The Russian theatre has not been neglected in the studies on theatre history, literary criticism and dramatic arts. The paper attempts to have a look at the 1787 Drama Dictionary, the first theatre reference book publ...The Russian theatre has not been neglected in the studies on theatre history, literary criticism and dramatic arts. The paper attempts to have a look at the 1787 Drama Dictionary, the first theatre reference book published in the country （with a very long Russian title containing 35 words） as a cultural product of the Enlightenment Age produced by its representative. In the introduction to the dictionary the compiler says that the publication would help young people develop a taste for refined entertainment and reject violent leisure activities of the past, enjoy theatre and learn life moral lessons from it. He considers theatre as a powerful means of changing Russian society as has been demanded by the Enlightenment Age. The structural and sociocultural analyses of 1787 Drama Dictionary materials give us an insight into some ways of westernising Russian society through theatre and how this westernisation was reflected in the theatre terminology of the time. I have argued that Russian-European Relationships resulting in the westernisation of Russian theatre theory and practices went hand in hand with the Russian translation-adaptation of Western plays and adaptation of some Western cultural patterns of social thinking and behaviour without rejecting completely the national identity in newly-born Russian dramatic literature.展开更多
俄语辞书界有两部专门描写同义熟语的词典,一部是由B. П. Жyков主编并于1987年出版的《俄语同义熟语词典》,另一部是由B. M. Mокиенко主编并于1997年出版的《俄语同义熟语词典》。两部词典编纂理念不同,其结构与内容各有特...俄语辞书界有两部专门描写同义熟语的词典,一部是由B. П. Жyков主编并于1987年出版的《俄语同义熟语词典》,另一部是由B. M. Mокиенко主编并于1997年出版的《俄语同义熟语词典》。两部词典编纂理念不同,其结构与内容各有特点。前者通过同义语列的"共同意义"、部分熟语的"个别意义"等15个角度对俄语同义熟语进行描写,后者以单词作为语列主导词的编纂模式反映出熟语之间多样的语义关系--同义、近义和义类。展开更多
文摘The Russian theatre has not been neglected in the studies on theatre history, literary criticism and dramatic arts. The paper attempts to have a look at the 1787 Drama Dictionary, the first theatre reference book published in the country （with a very long Russian title containing 35 words） as a cultural product of the Enlightenment Age produced by its representative. In the introduction to the dictionary the compiler says that the publication would help young people develop a taste for refined entertainment and reject violent leisure activities of the past, enjoy theatre and learn life moral lessons from it. He considers theatre as a powerful means of changing Russian society as has been demanded by the Enlightenment Age. The structural and sociocultural analyses of 1787 Drama Dictionary materials give us an insight into some ways of westernising Russian society through theatre and how this westernisation was reflected in the theatre terminology of the time. I have argued that Russian-European Relationships resulting in the westernisation of Russian theatre theory and practices went hand in hand with the Russian translation-adaptation of Western plays and adaptation of some Western cultural patterns of social thinking and behaviour without rejecting completely the national identity in newly-born Russian dramatic literature.
文摘俄语辞书界有两部专门描写同义熟语的词典,一部是由B. П. Жyков主编并于1987年出版的《俄语同义熟语词典》,另一部是由B. M. Mокиенко主编并于1997年出版的《俄语同义熟语词典》。两部词典编纂理念不同,其结构与内容各有特点。前者通过同义语列的"共同意义"、部分熟语的"个别意义"等15个角度对俄语同义熟语进行描写,后者以单词作为语列主导词的编纂模式反映出熟语之间多样的语义关系--同义、近义和义类。
