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The Narcissistic Dilemma: Exploring NPD Traits in Hamlet from a Beauvoirian Perspective
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作者 Nida ul Zafar 《Journal of Literature and Art Studies》 2024年第4期265-272,共8页
This research paper explores the intersection of existential philosophy and psychological disorders in William Shakespeare’s Hamlet,with a focus on Narcissistic Personality Disorder(NPD)as viewed through the existent... This research paper explores the intersection of existential philosophy and psychological disorders in William Shakespeare’s Hamlet,with a focus on Narcissistic Personality Disorder(NPD)as viewed through the existentialist lens of Simone de Beauvoir.Drawing upon Beauvoir’s existentialist framework,the study delves into the complexities of identity,agency,and societal expectations as portrayed in the characters of Gertrude and Ophelia.Through an interdisciplinary approach,the paper examines how existential crises intertwine with narcissistic behaviors,shedding light on the psychological intricacies of Shakespeare’s iconic figures.By synthesizing literary analysis with psychological insights,the study offers valuable contributions to our understanding of human psychology,societal dynamics,and the timeless themes of existential authenticity portrayed in literature. 展开更多
关键词 EXISTENTIALISM Simone de Beauvoir Narcissistic Personality Disorder SHAKESPEARE HAMLET identity psychological complexity
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后经典叙事中的黄梅戏:莎士比亚喜剧《无事生非》 被引量:7
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作者 李伟民 《安徽师范大学学报(社会科学版)》 CSSCI 北大核心 2010年第6期677-682,共6页
后经典叙事注意到叙述媒介的多样性,在叙事学讨论的范畴内,戏剧也被初步接纳。黄梅戏《无事生非》以特有的唱腔演绎了莎士比亚话剧《无事生非》,采用写意性的表现手法反映了莎士比亚喜剧精神,借助于唱腔和表演展现了其中人物的性格、心... 后经典叙事注意到叙述媒介的多样性,在叙事学讨论的范畴内,戏剧也被初步接纳。黄梅戏《无事生非》以特有的唱腔演绎了莎士比亚话剧《无事生非》,采用写意性的表现手法反映了莎士比亚喜剧精神,借助于唱腔和表演展现了其中人物的性格、心理、行动,将黄梅戏唱腔、表演之美拼贴于其情节之中。这种改编,在后经典叙事的阐释中不同于作为话剧的《无事生非》的美学形态,实现了后经典叙事、元叙事与虚拟、写意基础上的审美叠加。 展开更多
关键词 后经典叙事 黄梅戏 莎士比亚喜剧 Perspective Shakespeare 唱腔 写意性 喜剧精神 美学形态 话剧 表演 表现手法 元叙事 叙事学 多样性 展现 演绎 叙述 虚拟 性格
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浅析莎士比亚第18首十四行诗(英文) 被引量:1
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作者 李江 《思想战线》 CSSCI 北大核心 2009年第S2期35-36,共2页
Shakespeare’s Sonnet 18 is probably the most famous of his sonnets,which impresses the readers with its profound topic and rich images. Through a detailed study of the development of its topic and the techniques to d... Shakespeare’s Sonnet 18 is probably the most famous of his sonnets,which impresses the readers with its profound topic and rich images. Through a detailed study of the development of its topic and the techniques to develop,we can find out the reason why it is a great one. 展开更多
关键词 SHAKESPEARE SONNET 18 TOPIC TECHNIQUES
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爱情对话语篇中的presymbolic和symbolic因素——Romeo与Juliet和梁山伯与祝英台对话比较 被引量:1
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作者 邵志洪 《现代外语》 CSSCI 北大核心 1994年第3期45-50,60,共7页
When words are used as vocal equivalents of expressive gestures,we shall say thatlanguage is being used in presymbolic ways.These presymbolic uses of language coexistwith our symbolic system,and the talking we do in e... When words are used as vocal equivalents of expressive gestures,we shall say thatlanguage is being used in presymbolic ways.These presymbolic uses of language coexistwith our symbolic system,and the talking we do in everyday life is a thorough blendingof symbolic and presymbolic.(Hayakawa,1978:78)表情感叹(presymbolic)因素在表示各种强烈感情的日常用语中表现最明显。比如:在马路上。 展开更多
关键词 梁山伯与祝英台 爱情 语篇结构 特征的r 语言符号系统 SHAKESPEARE meaning 日常用语 “爱” word
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从莎士比亚《威尼斯商人》到文明戏《肉券》的三次变身
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作者 王凤霞 《戏剧之家》 2013年第7期9-11,共3页
文明戏剧目《肉券》依据了林纾的《吟边燕语》,林译又是对兰姆姐弟的Tales From Shakespeare翻译和改编,兰姆姐弟则对莎士比亚原作进行了简化与改写。四者既互相依赖、关联,又各自不同,体现了文化交流中的各种变体和变相,对于研究中西... 文明戏剧目《肉券》依据了林纾的《吟边燕语》,林译又是对兰姆姐弟的Tales From Shakespeare翻译和改编,兰姆姐弟则对莎士比亚原作进行了简化与改写。四者既互相依赖、关联,又各自不同,体现了文化交流中的各种变体和变相,对于研究中西戏剧传播与接受具有特殊意义。 展开更多
关键词 《肉券》 《威尼斯商人》 TALES From SHAKESPEARE 文明戏
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Political Reality and Nature in Shakespeare's King Lear
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作者 朱亚宁 《海外英语》 2012年第15期220-221,224,共3页
King Lear is considered to be Shakespeare's greatest tragedy.Using analysis of the play and the contemporary politics of Jacobe an time,this paper examines how this play serves its traditional role as a"mirro... King Lear is considered to be Shakespeare's greatest tragedy.Using analysis of the play and the contemporary politics of Jacobe an time,this paper examines how this play serves its traditional role as a"mirror for princess"play and how a broader dimension provided by a Christianized natural law is available for the exploration of possibilities of human experiences. 展开更多
关键词 SHAKESPEARE KING Lear POLITICAL REALITY NATURE
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The Eternity of Hamlet --Talk briefly about Hamlet's character 被引量:1
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作者 李雁 《陕西师范大学学报(哲学社会科学版)》 CSSCI 北大核心 2001年第S2期128-131,共4页
The character of Hamlet is evidently designed by its illustrious author as a picture of an amiable prince, an affectionate son, a fast friend, and a fine gentleman. Yet in no one of these respects is it by any means i... The character of Hamlet is evidently designed by its illustrious author as a picture of an amiable prince, an affectionate son, a fast friend, and a fine gentleman. Yet in no one of these respects is it by any means intitled to our approbation. From the beginning of the play till his killing the king at the end of the fifth act we find him irresolute, unnatural, inconstant, melancholy and brutal. That Hamlet’s character, thus formed by nature, and thus modelled by situation, is often variable and uncertain. I will content myself with the supposition that this is the very character which Shakespeare meant to allot him. 展开更多
关键词 Shakespeare’s play BRITISH LITERATURE HAMLET
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论通感在诗歌中的语言功用 被引量:4
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作者 王艳 张智宏 《外语学刊》 CSSCI 北大核心 1998年第3期64-66,共3页
关键词 诗歌 视觉意象 通感性意象 具体语言环境 文学作品 SHAKESPEARE 莎士比亚 英国文艺复兴时期 钱钟书 《现代汉语八百词》
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论莎士比亚的喜剧《仲夏夜之梦》 被引量:3
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作者 李志斌 《湖北大学学报(哲学社会科学版)》 1993年第4期6-11,共6页
威廉·莎士比亚(William Shakespeare)是英国文艺复兴时期蜚声遐迩的戏剧天才,他以气势恢宏含蕴深婉的大量力作,艺术地再现了五光十色的人类生活图景,并把人物的思想和性格作为人与人之间矛盾冲突及其最后结局的决定性因素进行描绘... 威廉·莎士比亚(William Shakespeare)是英国文艺复兴时期蜚声遐迩的戏剧天才,他以气势恢宏含蕴深婉的大量力作,艺术地再现了五光十色的人类生活图景,并把人物的思想和性格作为人与人之间矛盾冲突及其最后结局的决定性因素进行描绘,从而打破了古希腊罗马文学以来塑造人物所惯用的“命运模式”,为欧洲现实主义文学向着更高层次的发展,作出了举世瞩目的贡献。研读莎士比亚的作品,我们会自然而然地感受到,诗人在创作之时常常是才思泉涌,倚马千言,妙语连珠,斐然成章。一部莎剧带给我们的决不只是几朵浪花,而是一片深海。只要我们象潜水员一样跳进去,我们就会惊喜地看到,莎士比亚丰富而深刻的思想宛如千姿百态的鱼儿,在这片湛蓝的海水中自由自在地忽上忽下地游来游去,而研读莎士比亚的喜剧,我们最深挚最剀切的感受则是,剧作家用一层层飘荡着诗情画意的梦幻的轻纱,精心地覆盖着一束束思想感情的鲜花和一尊尊现实生活的雕像。他的《仲夏夜之梦》就是这样一部杰作。 展开更多
关键词 仲夏夜之梦 莎士比亚 喜剧 仙后 雅典 作品 SHAKESPEARE 精灵 爱情 剧本
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英语词汇与希腊罗马神话典故
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作者 聂亚宁 《武陵学刊》 1998年第2期75-77,共3页
关键词 希腊罗马神话 英语词汇 普罗米修斯 古希腊神话 文化渗透 希腊神话传说 形容词 阿基里斯 英国殖民主义 SHAKESPEARE
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语言超常搭配的心理基础 被引量:4
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作者 托娅 《青岛海洋大学学报(社会科学版)》 1997年第4期88-89,共2页
在文学创作过程中,创作者的各种心理功有都被调动了起来,其中包括感知、情感、想象和联想等。超常语言搭配的生成是由于创作者的情感冲动,感知事物的角度突变,联想和想象力的大胆运用,多角度的心理机能相互渗透相互激活而引发的。由此,... 在文学创作过程中,创作者的各种心理功有都被调动了起来,其中包括感知、情感、想象和联想等。超常语言搭配的生成是由于创作者的情感冲动,感知事物的角度突变,联想和想象力的大胆运用,多角度的心理机能相互渗透相互激活而引发的。由此,作家们创造出被陈望道先生称为“超乎寻常文字、寻常文法,以至于寻常逻辑的”语言。本文拟就英汉文学作品语言的超常搭配形成的心理基础作一分析。 一、基于感觉的语言超常搭配 当人们感受和认识外部世界时。 展开更多
关键词 超常搭配 心理基础 变异语言 文学创作过程 心理活动 英汉文学作品 角度突变 创作者 SHAKESPEARE 《现代汉语》
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莎士比亚的英国历史剧简评(上) 被引量:3
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作者 索天章 《解放军外国语学院学报》 1984年第2期1-12,共12页
自从玫瑰战争(1455—1485)以来,英国人民痛感内忧外患之苦,人心思治。一些有识之士纷纷研究英国的历史,想从中找到一些经验教训。1501年罗马教皇派遣学者波利多尔·弗吉尔(Polydore Vergil)来到英国。英王亨利七世命他撰写一部英国... 自从玫瑰战争(1455—1485)以来,英国人民痛感内忧外患之苦,人心思治。一些有识之士纷纷研究英国的历史,想从中找到一些经验教训。1501年罗马教皇派遣学者波利多尔·弗吉尔(Polydore Vergil)来到英国。英王亨利七世命他撰写一部英国历史。该书于1553年完成。这位学者大事渲染亨利五世的英明统治,说他是一位聪慧、严肃、精明、真诚的君主。他还分析了理查二世的行为,指出他的最大错误是杀害他的叔父格劳斯特公爵和没收兰卡斯特家族的财产。弗吉尔的这本历史书在当时颇有影响。 展开更多
关键词 理查德 莎士比亚 英国历史 本戏 SHAKESPEARE 玫瑰战争 仪式化 上帝 弗吉尔 亨利四世
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凡宰特致巴金的信凡宰特致本社黑浪同志信——殉道者遗书之一 被引量:1
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作者 山口守 《中国现代文学研究丛刊》 CSSCI 北大核心 1996年第2期226-231,共6页
你的信接到了,这很使我感动.你知道为什么在我致全体同志的信中,我要提到“沉默着的同志”呢?正因为我知道有许多像你那样年轻的人还有许多年老的男男女女,他们默默和我们的感情共鸣,防护我们的生命。
关键词 殉道者 巴金 遗书 感情共鸣 道德人格 无政府主义者 SHAKESPEARE 毕达哥拉斯 希腊哲学 解放个人
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双关语的作用及其翻译 被引量:4
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作者 张爱平 《漳州师院学报(哲学社会科学版)》 1995年第3期85-90,94,共7页
关键词 双关语 修辞效果 修辞手法 SHAKESPEARE 马铃薯 译法 人物性格 修辞作用 文学作品 谐音双关
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Shakespeare Inherits and Further DevelopsAristotle's Tragic Theor
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作者 李德娟 《内蒙古大学学报(哲学社会科学版)》 CSSCI 2000年第S1期152-155,共4页
本文结合亚里士多德的悲剧理论 ,探讨了莎士比亚悲剧创作对亚氏理论的继承和发展。并从悲剧的主要根源、悲剧人物和悲剧效果三方面对莎士比亚的若干悲剧进行分析 ,试在阐明莎氏的悲剧观。尽管同亚氏一样 ,莎士比亚同样重视剧中人物行为... 本文结合亚里士多德的悲剧理论 ,探讨了莎士比亚悲剧创作对亚氏理论的继承和发展。并从悲剧的主要根源、悲剧人物和悲剧效果三方面对莎士比亚的若干悲剧进行分析 ,试在阐明莎氏的悲剧观。尽管同亚氏一样 ,莎士比亚同样重视剧中人物行为的发展与刻画 ,但他的作品更体现出人物性格是导致悲剧的主要原因 ;就人物而言 ,莎剧中主人公一般都是善良并有许多优点的 ,但不同于亚氏 ,莎士比亚的确承认这类主人公 ,如麦克白等 ,亚里士多德显然是把他们排除在悲剧之外的 ;在莎氏的笔下 ,亚里士多德“悲剧必须能引起怜悯与恐惧” 展开更多
关键词 TRAGEDY tragictheory SHAKESPEARE ARISTOTLE
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The Use of Four Elements in Sonnets 44 and 45
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作者 姚明海 《语言与文化研究》 2008年第2期71-73,共3页
Four is a very important number in Western culture.This paper intends to explore the use of four elements and their significance in Shakespeare’ s sonnets 44 and 45.They demonstrate the correspondence between nature ... Four is a very important number in Western culture.This paper intends to explore the use of four elements and their significance in Shakespeare’ s sonnets 44 and 45.They demonstrate the correspondence between nature and human being,the platonic/Christian dualism,and the separation and unity between the speaker and the young man. 展开更多
关键词 SHAKESPEARE SONNET FOUR ELEMENTS
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Amiable Shakespeare Versus Satirical Jonson?——A Contrastive Myth between Shakespearean and Jonsonian Comedies
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作者 廖运刚 《英语广场(学术研究)》 2014年第5期13-17,共5页
Shakespeare and Ben Jonson have frequently been paired up for comparison in studies of early modern English drama.Conventional views about Shakespeare’s and Jonson’s comedies evolved and crystallized in the seventee... Shakespeare and Ben Jonson have frequently been paired up for comparison in studies of early modern English drama.Conventional views about Shakespeare’s and Jonson’s comedies evolved and crystallized in the seventeenth,eighteenth and nineteenth centuries.People believed or were led to believe that Shakespeare’s and Jonson’s comedies were in clear opposition:Shakespeare’s comedies were sweet,romantic,amiable,popular and entertaining,whereas Jonson’s were based on an abstract theory of humors,cold,satiric,pedantic,and moralizing.Only in the last century did these oppositions begin to change,but too slowly.This paper calls those binary oppositions into question.It tries to present a more truthful picture of these two playwrights and their comedies through an examination of some of their works.It argues that some of those oppositions are stereotypes and should not be taken seriously by contemporary Shakespearean and Jonsonian scholars. 展开更多
关键词 SHAKESPEARE Jonson COMEDY binary oppositions
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爱情与谎言——莎士比亚十四行诗(一三八)试析 被引量:1
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作者 朱怀沛 《天津外国语大学学报》 1997年第1期49-51,共3页
纯洁的爱情意味着忠诚与奉献,本与谎言无缘;但情感世界是微妙和复杂的,有时候竟也需要谎言的充填,莎士比亚的第138首十四行诗描写的就是这样带有一点苦涩的爱情.莎士比亚的第138首十四行诗写的是一对男女间谎言与爱情的纠葛.这首诗层次... 纯洁的爱情意味着忠诚与奉献,本与谎言无缘;但情感世界是微妙和复杂的,有时候竟也需要谎言的充填,莎士比亚的第138首十四行诗描写的就是这样带有一点苦涩的爱情.莎士比亚的第138首十四行诗写的是一对男女间谎言与爱情的纠葛.这首诗层次清楚,结构分明.它共有三节;每节四句,有一个独立的韵式;最后是一个押韵的对句.为便于分析,笔者将该诗译成了中文: 展开更多
关键词 莎士比亚十四行诗 爱情 试析 相信她 情感世界 说假话 中国戏剧 文艺复兴 SHAKESPEARE 不完全相关
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Corpus-based Analysis on Anti-Semitism in Shakespeare's Works
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作者 张小林 《海外英语》 2012年第6X期213-216,共4页
Thousands of years ago,the Jews were forced to leave their homeland and began to live an exiled life and gradually melted into other neighboring peoples.However,they were not welcomed by others.For thousands of years,... Thousands of years ago,the Jews were forced to leave their homeland and began to live an exiled life and gradually melted into other neighboring peoples.However,they were not welcomed by others.For thousands of years,Jews' "Bible" has become a source of literary and artistic creation,but the image of Jews were excluded from the literary and artistic creation,even if there were some occasions,they were but described as autistic Misers or loan shark.Shakespeare is one of the most outstanding writers;he described many people from all walks of life in his works,the Jews,also included.Based on the corpus of Shakespeare's works,we can see that most adjectives used by Shakespeare to modify the word "Jew"are derogative words.Therefore,we can prove that anti-Semitism does exist in Shakespeare's works. 展开更多
关键词 JEW ANTI-SEMITISM DEROGATORY ADJECTIVES Shakespear
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The Conflict Between Humanism&Feudalism in A Midsummer Night's Dream
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作者 康杰 《海外英语》 2013年第8X期182-185,共4页
Shakespeare's A Midsummer Night's Dream is a play of love that reflects the sharp conflict between humanism and feudalism in the sixteenth century English society, which finds expression in the dispute between... Shakespeare's A Midsummer Night's Dream is a play of love that reflects the sharp conflict between humanism and feudalism in the sixteenth century English society, which finds expression in the dispute between Hermia and her father Egeus on her marriage and Hermia's bold rebellion against the feudalistic parental tyranny. The final success of the lovers in their struggle for the freedom to decide their marriage not only embodies Shakespeare's humanist ideal but also reflects his firm belief that humanism would inevitably triumph over feudalism. 展开更多
关键词 SHAKESPEARE LOVE CONFLICT HUMANISM FEUDALISM
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