Shanghai "Maker" Urban Culture Construction in the Context of Big Cloud Movement

Shanghai should orient its development to becoming a global science and technology innovation center. Now,it plans to launch a strategic research of new round of development in 2050,carry out future urban planning research in 2040,and started start the implementation of thirteenth five-year development planning research. In this process,it is required to fully consider the impact of a new round of scientific and technological revolution and industrial reform,include the construction of global innovation center into the layout of the future development of Shanghai,formulate global scientific and technological innovation center development strategy,and further make clear the leading and support function of scientific and technological innovation to economic and social development of Shanghai. This paper analyzed the relationship between Big Cloud Movement and " Maker",and the necessities for cultivating " Maker" urban culture to building Shanghai global scientific and technological innovation center. On this basis,it elaborated and analyzed how to integrate the Maker Culture into Shanghai urban culture. Finally,it came up with recommendations for establishing Shanghai " Maker" urban culture.

Study on the Relationship between Shanghai Sand Junk Culture and Shanghai Urban Culture

From material,spiritual,institutional and behavioral aspects,Shanghai sand junk culture and Shanghai urban culture were studied,and the relationship between the two was analyzed.It is found that there are similarities and individualities between Shanghai sand junk culture and Shanghai urban culture,and the two are closely compatible.

Study on the Relationship between Shanghai Sand Junk Culture and Marine Culture

Shanghai sand junk culture and marine culture were introduced from the four aspects of culture(physics,institution,behavior and mentality),and their relation was analyzed.The results show that there is a generic relationship between marine culture and Shanghai sand junk culture.Shanghai sand junk culture reflects the marine culture in a specific period and enriches the connotation of marine culture.Marine culture is the foundation of Shanghai sand junk culture,and provides new opportunities for the sustainable development of Shanghai sand junk culture.Therefore,the study of the relationship between Shanghai sand junk culture and marine culture is beneficial for the two to promote each other,and lays a solid cultural foundation for the realization of"maritime power".

A Study on the Relationship Path of Impact on Brand Attachment by Cultural Atmosphere

With the continuous improvement of people’s material living standards,people are increasingly pursuing the cultural connotation of the destination in the process of tourism.At the same time,with the continuous development of China’s cultural and tourism integration,the cultural atmosphere of the tourist destination is also increasingly affecting the development of urban tourism.This study summarizes the Shanghai cultural atmosphere,brand cognition,brand satisfaction and brand attachment in Shanghai and explores the influence path of cultural atmosphere on tourist brand attachment to their destination in Shanghai.This research used AMOS software to quantitatively analyze the relationships among cultural atmosphere,brand cognition,satisfaction,and brand attachment.The results show that:Firstly,Shanghai cultural atmosphere has a significant direct positive influence on Shanghai brand cognition,brand satisfaction and brand attachment;secondly,the brand cognition of visitors to Shanghai has a significant direct and positive effect on brand satisfaction,and then indirectly has a positive effect on brand attachment;thirdly,Shanghai cultural atmosphere indirectly has a positive effect on brand attachment through brand satisfaction.

Grand Theatre:A Landmark of Shanghai's Open Culture

In June, the Shanghai Grand Theatre invested 10 million yuan (1.2 million U.S. dollars) to stage the classic Broadway musical "Les Miserables."The performance celebrated the 200th anniversary of the birth of writer Victor Hugo, author of the book on which the musical was based. The Shanghai tour makes China the 36th country to stage "Les Miserables," one of the world’s four most

Let Cultural Heritage Be Known The show of intangible cultural heritage on Intertextile Shanghai Home Textiles

Just by chance,Yang Zhaohua,vice president of the Sub-Council of Textile Industry,CCPIT,saw hand embroidery and paper-cut attracting a lot of rabid fans on the Shenzhen International Culture Fair.

The Urban “Cultural Nexus of Power”： Intellectual Elites in Shanghai and Beijing, 1900-1937

In the decades before the full-scale war with Japan in 1937, a robust series of institutions connected the bourgeois with intellectuals （which included professionals and journalists, as well as academics） in Shanghai. Collectively, these institutions can be understood as forming an urban ＂cultural nexus of power＂ that allowed non-state actors to effectively control aspects of Shanghai＇s political life. This bourgeois-intellectual alliance was not inevitable; no similar bonds existed between these same two groups in Beijing. It was forged in Shanghai due to the city＇s unique historical position as a Treaty Port and its dynamic economy, which included an extensive structure of private higher education and a market-based publishing industry. Unlike the rural ＂cultural nexus of power＂ originally described by Prasenjit Duara, this urban nexus grew stronger during the political and economic changes of the early twentieth century. War and revolution in the 1930s and 1940s, however, destroyed the connections between the bourgeoisie and the intellectuals, ending the vibrant urban environment they had created.

On the Evolution of Baojuan Performances in Shanghai:A Development of Traditional Literature in the Modern City(1875-1915)

This article traces the history of baojuan(scroll recitation)performances in Shanghai in the period 1875-1915.Scroll recitation is a type of ritualized storytelling that originated in Buddhist preaching,but that also included secular subjects in the later period.This study demonstrates how a traditional performative art was integrated into the cultural environment of a developing cosmopolitan city at the end of the nineteenth century,and how it was transformed for the new demands of urban audiences in the early twentieth century.This study analyzes the process of secularization of scroll recitation through the growth of entertaining aspects of its contents and performance style in Shanghai.It makes use of newly discovered historical materials,including newspapers and periodicals of that period,which help to clarify many details of this art's evolution in the modern city.