Analysis of the Structure of Shakespeare's Sonnets

The sonnet is a kind of lyrics with restrict forms which cannot depart from the contents. Shakespeare's sonnets are like a valuable flower blossoming in the England poetry garden during the age of Renaissance and a bright pearl sparkling in the world's poetry treasury. This paper will analyze his sonnets from the perspective of the structure and then interpret the meanings behind those words, which can demonstrate the importance of the connection between the forms and the contents.

Tradition and Distinctiveness in Shakespeare's Sonnets

The paper introduces the tradition of English sonnets, and explores how Shakespeare inherits the tradition and developshis own distinctiveness in his sonnets.

Shakespeare＇ s Sonnets Dated

By using echoes in some sonnets to lines in certain plays, emphasizing those echoes which were not later repeated, and by applying dates to those plays, in 1926 Elizabeth Beckwith tentatively dated a third of the 154 in the entire sonnets cycle. Her belief was that an unintentional authorial pattern of usage would be less subjective than other approaches to dating the sonnets. Yet, by use of dates from external allusions later applied by Prof. Leslie Hotson and other scholars, this author suggests that it may be possible to extend the total number of datable sonnets to over half of the cycle. However, Beckwith did not use dates for the plays which were later to become a standard dating scheme accepted by most scholars today, and so adjustments of her dates would change the dates she awarded to many of her selected sonnets. This author suggests that even the standard dating scheme is flawed, particularly if Shakespeare was dead when the Sonnets were published in 1609. He suggests another dating regime that meshes quite well with both Beckwith＇s 52 and an additional 27. Thus, the result for the 79 sonnets is to avoid certain problems in the distribution that Beckwith＇s method generated. The net result is what Beckwith termed ＂a skeleton around which the remaining sonnets can be safely built＂, but for over half rather than only a third of the cycle. This author suggests a half＂skeleton＂ is more indicative of the chronology for the whole sonnets cycle than only a third.

The Origin of Shakespeare's Sonnets

Shakespeare's famous sonnets come form the Italian origin with Lentini as the founder.However Petrarca is the great Italian sonneteer.Introduced to England by Wyatt and Surrey,sonnets writing reaches its summit by William Shakespeare.Sonnet,though originally a little sound,has becomes a kind of exquisite literary genre in many countries in Europe and the world.

The Triumph of Poetry over Time in Shakespeare's Sonnets

Since the study of Shakespeare's sonnets came to China,people come to an agreement that there is more than one theme running through these sonnets.The most popular and well-accepted ones are singing for fairness,kindness and truth,singing for friendship,and singing for love.Among all these themes,time,running through these sonnets from the beginning to the end,is absolutely one of the most important.In the eyes of the poet,time is cruel and destructive;however,he figures out poetry as a key way to triumph over it.This article attempts to argue for the triumph of poetry over time in Shakespeare's sonnets based on an analysis to the poetry.

To Be Is to Create—Essence of Life in the First 17 Sonnets of Shakespeare

It is generally acknowledged that the first 17 sonnets of Shakespeare is a set of poems to urge a young man to get married and have a baby so as to immortalize his beauty.However,these sonnets mirror Shakespeare’s mediations on life and death.Man is by nature mortal being,and time is the enemy of life.To endure beauty long,man can fight against time by means of child-bearing and poetic creation.The first 17 sonnets address the theme:the essence of life is to create.

Reading Shakespeare’s Sonnets on The Relationship of Love and Time as A Drama

There is special intertextuality between Shakespeare’s sonnet 115&116,each of which contributes to make up a complete mosaic of the speaker’s passionate but philosophical process of rumination on the relationship between love and time.When juxtaposing these two sonnets,we can find an organic entirety very similar to“a drama”under the same theme,and each sonnet,like a scene for the drama,is indispensable in constructing a process of pondering on the relationship between love and time.

Fair,Kind,and True is All My Argument——On the Theme of Shakespeare's Sonnets

The emphasis of the paper is the theme of the works:"fair,kind,and true is all my argument",for the theme is the spirit of the Sonnets.Only when one understands the theme,can one fully realize the literary and artistic value of Shakespeare’s Sonnets.The perfect unity of"fair,kind and true"is the ideal state of Shakespeare’s life.The sonnets which reinforce the theme are really"the rarest pearls of Elizabethan poetry".

The Versification of Shakespeare's Sonnets

The whole creation of Shakespeare's 154 sonnets are studied and discussed in 4 main sections.The first section,The Lines,points out that Sonnet 99 consists of 15 lines,Sonnet 126 is composed of 12 lines.The second section,Rhymes,tells that some 19 pairs of unrhymes words are in 19 differents sonnets.The third section,Rhythms,tells the somewhat loose metrical rules based on 3 famous sonnest: Sonnet 18,Sonnet116,and Sonnet 145.The forth section,Rhetoric,discusses the usage of paralletism,repetition,and punning in accordance with Sonnet 66 and Sonnet 135.Readers should be careful when they appreciate Shakespeare's sonnets in an artistic and aesthetic way.

The Comparison of Shakespeare's Sonnet 18 and Baima's Your Beauty

Shakespeare is one of the most brilliant playwrights and poets in the Middle Ages. Shakespeare's sonnets created during 1592 to 1598 is not only one of the greatest achievements of his, but also a great leap forward to sonnet itself. With the development of sonnets, Chinese poets begin to learn from western traditional sonnets. Among these poets, Bai Ma is a typical representative. This thesis aims to make a comparison between western traditional sonnets and Chinese sonnets to find out their similarities and dissimilarities through studying Shakespeare's and Bai Ma's respective magnum opuses, and to further promote the literary communication of the East-West.

Challenges and Achievements: Teaching Shakespeare's Sonnet 34 to a Third Year "English Literature" Class

The teaching of Shakespeare’s sonnet 34, among others, was attempted in order to counterbalance an overabundance of "survey" courses and to take the students deeply into a single major writer a poet again to counterbalance an overabundance of courses on prose writers. Sonnet 34 provided a few challenges in several archaic words, and in some Christian terms, but dealing with these left the students in a good position to successfully ingest and enjoy this and other sonnets.

The Use of Four Elements in Sonnets 44 and 45

Four is a very important number in Western culture.This paper intends to explore the use of four elements and their significance in Shakespeare’ s sonnets 44 and 45.They demonstrate the correspondence between nature and human being,the platonic/Christian dualism,and the separation and unity between the speaker and the young man.

My Appreciation of Situational Irony in Shakespeare's Tragedies

This thesis carefully appreciated situational irony in some of Shakespeare's tragedies successively,and classified situational irony into four kinds:discrepancy between appearance and reality,expectation and fulfilment,intention and outcome,the actual circumstances and appropriateness.In the analysis of the first kind of situational irony,especially,the thesis focused on Antony and Cleopatra,together with Julius Caesar,questioned the common idea,and stated that Antony's failure was not because of his passion towards Cleopatra.Cleopatra was only his screen to cheat the world,an excuse of his " face-saving failure".

TRUE KINGLY HONOUR IN SHAKESPEARE′S HENRY IV PART I

Honour, one of the eternal themes in Shakespeare, is again in the spotlightin Henry IV Part I. In this play, the rivalry between Prince Hal and Hotspuremerges actually out of their cravings for the title of royal honour and valour.Hotspur appears to be formidable, courageous and energetic. He is exactly

Media Representing Shakespeare： Adaptation, Inter-Textuality, and Gender

Applying the theory of adaptation, Feminism, and Performance Studies, this paper explores the adaptation, inter-textuality, and gender in the three films The Tempest （2010） directed by Julie Taymor, Prospero＇s Books （1991） directed by Peter Greenaway, and Shakespeare in Love （1998） directed by John Madden, referenced to Gnomeo and Juliet （2011）, a cartoon animation. Both films of The Tempest show visual spectacle and technology images by CGI （Computer-Generated Cinematic Graphic Image） effect. The author argues the power struggle between Caliban and Prospero played by actress Helen Mirren, changes from post-colonial discourse in the male domain, to be more about the intellect contest between man and woman, and Taymor＇s adaptation is more focused on maternity than actor John Gielgud＇s on politics. Inter-textuality exists in Shakespeare in Love and Shakespeare＇s Romeo and Juliet, and Twelfth Night. Unlike the tragedy in the films, Gnomeo and Juliet ends happily as we can expect from most musicals and fairy tales. The inter-textuality of literature and art, dramatic plays, historical events, and biographical sketches are delicately intertwined. Media represent Shakespeare applied by Jean Baudrillard＇s ＂simulacra＂ and Richard Schechner＇s ＂simulation＂ to present the liminal threshold between reality, role-playing, and theatricality. Shakespeare represented by media rise to visual narratives.

On Shakespeare's License

All grammatical rules leak. Grammar, as a science of expression, should be more subtle and less rigid; it should address itself more to the speaker’s intentions and less to the rules and definitions. Grammatical rules are no more the articles of a criminal code than a gifted writer is a professional lawyer. Memory is the scribe

Analysing Shakespeare＇s Emblem Language in Midsummer Night＇s Dream

Shakespeare has been studied from many perspectives so far. However, his language style used in his literary works is still worth studying. First of all, this study explores changing sense of emblem and emblem language comparing Shakespeare＇s era and today. Secondly, it puts stress on the effects of emblem traditions on Shakespeare. Lastly, this article aims to shed light on his emblematical language in his Midsummer Night＇s Dream, which is one of his most leading works in terms of having highly visible emblematical interpretations.

An Analysis of Power Desire of Iago in Shakespeare＇s Othello From Psychological Perspectives

This study aims to investigate how powerful desires controlling and influence the play＇s characters. In particularly Iago＇s Power is probably the most important motive. Iago employed to manipulate Othello. It is clearly seen that Iago thrived in power because he loves manipulating people so that they do what he says. Othello indicates the power of desires, love and jealousy. The purpose of this study is to obtain a deeper understanding and analyze the character＇s power and how Shakespeare used Iago＇s power desires？ To cause the tragic downfall Othello by using the psychological approaches. Shakespeare＇s tragedies＇ characters motivated by the power desires. Shakespeare shows that the human need, feelings, emotions and passions or desires may lead their owners to be mad if they surrender to them to go beyond the limits. This paper looks how Shakespeare shows the humanism by describing Iago＇s desires in his play, Othello the most notable tragedies.

Faith and Meaning:A Study of the Chinese Translation of Shakespeare’s Midsummer Night’s Dream by Liang Shiqiu from the Perspective of Topology

Topology,as a branch of mathematics,studies on the invariability of topological spaces after topological transformation,whose essence is topological equivalence.From the perspective of cultural inheritance and coherence,translation is essentially topological deformation.In literary translation,complete equivalence is almost impossible.Topological equivalence can be used to transform the text dynamically,which means that the translation remains the fundamental properties of the original text.Therefore,people can understand the meaning of the text based on another culture from different cultural backgrounds.From the view point of topology,the present paper purports to examine Liang Shiqiu’s translation of Shakespeare’s Midsummer Night’s Dream,and found that the translation remains the features of source text by rendering effective topological strategies to realize topological equivalence and promote cultural exchanges between China and the West.