The motive forces of literary creation are closely related to an author’s personal experiences.Milton experienced great losses during his lifetime,which produced deep infl uences on his poetic writing.This thesis,bas...The motive forces of literary creation are closely related to an author’s personal experiences.Milton experienced great losses during his lifetime,which produced deep infl uences on his poetic writing.This thesis,based on Freud’s"repression"and"compensation"theory,analyzes Milton’s psychological state in the creation of Paradise Lost,aiming at exploring infl uences of the poet’s experience of loss on the creation of Satan in his masterpiece.展开更多
In Milton＇s Paradise Lost, Satan is conspicuously depicted as the ＂mighty chief＂ （I 566） and ＂the dread commander＂ （I 589） of the rebel army. True to the Hebrew meaning of his name, Satan poses appropriately ...In Milton＇s Paradise Lost, Satan is conspicuously depicted as the ＂mighty chief＂ （I 566） and ＂the dread commander＂ （I 589） of the rebel army. True to the Hebrew meaning of his name, Satan poses appropriately as a grand ＂Adversary＂ （I 629; II 282） to ＂wage by force or guile eternal war＂ （I 121） against God. The poet has deliberately built up a parallel between Satan and Christ the Son, who is the commander-in-chief of the angelic army. With ＂Almighty arms / Gird on, and Sword upon [his] puissant Thigh＂ （VI 713-14）, the Son certainly makes an impressive figure of warrior-general. Satan＇s stance as the ＂idol of majesty divine＂ is really extraordinary. During the War in Heaven, he does show superhuman courage and strength; his ability to change his bodily form has no doubt increased his potential as a warrior. Furthermore, he commands a highly disciplined army, surpassing by far the best troops in human history. All this seems to indicate Satan as a great hero. Even before God proclaims the Son to be raised ＂by merit＂ to the position of＂second omnipotence＂ （III 309）, Milton has already made it clear to the reader that Satan, too, is ＂by merit rais＇d / To that bad eminence＂ （II 5-6）. This ambivalent merit of Satan has incurred heated controversy among the critics. The present paper will set out to analyze the encounter between Satan and the Son in Paradise Lost, in an effort to determine the true meaning of heroism.展开更多
Sula is Toni Morrison’s second novel.The fundamental difference between this novel and her other novels lies in which the heroine of this novel,Sula,is a typical rebellious woman.Morrison often borrows traditional my...Sula is Toni Morrison’s second novel.The fundamental difference between this novel and her other novels lies in which the heroine of this novel,Sula,is a typical rebellious woman.Morrison often borrows traditional mythology modes to tell the stories in her works,and Sula is no exception.To have a better understanding of this novel,this paper explores the heroine Sula’s image by means of myth-archetypal criticism.Through elaborate interpretation and analysis,a conclusion can be drawn that Sula’s rebel image is presented on the basis of the rebel archetype of Satan in Paradise Lost,which can show the charm of Toni Morrison’s narrative style,and also reveals the hardships and courage of black women in the process of self-actualization.展开更多
The film series, Harry Potter, are everlasting legend of all time. It is a diverse work, which derives from the Bible,myths, and literature, reflecting explicitly social life. The study of Harry Potter by using archet...The film series, Harry Potter, are everlasting legend of all time. It is a diverse work, which derives from the Bible,myths, and literature, reflecting explicitly social life. The study of Harry Potter by using archetypal critical theories allows to comprehend well the archetypes generated from human's collective unconsciousness.The thesis attempts to carry an understanding of the biblical archetype of characters with the aid of the critical archetypal theories.展开更多
This paper compares Mark Twain’s The Notorious Jumping Frog of Calaveras County and The Man That Corrupted Hadleyburg,in terms of their stylistic and semantic inconsistency,specifically,their narrative technique and ...This paper compares Mark Twain’s The Notorious Jumping Frog of Calaveras County and The Man That Corrupted Hadleyburg,in terms of their stylistic and semantic inconsistency,specifically,their narrative technique and moral vision.展开更多
In the early 1970s, reader-response criticism rose to prominence in literary analysis, which concerns readers most, and it still influences much contemporary criticism. Firstly, this paper summarizes the general views...In the early 1970s, reader-response criticism rose to prominence in literary analysis, which concerns readers most, and it still influences much contemporary criticism. Firstly, this paper summarizes the general views of reader-response criticism. And then the paper analyzes the personality of Satan in"Paradise Lost"to show my understanding of Satan. Finally, the paper presents my response to reader-response criticism.展开更多
Not long after he withdrew from medical studies at Sendai and returned to Tokyo in 1906, Lu Xun began research on the history and philosophy of science, modern European thought, and comparative literature which produc...Not long after he withdrew from medical studies at Sendai and returned to Tokyo in 1906, Lu Xun began research on the history and philosophy of science, modern European thought, and comparative literature which produced five treatises he eventually published in an archaistic classical prose style influenced by that of Zhang Taiyan. Central to, and the longest among these essays is Moluo shi li shuo （On the power of Mara Poetry）, which focuses on literature East and West and, in particular, the Byronic poets and their international legacy. In translating, annotating, and analyzing this essay, one meets with a number of quotations and terms derived originally from Western sources, sometimes through a secondary Japanese, German, or English translation. This article will focus on issues that arise in the translation and interpretation of that essay, in particular on the question of determining the source text, what bearing that has or should have on scholarly translation and how the study of textual issues can shed light not only on texts but also on literary and intellectual history. It offers an analysis of Lu Xun＇s own interpretation of the source texts as well as conclusions reflecting on the significance of his literary career and broader mission.展开更多
文摘The motive forces of literary creation are closely related to an author’s personal experiences.Milton experienced great losses during his lifetime,which produced deep infl uences on his poetic writing.This thesis,based on Freud’s"repression"and"compensation"theory,analyzes Milton’s psychological state in the creation of Paradise Lost,aiming at exploring infl uences of the poet’s experience of loss on the creation of Satan in his masterpiece.
文摘In Milton＇s Paradise Lost, Satan is conspicuously depicted as the ＂mighty chief＂ （I 566） and ＂the dread commander＂ （I 589） of the rebel army. True to the Hebrew meaning of his name, Satan poses appropriately as a grand ＂Adversary＂ （I 629; II 282） to ＂wage by force or guile eternal war＂ （I 121） against God. The poet has deliberately built up a parallel between Satan and Christ the Son, who is the commander-in-chief of the angelic army. With ＂Almighty arms / Gird on, and Sword upon [his] puissant Thigh＂ （VI 713-14）, the Son certainly makes an impressive figure of warrior-general. Satan＇s stance as the ＂idol of majesty divine＂ is really extraordinary. During the War in Heaven, he does show superhuman courage and strength; his ability to change his bodily form has no doubt increased his potential as a warrior. Furthermore, he commands a highly disciplined army, surpassing by far the best troops in human history. All this seems to indicate Satan as a great hero. Even before God proclaims the Son to be raised ＂by merit＂ to the position of＂second omnipotence＂ （III 309）, Milton has already made it clear to the reader that Satan, too, is ＂by merit rais＇d / To that bad eminence＂ （II 5-6）. This ambivalent merit of Satan has incurred heated controversy among the critics. The present paper will set out to analyze the encounter between Satan and the Son in Paradise Lost, in an effort to determine the true meaning of heroism.
文摘Sula is Toni Morrison’s second novel.The fundamental difference between this novel and her other novels lies in which the heroine of this novel,Sula,is a typical rebellious woman.Morrison often borrows traditional mythology modes to tell the stories in her works,and Sula is no exception.To have a better understanding of this novel,this paper explores the heroine Sula’s image by means of myth-archetypal criticism.Through elaborate interpretation and analysis,a conclusion can be drawn that Sula’s rebel image is presented on the basis of the rebel archetype of Satan in Paradise Lost,which can show the charm of Toni Morrison’s narrative style,and also reveals the hardships and courage of black women in the process of self-actualization.
文摘The film series, Harry Potter, are everlasting legend of all time. It is a diverse work, which derives from the Bible,myths, and literature, reflecting explicitly social life. The study of Harry Potter by using archetypal critical theories allows to comprehend well the archetypes generated from human's collective unconsciousness.The thesis attempts to carry an understanding of the biblical archetype of characters with the aid of the critical archetypal theories.
文摘This paper compares Mark Twain’s The Notorious Jumping Frog of Calaveras County and The Man That Corrupted Hadleyburg,in terms of their stylistic and semantic inconsistency,specifically,their narrative technique and moral vision.
文摘In the early 1970s, reader-response criticism rose to prominence in literary analysis, which concerns readers most, and it still influences much contemporary criticism. Firstly, this paper summarizes the general views of reader-response criticism. And then the paper analyzes the personality of Satan in"Paradise Lost"to show my understanding of Satan. Finally, the paper presents my response to reader-response criticism.
文摘Not long after he withdrew from medical studies at Sendai and returned to Tokyo in 1906, Lu Xun began research on the history and philosophy of science, modern European thought, and comparative literature which produced five treatises he eventually published in an archaistic classical prose style influenced by that of Zhang Taiyan. Central to, and the longest among these essays is Moluo shi li shuo （On the power of Mara Poetry）, which focuses on literature East and West and, in particular, the Byronic poets and their international legacy. In translating, annotating, and analyzing this essay, one meets with a number of quotations and terms derived originally from Western sources, sometimes through a secondary Japanese, German, or English translation. This article will focus on issues that arise in the translation and interpretation of that essay, in particular on the question of determining the source text, what bearing that has or should have on scholarly translation and how the study of textual issues can shed light not only on texts but also on literary and intellectual history. It offers an analysis of Lu Xun＇s own interpretation of the source texts as well as conclusions reflecting on the significance of his literary career and broader mission.
