cutting-edge scientific and technological methods to enrich viewer immersion,crafting media rituals with both temporal significance and a profound sense of media ritual.This approach boosts the program’s popularity and sets a benchmark for industry innovation.By fostering an interactive narrative between mainstream media and the public,the program continuously broadens the scope of the“story world,”fostering a harmonious and structured national cultural community through the creative interpretation of traditional Chinese culture and the evocative crafting of the aesthetic sensibilities inherent in Chinese art.It is worth noting that the phenomenon of aesthetic fatigue besets the development of this serial program.To address this issue and further improve the appeal of the program,a comprehensive approach is required to develop a cohesive narrative mode for the“story world.”This involves harmonizing the interplay between artistic endeavors and technological advancements,synchronizing sensory experiences with the foundational ritualistic elements,and enhancing the effectiveness of the media communication matrix to construct a brand of media culture that has social significance,aesthetic value,and economic profits in the new era.

Return to Reality:Speculative Design of Interaction Ritual Chains and Exploration of Alone Together

“Alone together”is an ever-changing“wicked problem.”In this research and practice,the author tries to combine experience design,referring to the theory of“interaction ritual chain theory,”and creatively add interactive experience to discursive works,so that the audience can think between the real and the virtual.

Implications of The Gift of the Magi for Moral Education of Teenagers From the Perspective of Interaction Ritual Chains

Adolescence is a pivotal moment in shaping one’s character and holds great implications for one’s values and personal growth.The Gift of the Magi by O.Henry portrays how an ordinary young couple in difficult financial circumstances managed to show their love for each other,eulogizing truth,goodness,and beauty in humanity.We conducted a thorough examination of the significance of moral values conveyed in The Gift of the Magi for teenager education using the“situation-emotion-symbol”model that is based on Randall Collins’theory of interaction ritual chains in order to establish an interaction ritual chain model for moral education of teenagers.Our study reveals that situated cognition is useful in constructing the focus of attention for the moral education of teenagers;that shared emotion is the driving force for achieving moral education of teenagers;and that symbolic connections help teenagers put the virtues they’ve learned from The Gift of the Magi into action and provides effective measures that can significantly contribute to the cultivation and implementation of moral education among teenagers.

Refuting the Misconception:Li Bai as an Impolite Person

This essay endeavors to dispel the lingering misconception that Li Bai,the celebrated Tang Dynasty poet,was a man devoid of propriety.Through a meticulous examination of historical records,literary works,and contemporary interpretations,this study presents a nuanced portrait of Li Bai as a poet who,despite his eccentricities and wanderlust,possessed a profound sense of etiquette and respect for societal norms.This essay argues that his unique personality in life and free expression in poetry are all driven by the need for artistic creation,rather than challenging for ancient propriety.

An analysis of the interaction mechanism between the social history of medicine research and health communication from the perspective of mass communication

The mass communication model and interactive ritual chain theory,which serve as communication paradigms in the new media era,facilitate and enhance the synergy between the fields of social history of medicine and health communication.This study employs a comprehensive framework based on the five elements of the mass communication model:information source,communication subject,communication object,message content,and post-communication feedback.Additionally,it incorporates the interactive ritual chain theory to examine the evolving dynamics and developmental trajectory of research in the social history of medicine during the new media era.Conclusively,this paper acknowledges the existing interaction gaps in the interaction between health communication and the social history of medicine research while outlining the challenges for fostering collaboration and proposing strategic optimizations for effective integration.

The Relationship between Dali Lord Worship Ritual Activity and Regional Landscape Architecture in China

The paper had introduced Lord Worship ritual activity unique to Bai Nationality and analyzed Dali landscape characteristics from the aspects of landscape pattern, architectural courtyard pattern and plants landscaping. In the perspective of surface, line and spot landscape architectures, Lord Worship ritual activity had been analyzed. It had revealed that the development of Lord Worship ritual activity was rooted in local landscape environment, and temple's site selection, square construction, activities' route selection and construction of forest land in front of residences were all based on landscape environment. After the analysis of the relationship between Lord Worship ritual activity and landscape places, it had opened a new thought for researches on religious activities and regional landscape. It could explore and recover some traditional folk cultures when environmental landscapes had been studied, so as to promote the inheritance of national culture.

Celebrating the Harvest and san yklk： Exploring Festival and Public Ritual as Collective Memory to Sustain Cultural Identity

This paper argues that ritual is not only restricted to religious activities, but can also be ethological, sociological, and ecological in nature. The artistic, stylistic, and functional characteristics of one particular festival of the Bamana in Mali to celebrate the harvest and new planting season will be analyzed. This festival primarily takes on the form of animal masquerades in which masks, puppets, drumming, singing, and dancing are blended into a ritualistic celebration of a certain cultural identity. The Bamana culture has lost religion as a marker, as Islam is now the dominant religion in Mali, but traditional social relationships and morals among the Bamana as a patriarchal society are concretized and objectified by their animal masquerades. Apart from being a seasonal festival, events from the past are commemorated; customary gender roles are defined; and some fundamental and complex social concepts are reinforced by a performance mode which relies on a collective memory and oral transmission.

Cultural Heritage Assets: Rituals, Grinding Hollows and Other Socio-Cultural Practices in Simiyu Region, Tanzania

This paper presents results from preliminary assessments in Ngasamo ward, Busega district in Simiyu region. The main objective was to assess cultural heritage assets in some areas of Bariadi district in Simiyu region. Specific objectives of the assessment are to identify tangible cultural heritage resources in Simiyu region;to identify intangible cultural heritage resources in Simiyu region;and to provide suggestions for pertinent protection, conservation and presentation of cultural heritage resources. The assessment was carried out through surveys that included documentation together with records for Global Positioning System (GPS) coordinates per surveyed locality;key informant interviews;and Focus Group Discussion. Results from the assessment revealed several worship areas that include immovable physical objects associated to ritual performance places. For example, wells like Luhuhi in Ilula village, Nkindwa biye tree in Ilula village, Magahi well in Isenge village, Isangijo hill at Isenge village, Dutwa well in Isenge village, Nyabusalu well in Igalukilo village and similar others are worship places that were revealed by informants. The assessment uncovered granite rock boulders that are being chopped off flakes for traditional medicine use in the area. Some cultural heritage sites have been identified such that a lot more needs to be explored in order to establish existence of other physical cultural heritage sites in Busega district, Bariadi district. For example, the grinding hollows, bao and the like are unique heritage resources. Such resources including undiscovered immovable archaeological objects would need presentation of sustainable preservation as well as conservation plans in line with Antiquities Acts, Antiquities Rules and Monuments of 1980 together with Cultural Heritage Policy of 2008.

Pagan Ritual as a Means of Therapy and Self-Empowerment

The question that I attempted to consider relates to the advantages of contemporary Pagan rituals,as performed by a group of Israeli Pagans nowadays.Ritual is viewed as a special language that is expressed in structured actions,performed in a special space,at a specific period of time.Humans have the capacity to create a verbal language and use it for social communication.A similar mechanism enables humans to create rituals.Ritual behavior is initiated by a certain cause,which means that it has a purpose.Most scholars consider ritual as a social mechanism that enables society to experience its ethos,and bring different streams of ideologies into cohesion.It is also accepted that ritual is performed in order to restore order in the social type of existence that has been threatened or damaged.Among the different ritual theories on which I base my approach,I prefer Gruenwald’s ritual theory.Gruenwald understands ritual as a performative expression of cerebral(or cortical)processes,similar to the linguistic cognitive and conceptual processes.In religion,rituals are performed in a context that seeks meaning in the framework of the holy(Gruenwald,2003,pp.3,12).The actual performance of ritual ceremony achieves its goal by causing actual transformation of the reality that needs change(for instance:creating a sacred time,or conferring a sacred status).The actual change is a mental transformation;the mind strives to gain control over reality.The ritual performed restores an infracted metaphysical condition.According to Gruenwald,in order to achieve the ritual goal it has to be performed in some context that is meaningful for the participants.The myth,of which the participants are familiar with,confers that context.The Neo-Pagan ritual context is based on the mythic idea that our universe is interconnected in an all-inclusive energetic web.I intend to demonstrate the process that enables the ritual participants to undergo an emotional and spiritual transformation that elevates their self-esteem,and give their life a meaning of a life worth living.

Bali Rituals and Therapeutic Communication in the Traditional Rural Society in Sri Lanka

Bali is a form of classical ritual that makes a sound performance of a variety of psychological and physical treatments for many psychiatric and cultural diseases. Bali is defined as a form of oblation for gods and deities. Bali is determined by the ephemeral cycle of one＇s life, so that the procedures and practices of specific Bali performances are planned to communicate with the planetary system, which is based on his/her astrology. Hence, Bali is made to perform with the use of traditional dance, music and local cultural substances. There are nearly eighty four thousand forms of Bali performances derived out from the constellation. History of Bali goes back to the early kingdom of Kotte which started in early fifteen century. However, it is considered that the origin of Bali resembles with the Indian Hindu religious cults, so that the Sri Lankan Bali tradition has been transformed by the local cultural and Buddhist religious milieu. This study explores the content and effects of Bali ritual. As the qualitative research, it assumes that Bali constitutes a broad spectrum of human needs and wants despite its communication to the supernatural elements of planetary system. Sederaman （1965） has explored Bali to the extent of its entire performance with respective lyrics and dancing procedures, as the pioneering study. However, present study looks at the diversity of the objectives and effects of a performance of Bali in the set-up of real Kandyan rural village in Sri Lanka. Finally, based on the research, it yields following conclusions. Bali in the rural Kandyan village, is designed to be conducted continuously up to fourteen days. It is traditionally performed by the classical exorcist gurus of Bali, who have been trained by the practice of word of mouth by their generation by generation. They are used to reciting, singing and dancing all the forms of communication from their memory and recalling at the very time of performance without any script or written text. Many Bali doctors are used to conducting entire performance with number of classical lyrics and poems with mellifluous musical melodies, attractive rhythms of dance and theatrical performances, which are not yet scientifically classified. Further, Bali is determined by the use of significant characteristics of one＇s astrology, so that the disease or pathetic situation is the fact that decides the specific Bali form. There are nearly eighty-four thousand Bali which are for numerous physical and psychological illnesses including variety of mental disorders and sexually transmitted diseases. Moreover, as this study found a very rare Ola leaf manuscript, that describes the entire eighty four thousand Bali, which is called Balipatuna in Sinhala （Contents of Bali） from a traditional Bali custodian in Laheba Bali Tradition at Kotabe in Mathale District in Sri Lanka. On the other, knowledge and practices of the traditional local medical sciences of parturition （Child birth） health in the pregnancy and the science of child birth （delivery） is also treated by the faculties of Bali schools. And Also, Bali figures are designed, based on the narration of the Bali lyrics, which explains a group of stars forming a recognizable pattern that is traditionally named after its apparent form and it is identified with a mythological figure. However, this has been the source for very colorful temple arts and craftsmanship at the Buddhist temples built up during the era of Kandyan kingdom （1469-1815 ）.

Ritual Traditions of the Three Dynasties and the Continuity of the Chinese Civilization

The rule of rites was the fundamental pattern of the governance in the Xia,Shang and Zhou dynasties(i.e.the Three Dynasties).As a complex system of political and cultural practices with political,religious and moral attributes,rites legitimately and structurally underpinned the royal regime,therefore ensuring regime stability,integrating social relations,and enhancing recognition of cultural and political identities.Ritual traditions of the Three Dynasties went beyond extrinsic rites and institutions to include intrinsic spiritual traditions,e.g.divinity of the Heaven,conformity with ancestral heritage,and derivative moral values such as the pursuit of ethics and rewards for benevolence.Also included were the sense of blood relationships,the sense of clanship,the sense of ethics and the sense of filial piety and fraternal duty based on ancestral worship.Through the enlightenment of ritual music,the sense of rites was internalized as the collective value and cultural identity of the members of a society.Therefore,early nations that were founded upon rites functioned as a community of politics,culture and morality.Rites,having been internalized as cultural elements of the Chinese people,shaped the ways of thinking and behavior.It is fair to say that rites have served as the fundamental bedrock for the continuity of the Chinese civilization.

The Construction of Value Identity Through Ritual Education:Its Internal Logic and Practice Approach Based on a Case Study of Ritual Education in Jiangsu

Ritual education has become an important social approach to disciplining individuals and constructing value identity because of its unique attributes and its capacity to reshape individual behaviors and values through ritual practice.Only by properly grasping the internal logic of the construction of value identity through ritual education can we accurately identify problems arising from ritual education and put forward practical countermeasures and suggestions accordingly.Through the“eight etiquette rules and four ceremonies”campaign and the national memorial ceremony for the Nanjing Massacre victims,Jiangsu has accumulated rich experience in ritual education.Still,in theory,there remain misconceptions;in practice,old problems persist,such as the preference of form to content and lack of refinement and effective use of ritual symbols.The solution to these problems must be based on a thorough understanding of the internal logic of the construction of value identity through ritual education.It is also necessary to further improve ritual space,ritual practices,ritual symbols,and ritual themes to develop an exemplary Jiangsu approach to ritual education in China.

Ritual Treatment of Shamans in Northeast China

Shaman originates from the Tungusic-Ian language.In northeast China,the Shamanism traditions have gradually merged,and formed a compound belief form of polytheism and immortality.When a Shaman enters a special state,he has special abilities beyond ordinary people,such as divination,healing,and disaster relief.The most important thing is that as a messenger of communication between man and God,the Shaman expresses his wishes to God.Man communicates the will of God.The Shaman relies on the drum dance and sings the divine music,through the Shaman ritual to convey the request of people and the will of God.This article summarizes the Shaman's ritual therapy methods(music therapy and dance therapy)and psychological mechanism research,and provides a reference for ritual therapy.

The Wonderful Winter——Report on Monlam Religious Ritual in Labrang Monastery

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“Li Sheng”and Folk Rituals: An Analysis of Folk Funeral Rituals from the Perspective of Jurisprudence

"Shen Zhong",namely the careful arrangement of one's funeral,stressed by traditional Chinese folk funeral ritual is,by nature,the combination of order and justice,procedure and regulation,and it can be included in the traditional laws for its normative features."Li Sheng",the intermediary of funeral ritual,acts as the interpreter and performer of ideas and customs of funeral rituals as well as the rule maker to some degree. By"Si Li",namely directing funeral rituals through verbal command,"Li Sheng"ritualizes and secularizes the rules and procedures of funeral rituals to regulate and control the folk society,thus fulfilling the aim of coordinating rights and obligations of behavioral agents as well as interpersonal relationship.During this process,a balance of value must be maintained between laws and customs.

作为“成年新礼”的“间隔年”:过渡仪式、认同重构与主体实践

“间隔年”(gap year)是当今社会文化变迁背景下的一种新兴行为和社会心态,具有青少年“成年新礼”的特征,而“过渡礼仪”成为其重要的过程机制。“分隔礼仪”体现的是和先前世界的隔离,其核心要义是冲破理性化世界后的自主选择。在迷茫与机遇、兴奋与惆怅并存的状态下,个人层面上极具张力的重大决定与社会层面充满道德意义的新仪式促成了新的自我认同的形成。“间隔年”及青年“认同重构”已不再属于“边缘仪式”的亚文化范畴,而是当今社会文化变迁背景下应运而生的一种行为方式和社会心态,标志着新的自我认同的建构。

“三把半香”与袍哥精神世界的塑造

敬拜“三把半香”是袍哥精神和仪式的重要组成部分。关于“三把半香”的文字与口头传播,吸取了中国历史、传说和民间文化中的诸多元素。“三把半香”的信仰仪式、其中的故事人物及其传达的伦理信息,既继承了从墨子到游侠的文化传统,也显示了人们对游侠风骨的精神寄托,构成了袍哥伦理说教的组成部分,是稳固袍哥组织、加强袍哥身份认同以及进行袍哥内部控制的行之有效的工具。这种工具从中国的历史传说中得到了养料,使得他们团结一心。这种共同的信仰,成为这个组织的粘黏合剂,将袍哥的信仰与仪式规范结合了起来。袍哥之开山立堂,行走江湖,敬拜“三把半香”,成为袍哥的精神支柱和共同教条。