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Qualitative and quantitative analysis of natural light in the dome of San Lorenzo, Turin
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作者 Sadegh Panahiazar Morteza Matkan 《Frontiers of Architectural Research》 CSCD 2018年第1期25-36,共12页
The Church of San Lorenzo in Turin, which was designed by the Theatine architect Guarino Guarini in the 17th century, is among the most famous Christian Baroque architectural masterpieces. Guarini was given freedom to... The Church of San Lorenzo in Turin, which was designed by the Theatine architect Guarino Guarini in the 17th century, is among the most famous Christian Baroque architectural masterpieces. Guarini was given freedom to plan and design this church, which can be considered his most innovative and influential work. The most significant feature of this building is its dome, which is magnificent and slightly different from what is expected from a Baroque church. The dome of San Lorenzo has been the subject of considerable research due to its perforated surface that allows daylight to penetrate into the interior space. However, this dome has been mostly described through mere observation in a poetic and mystical manner. Although a subjective analysis is vital in understanding this architectural piece, a systematic and objective analysis that includes numerical data is required to understand fully the illumination by natural light present in this work of architecture. This paper presents a method based on high-dynamic-range-imaging luminance analysis that employs a quantitative luminous measurement technique to analyze the daylight behavior in San Lorenzo. The first section of this paper investigates the subjective experience in the dome hall, and the last two sections objectively show the dome functions and the manner through which the design of Guarini creates various light values in different parts of the dome. Such a design is responsible for the unique experience in the dome hall. 展开更多
关键词 Guarino Guarini san lorenzo BAROQUE DOME Sacred tight HDRI
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时空修补:光和纹理作为新旧建筑的桥梁——以西班牙圣老楞佐殉道教堂的扩建项目为例
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作者 王伟侨 《建筑遗产》 CSSCI 2022年第1期139-149,共11页
建于15世纪末16世纪初的西班牙圣老楞佐殉道教堂在20世纪30年代内战前坍塌,留下一小段后殿,60年代模仿后殿扩建了中殿,但做法和空间效果受到怀疑。文章指出:面对该状况,在教堂建筑遗产新的扩建中,建筑师何塞·伊格纳西奥·利纳... 建于15世纪末16世纪初的西班牙圣老楞佐殉道教堂在20世纪30年代内战前坍塌,留下一小段后殿,60年代模仿后殿扩建了中殿,但做法和空间效果受到怀疑。文章指出:面对该状况,在教堂建筑遗产新的扩建中,建筑师何塞·伊格纳西奥·利纳萨索罗基于新旧建筑在空间层面的平等性,试图超越修旧如旧的字面意义,重新审视建筑的风格问题;建筑师以旧后殿作为空间参考,用三面墙、一个屋顶、一根柱和一扇门这几样建筑要素完成对旧建筑的扩建,将光和纹理视为新旧建筑共通的“无风格”语言,通过石材表面肌理的多层次处理和光的间接引入使新增中殿与旧后殿形成统一整体,辅以连续折线路径体验的营造,完成对旧建筑的时空修补。 展开更多
关键词 遗产建筑 纹理 时空修补 何塞·伊格纳西奥·利那萨索罗 圣老楞佐殉道教堂 扩建
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黑曜石生产与奥尔梅克“母文化”和“姊妹文化”假说——中美洲圣何塞摩哥提和圣劳伦佐遗址黑曜石工业与社会复杂化模式
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作者 冯玥 《考古学集刊》 2019年第1期279-293,共15页
奥尔梅克文化是中美洲形成期的"母文化",还是仅仅为中美洲形成期诸多"姊妹文化"之一,是中美洲考古研究长期争论的重要话题。以往的研究较少从石器生产的角度进行讨论。在分析圣何塞摩哥提和圣劳伦佐两处遗址的黑曜... 奥尔梅克文化是中美洲形成期的"母文化",还是仅仅为中美洲形成期诸多"姊妹文化"之一,是中美洲考古研究长期争论的重要话题。以往的研究较少从石器生产的角度进行讨论。在分析圣何塞摩哥提和圣劳伦佐两处遗址的黑曜石生产操作链基础上,可总结其石器工业的四项主要区别:原料来源、剥片的规划性、生产的专业化程度及分配的组织性、使用功能差异,并认为上述差异并不应当被视为衡量社会复杂化程度的指标,而是中美洲高地与低地不同发展模式的反映。 展开更多
关键词 奥尔梅克文化 圣何塞摩哥提 圣劳伦佐 黑曜石工业 社会复杂化模式
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